[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:13.12,0:00:16.22,Default,,0000,0000,0000,,[Music] Dialogue: 0,0:00:17.15,0:00:21.10,Default,,0000,0000,0000,,chances are high that you know this lady Dialogue: 0,0:00:21.10,0:00:25.28,Default,,0000,0000,0000,,Lady Justice is the main image \Nof justice we have Dialogue: 0,0:00:25.28,0:00:30.17,Default,,0000,0000,0000,,A blindfolded woman \Nwith scales and a sword Dialogue: 0,0:00:30.17,0:00:34.62,Default,,0000,0000,0000,,She is blindfolded because she has\Ndecided not to see Dialogue: 0,0:00:34.62,0:00:38.11,Default,,0000,0000,0000,,whom she has in front of her. Dialogue: 0,0:00:38.11,0:00:42.87,Default,,0000,0000,0000,,With her scales it's nice to measure \Npain crime and fit that to punishment. Dialogue: 0,0:00:42.87,0:00:46.39,Default,,0000,0000,0000,,With her sword she delivers \Nher punishment, Dialogue: 0,0:00:46.39,0:00:49.35,Default,,0000,0000,0000,,monopolizing its violence. Dialogue: 0,0:00:49.35,0:00:51.100,Default,,0000,0000,0000,,Is this adjust image? Dialogue: 0,0:00:51.100,0:01:00.09,Default,,0000,0000,0000,,how can we think about justice \Nthrough images? Dialogue: 0,0:00:56.04,0:01:03.00,Default,,0000,0000,0000,,these are the questions \NI will ask here today. Dialogue: 0,0:01:00.09,0:01:06.30,Default,,0000,0000,0000,,As a woman the accessories of Lady Justice Dialogue: 0,0:01:03.00,0:01:09.84,Default,,0000,0000,0000,,suffocate me. That might be because I'm Dialogue: 0,0:01:06.30,0:01:13.89,Default,,0000,0000,0000,,not a lady. Maybe it's because I'm not Dialogue: 0,0:01:09.84,0:01:20.10,Default,,0000,0000,0000,,dressed to kill. In my talk today my Dialogue: 0,0:01:13.89,0:01:23.84,Default,,0000,0000,0000,,companions will be women real women let Dialogue: 0,0:01:20.10,0:01:27.24,Default,,0000,0000,0000,,us consider for a moment the blindfold. Dialogue: 0,0:01:23.84,0:01:31.50,Default,,0000,0000,0000,,If justice was really blind as she Dialogue: 0,0:01:27.24,0:01:33.78,Default,,0000,0000,0000,,claims to be then my question: is why our Dialogue: 0,0:01:31.50,0:01:36.71,Default,,0000,0000,0000,,prisons filled mostly with blacks Dialogue: 0,0:01:33.78,0:01:40.59,Default,,0000,0000,0000,,foreigners in the poorest among us? Dialogue: 0,0:01:36.71,0:01:44.34,Default,,0000,0000,0000,,I think she is blind in order not to see Dialogue: 0,0:01:40.59,0:01:46.68,Default,,0000,0000,0000,,the injustices imposed in her name. Not Dialogue: 0,0:01:44.34,0:01:50.93,Default,,0000,0000,0000,,to see the pain and meaninglessness Dialogue: 0,0:01:46.68,0:01:54.17,Default,,0000,0000,0000,,created by ugly institutions, our prisons. Dialogue: 0,0:01:50.93,0:01:59.43,Default,,0000,0000,0000,,Deep down a woman in fact, this lady Dialogue: 0,0:01:54.17,0:02:02.49,Default,,0000,0000,0000,,cannot bear to see. When trying to do Dialogue: 0,0:01:59.43,0:02:07.62,Default,,0000,0000,0000,,justice when claiming to do justice our Dialogue: 0,0:02:02.49,0:02:10.59,Default,,0000,0000,0000,,eyes must be open wide. The men and women Dialogue: 0,0:02:07.62,0:02:14.13,Default,,0000,0000,0000,,in our hands are not abstract but real Dialogue: 0,0:02:10.59,0:02:17.94,Default,,0000,0000,0000,,human beings. They have been babies with Dialogue: 0,0:02:14.13,0:02:21.69,Default,,0000,0000,0000,,a crystal face playful children and have Dialogue: 0,0:02:17.94,0:02:24.55,Default,,0000,0000,0000,,grown up men and women among us. They are Dialogue: 0,0:02:21.69,0:02:31.03,Default,,0000,0000,0000,,called Emily, Antonio, Dialogue: 0,0:02:24.55,0:02:34.77,Default,,0000,0000,0000,,Philip. Brunella. In 1931 a woman called Dialogue: 0,0:02:31.03,0:02:38.77,Default,,0000,0000,0000,,Margaret Wilson on her own initiative Dialogue: 0,0:02:34.77,0:02:41.53,Default,,0000,0000,0000,,curiosity and interest and also concern Dialogue: 0,0:02:38.77,0:02:46.03,Default,,0000,0000,0000,,writes a book called "The crime of Dialogue: 0,0:02:41.53,0:02:49.96,Default,,0000,0000,0000,,punishment". She was not an expert she is Dialogue: 0,0:02:46.03,0:02:53.55,Default,,0000,0000,0000,,just a woman. She writes this about her Dialogue: 0,0:02:49.96,0:02:56.71,Default,,0000,0000,0000,,book she says : "This is a woman's book and Dialogue: 0,0:02:53.55,0:03:00.37,Default,,0000,0000,0000,,therefore we shall be is shamelessly Dialogue: 0,0:02:56.71,0:03:03.97,Default,,0000,0000,0000,,women as we please and that means we Dialogue: 0,0:03:00.37,0:03:07.18,Default,,0000,0000,0000,,shall not consider the law or justice or Dialogue: 0,0:03:03.97,0:03:09.25,Default,,0000,0000,0000,,safety or any other abstraction at a Dialogue: 0,0:03:07.18,0:03:12.55,Default,,0000,0000,0000,,distance from the meaning they have on Dialogue: 0,0:03:09.25,0:03:17.62,Default,,0000,0000,0000,,the lives of men and women, boys and Dialogue: 0,0:03:12.55,0:03:21.55,Default,,0000,0000,0000,,girls we love." Lady Justice especially Dialogue: 0,0:03:17.62,0:03:24.99,Default,,0000,0000,0000,,proud of her scales we are obsessed with Dialogue: 0,0:03:21.55,0:03:30.43,Default,,0000,0000,0000,,the scales but our obsession is Dialogue: 0,0:03:24.99,0:03:33.37,Default,,0000,0000,0000,,presumptuous. A very simple tool of crime Dialogue: 0,0:03:30.43,0:03:37.87,Default,,0000,0000,0000,,and punishment in time and space shows Dialogue: 0,0:03:33.37,0:03:40.63,Default,,0000,0000,0000,,how ridiculous our assumptions are. The Dialogue: 0,0:03:37.87,0:03:41.73,Default,,0000,0000,0000,,same crime today, it's not even taken Dialogue: 0,0:03:40.63,0:03:43.90,Default,,0000,0000,0000,,very seriously, Dialogue: 0,0:03:41.73,0:03:46.60,Default,,0000,0000,0000,,yesterday it was punished with death Dialogue: 0,0:03:43.90,0:03:49.72,Default,,0000,0000,0000,,penalty. I'm talking about things like Dialogue: 0,0:03:46.60,0:03:53.41,Default,,0000,0000,0000,,killing chicken, cutting trees, stealing Dialogue: 0,0:03:49.72,0:03:58.36,Default,,0000,0000,0000,,horses, being a witch, being a witch today Dialogue: 0,0:03:53.41,0:04:01.69,Default,,0000,0000,0000,,is even fashionable. The same crime such Dialogue: 0,0:03:58.36,0:04:06.91,Default,,0000,0000,0000,,as drug use in Norway is punished with a Dialogue: 0,0:04:01.69,0:04:09.46,Default,,0000,0000,0000,,fine in Singapore with death penalty. We Dialogue: 0,0:04:06.91,0:04:13.42,Default,,0000,0000,0000,,try for accuracy and precision but Dialogue: 0,0:04:09.46,0:04:15.91,Default,,0000,0000,0000,,cannot find it. In fact geometrical rigor Dialogue: 0,0:04:13.42,0:04:20.86,Default,,0000,0000,0000,,and human activity do not go together Dialogue: 0,0:04:15.91,0:04:23.50,Default,,0000,0000,0000,,well. The algebra of suffering, writes Dialogue: 0,0:04:20.86,0:04:28.06,Default,,0000,0000,0000,,Anna Messuti, in her book "Time as Dialogue: 0,0:04:23.50,0:04:32.74,Default,,0000,0000,0000,,punishment", is : minus times minus equals Dialogue: 0,0:04:28.06,0:04:36.19,Default,,0000,0000,0000,,more. Negative times negative equals Dialogue: 0,0:04:32.74,0:04:37.96,Default,,0000,0000,0000,,positive. But do we really believe that Dialogue: 0,0:04:36.19,0:04:40.53,Default,,0000,0000,0000,,in order to get rid of Dialogue: 0,0:04:37.96,0:04:47.22,Default,,0000,0000,0000,,suffering we need to add additional Dialogue: 0,0:04:40.53,0:04:49.93,Default,,0000,0000,0000,,suffering? The sword of justice delivers Dialogue: 0,0:04:47.22,0:04:53.95,Default,,0000,0000,0000,,punishment but does not keep a distance Dialogue: 0,0:04:49.93,0:04:56.53,Default,,0000,0000,0000,,from it. For this reason the history of Dialogue: 0,0:04:53.95,0:05:04.15,Default,,0000,0000,0000,,punishment is not less cruel that the Dialogue: 0,0:04:56.53,0:05:07.33,Default,,0000,0000,0000,,history of crime. So is this a just image? Dialogue: 0,0:05:04.15,0:05:12.61,Default,,0000,0000,0000,,How can we think about alternative ideas Dialogue: 0,0:05:07.33,0:05:15.97,Default,,0000,0000,0000,,of justice through images? Since 10 years Dialogue: 0,0:05:12.61,0:05:18.58,Default,,0000,0000,0000,,I work on an alternative idea of justice Dialogue: 0,0:05:15.97,0:05:21.82,Default,,0000,0000,0000,,called restorative justice. Restorative Dialogue: 0,0:05:18.58,0:05:27.12,Default,,0000,0000,0000,,justice challenges Lady Justice in all Dialogue: 0,0:05:21.82,0:05:31.12,Default,,0000,0000,0000,,its elements: blindfold, scales and sword. Dialogue: 0,0:05:27.12,0:05:34.45,Default,,0000,0000,0000,,Its eyes and ears are open wide to Dialogue: 0,0:05:31.12,0:05:37.18,Default,,0000,0000,0000,,listen to and see the voices and faces Dialogue: 0,0:05:34.45,0:05:39.85,Default,,0000,0000,0000,,of those that have been harmed and those Dialogue: 0,0:05:37.18,0:05:41.95,Default,,0000,0000,0000,,that have harmed. It does not have the Dialogue: 0,0:05:39.85,0:05:45.73,Default,,0000,0000,0000,,arrogance to think we can measure pain Dialogue: 0,0:05:41.95,0:05:48.37,Default,,0000,0000,0000,,and equate it to punishment. It deals Dialogue: 0,0:05:45.73,0:05:51.39,Default,,0000,0000,0000,,with the irreversibility of human action: Dialogue: 0,0:05:48.37,0:05:55.27,Default,,0000,0000,0000,,what has been done cannot be undone. Dialogue: 0,0:05:51.39,0:05:57.76,Default,,0000,0000,0000,,There is no equality of pain. Crime and Dialogue: 0,0:05:55.27,0:06:01.69,Default,,0000,0000,0000,,punishment are not interchangeable. We Dialogue: 0,0:05:57.76,0:06:06.31,Default,,0000,0000,0000,,must move on from this. Restorative Dialogue: 0,0:06:01.69,0:06:11.71,Default,,0000,0000,0000,,justice tries to do right from Dialogue: 0,0:06:06.31,0:06:13.47,Default,,0000,0000,0000,,wrong. It keeps crime at a distance says Dialogue: 0,0:06:11.71,0:06:16.39,Default,,0000,0000,0000,,Claudia Mazzucato. Dialogue: 0,0:06:13.47,0:06:19.06,Default,,0000,0000,0000,,It can meet violence but does not Dialogue: 0,0:06:16.39,0:06:21.24,Default,,0000,0000,0000,,replicate it, does not use it and Dialogue: 0,0:06:19.06,0:06:24.58,Default,,0000,0000,0000,,therefore does not legitimize it. Dialogue: 0,0:06:21.24,0:06:27.37,Default,,0000,0000,0000,,Answering evil with evil might seem the Dialogue: 0,0:06:24.58,0:06:31.02,Default,,0000,0000,0000,,most obvious but it is not the best way Dialogue: 0,0:06:27.37,0:06:31.02,Default,,0000,0000,0000,,to establish an equilibrium. Dialogue: 0,0:06:32.13,0:06:37.39,Default,,0000,0000,0000,,Claudia Mazzucato is one of the Dialogue: 0,0:06:34.75,0:06:39.27,Default,,0000,0000,0000,,mediators that has created very Dialogue: 0,0:06:37.39,0:06:41.70,Default,,0000,0000,0000,,important encounters between Dialogue: 0,0:06:39.27,0:06:45.55,Default,,0000,0000,0000,,perpetrators of political violence in Dialogue: 0,0:06:41.70,0:06:47.83,Default,,0000,0000,0000,,1970s in Italy and their victims. The Dialogue: 0,0:06:45.55,0:06:51.31,Default,,0000,0000,0000,,best argument against violence she Dialogue: 0,0:06:47.83,0:06:54.10,Default,,0000,0000,0000,,argues is a critique of violence. Dialogue: 0,0:06:51.31,0:06:56.49,Default,,0000,0000,0000,,The sword of justice cuts between victims Dialogue: 0,0:06:54.10,0:06:59.80,Default,,0000,0000,0000,,and offenders innocent and guilty, Dialogue: 0,0:06:56.49,0:07:03.24,Default,,0000,0000,0000,,partisans of one and the other, relevant Dialogue: 0,0:06:59.80,0:07:06.19,Default,,0000,0000,0000,,from irrelevant fact. As a mediator Dialogue: 0,0:07:03.24,0:07:12.34,Default,,0000,0000,0000,,Mazzucato likens her word to another Dialogue: 0,0:07:06.19,0:07:14.80,Default,,0000,0000,0000,,image that of the plough it is in the Dialogue: 0,0:07:12.34,0:07:17.62,Default,,0000,0000,0000,,nature of the plough to work for many Dialogue: 0,0:07:14.80,0:07:20.77,Default,,0000,0000,0000,,years it is in the nature of the sword Dialogue: 0,0:07:17.62,0:07:23.65,Default,,0000,0000,0000,,to work but one minute it takes years Dialogue: 0,0:07:20.77,0:07:28.12,Default,,0000,0000,0000,,and years to nourish and maintain human Dialogue: 0,0:07:23.65,0:07:30.31,Default,,0000,0000,0000,,lives and human relations but is the Dialogue: 0,0:07:28.12,0:07:34.39,Default,,0000,0000,0000,,plough a good image of restorative Dialogue: 0,0:07:30.31,0:07:38.59,Default,,0000,0000,0000,,justice claudia matsukata herself finds Dialogue: 0,0:07:34.39,0:07:41.14,Default,,0000,0000,0000,,anchorage in another image this is a Dialogue: 0,0:07:38.59,0:07:44.23,Default,,0000,0000,0000,,logo of the Constitutional Court in Dialogue: 0,0:07:41.14,0:07:48.85,Default,,0000,0000,0000,,South Africa it was made by a woman Dialogue: 0,0:07:44.23,0:07:50.53,Default,,0000,0000,0000,,artist called Carolyn Perron this image Dialogue: 0,0:07:48.85,0:07:52.93,Default,,0000,0000,0000,,you see in this image you see people Dialogue: 0,0:07:50.53,0:07:57.52,Default,,0000,0000,0000,,sheltered under the branches of the tree Dialogue: 0,0:07:52.93,0:08:00.01,Default,,0000,0000,0000,,to symbolize a justice that protects it Dialogue: 0,0:07:57.52,0:08:02.71,Default,,0000,0000,0000,,is bait based on traditional African Dialogue: 0,0:08:00.01,0:08:05.20,Default,,0000,0000,0000,,communities where people were literally Dialogue: 0,0:08:02.71,0:08:08.19,Default,,0000,0000,0000,,sitting under a tree to discuss their Dialogue: 0,0:08:05.20,0:08:11.08,Default,,0000,0000,0000,,disputes and conflict through dialogue Dialogue: 0,0:08:08.19,0:08:13.68,Default,,0000,0000,0000,,the image also tries to represent Dialogue: 0,0:08:11.08,0:08:16.96,Default,,0000,0000,0000,,another concept the concept of Ubuntu Dialogue: 0,0:08:13.68,0:08:19.78,Default,,0000,0000,0000,,this concept refers to humanity but Dialogue: 0,0:08:16.96,0:08:22.72,Default,,0000,0000,0000,,humanity made possible only through the Dialogue: 0,0:08:19.78,0:08:25.54,Default,,0000,0000,0000,,existence of other people in fact in the Dialogue: 0,0:08:22.72,0:08:28.90,Default,,0000,0000,0000,,images you will notice that dark and Dialogue: 0,0:08:25.54,0:08:31.03,Default,,0000,0000,0000,,light are distinct the the branches and Dialogue: 0,0:08:28.90,0:08:33.73,Default,,0000,0000,0000,,the people in a way artistic black black Dialogue: 0,0:08:31.03,0:08:36.70,Default,,0000,0000,0000,,and white but on another level you will Dialogue: 0,0:08:33.73,0:08:39.85,Default,,0000,0000,0000,,see that they are not distinct you do Dialogue: 0,0:08:36.70,0:08:45.43,Default,,0000,0000,0000,,not see where does one start and where Dialogue: 0,0:08:39.85,0:08:47.32,Default,,0000,0000,0000,,does the other end in my work in Dialogue: 0,0:08:45.43,0:08:49.66,Default,,0000,0000,0000,,restorative justice I have been very Dialogue: 0,0:08:47.32,0:08:53.11,Default,,0000,0000,0000,,inspired by scholars like Claudia Dialogue: 0,0:08:49.66,0:08:55.98,Default,,0000,0000,0000,,matsukata but also others who feel the Dialogue: 0,0:08:53.11,0:08:59.23,Default,,0000,0000,0000,,need to step outside their narrow field Dialogue: 0,0:08:55.98,0:09:02.98,Default,,0000,0000,0000,,these scholars find anchorage in arts Dialogue: 0,0:08:59.23,0:09:05.11,Default,,0000,0000,0000,,and literature I think in our field we Dialogue: 0,0:09:02.98,0:09:07.60,Default,,0000,0000,0000,,need contamination we need to step Dialogue: 0,0:09:05.11,0:09:12.91,Default,,0000,0000,0000,,outside otherwise we remain a closed Dialogue: 0,0:09:07.60,0:09:15.46,Default,,0000,0000,0000,,system this image was made by street Dialogue: 0,0:09:12.91,0:09:17.68,Default,,0000,0000,0000,,artist here in lovin and it refers very Dialogue: 0,0:09:15.46,0:09:20.95,Default,,0000,0000,0000,,clearly to what I think a closed system Dialogue: 0,0:09:17.68,0:09:25.72,Default,,0000,0000,0000,,is listening to oneself only speaking to Dialogue: 0,0:09:20.95,0:09:29.14,Default,,0000,0000,0000,,oneself only if we ignore arts and Dialogue: 0,0:09:25.72,0:09:32.23,Default,,0000,0000,0000,,imagination we lack the tools that will Dialogue: 0,0:09:29.14,0:09:35.35,Default,,0000,0000,0000,,give us the necessary inspiration to Dialogue: 0,0:09:32.23,0:09:37.81,Default,,0000,0000,0000,,understand what do we do why do we do it Dialogue: 0,0:09:35.35,0:09:42.04,Default,,0000,0000,0000,,and how can we imagine things being Dialogue: 0,0:09:37.81,0:09:44.32,Default,,0000,0000,0000,,otherwise but our brains are not Dialogue: 0,0:09:42.04,0:09:47.80,Default,,0000,0000,0000,,instruments of representation they are Dialogue: 0,0:09:44.32,0:09:49.72,Default,,0000,0000,0000,,instrument of action this is the reason Dialogue: 0,0:09:47.80,0:09:52.21,Default,,0000,0000,0000,,why I'm very conscious of the importance Dialogue: 0,0:09:49.72,0:09:55.63,Default,,0000,0000,0000,,of action and therefore I do like art Dialogue: 0,0:09:52.21,0:09:58.24,Default,,0000,0000,0000,,that acts that moves that touches that Dialogue: 0,0:09:55.63,0:10:01.42,Default,,0000,0000,0000,,represents and shows another image of Dialogue: 0,0:09:58.24,0:10:04.84,Default,,0000,0000,0000,,what is possible I want to talk to you Dialogue: 0,0:10:01.42,0:10:08.17,Default,,0000,0000,0000,,about another woman this our Dean Ian Dialogue: 0,0:10:04.84,0:10:12.01,Default,,0000,0000,0000,,artist Mary Ally she died four years ago Dialogue: 0,0:10:08.17,0:10:14.44,Default,,0000,0000,0000,,at 98 93 years old I was very lucky to Dialogue: 0,0:10:12.01,0:10:20.23,Default,,0000,0000,0000,,meet her two years before she died in an Dialogue: 0,0:10:14.44,0:10:22.96,Default,,0000,0000,0000,,Italian in Sardinia in 1981 Maria led me Dialogue: 0,0:10:20.23,0:10:27.04,Default,,0000,0000,0000,,the truly unique piece of art in her Dialogue: 0,0:10:22.96,0:10:29.23,Default,,0000,0000,0000,,hometown in ullas I for her art work she Dialogue: 0,0:10:27.04,0:10:32.92,Default,,0000,0000,0000,,started talking to the people in town Dialogue: 0,0:10:29.23,0:10:35.02,Default,,0000,0000,0000,,listening to their stories among the old Dialogue: 0,0:10:32.92,0:10:38.29,Default,,0000,0000,0000,,stories told one story caught her Dialogue: 0,0:10:35.02,0:10:41.80,Default,,0000,0000,0000,,imagination The Legend of the blue Dialogue: 0,0:10:38.29,0:10:45.76,Default,,0000,0000,0000,,ribbon the legend told of a little girl Dialogue: 0,0:10:41.80,0:10:49.63,Default,,0000,0000,0000,,who was in a cave with two older men and Dialogue: 0,0:10:45.76,0:10:51.55,Default,,0000,0000,0000,,the cave falls down the girl holds on to Dialogue: 0,0:10:49.63,0:10:54.46,Default,,0000,0000,0000,,a blue ribbon she sees in the sky and Dialogue: 0,0:10:51.55,0:10:57.91,Default,,0000,0000,0000,,gets saved the men do not believe her Dialogue: 0,0:10:54.46,0:11:00.40,Default,,0000,0000,0000,,and die under the cave now the legend is Dialogue: 0,0:10:57.91,0:11:02.89,Default,,0000,0000,0000,,built on a real event that took place in Dialogue: 0,0:11:00.40,0:11:06.15,Default,,0000,0000,0000,,olice I where when the mountain that Dialogue: 0,0:11:02.89,0:11:10.18,Default,,0000,0000,0000,,stands on top of the town fell down and Dialogue: 0,0:11:06.15,0:11:12.88,Default,,0000,0000,0000,,caused a tragedy it was this legend and Dialogue: 0,0:11:10.18,0:11:15.64,Default,,0000,0000,0000,,the imagination of the little girl that Dialogue: 0,0:11:12.88,0:11:18.94,Default,,0000,0000,0000,,gave the artist the right tools to start Dialogue: 0,0:11:15.64,0:11:21.43,Default,,0000,0000,0000,,her project merchants from Dialogue: 0,0:11:18.94,0:11:24.85,Default,,0000,0000,0000,,all over Italy donated meters and meters Dialogue: 0,0:11:21.43,0:11:28.90,Default,,0000,0000,0000,,of blue fabric she asked the inhabitants Dialogue: 0,0:11:24.85,0:11:31.90,Default,,0000,0000,0000,,to cut long blue ribbons out of the Dialogue: 0,0:11:28.90,0:11:37.63,Default,,0000,0000,0000,,fabric of course some just watched Dialogue: 0,0:11:31.90,0:11:40.06,Default,,0000,0000,0000,,because some people were very hesitant Dialogue: 0,0:11:37.63,0:11:45.07,Default,,0000,0000,0000,,to to participate and but most people Dialogue: 0,0:11:40.06,0:11:47.95,Default,,0000,0000,0000,,did especially children did once the Dialogue: 0,0:11:45.07,0:11:51.67,Default,,0000,0000,0000,,blue ribbons were ready she asked the Dialogue: 0,0:11:47.95,0:11:57.22,Default,,0000,0000,0000,,inhabitants to tie the town into itself Dialogue: 0,0:11:51.67,0:12:00.06,Default,,0000,0000,0000,,tie every house to each other as people Dialogue: 0,0:11:57.22,0:12:02.47,Default,,0000,0000,0000,,started to do this a problem emerged Dialogue: 0,0:12:00.06,0:12:05.38,Default,,0000,0000,0000,,people were telling her they did not Dialogue: 0,0:12:02.47,0:12:08.55,Default,,0000,0000,0000,,want to tie the house to the house of Dialogue: 0,0:12:05.38,0:12:13.33,Default,,0000,0000,0000,,the neighbor because there were enemies Dialogue: 0,0:12:08.55,0:12:16.09,Default,,0000,0000,0000,,the artists worked with this resistance Dialogue: 0,0:12:13.33,0:12:21.09,Default,,0000,0000,0000,,and ask people to tie the houses anyhow Dialogue: 0,0:12:16.09,0:12:24.94,Default,,0000,0000,0000,,but when there was friendship and to tie Dialogue: 0,0:12:21.09,0:12:27.22,Default,,0000,0000,0000,,loaves of bread into the nodes or put Dialogue: 0,0:12:24.94,0:12:29.65,Default,,0000,0000,0000,,colorful clothes to symbolize it also Dialogue: 0,0:12:27.22,0:12:32.53,Default,,0000,0000,0000,,reminding us that friendship is rare and Dialogue: 0,0:12:29.65,0:12:37.75,Default,,0000,0000,0000,,she told them to put nothing where there Dialogue: 0,0:12:32.53,0:12:40.39,Default,,0000,0000,0000,,was no friendship now as the houses were Dialogue: 0,0:12:37.75,0:12:44.23,Default,,0000,0000,0000,,being tied into each other a helicopter Dialogue: 0,0:12:40.39,0:12:48.45,Default,,0000,0000,0000,,flew in float flew in and tied the whole Dialogue: 0,0:12:44.23,0:12:54.75,Default,,0000,0000,0000,,town to its mountain in order to make Dialogue: 0,0:12:48.45,0:12:57.97,Default,,0000,0000,0000,,peace with it now I know this image Dialogue: 0,0:12:54.75,0:13:00.88,Default,,0000,0000,0000,,belongs to an art museum and not to a Dialogue: 0,0:12:57.97,0:13:03.49,Default,,0000,0000,0000,,courthouse I also know that it's very Dialogue: 0,0:13:00.88,0:13:06.58,Default,,0000,0000,0000,,impractical to tie our courthouses with Dialogue: 0,0:13:03.49,0:13:10.84,Default,,0000,0000,0000,,blue ribbons but I want this image to Dialogue: 0,0:13:06.58,0:13:14.13,Default,,0000,0000,0000,,make us think think of what justice that Dialogue: 0,0:13:10.84,0:13:17.62,Default,,0000,0000,0000,,restores and repairs would look like I Dialogue: 0,0:13:14.13,0:13:20.29,Default,,0000,0000,0000,,think time has come for Lady Justice to Dialogue: 0,0:13:17.62,0:13:25.09,Default,,0000,0000,0000,,grow up and become a woman a 93 years Dialogue: 0,0:13:20.29,0:13:27.73,Default,,0000,0000,0000,,old woman is this how can how can we Dialogue: 0,0:13:25.09,0:13:29.17,Default,,0000,0000,0000,,think about just images probably we have Dialogue: 0,0:13:27.73,0:13:30.88,Default,,0000,0000,0000,,to think a little bit further about that Dialogue: 0,0:13:29.17,0:13:31.30,Default,,0000,0000,0000,,but let me leave you with one thing Dialogue: 0,0:13:30.88,0:13:32.97,Default,,0000,0000,0000,,tonight Dialogue: 0,0:13:31.30,0:13:36.06,Default,,0000,0000,0000,,when you go home Dialogue: 0,0:13:32.97,0:13:38.97,Default,,0000,0000,0000,,tonight tomorrow please look and think Dialogue: 0,0:13:36.06,0:13:42.69,Default,,0000,0000,0000,,about images of justice when you go into Dialogue: 0,0:13:38.97,0:13:44.25,Default,,0000,0000,0000,,a courthouse bow in respect in front of Dialogue: 0,0:13:42.69,0:13:48.18,Default,,0000,0000,0000,,the statue of Lady Justice Dialogue: 0,0:13:44.25,0:13:49.29,Default,,0000,0000,0000,,but look further for alternatives I hope Dialogue: 0,0:13:48.18,0:13:52.59,Default,,0000,0000,0000,,our courthouses Dialogue: 0,0:13:49.29,0:13:55.56,Default,,0000,0000,0000,,and our municipalities will lounge Dialogue: 0,0:13:52.59,0:13:58.95,Default,,0000,0000,0000,,public forums inviting artists students Dialogue: 0,0:13:55.56,0:14:02.97,Default,,0000,0000,0000,,and others to work together and imagine Dialogue: 0,0:13:58.95,0:14:04.98,Default,,0000,0000,0000,,a justice otherwise and if it can be Dialogue: 0,0:14:02.97,0:14:06.74,Default,,0000,0000,0000,,imagined it can be done Dialogue: 0,0:14:04.98,0:14:15.36,Default,,0000,0000,0000,,thank you Dialogue: 0,0:14:06.74,0:14:15.36,Default,,0000,0000,0000,,[Applause]