[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:06.02,0:00:11.45,Default,,0000,0000,0000,,OK, here we are for a look at the One Minute Changes you need for Stage 7.
Dialogue: 0,0:00:11.45,0:00:14.83,Default,,0000,0000,0000,,So, of course you're at that more advanced stage now
Dialogue: 0,0:00:14.83,0:00:19.65,Default,,0000,0000,0000,,where you should be making your own decisions about what One Minute Changes you should be doing,
Dialogue: 0,0:00:19.65,0:00:21.73,Default,,0000,0000,0000,,but I do have a couple of suggestions.
Dialogue: 0,0:00:21.73,0:00:24.96,Default,,0000,0000,0000,,One of them is to experiment with your sus-chords,
Dialogue: 0,0:00:24.96,0:00:32.80,Default,,0000,0000,0000,,so particularly doing the movements of D, Dsus4, D, Dsus2 and back to D again, literally going
Dialogue: 0,0:00:32.80,0:00:38.60,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:00:38.60,0:00:41.64,Default,,0000,0000,0000,,strumming doesn't matter. \NIt can be all downs or down/up/down/up, doesn't matter
Dialogue: 0,0:00:41.64,0:00:44.06,Default,,0000,0000,0000,,but what I would recommend is that \Nyou make a cycle of this:
Dialogue: 0,0:00:44.06,0:00:46.74,Default,,0000,0000,0000,,1
Dialogue: 0,0:00:46.74,0:00:49.10,Default,,0000,0000,0000,,2
Dialogue: 0,0:00:49.10,0:00:51.39,Default,,0000,0000,0000,,3
Dialogue: 0,0:00:51.39,0:00:51.89,Default,,0000,0000,0000,,4
Dialogue: 0,0:00:51.89,0:01:00.28,Default,,0000,0000,0000,,So you're only counting '1' for each whole time you go D, Dsus4, D, Dsus2, then '2'.
Dialogue: 0,0:01:00.28,0:01:09.59,Default,,0000,0000,0000,,Then also do it with D minor. So Dmin, Dsus4, Dmin, Dsus2 and back to Dmin.
Dialogue: 0,0:01:09.59,0:01:11.96,Default,,0000,0000,0000,,Remembering that those two fingers are \Nstaying on the same
Dialogue: 0,0:01:11.96,0:01:15.21,Default,,0000,0000,0000,,the second and third fingers are staying \Non the same notes for the whole time.
Dialogue: 0,0:01:15.21,0:01:18.80,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:18.80,0:01:21.66,Default,,0000,0000,0000,,And then do the same for both A
Dialogue: 0,0:01:21.66,0:01:24.64,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:24.64,0:01:25.97,Default,,0000,0000,0000,,and Amin
Dialogue: 0,0:01:25.97,0:01:30.42,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:30.42,0:01:33.78,Default,,0000,0000,0000,,Those movements, those suspended-movements, \Nare used all the time
Dialogue: 0,0:01:33.78,0:01:36.94,Default,,0000,0000,0000,,and it's definitely, definitly worth trying to get them under your fingers
Dialogue: 0,0:01:36.94,0:01:39.53,Default,,0000,0000,0000,,so they're kinda becoming instinctive, \Nthat you don't even think about it,
Dialogue: 0,0:01:39.53,0:01:42.41,Default,,0000,0000,0000,,your fingers can just add those in any time you like.
Dialogue: 0,0:01:42.41,0:01:45.76,Default,,0000,0000,0000,,It really makes a difference to, you know, \Nif you got to play the same chord for ages
Dialogue: 0,0:01:45.76,0:01:48.99,Default,,0000,0000,0000,,and it's getting a bit boring it would be really nice to spice them up a little bit
Dialogue: 0,0:01:48.99,0:01:52.03,Default,,0000,0000,0000,,for both the audience who's listening to it and for you.
Dialogue: 0,0:01:52.03,0:01:54.52,Default,,0000,0000,0000,,So, that would be the thing I'd recommend first of all
Dialogue: 0,0:01:54.52,0:01:57.16,Default,,0000,0000,0000,,that you try and incorporate into your One Minute Changes.
Dialogue: 0,0:01:57.16,0:02:02.41,Default,,0000,0000,0000,,Maybe the first one would be \NA or Amin, with your sus-chords
Dialogue: 0,0:02:02.41,0:02:06.16,Default,,0000,0000,0000,,and the second one would be D (major or minor),\Nwith your sus-chords.
Dialogue: 0,0:02:06.16,0:02:10.69,Default,,0000,0000,0000,,Then for the other three spaces I would probably recommend that you're still working on your F chord.
Dialogue: 0,0:02:10.69,0:02:15.00,Default,,0000,0000,0000,,I'd be very surprised if your F chord is perfect now, especially changing from the open chords
Dialogue: 0,0:02:15.00,0:02:19.32,Default,,0000,0000,0000,,to the F chord. \NA lot of people find that really properly difficult.
Dialogue: 0,0:02:19.32,0:02:22.32,Default,,0000,0000,0000,,If you're one of those make sure you're doing plenty of practice on that as well.
Dialogue: 0,0:02:22.32,0:02:26.03,Default,,0000,0000,0000,,Doing the One Minute Changes, \Ndoing, you know, F to C is a hard one,
Dialogue: 0,0:02:26.03,0:02:31.33,Default,,0000,0000,0000,,F to G is a hard one, that you're really working on them and make them sound really proper and good.
Dialogue: 0,0:02:31.33,0:02:33.73,Default,,0000,0000,0000,,So, I hope that does all makes sense to you. \N
Dialogue: 0,0:02:33.73,0:02:37.08,Default,,0000,0000,0000,,Another short lesson, \Nbut I hope you're progressing well with it
Dialogue: 0,0:02:37.08,0:02:41.21,Default,,0000,0000,0000,,and I'll see you for another one very soon. Bye-bye.