1 00:00:06,023 --> 00:00:11,451 OK, here we are for a look at the One Minute Changes you need for Stage 7. 2 00:00:11,451 --> 00:00:14,831 So, of course you're at that more advanced stage now 3 00:00:14,831 --> 00:00:19,648 where you should be making your own decisions about what One Minute Changes you should be doing, 4 00:00:19,648 --> 00:00:21,733 but I do have a couple of suggestions. 5 00:00:21,733 --> 00:00:24,961 One of them is to experiment with your sus-chords, 6 00:00:24,961 --> 00:00:32,804 so particularly doing the movements of D, Dsus4, D, Dsus2 and back to D again, literally going 7 00:00:32,804 --> 00:00:38,599 . . . 8 00:00:38,599 --> 00:00:41,645 strumming doesn't matter. It can be all downs or down/up/down/up, doesn't matter 9 00:00:41,645 --> 00:00:44,058 but what I would recommend is that you make a cycle of this: 10 00:00:44,058 --> 00:00:46,738 1 11 00:00:46,738 --> 00:00:49,102 2 12 00:00:49,102 --> 00:00:51,386 3 13 00:00:51,386 --> 00:00:51,886 4 14 00:00:51,886 --> 00:01:00,281 So you're only counting '1' for each whole time you go D, Dsus4, D, Dsus2, then '2'. 15 00:01:00,281 --> 00:01:09,591 Then also do it with D minor. So Dmin, Dsus4, Dmin, Dsus2 and back to Dmin. 16 00:01:09,591 --> 00:01:11,957 Remembering that those two fingers are staying on the same 17 00:01:11,957 --> 00:01:15,208 the second and third fingers are staying on the same notes for the whole time. 18 00:01:15,208 --> 00:01:18,801 . . . 19 00:01:18,801 --> 00:01:21,661 And then do the same for both A 20 00:01:21,661 --> 00:01:24,637 . . . 21 00:01:24,637 --> 00:01:25,969 and Amin 22 00:01:25,969 --> 00:01:30,415 . . . 23 00:01:30,415 --> 00:01:33,784 Those movements, those suspended-movements, are used all the time 24 00:01:33,784 --> 00:01:36,936 and it's definitely, definitly worth trying to get them under your fingers 25 00:01:36,936 --> 00:01:39,532 so they're kinda becoming instinctive, that you don't even think about it, 26 00:01:39,532 --> 00:01:42,412 your fingers can just add those in any time you like. 27 00:01:42,412 --> 00:01:45,759 It really makes a difference to, you know, if you got to play the same chord for ages 28 00:01:45,759 --> 00:01:48,986 and it's getting a bit boring it would be really nice to spice them up a little bit 29 00:01:48,986 --> 00:01:52,031 for both the audience who's listening to it and for you. 30 00:01:52,031 --> 00:01:54,515 So, that would be the thing I'd recommend first of all 31 00:01:54,515 --> 00:01:57,156 that you try and incorporate into your One Minute Changes. 32 00:01:57,156 --> 00:02:02,414 Maybe the first one would be A or Amin, with your sus-chords 33 00:02:02,414 --> 00:02:06,164 and the second one would be D (major or minor), with your sus-chords. 34 00:02:06,164 --> 00:02:10,694 Then for the other three spaces I would probably recommend that you're still working on your F chord. 35 00:02:10,694 --> 00:02:15,002 I'd be very surprised if your F chord is perfect now, especially changing from the open chords 36 00:02:15,002 --> 00:02:19,325 to the F chord. A lot of people find that really properly difficult. 37 00:02:19,325 --> 00:02:22,316 If you're one of those make sure you're doing plenty of practice on that as well. 38 00:02:22,316 --> 00:02:26,028 Doing the One Minute Changes, doing, you know, F to C is a hard one, 39 00:02:26,028 --> 00:02:31,329 F to G is a hard one, that you're really working on them and make them sound really proper and good. 40 00:02:31,329 --> 00:02:33,734 So, I hope that does all makes sense to you. 41 00:02:33,734 --> 00:02:37,080 Another short lesson, but I hope you're progressing well with it 42 00:02:37,080 --> 00:02:41,210 and I'll see you for another one very soon. Bye-bye.