0:00:06.023,0:00:11.451 OK, here we are for a look at the One Minute Changes you need for Stage 7. 0:00:11.451,0:00:14.831 So, of course you're at that more advanced stage now 0:00:14.831,0:00:19.648 where you should be making your own decisions about what One Minute Changes you should be doing, 0:00:19.648,0:00:21.733 but I do have a couple of suggestions. 0:00:21.733,0:00:24.961 One of them is to experiment with your sus-chords, 0:00:24.961,0:00:32.804 so particularly doing the movements of D, Dsus4, D, Dsus2 and back to D again, literally going 0:00:32.804,0:00:38.599 . . . 0:00:38.599,0:00:41.645 strumming doesn't matter. [br]It can be all downs or down/up/down/up, doesn't matter 0:00:41.645,0:00:44.058 but what I would recommend is that [br]you make a cycle of this: 0:00:44.058,0:00:46.738 1 0:00:46.738,0:00:49.102 2 0:00:49.102,0:00:51.386 3 0:00:51.386,0:00:51.886 4 0:00:51.886,0:01:00.281 So you're only counting '1' for each whole time you go D, Dsus4, D, Dsus2, then '2'. 0:01:00.281,0:01:09.591 Then also do it with D minor. So Dmin, Dsus4, Dmin, Dsus2 and back to Dmin. 0:01:09.591,0:01:11.957 Remembering that those two fingers are [br]staying on the same 0:01:11.957,0:01:15.208 the second and third fingers are staying [br]on the same notes for the whole time. 0:01:15.208,0:01:18.801 . . . 0:01:18.801,0:01:21.661 And then do the same for both A 0:01:21.661,0:01:24.637 . . . 0:01:24.637,0:01:25.969 and Amin 0:01:25.969,0:01:30.415 . . . 0:01:30.415,0:01:33.784 Those movements, those suspended-movements, [br]are used all the time 0:01:33.784,0:01:36.936 and it's definitely, definitly worth trying to get them under your fingers 0:01:36.936,0:01:39.532 so they're kinda becoming instinctive, [br]that you don't even think about it, 0:01:39.532,0:01:42.412 your fingers can just add those in any time you like. 0:01:42.412,0:01:45.759 It really makes a difference to, you know, [br]if you got to play the same chord for ages 0:01:45.759,0:01:48.986 and it's getting a bit boring it would be really nice to spice them up a little bit 0:01:48.986,0:01:52.031 for both the audience who's listening to it and for you. 0:01:52.031,0:01:54.515 So, that would be the thing I'd recommend first of all 0:01:54.515,0:01:57.156 that you try and incorporate into your One Minute Changes. 0:01:57.156,0:02:02.414 Maybe the first one would be [br]A or Amin, with your sus-chords 0:02:02.414,0:02:06.164 and the second one would be D (major or minor),[br]with your sus-chords. 0:02:06.164,0:02:10.694 Then for the other three spaces I would probably recommend that you're still working on your F chord. 0:02:10.694,0:02:15.002 I'd be very surprised if your F chord is perfect now, especially changing from the open chords 0:02:15.002,0:02:19.325 to the F chord. [br]A lot of people find that really properly difficult. 0:02:19.325,0:02:22.316 If you're one of those make sure you're doing plenty of practice on that as well. 0:02:22.316,0:02:26.028 Doing the One Minute Changes, [br]doing, you know, F to C is a hard one, 0:02:26.028,0:02:31.329 F to G is a hard one, that you're really working on them and make them sound really proper and good. 0:02:31.329,0:02:33.734 So, I hope that does all makes sense to you. [br] 0:02:33.734,0:02:37.080 Another short lesson, [br]but I hope you're progressing well with it 0:02:37.080,0:02:41.210 and I'll see you for another one very soon. Bye-bye.