1 00:00:10,015 --> 00:00:13,866 In the last couple of years, I've been exploring the idea 2 00:00:13,866 --> 00:00:17,249 of how to move, kind of drawing into the environment. 3 00:00:17,249 --> 00:00:22,885 And in that sense, as I began working more and more with large institutions and architects, 4 00:00:22,885 --> 00:00:30,283 It became pretty clear that the architectural engagement was really an important part of the process. 5 00:00:30,283 --> 00:00:34,866 And at the same time, I wanted to preserve this idea that is very intrinsic to my work. 6 00:00:34,866 --> 00:00:38,299 The idea of an accident, or the chance encounter. 7 00:00:38,299 --> 00:00:44,015 And obviously, the two things are very different, because architecture is kind of focused on 8 00:00:44,015 --> 00:00:47,515 making sure that everything is always the same, everytime. And the building doesn't fall down. 9 00:00:47,515 --> 00:00:52,853 The taps work, the windows work... Everything has to be very fixed. 10 00:00:53,705 --> 00:01:01,021 So a piece like the Morning Line, you start to engage in a really strong dynamic between 11 00:01:01,021 --> 00:01:08,304 forces of chance that you might be able to control inside the gallery, and the forces of chance you can't control at all. 12 00:01:08,304 --> 00:01:12,037 Like rain, and wind, and erosion... 13 00:01:12,037 --> 00:01:16,114 And also, large scale institutional expectations for large groups of people. 14 00:01:16,114 --> 00:01:22,020 As soon as you put things outside, people don't behave the way they behave in a gallery. 15 00:01:22,020 --> 00:01:27,370 So then, the question becomes here, can you add anything to that, in the way of chance encountered. 16 00:01:27,370 --> 00:01:30,203 Can you increase the randomness of the world. 17 00:01:30,203 --> 00:01:35,488 And create an environment which can sustain a kind of pleasure in that randomness. 18 00:01:35,488 --> 00:01:37,205 And also make it meaningful. 19 00:01:37,205 --> 00:01:42,571 You could just be in a street corner and throw eggs at people. That would be pretty random too. [Laughs] 20 00:01:42,571 --> 00:01:47,320 But you want to create something that has a larger meaning and create some sort of more depth. 21 00:01:47,320 --> 00:01:52,936 But actually bringing it into the world rather than sequestered in the vault of the gallery.