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Kara Walker : « Une subtilité, ou le merveilleux
Sugar Baby »

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[WALKER] « L'œuvre de Kara Walker confronte l'histoire ... »

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[Domino Sugar Factory, Brooklyn, NY]

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Inséré dans cette déclaration,

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« Kara Walker confronte l'histoire »,

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charrie un désir pour

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une héroïne qui peut résoudre ce problème

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de notre histoire et du racisme.

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Et je ne pense pas que mon oeuvre confronte

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en fait l'histoire.

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Je pense à mon oeuvre comme étant quasiment

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subsumé par l'histoire [RIRES]

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ou consommé par l'histoire.

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[HOMME #1] Bon, ce que nous voulons...

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nous voulons travailler de l'arrière vers l'avant.

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[HOMME #2] Aller à l'arrière...

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la disposition...

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14, 24, 34, 44.

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[HOMME #1] D'accord.

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[WALKER] Nato Thompson de Creative Time,

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il a dit, « Tu dois absolument voir ça. »

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« Cet endroit est totalement rempli de mélasse. »

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De la mélasse sur les murs,

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de la mélasse sur les chevrons,

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des amas de sucre à cinquante pieds du sol,

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tout ça le rébut du processus de raffinage.

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C'était une réelle cathédrale à l'industrie,

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et une telle cathédrale pour ce seul produit.

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L'ensemble du projet repose sur

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la démolition de cet espace

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à la fin de l'exposition.

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J'ai dû apprendre plus sur le sucre

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dans le processus d'essayer de comprendre cet édifice.

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Le sucre provient de la canne à sucre.

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La canne à sucre est cultivée dans les climats tropicaux.

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La canne à sucre est, et a été récoltée par des esclaves,

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des travailleurs sous-payés, et possiblement des enfants.

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C'est une histoire fascinante et très longue.

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