[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:16.88,0:00:22.38,Default,,0000,0000,0000,,What would you do if you had only\Ntill 6 o'clock tomorrow morning to live?
Dialogue: 0,0:00:24.04,0:00:28.50,Default,,0000,0000,0000,,This is the kind of question I would ask\Nmy young Japanese actors
Dialogue: 0,0:00:28.54,0:00:31.38,Default,,0000,0000,0000,,who are going to play Kamikaze pilots
Dialogue: 0,0:00:31.79,0:00:35.04,Default,,0000,0000,0000,,in a play I directed\Ncalled "The Winds of God".
Dialogue: 0,0:00:36.08,0:00:41.81,Default,,0000,0000,0000,,They would look inside,\Nand think about what is dear to them,
Dialogue: 0,0:00:42.63,0:00:45.73,Default,,0000,0000,0000,,and they would have to make some choices\Nand act on it.
Dialogue: 0,0:00:45.73,0:00:49.75,Default,,0000,0000,0000,,This is the kind of work\Nthat I would be asking actors to do.
Dialogue: 0,0:00:50.88,0:00:53.31,Default,,0000,0000,0000,,Sometimes, actors have to go
Dialogue: 0,0:00:53.32,0:00:56.54,Default,,0000,0000,0000,,to places that are a little dark,\Nor that could hurt,
Dialogue: 0,0:00:57.25,0:01:02.94,Default,,0000,0000,0000,,but in a way, the regular people, we,\Ncannot sometimes go there,
Dialogue: 0,0:01:03.75,0:01:08.94,Default,,0000,0000,0000,,so we ask the actor to go there for us\Nand express things that we can't express,
Dialogue: 0,0:01:09.25,0:01:11.71,Default,,0000,0000,0000,,express things we want to, but we can't.
Dialogue: 0,0:01:12.21,0:01:15.75,Default,,0000,0000,0000,,And that's probably why actors\Ncan get a lot of money.
Dialogue: 0,0:01:16.92,0:01:20.92,Default,,0000,0000,0000,,But this is the kind of work\Nthat I've been involved with.
Dialogue: 0,0:01:20.92,0:01:24.48,Default,,0000,0000,0000,,With "The Winds of God"\NI traveled with them,
Dialogue: 0,0:01:25.71,0:01:29.54,Default,,0000,0000,0000,,- Australia, New Zealand -\Nwe toured a lot, we went to London,
Dialogue: 0,0:01:30.63,0:01:34.63,Default,,0000,0000,0000,,Actors Studio, and we were also invited\Nto the United Nations.
Dialogue: 0,0:01:35.96,0:01:41.00,Default,,0000,0000,0000,,There, there was one lady\Nwho I met after the show,
Dialogue: 0,0:01:41.39,0:01:45.70,Default,,0000,0000,0000,,and she said, "My father\Ntaught me to hate the Japanese,
Dialogue: 0,0:01:46.25,0:01:51.03,Default,,0000,0000,0000,,but when I saw this play\NI thought they were like my own sons."
Dialogue: 0,0:01:51.92,0:01:54.33,Default,,0000,0000,0000,,It was a beautiful comment,
Dialogue: 0,0:01:54.33,0:01:59.04,Default,,0000,0000,0000,,and it made it all the more meaningful\Nthat I could work the way I do.
Dialogue: 0,0:01:59.04,0:02:01.16,Default,,0000,0000,0000,,And so, today, I want to share
Dialogue: 0,0:02:01.18,0:02:04.53,Default,,0000,0000,0000,,the love for drama,\Nand this amazing work
Dialogue: 0,0:02:05.46,0:02:11.40,Default,,0000,0000,0000,,on how we try with artists\Nto create maybe just one moment
Dialogue: 0,0:02:12.21,0:02:15.65,Default,,0000,0000,0000,,where we can move people\Nand inspire people.
Dialogue: 0,0:02:20.50,0:02:23.75,Default,,0000,0000,0000,,I also want to talk to you\Nabout my international work
Dialogue: 0,0:02:23.75,0:02:25.75,Default,,0000,0000,0000,,which has led me to casting.
Dialogue: 0,0:02:25.75,0:02:30.54,Default,,0000,0000,0000,,And again, that's an amazing,\Nwonderful thing I want to share with you,
Dialogue: 0,0:02:30.54,0:02:32.75,Default,,0000,0000,0000,,because when you think about casting,
Dialogue: 0,0:02:32.75,0:02:37.20,Default,,0000,0000,0000,,you have a script,\Nyou have words in the script,
Dialogue: 0,0:02:37.34,0:02:38.94,Default,,0000,0000,0000,,and that's all you really have.
Dialogue: 0,0:02:38.94,0:02:41.81,Default,,0000,0000,0000,,You have the director's vision,\Nyou have your idea as well,
Dialogue: 0,0:02:41.81,0:02:43.75,Default,,0000,0000,0000,,but you have this,
Dialogue: 0,0:02:44.38,0:02:50.00,Default,,0000,0000,0000,,and then you have to find actual actors\Nwho can fit this role.
Dialogue: 0,0:02:52.00,0:02:54.50,Default,,0000,0000,0000,,But you have to use your imagination
Dialogue: 0,0:02:54.50,0:02:57.61,Default,,0000,0000,0000,,and to get insight on what they can do.
Dialogue: 0,0:02:59.21,0:03:00.71,Default,,0000,0000,0000,,And then you put them together,
Dialogue: 0,0:03:00.75,0:03:04.29,Default,,0000,0000,0000,,and sometimes an amazing thing happens,
Dialogue: 0,0:03:04.29,0:03:05.79,Default,,0000,0000,0000,,because it's like magic:
Dialogue: 0,0:03:05.79,0:03:09.37,Default,,0000,0000,0000,,the role becomes more charismatic,
Dialogue: 0,0:03:09.75,0:03:12.54,Default,,0000,0000,0000,,the actor becomes even more charismatic.
Dialogue: 0,0:03:14.25,0:03:18.72,Default,,0000,0000,0000,,Here are some of the films\NI was involved with.
Dialogue: 0,0:03:21.75,0:03:24.79,Default,,0000,0000,0000,,I did want to show you\Nthe Kamikaze pilots,
Dialogue: 0,0:03:25.67,0:03:27.52,Default,,0000,0000,0000,,that's the one that I worked on.
Dialogue: 0,0:03:29.21,0:03:33.21,Default,,0000,0000,0000,,And I worked on "The Last Samurai"\Nfully for two years.
Dialogue: 0,0:03:33.76,0:03:35.75,Default,,0000,0000,0000,,It was really amazing.
Dialogue: 0,0:03:38.25,0:03:41.54,Default,,0000,0000,0000,,Ken Watanabe\Nwas the actor that auditioned,
Dialogue: 0,0:03:41.54,0:03:46.82,Default,,0000,0000,0000,,there were, you know, many more,\Nalmost 400 Japanese actors.
Dialogue: 0,0:03:48.71,0:03:50.54,Default,,0000,0000,0000,,"Memoirs of a Geisha".
Dialogue: 0,0:03:50.54,0:03:55.75,Default,,0000,0000,0000,,The little girl who played Sayuri,\NI looked at her picture,
Dialogue: 0,0:03:55.75,0:03:58.04,Default,,0000,0000,0000,,and I thought,\N"Ah, this is the young one."
Dialogue: 0,0:03:58.04,0:04:00.96,Default,,0000,0000,0000,,And I kind of chose her through a picture.
Dialogue: 0,0:04:02.75,0:04:09.19,Default,,0000,0000,0000,,And Rinko Kikuchi in "Babel",\Nshe [was] among other Japanese actors,
Dialogue: 0,0:04:09.50,0:04:13.35,Default,,0000,0000,0000,,but she stood out\Nbecause of her amazing intensity.
Dialogue: 0,0:04:16.25,0:04:19.42,Default,,0000,0000,0000,,And there are several others I'm doing
Dialogue: 0,0:04:19.88,0:04:24.21,Default,,0000,0000,0000,,including "Unbroken"\Nwhich has not been released yet in Japan.
Dialogue: 0,0:04:24.21,0:04:27.50,Default,,0000,0000,0000,,There was an amazing performer,\NMiyavi, who was in there.
Dialogue: 0,0:04:27.50,0:04:30.37,Default,,0000,0000,0000,,And this one, "The Emperor",
Dialogue: 0,0:04:30.38,0:04:35.93,Default,,0000,0000,0000,,is a film that I produced\Nalong with Gary, and Eugene, my son.
Dialogue: 0,0:04:38.50,0:04:42.84,Default,,0000,0000,0000,,I just really believe\Nthat there was meaning in to produce this
Dialogue: 0,0:04:42.84,0:04:45.34,Default,,0000,0000,0000,,and show it to as many people as possible.
Dialogue: 0,0:04:47.50,0:04:50.25,Default,,0000,0000,0000,,So apart from casting,
Dialogue: 0,0:04:50.96,0:04:56.73,Default,,0000,0000,0000,,just my work [is] in teaching,\Ndirecting, coaching and casting,
Dialogue: 0,0:04:58.75,0:05:02.33,Default,,0000,0000,0000,,I've kind of brought down\Nthe elements of drama
Dialogue: 0,0:05:02.33,0:05:05.79,Default,,0000,0000,0000,,into three things,\Nthree pillars, possibly.
Dialogue: 0,0:05:05.79,0:05:08.00,Default,,0000,0000,0000,,But these are the things\NI look for in actors,
Dialogue: 0,0:05:08.00,0:05:13.53,Default,,0000,0000,0000,,these are the things I work with\Nin trying to get better acting.
Dialogue: 0,0:05:17.82,0:05:20.84,Default,,0000,0000,0000,,The first pillar is the truth of oneself.
Dialogue: 0,0:05:22.50,0:05:24.25,Default,,0000,0000,0000,,It's not so easy really,
Dialogue: 0,0:05:24.25,0:05:27.100,Default,,0000,0000,0000,,because we all think\Nthat we want to look good,
Dialogue: 0,0:05:28.00,0:05:31.62,Default,,0000,0000,0000,,we don't want to show our bad [sides],
Dialogue: 0,0:05:33.50,0:05:36.25,Default,,0000,0000,0000,,but the actor has\Nto really use all of himself
Dialogue: 0,0:05:36.25,0:05:39.47,Default,,0000,0000,0000,,because the power\Nwill not be there to present.
Dialogue: 0,0:05:40.46,0:05:44.46,Default,,0000,0000,0000,,So he has to be able\Nto accept all the parts of himself
Dialogue: 0,0:05:44.46,0:05:49.28,Default,,0000,0000,0000,,that might not be so good,\Nthat he wants to hide, maybe.
Dialogue: 0,0:05:49.54,0:05:52.89,Default,,0000,0000,0000,,It's like a pie, like an apple pie,
Dialogue: 0,0:05:53.21,0:05:56.29,Default,,0000,0000,0000,,and you can't try\Nto get rid of a part of the pie
Dialogue: 0,0:05:56.29,0:05:58.04,Default,,0000,0000,0000,,because it is a part of you.
Dialogue: 0,0:05:58.04,0:06:02.22,Default,,0000,0000,0000,,And so you try to accept\Nall the parts of yourself,
Dialogue: 0,0:06:02.42,0:06:04.96,Default,,0000,0000,0000,,and once you do,\Nit becomes a little bit easier,
Dialogue: 0,0:06:04.96,0:06:09.50,Default,,0000,0000,0000,,because you're truthful,\Nyou're working on truth.
Dialogue: 0,0:06:10.25,0:06:14.21,Default,,0000,0000,0000,,This is what I believe is so important,
Dialogue: 0,0:06:14.79,0:06:17.92,Default,,0000,0000,0000,,especially in Japan right now\Nwith young people.
Dialogue: 0,0:06:17.96,0:06:21.25,Default,,0000,0000,0000,,I tell them, "There is only one DNA,
Dialogue: 0,0:06:21.25,0:06:24.17,Default,,0000,0000,0000,,there is only one fingerprint,\Nthere is only one you.
Dialogue: 0,0:06:26.04,0:06:28.08,Default,,0000,0000,0000,,So, in a way, you are perfect."
Dialogue: 0,0:06:28.54,0:06:30.38,Default,,0000,0000,0000,,And so, for the actor,
Dialogue: 0,0:06:31.00,0:06:33.46,Default,,0000,0000,0000,,instead of comparing oneself\Nto somebody else,
Dialogue: 0,0:06:33.46,0:06:36.18,Default,,0000,0000,0000,,"That person is a better actor than I... "\Nor whatever,
Dialogue: 0,0:06:36.18,0:06:40.25,Default,,0000,0000,0000,,they can use whatever they have\Nto try to fulfill their role.
Dialogue: 0,0:06:41.75,0:06:45.11,Default,,0000,0000,0000,,I have a quote from Elia Kazan,
Dialogue: 0,0:06:45.38,0:06:49.46,Default,,0000,0000,0000,,who's a legendary film director\Nwho worked with James Dean,
Dialogue: 0,0:06:49.46,0:06:52.84,Default,,0000,0000,0000,,and he wrote an actor's creed, a code:
Dialogue: 0,0:06:54.50,0:06:58.29,Default,,0000,0000,0000,,"I will have my heart open,\NI will be vulnerable...
Dialogue: 0,0:06:58.29,0:07:01.68,Default,,0000,0000,0000,,The one thing I want most\Nis to be myself."
Dialogue: 0,0:07:02.92,0:07:04.54,Default,,0000,0000,0000,,So that's really important.
Dialogue: 0,0:07:04.54,0:07:07.45,Default,,0000,0000,0000,,The second pillar
Dialogue: 0,0:07:10.28,0:07:12.83,Default,,0000,0000,0000,,is what I would call purposeful action.
Dialogue: 0,0:07:12.83,0:07:14.63,Default,,0000,0000,0000,,For example, when we see drama,
Dialogue: 0,0:07:14.63,0:07:19.46,Default,,0000,0000,0000,,we root for the person\Nthat really fights all these obstacles
Dialogue: 0,0:07:19.47,0:07:21.42,Default,,0000,0000,0000,,to try and get what they want.
Dialogue: 0,0:07:21.42,0:07:23.50,Default,,0000,0000,0000,,This is what drama is all about:
Dialogue: 0,0:07:23.50,0:07:28.54,Default,,0000,0000,0000,,that there is one amazing purpose,\Nthe heart, yearning, wanting something,
Dialogue: 0,0:07:28.54,0:07:34.19,Default,,0000,0000,0000,,and the actor goes through all\Nthese difficulties to try to get there.
Dialogue: 0,0:07:36.75,0:07:39.46,Default,,0000,0000,0000,,And that's what the actor\Nalso has to find in himself,
Dialogue: 0,0:07:39.46,0:07:41.50,Default,,0000,0000,0000,,his need, his purpose.
Dialogue: 0,0:07:41.50,0:07:44.25,Default,,0000,0000,0000,,And he has to really -
Dialogue: 0,0:07:44.25,0:07:47.92,Default,,0000,0000,0000,,Because he's going to fail\Nseveral times, but it's OK,
Dialogue: 0,0:07:47.92,0:07:51.08,Default,,0000,0000,0000,,because he has that passion\Nand that purpose to get there.
Dialogue: 0,0:07:53.25,0:07:59.78,Default,,0000,0000,0000,,For example, in my case,\NI wanted to get a song from Stevie Wonder.
Dialogue: 0,0:08:00.50,0:08:03.52,Default,,0000,0000,0000,,I write lyrics, and I kind of thought,
Dialogue: 0,0:08:03.83,0:08:07.88,Default,,0000,0000,0000,,for this musical I've been writing,\NI want to have his music.
Dialogue: 0,0:08:07.88,0:08:10.71,Default,,0000,0000,0000,,And, of course, it is difficult,\Nit took me 5 years,
Dialogue: 0,0:08:10.71,0:08:15.61,Default,,0000,0000,0000,,and this con artist, really,\Nyou know, lots of problems.
Dialogue: 0,0:08:16.25,0:08:20.90,Default,,0000,0000,0000,,But I met Yoko Ono on the way,\Nso it was kind of nice.
Dialogue: 0,0:08:21.17,0:08:23.25,Default,,0000,0000,0000,,But after 5 years,
Dialogue: 0,0:08:23.25,0:08:25.71,Default,,0000,0000,0000,,Stevie Wonder\Ncame out of his hotel room
Dialogue: 0,0:08:25.71,0:08:29.100,Default,,0000,0000,0000,,with his brother, who led him\Nto the piano, and set beside me,
Dialogue: 0,0:08:30.00,0:08:35.49,Default,,0000,0000,0000,,and he started to play the song,\Nand I was so moved,
Dialogue: 0,0:08:38.46,0:08:42.21,Default,,0000,0000,0000,,and I got tears in my eyes,\Nbut obviously they were silent tears.
Dialogue: 0,0:08:42.21,0:08:44.78,Default,,0000,0000,0000,,Yet, he heard them,
Dialogue: 0,0:08:45.01,0:08:47.29,Default,,0000,0000,0000,,because he stopped part-way
Dialogue: 0,0:08:47.29,0:08:52.40,Default,,0000,0000,0000,,to wipe my tears\Nwith those big hands he has.
Dialogue: 0,0:08:53.96,0:08:59.78,Default,,0000,0000,0000,,So, if you believe in it,\Nand you really want it, you can get it.
Dialogue: 0,0:09:00.75,0:09:04.02,Default,,0000,0000,0000,,And that's what I want\Nto qualify, the purpose:
Dialogue: 0,0:09:04.29,0:09:06.54,Default,,0000,0000,0000,,first, it has to be very positive.
Dialogue: 0,0:09:07.21,0:09:09.50,Default,,0000,0000,0000,,You can't act on something\Nthat is negative,
Dialogue: 0,0:09:09.54,0:09:11.63,Default,,0000,0000,0000,,you can't say,\N"I want to get out of here."
Dialogue: 0,0:09:11.63,0:09:13.03,Default,,0000,0000,0000,,It's a little difficult.
Dialogue: 0,0:09:13.03,0:09:14.96,Default,,0000,0000,0000,,But you can say, "I want to go there,"
Dialogue: 0,0:09:14.96,0:09:16.71,Default,,0000,0000,0000,,and that's where the action comes.
Dialogue: 0,0:09:16.71,0:09:19.50,Default,,0000,0000,0000,,So, it's got to be positive,\Nand at the same time,
Dialogue: 0,0:09:19.50,0:09:23.66,Default,,0000,0000,0000,,the biggest thing is to have\Nbelief in what you want to do,
Dialogue: 0,0:09:24.79,0:09:28.21,Default,,0000,0000,0000,,as I'd believed in wanting\Nto get that song from Stevie,
Dialogue: 0,0:09:28.25,0:09:30.33,Default,,0000,0000,0000,,or in wanting to make a movie,\Nor whatever.
Dialogue: 0,0:09:34.50,0:09:39.05,Default,,0000,0000,0000,,There is a Tony award-winning dramatist,
Dialogue: 0,0:09:41.96,0:09:47.27,Default,,0000,0000,0000,,Simon Stephens, who said something\Nthat I thought was really wonderful.
Dialogue: 0,0:09:48.25,0:09:50.25,Default,,0000,0000,0000,,"It is the job of the dramatist
Dialogue: 0,0:09:50.25,0:09:54.85,Default,,0000,0000,0000,,to release universes of thought\Nand feeling through action."
Dialogue: 0,0:09:55.67,0:09:58.08,Default,,0000,0000,0000,,For example, he mentioned\Nthis one word, OK,
Dialogue: 0,0:09:58.08,0:10:01.50,Default,,0000,0000,0000,,and that was the funniest word\Nin the whole play.
Dialogue: 0,0:10:01.54,0:10:04.04,Default,,0000,0000,0000,,It means that it's not\Njust the word alone,
Dialogue: 0,0:10:04.04,0:10:06.38,Default,,0000,0000,0000,,but it's the behavior and the action.
Dialogue: 0,0:10:10.25,0:10:12.25,Default,,0000,0000,0000,,Now I want to come to the third pillar
Dialogue: 0,0:10:12.25,0:10:16.72,Default,,0000,0000,0000,,which is so easy to say,\Nand yet so difficult to achieve.
Dialogue: 0,0:10:17.21,0:10:22.27,Default,,0000,0000,0000,,It is to talk, really to talk,\Nand really to listen.
Dialogue: 0,0:10:22.88,0:10:27.32,Default,,0000,0000,0000,,I think that it is an art\Nto be able to really listen.
Dialogue: 0,0:10:27.63,0:10:32.29,Default,,0000,0000,0000,,We so often talk and think\Nthat we are transmitting something,
Dialogue: 0,0:10:32.29,0:10:34.42,Default,,0000,0000,0000,,but we have something else on our mind,
Dialogue: 0,0:10:34.46,0:10:36.96,Default,,0000,0000,0000,,the other person\Nhas something else on his mind.
Dialogue: 0,0:10:36.96,0:10:39.33,Default,,0000,0000,0000,,It's not a real moment
Dialogue: 0,0:10:39.33,0:10:44.38,Default,,0000,0000,0000,,where it is really true,\Nand full, and alive, and real.
Dialogue: 0,0:10:44.79,0:10:49.61,Default,,0000,0000,0000,,This is the kind of a moment\NI've been privileged to see many times,
Dialogue: 0,0:10:49.96,0:10:53.96,Default,,0000,0000,0000,,and that I strive for\Nin the work I want to do.
Dialogue: 0,0:10:55.25,0:10:59.22,Default,,0000,0000,0000,,Here are some moments\Nwith my students,
Dialogue: 0,0:11:01.58,0:11:05.81,Default,,0000,0000,0000,,and I believe\Nthat little moments like that
Dialogue: 0,0:11:06.12,0:11:08.71,Default,,0000,0000,0000,,of a real talk and listening -
Dialogue: 0,0:11:09.42,0:11:11.63,Default,,0000,0000,0000,,Very quickly.\NPatric? Are you here?
Dialogue: 0,0:11:11.63,0:11:14.38,Default,,0000,0000,0000,,Can I have your help\Nfor one second? Oops!
Dialogue: 0,0:11:14.38,0:11:16.04,Default,,0000,0000,0000,,(Man voice)
Dialogue: 0,0:11:16.04,0:11:18.79,Default,,0000,0000,0000,,Oh, really? What? OK.
Dialogue: 0,0:11:19.58,0:11:21.32,Default,,0000,0000,0000,,Patrick: Sure.
Dialogue: 0,0:11:21.32,0:11:23.24,Default,,0000,0000,0000,,Yoko Narahashi: Is that too late?
Dialogue: 0,0:11:23.24,0:11:25.82,Default,,0000,0000,0000,,Patrick: No, that's all right.\NYN: It's all right? OK.
Dialogue: 0,0:11:25.82,0:11:28.25,Default,,0000,0000,0000,,I'm just going to ask him to -
Dialogue: 0,0:11:28.25,0:11:30.51,Default,,0000,0000,0000,,Patrick: What role am I casting for here?
Dialogue: 0,0:11:31.25,0:11:34.62,Default,,0000,0000,0000,,YN: The next movie. The big one.\NPatrick: OK, the big one.
Dialogue: 0,0:11:34.63,0:11:36.37,Default,,0000,0000,0000,,Let's go! I'm ready.
Dialogue: 0,0:11:36.38,0:11:40.00,Default,,0000,0000,0000,,YN: Say whatever word\Nyou'd like to say. Whatever word.
Dialogue: 0,0:11:41.08,0:11:43.79,Default,,0000,0000,0000,,Patrick: Flow.\NYN: Flow. OK, just say it to me.
Dialogue: 0,0:11:44.47,0:11:45.73,Default,,0000,0000,0000,,Patrick: Flow.
Dialogue: 0,0:11:46.25,0:11:48.58,Default,,0000,0000,0000,,YN: OK, there was something there, right?
Dialogue: 0,0:11:48.58,0:11:51.44,Default,,0000,0000,0000,,OK, here we're just passing the word.
Dialogue: 0,0:11:51.44,0:11:54.54,Default,,0000,0000,0000,,OK, this time, can you look at me,
Dialogue: 0,0:11:54.54,0:11:57.67,Default,,0000,0000,0000,,and you can see\Nwhat kind of a situation I am in, right,
Dialogue: 0,0:11:57.67,0:11:59.75,Default,,0000,0000,0000,,feel where I am,
Dialogue: 0,0:11:59.75,0:12:03.13,Default,,0000,0000,0000,,and then can you\Nsay it to me with, you know,
Dialogue: 0,0:12:03.15,0:12:06.50,Default,,0000,0000,0000,,try to say something\Nwith that word to me.
Dialogue: 0,0:12:06.51,0:12:09.44,Default,,0000,0000,0000,,Is there something you want\Nto relate to me through that word?
Dialogue: 0,0:12:10.87,0:12:12.11,Default,,0000,0000,0000,,Patrick: Flow.
Dialogue: 0,0:12:12.12,0:12:17.46,Default,,0000,0000,0000,,YN: Oh, (Laughter) flow.\NThat's nice. Thank you. (Applause)
Dialogue: 0,0:12:17.46,0:12:19.92,Default,,0000,0000,0000,,That was beautiful, thank you.
Dialogue: 0,0:12:19.92,0:12:22.92,Default,,0000,0000,0000,,Patrick: And the word was "love".\NYN: Oh, my goodness!
Dialogue: 0,0:12:22.92,0:12:25.29,Default,,0000,0000,0000,,What he was trying to say underneath\Nwas love.
Dialogue: 0,0:12:25.33,0:12:27.71,Default,,0000,0000,0000,,I really felt that.\NThank you very much.
Dialogue: 0,0:12:27.71,0:12:29.80,Default,,0000,0000,0000,,But that's what it's all about.
Dialogue: 0,0:12:31.25,0:12:32.54,Default,,0000,0000,0000,,So, I would like to -
Dialogue: 0,0:12:32.54,0:12:37.04,Default,,0000,0000,0000,,Oh! Here is just one more,\Nanother one of those moments.
Dialogue: 0,0:12:37.72,0:12:39.76,Default,,0000,0000,0000,,A giraffe and an ostrich.
Dialogue: 0,0:12:41.17,0:12:44.83,Default,,0000,0000,0000,,I would like to end\Nwith another final quote,
Dialogue: 0,0:12:44.99,0:12:48.29,Default,,0000,0000,0000,,because I can't say it any better\Nthan this amazing person,
Dialogue: 0,0:12:48.29,0:12:52.30,Default,,0000,0000,0000,,a Spanish cheloist\Nwho was always for peace.
Dialogue: 0,0:12:52.79,0:12:55.62,Default,,0000,0000,0000,,And whatever work I'm doing with drama,
Dialogue: 0,0:12:55.63,0:12:58.29,Default,,0000,0000,0000,,I think this is closest to my heart, so,
Dialogue: 0,0:12:59.54,0:13:02.29,Default,,0000,0000,0000,,"Yes, you're a marvel.
Dialogue: 0,0:13:02.33,0:13:06.13,Default,,0000,0000,0000,,And when you grow,\Ncan you then harm another
Dialogue: 0,0:13:06.13,0:13:08.75,Default,,0000,0000,0000,,who is, like you, a marvel?
Dialogue: 0,0:13:09.75,0:13:12.75,Default,,0000,0000,0000,,You must work, we must all work,
Dialogue: 0,0:13:12.75,0:13:16.29,Default,,0000,0000,0000,,to make the world worthy of its children."
Dialogue: 0,0:13:16.75,0:13:18.22,Default,,0000,0000,0000,,By Pablo Casals.
Dialogue: 0,0:13:18.22,0:13:19.51,Default,,0000,0000,0000,,Thank you very much.
Dialogue: 0,0:13:19.51,0:13:21.02,Default,,0000,0000,0000,,(Applause)