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(Steven Martin) 

are you sure that

NOTE Paragraph

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(Robin William) 
do you see that?

00:00:13.590 --> 00:00:14.130
(Steven Martin)
So far…

00:00:14.130 --> 00:00:15.487
(Robin Williams)
No carry on.


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(Audience Laughter)

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(Steve Martin) 
I interrupted you.


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(Robin Williams)
On the contrary.


00:00:18.087 --> 00:00:18.837
(Steve Martin)
Ceremonious ape.


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(Robin Williams)
Punk choice pig.


00:00:20.477 --> 00:00:21.537
(Steve Martin)
Finish your phrase I tell you. 


00:00:21.537 --> 00:00:22.577
(Robin Williams)
Finish your own. 


00:00:22.577 --> 00:00:23.787
(Steve Martin)
Moron.


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(Robin Williams)
That’s the idea! Let’s abuse each other!


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(Audience Laughter)

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(Steve Martin)
Moron.


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(Robin Williams)
Vermin.

00:00:30.587 --> 00:00:31.677
(Steve Martin)
Abortion.


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(Robin Williams)
Scorpion.


00:00:33.237 --> 00:00:34.227
(Steve Martin)
Sewer rat.


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(Robin Williams)
Cuent.


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(Steve Martin)
Cretin.


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(Robin Williams)
Critic.


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(Audience laughter)

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(Steve Martin)
Oh…


00:00:59.756 --> 00:01:00.626
(Steve Martin)
When I read the play

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when Mike first suggested that we might do this

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and I went back and read the play,

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I realized, I mean I saw it as a comedy

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. I mean I thought there were great, smart, high, and low laughs, in the play

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and they must be served almost first

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because the language of the play takes care of itself

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The structure of the play takes care of itself,

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but the comedy won’t take care of itself unless it’s delivered.

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(Robin Williams)
Well what do we do now?


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(Steve Martin)
While waiting.


00:01:38.696 --> 00:01:40.076
(Robin Williams)
While waiting.


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(Steve Martin)
We could do our exercise.


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(Robin Williams)
Our movements!


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(Steve Martin)
Our elevation.


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(Audience laughter)

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(Steven Martin)
Our relaxation 


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(both)
oh oh oh ah

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(Steven Martin) 
Our elongation 


00:01:55.789 --> 00:01:56.909
(Steven Martin)
Our relaxation 


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(both)
oh oh oh ah

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(Steven Martin)
we on the top


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(Robin Williams)
We calm down 


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(Steven Martin)
Here we go 


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(Audience laughter)

00:02:04.403 --> 00:02:06.483
(Robin Williams)
Ugh, that's enough of that I'm tired

00:02:06.483 --> 00:02:07.563
(Steven Martin)
We're not in form,

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what about a little deep breathing

00:02:08.933 --> 00:02:10.183
(Robin Williams)
I'm tired of breathing

00:02:10.183 --> 00:02:11.173
(Steven Martin)
you're right,

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lets just do the Tree for the balance

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The Tree

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Your turn

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(Robin Williams)
Dear God, feed me

00:02:24.299 --> 00:02:26.109
(Steven Martin)
You must close your eyes

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(Robin Williams)
God have pity on me

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(Steven Martin)
And me

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(Robin Williams)
On me, on me, pity on me

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(Bill Irwin)
of course I see the play

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having done the role Lucky,
I see the play from

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the lucky point of view.

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The speech, I'm sure is somewhere,
the whole thing is somewhere in my memory

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We'll just see how much I can remember,
"Given the existence as I heard forth

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in the public works of 
Puncher and Whatman,

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of a personal God,
cwock, cwock cwock

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with a white beard
cwock, cwock cwock

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outside time, without extension,
who from the heights of divine apatheia,

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devine athambia, devine aphasia
loves us dearly, with some exceptions

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for reasons unknown,
but time will tell,

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and sufferers like the divine Miranda,
with those who for reasons unknown

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but time will tell, are plunged in
torment, plunged in fire

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whose fire flames if that continues,
and who can doubt it will.

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fire the firmament that is to say, 
blast hell to heaven,

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so blue still and calm, 
so calm with a calm which even

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though intermittent
is better than nothing

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but not so fast
and considering.