WEBVTT 00:00:22.416 --> 00:00:25.701 I keep looking at it, I have to go back and start working again. 00:00:31.901 --> 00:00:36.818 What I'm looking for is resolution. I have it one day and I don't have it the next day. 00:00:36.818 --> 00:00:43.601 That's why being an artist is so great because you can get that kind of satisfaction. 00:00:43.601 --> 00:00:49.168 The thing that has been hard about these paintings, is I don't know how I'm gonna get them resolved. 00:00:52.318 --> 00:00:56.917 I thought, when I did the drawings for this painting, I was very excited. 00:00:56.917 --> 00:01:00.668 They looked really great to me. And then I blew it up, 00:01:00.668 --> 00:01:09.219 And the guys who make these forms for me put it together, made it, and it came back to the studio. 00:01:09.219 --> 00:01:13.658 And, you know, the minute I saw it, I just didn't see how it was gonna go together at all. 00:01:13.658 --> 00:01:17.411 Even before I touched it. Just the way the forms were working. 00:01:17.411 --> 00:01:19.930 "What was I thinking of! This is gonna be horrible." 00:01:19.945 --> 00:01:24.756 And it was really, really a long journey with this painting. 00:01:25.402 --> 00:01:26.356 The colors I thought I thought I was going to use, none of them worked in the beginning. 00:01:26.356 --> 00:01:26.356 But that's nothing new. 00:01:26.939 --> 00:01:27.708 The whole painting was painful. 99:59:59.999 --> 99:59:59.999 Usually, what happens is when I start to really hate it, it starts to go someplace. 99:59:59.999 --> 99:59:59.999 It's almost as though you have to get down into that place where 99:59:59.999 --> 99:59:59.999 You absolutely hate it and want to rip it off the wall and throw it out, 99:59:59.999 --> 99:59:59.999 To start getting into it. It's very strange. 99:59:59.999 --> 99:59:59.999 For instance, that particular blue-pie shape with the spinal column going through it, 99:59:59.999 --> 99:59:59.999 I wanted something through the center, it needed something in the middle, 99:59:59.999 --> 99:59:59.999 That was going off-center in the form. I had a zig-zaggy line for a while. 99:59:59.999 --> 99:59:59.999 For a while, I liked it, and then I came in one day, and I said, "No." 99:59:59.999 --> 99:59:59.999 The spinal column ended up being a kind of way to get through the shape into the next shape. 99:59:59.999 --> 99:59:59.999 The resolution has to happen without anybody seeing it, not even me. 99:59:59.999 --> 99:59:59.999 But I know that it's there. I feel that it's there. 99:59:59.999 --> 99:59:59.999 There's a moment when I start to feel it with this painting. And I don't think I can describe it 99:59:59.999 --> 99:59:59.999 But I feel that with it because I can stop it. 99:59:59.999 --> 99:59:59.999 When I look at it, instead of being this battle, this conflict that I have to pull together, 99:59:59.999 --> 99:59:59.999 I can look at it peacefully. 99:59:59.999 --> 99:59:59.999 [Man] Lift for the blocks. Come on Steve, put the block man. 99:59:59.999 --> 99:59:59.999 [Man] No, not on the chicken head. 99:59:59.999 --> 99:59:59.999 When it feels right, it is such a natural thing, when you realize that something really is completed.