1 00:00:22,416 --> 00:00:25,701 I keep looking at it, I have to go back and start working again. 2 00:00:31,901 --> 00:00:36,818 What I'm looking for is resolution. I have it one day and I don't have it the next day. 3 00:00:36,818 --> 00:00:43,601 That's why being an artist is so great because you can get that kind of satisfaction. 4 00:00:43,601 --> 00:00:49,168 The thing that has been hard about these paintings, is I don't know how I'm gonna get them resolved. 5 00:00:52,318 --> 00:00:56,917 I thought, when I did the drawings for this painting, I was very excited. 6 00:00:56,917 --> 00:01:00,668 They looked really great to me. And then I blew it up, 7 00:01:00,668 --> 00:01:09,219 And the guys who make these forms for me put it together, made it, and it came back to the studio. 8 00:01:09,219 --> 00:01:13,658 And, you know, the minute I saw it, I just didn't see how it was gonna go together at all. 9 00:01:13,658 --> 00:01:17,411 Even before I touched it. Just the way the forms were working. 10 00:01:17,411 --> 00:01:19,930 "What was I thinking of! This is gonna be horrible." 11 00:01:19,945 --> 00:01:24,756 And it was really, really a long journey with this painting. 12 00:01:25,402 --> 00:01:26,356 The colors I thought I thought I was going to use, none of them worked in the beginning. 13 00:01:26,356 --> 00:01:26,356 But that's nothing new. 14 00:01:26,939 --> 00:01:27,708 The whole painting was painful. 15 99:59:59,999 --> 99:59:59,999 Usually, what happens is when I start to really hate it, it starts to go someplace. 16 99:59:59,999 --> 99:59:59,999 It's almost as though you have to get down into that place where 17 99:59:59,999 --> 99:59:59,999 You absolutely hate it and want to rip it off the wall and throw it out, 18 99:59:59,999 --> 99:59:59,999 To start getting into it. It's very strange. 19 99:59:59,999 --> 99:59:59,999 For instance, that particular blue-pie shape with the spinal column going through it, 20 99:59:59,999 --> 99:59:59,999 I wanted something through the center, it needed something in the middle, 21 99:59:59,999 --> 99:59:59,999 That was going off-center in the form. I had a zig-zaggy line for a while. 22 99:59:59,999 --> 99:59:59,999 For a while, I liked it, and then I came in one day, and I said, "No." 23 99:59:59,999 --> 99:59:59,999 The spinal column ended up being a kind of way to get through the shape into the next shape. 24 99:59:59,999 --> 99:59:59,999 The resolution has to happen without anybody seeing it, not even me. 25 99:59:59,999 --> 99:59:59,999 But I know that it's there. I feel that it's there. 26 99:59:59,999 --> 99:59:59,999 There's a moment when I start to feel it with this painting. And I don't think I can describe it 27 99:59:59,999 --> 99:59:59,999 But I feel that with it because I can stop it. 28 99:59:59,999 --> 99:59:59,999 When I look at it, instead of being this battle, this conflict that I have to pull together, 29 99:59:59,999 --> 99:59:59,999 I can look at it peacefully. 30 99:59:59,999 --> 99:59:59,999 [Man] Lift for the blocks. Come on Steve, put the block man. 31 99:59:59,999 --> 99:59:59,999 [Man] No, not on the chicken head. 32 99:59:59,999 --> 99:59:59,999 When it feels right, it is such a natural thing, when you realize that something really is completed.