[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:15.71,0:00:20.16,Default,,0000,0000,0000,,♪ upbeat percussion ♪
Dialogue: 0,0:00:29.34,0:00:31.21,Default,,0000,0000,0000,,I was born here in Loíza.
Dialogue: 0,0:00:32.86,0:00:34.58,Default,,0000,0000,0000,,We have a lot of invention going on.
Dialogue: 0,0:00:36.01,0:00:37.10,Default,,0000,0000,0000,,The aesthetic of the masquerade.
Dialogue: 0,0:00:37.10,0:00:40.17,Default,,0000,0000,0000,,related with the Fiesta de Santiago Apostol
Dialogue: 0,0:00:40.17,0:00:42.03,Default,,0000,0000,0000,,related with African heritage.
Dialogue: 0,0:00:43.46,0:00:44.44,Default,,0000,0000,0000,,I like to play with that.
Dialogue: 0,0:00:50.91,0:00:52.99,Default,,0000,0000,0000,,A lot of energy is going on,
Dialogue: 0,0:00:52.99,0:00:56.34,Default,,0000,0000,0000,,and energy not only \Nwith Loíza, Puerto Rico.
Dialogue: 0,0:00:56.34,0:00:57.92,Default,,0000,0000,0000,,but with the Caribbean in general.
Dialogue: 0,0:00:59.73,0:01:03.58,Default,,0000,0000,0000,,There is a communication \Ngoing above the language.
Dialogue: 0,0:01:05.57,0:01:07.76,Default,,0000,0000,0000,,There is something that is felt.
Dialogue: 0,0:01:15.65,0:01:18.76,Default,,0000,0000,0000,,[leaves rustling in the wind]
Dialogue: 0,0:01:18.76,0:01:22.33,Default,,0000,0000,0000,,[waves crashing]
Dialogue: 0,0:01:25.13,0:01:28.57,Default,,0000,0000,0000,,There are many stories \Nrelated with immigration
Dialogue: 0,0:01:28.57,0:01:29.45,Default,,0000,0000,0000,,in the Caribbean.
Dialogue: 0,0:01:30.85,0:01:34.29,Default,,0000,0000,0000,,Most of the objects \Nthat I try to pick up
Dialogue: 0,0:01:34.29,0:01:36.33,Default,,0000,0000,0000,,are objects related with that story.
Dialogue: 0,0:01:39.30,0:01:41.75,Default,,0000,0000,0000,,I have found a lot of shoes, \Nfor example,
Dialogue: 0,0:01:41.75,0:01:44.75,Default,,0000,0000,0000,,a lot of objects with luggage.
Dialogue: 0,0:01:45.28,0:01:46.89,Default,,0000,0000,0000,,The sea bring it.
Dialogue: 0,0:01:48.78,0:01:55.00,Default,,0000,0000,0000,,♪ uplifting ethereal music ♪
Dialogue: 0,0:02:20.45,0:02:21.46,Default,,0000,0000,0000,,I love it.
Dialogue: 0,0:02:21.89,0:02:24.84,Default,,0000,0000,0000,,The mangrove that I am doing \Nupstairs needs a lot of green,
Dialogue: 0,0:02:25.75,0:02:28.95,Default,,0000,0000,0000,,and this could also represent the forest.
Dialogue: 0,0:02:28.95,0:02:29.83,Default,,0000,0000,0000,,Beautiful.
Dialogue: 0,0:02:30.94,0:02:33.29,Default,,0000,0000,0000,,This is a great finding.
Dialogue: 0,0:02:33.98,0:02:35.10,Default,,0000,0000,0000,,It's a curved one.
Dialogue: 0,0:02:35.10,0:02:36.05,Default,,0000,0000,0000,,It is like this.
Dialogue: 0,0:02:40.23,0:02:42.06,Default,,0000,0000,0000,,What does the hurricane do, you know?
Dialogue: 0,0:02:44.04,0:02:45.92,Default,,0000,0000,0000,,Or the movement of the wind.
Dialogue: 0,0:03:14.52,0:03:18.36,Default,,0000,0000,0000,,The thing is that if\NI have an idea based on
Dialogue: 0,0:03:18.89,0:03:20.75,Default,,0000,0000,0000,,one of my experiences,
Dialogue: 0,0:03:21.02,0:03:23.82,Default,,0000,0000,0000,,the material activate\Nmy imagination.
Dialogue: 0,0:03:24.50,0:03:27.92,Default,,0000,0000,0000,,♪ ethereal music ♪
Dialogue: 0,0:03:27.92,0:03:30.30,Default,,0000,0000,0000,,I say, "Oh, I have this object\Nand it's related with this
Dialogue: 0,0:03:30.30,0:03:32.16,Default,,0000,0000,0000,,narrative that I'm\Ntrying to organize."
Dialogue: 0,0:03:32.16,0:03:35.46,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:03:35.46,0:03:36.66,Default,,0000,0000,0000,,And I start playing with it.
Dialogue: 0,0:03:38.04,0:03:39.96,Default,,0000,0000,0000,,I incorporate that object.
Dialogue: 0,0:03:40.41,0:03:44.22,Default,,0000,0000,0000,,Or I have to invent\Nan object to the idea,
Dialogue: 0,0:03:45.12,0:03:47.10,Default,,0000,0000,0000,,putting this object\Nrelated with this one.
Dialogue: 0,0:03:48.00,0:03:50.70,Default,,0000,0000,0000,,It's a very organic\Nway of organizing.
Dialogue: 0,0:03:50.70,0:03:54.14,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:03:54.14,0:03:56.58,Default,,0000,0000,0000,,Here in Loíza, the\Ncommunity, for me,
Dialogue: 0,0:03:56.58,0:04:00.37,Default,,0000,0000,0000,,is like an\Nextension of my studio.
Dialogue: 0,0:04:01.74,0:04:02.24,Default,,0000,0000,0000,,— Nunu!
Dialogue: 0,0:04:03.37,0:04:04.47,Default,,0000,0000,0000,,Mira.
Dialogue: 0,0:04:04.47,0:04:06.70,Default,,0000,0000,0000,,Have you seen any more springs?
Dialogue: 0,0:04:06.85,0:04:09.04,Default,,0000,0000,0000,,— On the Suárez plot. I have to talk to —
Dialogue: 0,0:04:09.04,0:04:10.50,Default,,0000,0000,0000,,— But have you seen any more \Nin the street?
Dialogue: 0,0:04:10.50,0:04:11.88,Default,,0000,0000,0000,,— Yes, which is why —
Dialogue: 0,0:04:12.91,0:04:16.16,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:04:16.26,0:04:17.24,Default,,0000,0000,0000,,See that color?
Dialogue: 0,0:04:18.84,0:04:23.10,Default,,0000,0000,0000,,Everything have been\Nchoosen to react against.
Dialogue: 0,0:04:23.10,0:04:24.14,Default,,0000,0000,0000,,Here, look at this.
Dialogue: 0,0:04:25.98,0:04:28.02,Default,,0000,0000,0000,,It's beautiful, isn't it?
Dialogue: 0,0:04:28.02,0:04:28.80,Default,,0000,0000,0000,,Look at that.
Dialogue: 0,0:04:28.80,0:04:32.45,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:04:32.45,0:04:34.74,Default,,0000,0000,0000,,[Daniel VO] It\Ntakes time, I feel it.
Dialogue: 0,0:04:35.28,0:04:36.66,Default,,0000,0000,0000,,You have to be\Nthere all the time.
Dialogue: 0,0:04:37.20,0:04:39.00,Default,,0000,0000,0000,,You have to live with the piece.
Dialogue: 0,0:04:39.00,0:04:43.20,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:04:43.20,0:04:46.38,Default,,0000,0000,0000,,I literally sleep with a\Nnotebook and with a pencil there
Dialogue: 0,0:04:46.38,0:04:47.94,Default,,0000,0000,0000,,so I could trap the idea.
Dialogue: 0,0:04:48.47,0:04:50.64,Default,,0000,0000,0000,,It's interesting how\Nsometimes you are sleeping
Dialogue: 0,0:04:50.64,0:04:52.80,Default,,0000,0000,0000,,and then a solution comes.
Dialogue: 0,0:04:54.06,0:04:56.88,Default,,0000,0000,0000,,And then there is a day\Nwhen you go to the studio
Dialogue: 0,0:04:57.66,0:04:58.92,Default,,0000,0000,0000,,and there is an harmony.
Dialogue: 0,0:05:00.54,0:05:01.88,Default,,0000,0000,0000,,"Oh, there it is."
Dialogue: 0,0:05:04.92,0:05:07.38,Default,,0000,0000,0000,,My intention with\Nthis approach is,
Dialogue: 0,0:05:07.38,0:05:08.82,Default,,0000,0000,0000,,among other things, to remember.
Dialogue: 0,0:05:10.20,0:05:12.84,Default,,0000,0000,0000,,[man VO] The first pictures\Nnow coming in from Puerto Rico.
Dialogue: 0,0:05:12.84,0:05:15.12,Default,,0000,0000,0000,,Hurricane Maria\Nslamming into the island and,
Dialogue: 0,0:05:15.12,0:05:18.41,Default,,0000,0000,0000,,as you heard, one official\Nsaying the island is destroyed.
Dialogue: 0,0:05:19.88,0:05:21.36,Default,,0000,0000,0000,,[man VO] Tonight,\NMaria's direct hit,
Dialogue: 0,0:05:21.36,0:05:22.92,Default,,0000,0000,0000,,devastating Puerto Rico.
Dialogue: 0,0:05:23.57,0:05:26.28,Default,,0000,0000,0000,,[Daniel VO] I remember\Nlistening the roof of the house.
Dialogue: 0,0:05:27.12,0:05:30.60,Default,,0000,0000,0000,,I was by myself, and\Nthe sound of the wind...
Dialogue: 0,0:05:31.15,0:05:32.58,Default,,0000,0000,0000,,[cacophonous noises], you know.
Dialogue: 0,0:05:32.58,0:05:33.60,Default,,0000,0000,0000,,It was really terrible.
Dialogue: 0,0:05:34.14,0:05:35.34,Default,,0000,0000,0000,,Then, I opened the door.
Dialogue: 0,0:05:36.12,0:05:37.92,Default,,0000,0000,0000,,I wasn't supposed to\Ndo that, of course.
Dialogue: 0,0:05:38.76,0:05:40.78,Default,,0000,0000,0000,,Then you see the palm trees fighting.
Dialogue: 0,0:05:42.14,0:05:44.34,Default,,0000,0000,0000,,It was sublime and terrible \Nat the same time.
Dialogue: 0,0:05:44.81,0:05:46.27,Default,,0000,0000,0000,,It was something else.
Dialogue: 0,0:05:47.86,0:05:49.60,Default,,0000,0000,0000,,And that's what I'm\Ntrying to do with this.
Dialogue: 0,0:05:49.98,0:05:51.78,Default,,0000,0000,0000,,How could I talk\Nabout the terrible
Dialogue: 0,0:05:52.61,0:05:55.01,Default,,0000,0000,0000,,and the sublime\Nat the same time?
Dialogue: 0,0:05:55.19,0:06:00.00,Default,,0000,0000,0000,,♪ tense ambient music ♪
Dialogue: 0,0:06:05.44,0:06:09.62,Default,,0000,0000,0000,,Bit by bit, I was gathering\Ndebris from the hurricane.
Dialogue: 0,0:06:11.96,0:06:14.10,Default,,0000,0000,0000,,The tarp comes like a sea.
Dialogue: 0,0:06:14.10,0:06:15.78,Default,,0000,0000,0000,,See here?\NLike a sea.
Dialogue: 0,0:06:16.02,0:06:16.98,Default,,0000,0000,0000,,Water...
Dialogue: 0,0:06:18.30,0:06:21.06,Default,,0000,0000,0000,,sand, represented by the burlap.
Dialogue: 0,0:06:22.50,0:06:28.18,Default,,0000,0000,0000,,The rays of the storm, we\Nuse copper and aluminum.
Dialogue: 0,0:06:29.40,0:06:30.00,Default,,0000,0000,0000,,The thunder.
Dialogue: 0,0:06:30.53,0:06:33.06,Default,,0000,0000,0000,,[drum booming]
Dialogue: 0,0:06:33.06,0:06:38.56,Default,,0000,0000,0000,,So music, rhythm, sound are\Nrelated with the theme too.
Dialogue: 0,0:06:39.30,0:06:43.11,Default,,0000,0000,0000,,And here, there is a figure\Nthat might be pointing to
Dialogue: 0,0:06:43.11,0:06:43.94,Default,,0000,0000,0000,,Virgin Mary.
Dialogue: 0,0:06:44.82,0:06:46.98,Default,,0000,0000,0000,,The hurricane was\Ncalled "Maria,"
Dialogue: 0,0:06:47.51,0:06:49.26,Default,,0000,0000,0000,,and Maria is the\Nmother of Christ.
Dialogue: 0,0:06:49.51,0:06:52.20,Default,,0000,0000,0000,,For me to cite the\Niconic representation,
Dialogue: 0,0:06:52.20,0:06:54.00,Default,,0000,0000,0000,,there is a\Ncontradiction there:
Dialogue: 0,0:06:54.00,0:06:55.92,Default,,0000,0000,0000,,Virgin Mary in the\Ncontext of destruction.
Dialogue: 0,0:06:57.98,0:07:02.92,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:07:02.92,0:07:04.62,Default,,0000,0000,0000,,The way that these\Nhouses are built,
Dialogue: 0,0:07:05.00,0:07:09.75,Default,,0000,0000,0000,,they are not built in order\Nto support the strength of a
Dialogue: 0,0:07:09.75,0:07:10.40,Default,,0000,0000,0000,,hurricane.
Dialogue: 0,0:07:11.76,0:07:14.66,Default,,0000,0000,0000,,So I'm talking about\Nthe problem of housing, too --
Dialogue: 0,0:07:14.66,0:07:18.48,Default,,0000,0000,0000,,the people with less\Nresources to build something
Dialogue: 0,0:07:18.48,0:07:22.24,Default,,0000,0000,0000,,strong and properly in order\Nto live in this area in the
Dialogue: 0,0:07:22.24,0:07:23.27,Default,,0000,0000,0000,,Caribbean.
Dialogue: 0,0:07:30.60,0:07:34.50,Default,,0000,0000,0000,,Something that I remember from\Nmy childhood is that plant with
Dialogue: 0,0:07:34.50,0:07:35.51,Default,,0000,0000,0000,,those flowers.
Dialogue: 0,0:07:36.42,0:07:41.94,Default,,0000,0000,0000,,So imagine this road without\Nthis -- sand and a lot of trees,
Dialogue: 0,0:07:42.54,0:07:43.44,Default,,0000,0000,0000,,but the same road.
Dialogue: 0,0:07:43.79,0:07:48.85,Default,,0000,0000,0000,,[dog barking]
Dialogue: 0,0:07:50.94,0:07:52.62,Default,,0000,0000,0000,,[Daniel VO] The\Nexperience of catastrophe,
Dialogue: 0,0:07:53.22,0:07:55.38,Default,,0000,0000,0000,,that's not\Nexclusive of Puerto Ricans.
Dialogue: 0,0:07:57.06,0:08:00.69,Default,,0000,0000,0000,,There is a universality,\Nregardless where you live in
Dialogue: 0,0:08:00.69,0:08:01.76,Default,,0000,0000,0000,,this world.
Dialogue: 0,0:08:02.58,0:08:04.86,Default,,0000,0000,0000,,People have to invent again.
Dialogue: 0,0:08:06.06,0:08:09.30,Default,,0000,0000,0000,,When you don't have electricity,\Nyou don't have water,
Dialogue: 0,0:08:09.30,0:08:11.22,Default,,0000,0000,0000,,you have to be inventive.
Dialogue: 0,0:08:11.22,0:08:16.54,Default,,0000,0000,0000,,And it's interesting because\Nknowledge from the past came again.
Dialogue: 0,0:08:17.65,0:08:20.46,Default,,0000,0000,0000,,I remember when I was\Na child here in Loíza,
Dialogue: 0,0:08:20.46,0:08:22.14,Default,,0000,0000,0000,,everybody was doing something.
Dialogue: 0,0:08:22.82,0:08:25.40,Default,,0000,0000,0000,,My grandmother\Nwas a sewer,
Dialogue: 0,0:08:26.16,0:08:29.82,Default,,0000,0000,0000,,my uncle Louis\Nwas a mask maker,
Dialogue: 0,0:08:30.60,0:08:34.32,Default,,0000,0000,0000,,and my other uncle\Nwas a cabinet maker.
Dialogue: 0,0:08:35.04,0:08:38.22,Default,,0000,0000,0000,,So you could imagine the\Nactivities as a child,
Dialogue: 0,0:08:38.22,0:08:41.34,Default,,0000,0000,0000,,working with tools\Nand woods and things.
Dialogue: 0,0:08:41.34,0:08:42.24,Default,,0000,0000,0000,,It was beautiful!
Dialogue: 0,0:08:43.06,0:08:49.50,Default,,0000,0000,0000,,♪ emotional music ♪
Dialogue: 0,0:08:49.82,0:08:53.22,Default,,0000,0000,0000,,I like to construct\Nsomething that have unity,
Dialogue: 0,0:08:53.55,0:08:57.09,Default,,0000,0000,0000,,even though I am\Nusing diverse materials.
Dialogue: 0,0:08:58.71,0:09:00.27,Default,,0000,0000,0000,,They are all alive, you know?
Dialogue: 0,0:09:01.22,0:09:03.56,Default,,0000,0000,0000,,For me, that's language.
Dialogue: 0,0:09:04.32,0:09:07.68,Default,,0000,0000,0000,,The way you arrange\Nthem to obtain unity,
Dialogue: 0,0:09:08.58,0:09:10.32,Default,,0000,0000,0000,,there I find beauty.
Dialogue: 0,0:09:11.22,0:09:20.15,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:09:30.47,0:09:34.33,Default,,0000,0000,0000,,[buzzing]
Dialogue: 0,0:09:36.88,0:09:38.65,Default,,0000,0000,0000,,[Jorge] I'm going to put it there.
Dialogue: 0,0:09:39.35,0:09:41.88,Default,,0000,0000,0000,,[Daniel] Try making a sound however you like. \NJust try!
Dialogue: 0,0:09:42.68,0:09:43.92,Default,,0000,0000,0000,,[conch blows]
Dialogue: 0,0:09:43.92,0:09:45.71,Default,,0000,0000,0000,,That would be nice. It's melancholic.
Dialogue: 0,0:09:46.77,0:09:48.35,Default,,0000,0000,0000,,[blowing continues]
Dialogue: 0,0:09:48.35,0:09:52.20,Default,,0000,0000,0000,,Seems like already the Spaniards\Nwere here killing Indians.
Dialogue: 0,0:09:53.64,0:09:57.54,Default,,0000,0000,0000,,Like a lament, the longing of\Nsomething that has disappeared,
Dialogue: 0,0:09:57.54,0:09:58.04,Default,,0000,0000,0000,,you know?
Dialogue: 0,0:09:58.86,0:10:01.74,Default,,0000,0000,0000,,Which is that land\Nbefore Columbus arrived.
Dialogue: 0,0:10:02.34,0:10:04.02,Default,,0000,0000,0000,,Use your imagination, yeah!
Dialogue: 0,0:10:04.02,0:10:06.24,Default,,0000,0000,0000,,Recreate that in your mind\Nand then bring it through the
Dialogue: 0,0:10:06.24,0:10:07.26,Default,,0000,0000,0000,,— instrument, yeah!\N— Okay.
Dialogue: 0,0:10:07.26,0:10:12.84,Default,,0000,0000,0000,,[Jorge] I'm gonna be trying to do what\Nour Taino Indians used to do,
Dialogue: 0,0:10:12.84,0:10:17.28,Default,,0000,0000,0000,,and that is play it\Nwith the sound that
Dialogue: 0,0:10:17.28,0:10:19.08,Default,,0000,0000,0000,,was what they used\Nto communicate.
Dialogue: 0,0:10:19.80,0:10:22.01,Default,,0000,0000,0000,,[Daniel] He was my student. [laughs]
Dialogue: 0,0:10:22.01,0:10:24.18,Default,,0000,0000,0000,,[Jorge] If you didn't\Nlearn something with Daniel...
Dialogue: 0,0:10:24.18,0:10:26.76,Default,,0000,0000,0000,,-[chuckles]\N-You are not in the right place.
Dialogue: 0,0:10:26.76,0:10:28.38,Default,,0000,0000,0000,,He doesn't take a "No."
Dialogue: 0,0:10:28.38,0:10:30.48,Default,,0000,0000,0000,,No, invent yourself, reinvent.
Dialogue: 0,0:10:30.48,0:10:32.60,Default,,0000,0000,0000,,Yeah, he pushes\Nyou to the limit.
Dialogue: 0,0:10:32.60,0:10:34.62,Default,,0000,0000,0000,,"Okay, listen, try it."
Dialogue: 0,0:10:35.88,0:10:41.20,Default,,0000,0000,0000,,♪ rapid drumming ♪
Dialogue: 0,0:10:43.16,0:10:45.83,Default,,0000,0000,0000,,[conch blows]
Dialogue: 0,0:10:46.20,0:10:49.83,Default,,0000,0000,0000,,Here in Loíza we use \Ncostume all year long.
Dialogue: 0,0:10:53.12,0:10:54.88,Default,,0000,0000,0000,,Let's get you a bigger one.
Dialogue: 0,0:10:55.11,0:10:57.04,Default,,0000,0000,0000,,Mask for Victor!
Dialogue: 0,0:10:58.38,0:11:01.31,Default,,0000,0000,0000,,The activity that I have \Nhere is to invite people
Dialogue: 0,0:11:01.31,0:11:03.80,Default,,0000,0000,0000,,from my community, my \Nfriends and family.
Dialogue: 0,0:11:03.80,0:11:08.70,Default,,0000,0000,0000,,Those neighbors dress in \Nthe costume like ancestors
Dialogue: 0,0:11:08.70,0:11:12.40,Default,,0000,0000,0000,,that came from the past \Nto be with us celebrating.
Dialogue: 0,0:11:14.44,0:11:17.46,Default,,0000,0000,0000,,African ancestry is \Nvery important ingredient
Dialogue: 0,0:11:17.46,0:11:20.33,Default,,0000,0000,0000,,of our identity here in \NPuerto Rico, of course.
Dialogue: 0,0:11:23.71,0:11:28.39,Default,,0000,0000,0000,,— This is the only town in Puerto Rico \Nfounded by Black people.
Dialogue: 0,0:11:28.48,0:11:31.38,Default,,0000,0000,0000,,But no one ever taught me about the \NAfrican continent.
Dialogue: 0,0:11:32.32,0:11:34.49,Default,,0000,0000,0000,,and I'm a person of African descent.
Dialogue: 0,0:11:35.07,0:11:40.65,Default,,0000,0000,0000,,No matter how others see it, \NSpain is not my motherland.
Dialogue: 0,0:11:40.65,0:11:42.58,Default,,0000,0000,0000,,My motherland is Africa.
Dialogue: 0,0:11:44.24,0:11:46.75,Default,,0000,0000,0000,,Now we are going to invite our poets.
Dialogue: 0,0:11:46.75,0:11:51.35,Default,,0000,0000,0000,,They will be reading poetry there, \Nand if there is somebody
Dialogue: 0,0:11:51.35,0:11:56.06,Default,,0000,0000,0000,,in the public that would like \Nto also, you know, read poetry
Dialogue: 0,0:11:56.06,0:11:56.93,Default,,0000,0000,0000,,or whatever.
Dialogue: 0,0:11:56.93,0:11:59.82,Default,,0000,0000,0000,,♪ drumming ♪
Dialogue: 0,0:11:59.82,0:12:02.13,Default,,0000,0000,0000,,[Woman] Real estate is their religion.
Dialogue: 0,0:12:02.13,0:12:03.97,Default,,0000,0000,0000,,The taxes, I pay those.
Dialogue: 0,0:12:04.58,0:12:07.76,Default,,0000,0000,0000,,They saw us on the floor, they kicked us \Nin the ribs and they took advantage
Dialogue: 0,0:12:07.76,0:12:11.51,Default,,0000,0000,0000,,with investments, with influence, \Nwith everything they can buy with money.
Dialogue: 0,0:12:11.60,0:12:14.77,Default,,0000,0000,0000,,"You can't live there, that's an Airbnb."
Dialogue: 0,0:12:17.19,0:12:20.28,Default,,0000,0000,0000,,[Daniel] You have this space where \Neverybody who wants
Dialogue: 0,0:12:20.28,0:12:24.02,Default,,0000,0000,0000,,could come and say something \Nand communicate.
Dialogue: 0,0:12:24.02,0:12:35.00,Default,,0000,0000,0000,,♪ uplifting music ♪
Dialogue: 0,0:12:35.00,0:12:40.67,Default,,0000,0000,0000,,[Woman] As a community and people \Npassing on traditions and histories
Dialogue: 0,0:12:40.67,0:12:44.14,Default,,0000,0000,0000,,we have the responsibility to \Ncontinue with this, to survive.
Dialogue: 0,0:12:45.17,0:12:47.71,Default,,0000,0000,0000,,[Man] We went to grade school together.
Dialogue: 0,0:12:47.71,0:12:52.64,Default,,0000,0000,0000,,We're like family on this long journey \Nthrough a good life.
Dialogue: 0,0:12:52.64,0:12:54.82,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:12:54.82,0:12:57.79,Default,,0000,0000,0000,,My intention was to find a language.
Dialogue: 0,0:12:58.04,0:13:02.37,Default,,0000,0000,0000,,find a process, find materials \Nthat established the link
Dialogue: 0,0:13:02.75,0:13:06.02,Default,,0000,0000,0000,,between our collective experience
Dialogue: 0,0:13:06.28,0:13:09.61,Default,,0000,0000,0000,,and somehow bring something \Ndifferent but authentic.
Dialogue: 0,0:13:09.61,0:13:12.72,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:13:12.78,0:13:15.00,Default,,0000,0000,0000,,We have that knowledge from the past.
Dialogue: 0,0:13:15.00,0:13:17.97,Default,,0000,0000,0000,,We want to keep it and \Nbring it to other generation.
Dialogue: 0,0:13:17.97,0:13:28.01,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:13:30.17,0:13:35.23,Default,,0000,0000,0000,,♪ ethereal ambient music ♪