[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:11.07,0:00:13.20,Default,,0000,0000,0000,,Hi, how you doing?\NJustin here
Dialogue: 0,0:00:13.20,0:00:15.40,Default,,0000,0000,0000,,Welcome to IM-158
Dialogue: 0,0:00:15.40,0:00:18.18,Default,,0000,0000,0000,,which is \N"Just Use Sound To Improve Now",
Dialogue: 0,0:00:18.18,0:00:20.71,Default,,0000,0000,0000,,\Nthe last of the foundation series.
Dialogue: 0,0:00:20.71,0:00:22.22,Default,,0000,0000,0000,,So really by the end of this one
Dialogue: 0,0:00:22.22,0:00:25.14,Default,,0000,0000,0000,,I want you to be able \Nto transcribe songs on your own
Dialogue: 0,0:00:25.14,0:00:26.49,Default,,0000,0000,0000,,if you haven't been already
Dialogue: 0,0:00:26.70,0:00:29.26,Default,,0000,0000,0000,,Now in 5-A\Nwhich is the chord progressions
Dialogue: 0,0:00:29.26,0:00:32.80,Default,,0000,0000,0000,,we're now mixing up\Nopen chords and bar chords.
Dialogue: 0,0:00:32.80,0:00:34.97,Default,,0000,0000,0000,,Now they do sound pretty different.
Dialogue: 0,0:00:34.97,0:00:36.33,Default,,0000,0000,0000,,It just takes a bit of practice
Dialogue: 0,0:00:36.33,0:00:39.09,Default,,0000,0000,0000,,to get used to really hearing\Nwhich one is which.
Dialogue: 0,0:00:39.09,0:00:42.67,Default,,0000,0000,0000,,Now the best thing you can do \Nis play the same chord,
Dialogue: 0,0:00:42.67,0:00:44.93,Default,,0000,0000,0000,,as an open chord,\Nand as a bar chord,
Dialogue: 0,0:00:44.93,0:00:46.42,Default,,0000,0000,0000,,and listen to the difference.
Dialogue: 0,0:00:46.42,0:00:47.36,Default,,0000,0000,0000,,Because, I've just
Dialogue: 0,0:00:47.36,0:00:48.92,Default,,0000,0000,0000,,- this is actually\Nthe second take of this -
Dialogue: 0,0:00:48.92,0:00:51.58,Default,,0000,0000,0000,,and I can't think of the words\Nto describe the difference.
Dialogue: 0,0:00:51.58,0:00:56.06,Default,,0000,0000,0000,,So, here's a G open chord\N(plays)
Dialogue: 0,0:00:56.06,0:00:59.62,Default,,0000,0000,0000,,and here's a G bar chord\N(plays)
Dialogue: 0,0:00:59.62,0:01:02.34,Default,,0000,0000,0000,,Here's the open chord
Dialogue: 0,0:01:02.34,0:01:04.59,Default,,0000,0000,0000,,and here's the bar chord
Dialogue: 0,0:01:04.59,0:01:06.23,Default,,0000,0000,0000,,Now, the closest I can get
Dialogue: 0,0:01:06.23,0:01:08.73,Default,,0000,0000,0000,,is that the open chords\Nsound open
Dialogue: 0,0:01:08.73,0:01:11.03,Default,,0000,0000,0000,,which is really helpful, isn't it?\N"Yeah, thanks Justin !
Dialogue: 0,0:01:11.03,0:01:13.41,Default,,0000,0000,0000,,I kind of wouldn't have\Nfigured that one out !"
Dialogue: 0,0:01:13.41,0:01:16.66,Default,,0000,0000,0000,,Their strings seem to have\Na bit more of a twang,
Dialogue: 0,0:01:16.66,0:01:18.34,Default,,0000,0000,0000,,a bit more of a shimmer,
Dialogue: 0,0:01:18.34,0:01:21.33,Default,,0000,0000,0000,,for the open chords\Nthan they do for bar chords.
Dialogue: 0,0:01:21.33,0:01:22.89,Default,,0000,0000,0000,,And like I said,\Nthe only way really
Dialogue: 0,0:01:22.89,0:01:24.27,Default,,0000,0000,0000,,is for you to play them.
Dialogue: 0,0:01:24.27,0:01:27.01,Default,,0000,0000,0000,,a D chord, here's a D\N(plays)
Dialogue: 0,0:01:27.01,0:01:29.65,Default,,0000,0000,0000,,here's a D bar chord\N(plays)
Dialogue: 0,0:01:29.65,0:01:31.51,Default,,0000,0000,0000,,Open\N(plays)
Dialogue: 0,0:01:31.51,0:01:33.94,Default,,0000,0000,0000,,Bar\N(plays)
Dialogue: 0,0:01:33.94,0:01:36.44,Default,,0000,0000,0000,,There's a difference there.\NIt's kind of subtle,
Dialogue: 0,0:01:36.44,0:01:38.03,Default,,0000,0000,0000,,but for me\Nit's obvious as well !
Dialogue: 0,0:01:38.03,0:01:40.62,Default,,0000,0000,0000,,I can straight away hear :\N"Oh yeah, that's a bar chord !"
Dialogue: 0,0:01:40.62,0:01:43.13,Default,,0000,0000,0000,,And the open chords \Nhave got their own kind of
Dialogue: 0,0:01:43.13,0:01:45.39,Default,,0000,0000,0000,,flavor or character\Nor whatever to them.
Dialogue: 0,0:01:45.39,0:01:47.51,Default,,0000,0000,0000,,So it's something that\NI want you to learn :
Dialogue: 0,0:01:47.51,0:01:48.61,Default,,0000,0000,0000,,to listen out for.
Dialogue: 0,0:01:48.61,0:01:49.85,Default,,0000,0000,0000,,And like I said,\Nthe only way to do it
Dialogue: 0,0:01:49.85,0:01:51.61,Default,,0000,0000,0000,,is for you to play\Nthe same chord
Dialogue: 0,0:01:51.61,0:01:53.84,Default,,0000,0000,0000,,open,\Nand then as a bar chord,
Dialogue: 0,0:01:53.84,0:01:56.09,Default,,0000,0000,0000,,and see if you can\Nstart to hear the difference.
Dialogue: 0,0:01:56.09,0:01:58.53,Default,,0000,0000,0000,,If you got a jam buddy,\Nit's a great thing \N
Dialogue: 0,0:01:58.53,0:02:00.23,Default,,0000,0000,0000,,to spend a bit of time\Nworking on.
Dialogue: 0,0:02:00.23,0:02:01.69,Default,,0000,0000,0000,,Get your mate to play a chord
Dialogue: 0,0:02:01.69,0:02:03.44,Default,,0000,0000,0000,,and you have to tell\Nif it's a bar chord
Dialogue: 0,0:02:03.44,0:02:04.59,Default,,0000,0000,0000,,or if it's an open chord.
Dialogue: 0,0:02:04.59,0:02:06.11,Default,,0000,0000,0000,,It does just take\Na bit of practice.
Dialogue: 0,0:02:07.75,0:02:11.36,Default,,0000,0000,0000,,Now in 5-B\Nwe've got now a 12 bar solo
Dialogue: 0,0:02:11.36,0:02:12.27,Default,,0000,0000,0000,,for you to work out.
Dialogue: 0,0:02:12.27,0:02:14.74,Default,,0000,0000,0000,,It's based on the A minor pentatonic,
Dialogue: 0,0:02:14.74,0:02:17.89,Default,,0000,0000,0000,,but to make it a bit more,\Nin inverted commas, 'real world'
Dialogue: 0,0:02:17.89,0:02:21.01,Default,,0000,0000,0000,,I've added a few notes in there\Nthat don't belong to the scale.
Dialogue: 0,0:02:21.01,0:02:23.67,Default,,0000,0000,0000,,So now you really have to listen\Nfor what the note is.
Dialogue: 0,0:02:23.67,0:02:25.92,Default,,0000,0000,0000,,It makes it a little bit\Nmore challenging,
Dialogue: 0,0:02:25.92,0:02:27.18,Default,,0000,0000,0000,,but I know you can do it.
Dialogue: 0,0:02:27.18,0:02:29.73,Default,,0000,0000,0000,,It really is just about\Nkeeping your ear opened
Dialogue: 0,0:02:29.73,0:02:32.87,Default,,0000,0000,0000,,and making sure that\Nwhen you pause after the note
Dialogue: 0,0:02:32.87,0:02:35.41,Default,,0000,0000,0000,,cause remember that's what\Nyou hopefully have been doing
Dialogue: 0,0:02:35.41,0:02:36.56,Default,,0000,0000,0000,,and you're gonna do it this time.
Dialogue: 0,0:02:36.56,0:02:38.02,Default,,0000,0000,0000,,After you hear the note,\Nyou hit pause,
Dialogue: 0,0:02:38.02,0:02:39.66,Default,,0000,0000,0000,,you play the note
Dialogue: 0,0:02:39.66,0:02:41.14,Default,,0000,0000,0000,,and you make sure\Nyou find the right one.
Dialogue: 0,0:02:41.14,0:02:43.34,Default,,0000,0000,0000,,You can no longer rely on.\NOh it's gonna be
Dialogue: 0,0:02:43.34,0:02:45.20,Default,,0000,0000,0000,,one of those notes\Nin the scale
Dialogue: 0,0:02:45.20,0:02:48.84,Default,,0000,0000,0000,,because I'm deliberately putting in\Nsome extra note there for you.
Dialogue: 0,0:02:48.84,0:02:50.96,Default,,0000,0000,0000,,Hopefully, you'll just find it challenging
Dialogue: 0,0:02:50.96,0:02:52.56,Default,,0000,0000,0000,,and, by the end of this,\NI really hope that
Dialogue: 0,0:02:52.56,0:02:54.77,Default,,0000,0000,0000,,you'll start trying\Nto transcribe some songs,
Dialogue: 0,0:02:54.77,0:02:56.85,Default,,0000,0000,0000,,all on your own,\Nsome solos.
Dialogue: 0,0:02:56.85,0:02:58.81,Default,,0000,0000,0000,,You know,\Ndon't pick real hard ones.\N
Dialogue: 0,0:02:58.81,0:03:00.44,Default,,0000,0000,0000,,Pick some nice, easy ones.
Dialogue: 0,0:03:00.44,0:03:02.76,Default,,0000,0000,0000,,Easy ones where it's not too fast,
Dialogue: 0,0:03:02.76,0:03:04.53,Default,,0000,0000,0000,,the notes are obvious and clear
Dialogue: 0,0:03:04.53,0:03:08.11,Default,,0000,0000,0000,,and not hidden by other riffs\Nor complicated rhythm parts, you know.
Dialogue: 0,0:03:08.11,0:03:09.66,Default,,0000,0000,0000,,There are plenty around of this,
Dialogue: 0,0:03:09.66,0:03:12.89,Default,,0000,0000,0000,,plenty of suggestions if you go\Nto the transcribing part of my website.
Dialogue: 0,0:03:12.89,0:03:16.31,Default,,0000,0000,0000,,And there will be a little\Ntranscribing course for you as well
Dialogue: 0,0:03:16.31,0:03:18.66,Default,,0000,0000,0000,,which will be a lot more\Nreal life examples.
Dialogue: 0,0:03:19.100,0:03:23.11,Default,,0000,0000,0000,,Now in 5-C,\Nit's the same really as 4-C,
Dialogue: 0,0:03:23.11,0:03:24.89,Default,,0000,0000,0000,,the same things\Nwe've got going on.
Dialogue: 0,0:03:24.89,0:03:27.66,Default,,0000,0000,0000,,We've got the block of\Nfour 16th notes, 8th notes
Dialogue: 0,0:03:27.66,0:03:29.04,Default,,0000,0000,0000,,8th note rest,
Dialogue: 0,0:03:29.04,0:03:31.22,Default,,0000,0000,0000,,quarter notes\Nand quarter note rest.
Dialogue: 0,0:03:31.22,0:03:33.54,Default,,0000,0000,0000,,I've just mixed them up\Nin a little bit harder fashion
Dialogue: 0,0:03:33.54,0:03:34.64,Default,,0000,0000,0000,,for you to work out.
Dialogue: 0,0:03:34.64,0:03:37.31,Default,,0000,0000,0000,,Hopefully again,\Nif you've been doing your proper work,
Dialogue: 0,0:03:37.31,0:03:39.84,Default,,0000,0000,0000,,your proper homework\Non the previous exercises,
Dialogue: 0,0:03:39.84,0:03:43.89,Default,,0000,0000,0000,,you shouldn't find it too difficult\Nbut a little bit challenging.
Dialogue: 0,0:03:43.89,0:03:46.13,Default,,0000,0000,0000,,So, get in there\Ndownload that work sheet,
Dialogue: 0,0:03:46.13,0:03:49.06,Default,,0000,0000,0000,,download the mp3 files\Nand get yourself transcribing.
Dialogue: 0,0:03:49.06,0:03:51.52,Default,,0000,0000,0000,,See you for another lesson\Nsometime very soon.
Dialogue: 0,0:03:51.52,0:03:53.34,Default,,0000,0000,0000,,In fact it's just\Nyour practice routine
Dialogue: 0,0:03:53.34,0:03:55.56,Default,,0000,0000,0000,,and consolidation to go.