WEBVTT 00:00:22.375 --> 00:00:23.750 Show of hands - 00:00:23.759 --> 00:00:28.719 how many of you in the audience today know what a double bass is? 00:00:30.009 --> 00:00:34.148 Of those people, how many of you can actually describe one 00:00:34.149 --> 00:00:36.770 without saying "that big thing"? 00:00:36.771 --> 00:00:38.358 (Laughter) 00:00:38.359 --> 00:00:42.349 Already a smaller percentage of the general population. 00:00:42.350 --> 00:00:45.902 Let's make that level of refinement our goal for today. 00:00:46.652 --> 00:00:49.391 To do so, we'll start with the violin. 00:00:49.871 --> 00:00:52.250 Everybody knows what a violin is 00:00:52.251 --> 00:00:55.478 even if you live in a little cave, you come out now and again, 00:00:55.479 --> 00:00:58.591 and most likely, you've bumped into a violin some way or another. 00:00:59.131 --> 00:01:01.039 You probably also know what a cello is. 00:01:01.040 --> 00:01:06.309 Maybe you even know the instrument between a violin and a cello 00:01:06.310 --> 00:01:07.969 called a viola. 00:01:07.970 --> 00:01:11.359 If you don't, however, you really shouldn't beat yourself up. 00:01:11.360 --> 00:01:13.722 Those able to differentiate a violin 00:01:13.723 --> 00:01:17.250 from either viola or a stick mixer for that matter 00:01:17.251 --> 00:01:21.072 is already a rather small percentage of the general population. 00:01:22.572 --> 00:01:27.777 The double bass is the lowest of the orchestral string instruments: 00:01:27.778 --> 00:01:32.858 that being violin, viola, cello, double bass respectively. 00:01:32.859 --> 00:01:36.333 Outside of the orchestra, basses can also be found 00:01:36.334 --> 00:01:41.085 in jazz bands, blues ensembles, combos, Klezmer bands 00:01:41.098 --> 00:01:43.841 and various other musical constellations. 00:01:44.631 --> 00:01:46.552 Within the orchestra, 00:01:47.382 --> 00:01:49.781 the bass is played bowed, 00:01:49.782 --> 00:01:53.361 either overhand or the French hold, 00:01:53.362 --> 00:01:56.361 or underhand or the German hold, 00:01:56.362 --> 00:02:00.642 or as the Germans themselves like to call it "the correct hold." 00:02:00.643 --> 00:02:02.552 (Laughter) 00:02:02.553 --> 00:02:06.751 Why those of us outside of France and Germany play the bow holds we do 00:02:06.752 --> 00:02:09.882 has more often than not to do with what our teachers played 00:02:09.883 --> 00:02:12.423 and what their teachers played and so on and so on. 00:02:13.433 --> 00:02:15.403 By the way, in case you're wondering 00:02:15.404 --> 00:02:18.392 why the instrument is called the double bass, 00:02:18.393 --> 00:02:21.313 it is not because it is twice as big as a normal bass, 00:02:21.314 --> 00:02:23.362 which, if you hang out with bass players, 00:02:23.363 --> 00:02:25.794 you know there is no such thing as a normal bass, 00:02:25.795 --> 00:02:27.244 but it is rather to signify 00:02:27.244 --> 00:02:33.134 that it plays twice as low as the cello or that it doubles the cello line. 00:02:34.734 --> 00:02:36.544 What does this instrument sound like? 00:02:37.614 --> 00:02:40.583 At first glance, the sound we expect from a bass 00:02:40.584 --> 00:02:42.333 is something along the lines of... 00:02:42.334 --> 00:02:44.323 (Double bass music) 00:02:44.324 --> 00:02:46.444 That's fine and interesting, 00:02:46.445 --> 00:02:49.862 but then, maybe you've also known a bass in other contexts. 00:02:49.863 --> 00:02:53.414 Maybe you've, I don't know, watched a few shark movies now and again, 00:02:53.415 --> 00:02:54.474 and known ... 00:02:54.475 --> 00:02:56.645 (Double bass notes from the "Jaws" theme song) 00:02:59.875 --> 00:03:01.104 Trivia for today: 00:03:01.105 --> 00:03:06.203 a former teacher of mine actually was the bass player for "Jaws." 00:03:06.204 --> 00:03:09.774 He had come back from a recording session in New York and said, 00:03:09.775 --> 00:03:13.535 "You wouldn't believe it. I got paid today to play two notes." 00:03:13.536 --> 00:03:14.883 (Laughter) 00:03:16.354 --> 00:03:19.115 Both of those contexts aren't really much more 00:03:19.116 --> 00:03:21.245 than we would expect to hear from a tuba. 00:03:21.250 --> 00:03:23.212 If there are any tubists in the audience, 00:03:23.224 --> 00:03:25.541 please, I'm sorry, if you take exception to this, 00:03:25.542 --> 00:03:27.073 but let's be honest; 00:03:27.074 --> 00:03:28.556 when preparing this talk, 00:03:28.557 --> 00:03:33.460 Microsoft Word didn't even recognize "tubist" as an actual word. 00:03:33.475 --> 00:03:35.394 (Laughter) 00:03:36.265 --> 00:03:39.365 But I'm thankful for the tuba because if it weren't for the tuba, 00:03:39.366 --> 00:03:41.881 I actually wouldn't be standing here today. 00:03:41.882 --> 00:03:44.382 The biggest distinction of my youth 00:03:44.383 --> 00:03:46.671 was that of being one of the two fattest kids 00:03:46.672 --> 00:03:49.215 in my elementary school and high school. 00:03:49.216 --> 00:03:52.045 So the question is: what do you do with the fat kid 00:03:52.046 --> 00:03:54.775 to keep him from watching "Knight Rider" reruns all day? 00:03:54.776 --> 00:03:57.044 Well, you hand him a trombone, 00:03:57.045 --> 00:04:00.265 and if he gets any fatter, which I unfortunately did, 00:04:00.266 --> 00:04:02.067 then you hand him a tuba. 00:04:03.157 --> 00:04:06.027 I played both, but unfortunately, practiced neither. 00:04:06.897 --> 00:04:10.755 It wasn't until I discovered the double bass at the late age of 17 00:04:10.756 --> 00:04:13.487 that actually interested me enough to practice it, 00:04:13.488 --> 00:04:18.076 and eventually attend the conservatory in New York, and then eventually decide, 00:04:18.077 --> 00:04:20.258 "Well, the classical music isn't narrow enough. 00:04:20.258 --> 00:04:21.796 The bass isn't narrow enough. 00:04:21.797 --> 00:04:25.364 I need to study the historic bass," which is what this instrument is, 00:04:25.365 --> 00:04:29.116 and I came here in Basel in 2004 to do so. 00:04:29.117 --> 00:04:32.429 If there are any expats in the audience, you know that after New York, 00:04:32.429 --> 00:04:34.745 the move was a bit of a gastronomic masochism. 00:04:34.746 --> 00:04:36.117 (Laughter) 00:04:38.917 --> 00:04:41.796 The upside is that I now get to live 00:04:41.797 --> 00:04:44.858 in one of the most culturally rich and beautiful European cities 00:04:44.859 --> 00:04:47.649 which, let's face it, is really not such a bad fate 00:04:47.649 --> 00:04:51.017 for a fat kid from the Catskills and Long Island. 00:04:51.017 --> 00:04:52.167 (Laughter) 00:04:52.167 --> 00:04:54.167 I do believe the sound on this instrument 00:04:54.168 --> 00:04:56.827 is much more interesting than the sound of my own voice. 00:04:56.828 --> 00:04:59.497 So I'd like to share with you one of my favorite pieces 00:04:59.498 --> 00:05:01.479 which is from the classical period, 00:05:01.480 --> 00:05:06.168 which is from the composer Johann Baptist Wanhal. 00:05:06.168 --> 00:05:10.368 Both, the piece and this instrument, 00:05:11.849 --> 00:05:15.449 were created just about the year 1770. 00:05:15.829 --> 00:05:18.479 (Double bass music notes) 00:05:22.386 --> 00:05:25.866 (Double bass music from the "Double Bass Concerto in D Major" starts) 00:06:34.431 --> 00:06:36.161 (Double bass music ends) 00:06:36.652 --> 00:06:38.193 (Applause) 00:06:39.423 --> 00:06:40.681 Thank you. 00:06:40.681 --> 00:06:41.981 (Applause)