[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.16,0:00:05.20,Default,,0000,0000,0000,,[DAVID GOLDBLATT]\N--I'm too late for this photograph.
Dialogue: 0,0:00:05.74,0:00:07.84,Default,,0000,0000,0000,,--The trees are already in leaf.
Dialogue: 0,0:00:08.32,0:00:10.58,Default,,0000,0000,0000,,--But I'm going to try. Let's have a look.
Dialogue: 0,0:00:12.92,0:00:19.58,Default,,0000,0000,0000,,It seems to me that the style of architecture\Nthat is emerging to the north of Johannesburg
Dialogue: 0,0:00:19.58,0:00:22.78,Default,,0000,0000,0000,,is a kind of aggressive materialism.
Dialogue: 0,0:00:24.58,0:00:25.78,Default,,0000,0000,0000,,--Good morning, gentlemen.
Dialogue: 0,0:00:29.24,0:00:35.55,Default,,0000,0000,0000,,In this country, because of the nakedness,\Nalmost, of the struggles that took place
Dialogue: 0,0:00:35.55,0:00:37.57,Default,,0000,0000,0000,,between Black and White,
Dialogue: 0,0:00:37.57,0:00:44.14,Default,,0000,0000,0000,,the structures that emerged were amazingly\Nclear demonstrations of value systems.
Dialogue: 0,0:00:45.60,0:00:50.20,Default,,0000,0000,0000,,White Afrikaner Protestant churches are\Nthose that I think of particularly.
Dialogue: 0,0:00:51.40,0:00:55.30,Default,,0000,0000,0000,,The churches had these huge windows\Nand this megaphonic structure.
Dialogue: 0,0:00:56.22,0:01:02.36,Default,,0000,0000,0000,,Come the 1970s, the forces of liberation\Nare coming down to South Africa,
Dialogue: 0,0:01:02.36,0:01:05.76,Default,,0000,0000,0000,,increasingly impinging on Afrikaners.
Dialogue: 0,0:01:06.98,0:01:09.96,Default,,0000,0000,0000,,So their new churches become defensive.
Dialogue: 0,0:01:11.76,0:01:15.78,Default,,0000,0000,0000,,There are very few of them built\Nwith piercings in the outer walls.
Dialogue: 0,0:01:17.00,0:01:22.72,Default,,0000,0000,0000,,Public structures become clear\Nmanifestations to self image.