1
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Quando ero piccolo, 
lo facevo spesso.

2
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Ritagliavo le facce o 
le immagini dai libri

3
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e le attaccavo a dei bastoncini

4
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le appendevo in stanza
e le illuminavo,

5
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così quando spegnevo le luci,

6
00:00:24,100 --> 00:00:26,060
esse si riflettevano sulle mie finestre.

7
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Cercavo di smettere 
di aver paura di questa idea

8
00:00:30,640 --> 00:00:33,000
di questa presenza sulla mia finestra.

9
00:00:46,480 --> 00:00:49,530
Non penso mi abbia aiutato.

10
00:00:49,530 --> 00:00:50,940
Ma era un po' esilarante.

11
00:00:50,940 --> 00:00:51,920
A tratti anche divertente.

12
00:00:54,540 --> 00:00:59,200
Ed era l'inizio di una fase
che forse mi sta aiutando.

13
00:01:00,320 --> 00:01:04,600
Il voyeur nei miei lavori 
non dovrebbe essere 
una presenza spaventosa o minacciosa

14
00:01:04,600 --> 00:01:08,220
come spesso viene raffigurato
nei film e nei romanzi.

15
00:01:12,880 --> 00:01:16,180
È come qualcuno che si sente
fuori dall'equazione.

16
00:01:17,760 --> 00:01:21,160
Il voyeur rappresenta me in questa fase.

17
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[Dan Herschlein Scruta Dentro]

18
00:01:33,520 --> 00:01:37,440
[Dan Herschlein, artista]

19
00:01:37,540 --> 00:01:43,020
Guidavo ogni giorno fino a Long Island
per lavorare su quelle sculture

20
00:01:44,300 --> 00:01:48,280
nello studio dei miei genitori a Long Island.

21
00:01:48,280 --> 00:01:50,060
Mi permisero di usare metà stanza

22
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e il resto era occupato 
da tutta la loro roba,

23
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messa da parte.

24
00:01:56,940 --> 00:02:01,660
Le sculture sono basate
su Long Island,

25
00:02:01,670 --> 00:02:03,360
e la mia infanzia lì,


26
00:02:03,360 --> 00:02:05,740
e i sentimenti che provavo crescendoci,

27
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e nello specifico 
il senso di solitudine.

28
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Parte d

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