WEBVTT 00:00:00.000 --> 00:00:01.600 CAI GUO-QIANG in 00:00:02.587 --> 00:00:04.190 In the twenty-first century 00:00:11.399 --> 00:00:13.919 My work is sometimes like the poppy flower 00:00:16.022 --> 00:00:18.237 It has this almost romantic side 00:00:19.002 --> 00:00:21.557 But yet, it also represents poison 00:00:23.006 --> 00:00:23.957 Gun powder 00:00:25.822 --> 00:00:26.956 From its very essence, you can see 00:00:27.064 --> 00:00:30.329 so much of the power of the universe how we came to be. 00:00:31.059 --> 00:00:34.094 You can express these grand ideas about the cosmos 00:00:34.474 --> 00:00:36.122 Very epic and heroic, 00:00:36.480 --> 00:00:39.401 but at the same time it's used for such destruction. 00:00:52.930 --> 00:00:57.018 Gun powder possesses a physical danger for anyone who is near it. 00:00:58.154 --> 00:01:00.519 But with time, you get to know the material. 00:01:02.782 --> 00:01:05.472 First you have to accept that it's uncontrollable. 00:01:06.298 --> 00:01:07.663 And then, work with it. 00:01:09.305 --> 00:01:11.352 I've worked with the material so long, 00:01:11.574 --> 00:01:13.995 that I've gained an understanding of how it works 00:01:16.225 --> 00:01:19.109 My way of doing it is just to flow with the material. 00:01:20.320 --> 00:01:22.557 To let, it take me where it wants me to go. 00:01:28.409 --> 00:01:31.770 So I continuously want it to give me problems. 00:01:32.287 --> 00:01:34.881 Give me obstacles to overcome. 00:01:38.121 --> 00:01:42.125 This whole process of making drawing is very much like lovemaking. 00:01:44.193 --> 00:01:46.649 From the very beginning of laying down the paper, 00:01:47.349 --> 00:01:49.754 it's like laying down the sheets on the bed. 00:01:59.092 --> 00:02:00.933 And it's a very long process. 00:02:01.545 --> 00:02:03.853 Always working towards a final goal. 00:02:09.458 --> 00:02:13.233 And all the time there's this feeling that you just want it to explode. 00:02:13.968 --> 00:02:14.974 to finish. 00:02:18.748 --> 00:02:20.791 But you're afraid that maybe it's too early, 00:02:20.819 --> 00:02:22.386 maybe it's not the best time yet, 00:02:22.386 --> 00:02:24.549 maybe you need to work on it a little more. 00:03:18.371 --> 00:03:21.282 And then afterwards, you either have great satisfaction 00:03:21.315 --> 00:03:24.842 or you have disappointment as to your entire performance. 00:03:28.264 --> 00:03:32.264 You can talk all day about the ancient philosophies and modern philosophies 00:03:32.351 --> 00:03:38.098 art history, criticism, theory, subject matter, historical context, 00:03:38.400 --> 00:03:42.832 contemporary, post-modernism, form, representation. 00:03:43.382 --> 00:03:45.299 All these things can be discussed 00:03:45.739 --> 00:03:47.027 but in the end, 00:03:47.228 --> 00:03:50.878 it's really this on sight performance, so to speak, 00:03:51.459 --> 00:03:52.857 that really makes a work.