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Good afternoon.

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Afternoon.

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Ah... lovely day,[br]isn't it?

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Ar... 'tis that.

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Are you here[br]on holiday or...?

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No, no, I live here.

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Oh, jolly good.

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<i>I say, those are sheep,[br]aren't they?</i>

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Ar.

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Yes, yes, of course,[br]I thought so.

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Only... why are they[br]up in the trees?

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A fair question

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And one that in recent weeks[br]Has been much on my mind.

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It is my[br]considered opinion[br]That they're nesting.

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Nesting?

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Like birds?

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Ar... exactly.

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Birds is the key[br]to the whole problem.

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It's my belief that[br]these sheep are laboring

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Under the misapprehension[br]that they're birds.

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Observe their behavior.

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Take for a start the sheep's tendency

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To hop about the field[br]on their back legs.

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Now witness their attempts[br]to fly from tree to tree.

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Notice they do not[br]so much fly as plummet.

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Observe, for example,[br]that ewe in that oak tree.

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She is clearly trying[br]to teach her lamb to fly.

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Talk about the blind[br]leading the blind.

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But why do they think[br]they're birds?

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Another fair question.

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One thing is for sure:

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A sheep is not a creature of the air.

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It has enormous[br]difficulty[br]In the comparatively[br]simple act of perching.

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As you see.

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As for flight, its body is totally[br]unadapted to the problems of aviation.

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Trouble is, sheep are very dim.

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And once they get an[br]idea into their heads

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There's no shifting it.

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But where do they get[br]the idea from?[br]From Harold.

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He's that sheep over[br]there under the elm.

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He's that most dangerous[br]of animals--

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A clever sheep.

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He's the ringleader.

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He's realized the sheep's life consists

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Of standing around for a few[br]months and then being eaten.

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And that's a depressing prospect

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For an ambitious sheep.

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He's patently hit on the idea of escape.

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But why don't you just[br]get rid of Harold?

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Because of the enormous commercial[br]possibilities should he succeed.

0:02:26.108,0:02:29.878
<i>and what exactlyare the commercial[br]possibilities of a vine a viation?</i>

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<i>bonsoir.</i>

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<i>ici nous avons</i>

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<i>les diagrammes modernes[br]d'un mouton anglo-francais</i>

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<i>ce n'est pas...</i>

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<i>maintenant...</i>

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<i>nous avons, dans[br]la tete, le cabine.</i>

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<i>tres bon.</i>

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<i>ici, ou se trouve</i>

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<i>le petit capitaine anglais,[br]un monsieur trubshawe.</i>

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Vive brian,[br]wherever you are.

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<i>d'accord, d'accord.</i>

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<i>maintenant, je vous[br]presente mon collegue</i>

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<i>le pouf celebre,[br]jean-brian jatapathique.</i>

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<i>maintenant,[br]le mouton...</i>

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Le landing...

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<i>Les wheels, bon.</i>

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<i>bon.</i>

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<i>Les wheels, ici.</i>

0:03:10.218,0:03:11.928
<i>c'est formidable,[br]n'est-ce pas?</i>

0:03:11.988,0:03:13.188
<i>est bon, ooh, ah.</i>

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<i>de la machine...</i>

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<i>de la a vion...</i>

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<i>de la baa, baa, baa.</i>

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Ooh, ooh, ooh, baa.

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<i>de la derriere[br]du mouton...</i>

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Chug, chug, chug.

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<i>ah, merci beaucoup.</i>

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<i>suivez la piste.</i>

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<i>tais-toi.</i>

0:03:23.938,0:03:24.898
<i>pardon.</i>

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<i>pas de tout.</i>

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<i>mais...</i>

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<i>ou sont les bagages?</i>

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<i>ou sont les bagages?</i>

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<i>ou... les voyageurs?</i>

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<i>les voyageurs.</i>

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Gaspard?

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<i>merci.</i>

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<i>les voyageurs.</i>

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<i>les bagages.</i>

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<i>ils sont... ici!</i>

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<i>premiere classe,[br]deuxieme classe...</i>

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<i>et maintenant...</i>

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Baa, baa, baa.

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Maa, maa, maa.

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<i>comme ca...</i>

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<i>demonstration[br]fantastique.</i>

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<i>sur trois...[br]un, deux trois.</i>

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<i>maa, maa, maa, maa, maa, maa...</i>

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We get a lot of french people[br]around here.

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Oh, yes.

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All over, yes.

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And how do[br]you get on

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With these[br]french people?

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Oh, very well.

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So do i.

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Me, too.

0:04:12.988,0:04:13.948
So does[br]Mrs. Ames.

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Yes, yes.

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Yes, I like them.

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I mean, they think[br]well, don't they?

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I mean, be fair...[br]Pascal.[br]Mm, Blaise[br]pascal.

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Jean-Paul Sartre.

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Yes, Voltaire.

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Ooh.

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Rene[br]Descartes.

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Hmm... hmm.

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Hmm!