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Produced by the Pirates of Donostia

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I’m very proud to see so many happy people this night.

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Congratulations Pirates!

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For those who don’t know, this is Ska.

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If we had been asked in that August of 2003

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where do you think you'll be in 10 years time

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We wouldn't have known what to answer

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But nowadays the answer is clear

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It's right here in front of me

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Row over and over, we've taken Donostia!

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Congratulations to everyone!

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Be Pirates

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We're pirates because they've left us out of the official programme for the Aste Nagusia

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because they have condemned us to get the treasure by ourselves,

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we were kicked out of the Aste Nagusia

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But we have come back to stay!

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Be Pirates and take Donostia!

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Why Pirates?

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Because we needed a person who was a rebel

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because we needed a person related to the sea

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that is, with Donostia

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whose place would be the bay

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and where it would express itself

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And the pirates have those characteristics

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The image of the pirates has always been negative

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but it has a huge symbolic meaning for me

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it is a role created among the people against those stereotypes and obligations

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Or a way of changing things a little bit.

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I think that it' a reasonable fight

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A great initiative starts to escape the control

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of those charged with organising Aste Nagusia 2003

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it starts from a very simple question

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What's going on in this city

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that the Aste Nagusia or Big Week festival in August is the way they are?

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The Aste Nagusia we know today

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wasn't called 'Aste Nagusia' in Basque, it was only called 'Semana Grande' in Spanish

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and there weren't many activities

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the most important ones, as always, the fireworks at night

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For us the Aste Nagusia was something just to see

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we had a sandwich, went for a walk... there were some parades and concerts and that was all.

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that was our party.

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It was a totally commercial model

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really, that was the way the Aste Nagusia was created in the XIX century, in the 1880th

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Jose Arana, from the town called Eskoriatza, created this event

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he came to live to Donostia when he was very young

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from Donostia he went on a trip to Madrid

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there he won the lottery and he returned to Donosti a rich man

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that's why he started to organize the bullfights and concerts

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a logical continuation of this business model

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More or less at the same time, Donostia was becoming quite famous

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Mostly, because Maria Cristina ,the Queen of spain, selected the beach of Kontxa as her holiday destination

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After Maria Cristina, many aristrocrats from Madrid also came to Donostia and the surrounding area.

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this way, the Aste Nagusia was created in August

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I think that at the beginning it was organized in July

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but, the businessmen and Josu Arana realized that

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it would be better for business if the festival was organized in August

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And well, we have to say it loud and clear, to do that

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other festivities that were cellebrated in the center and the Old Town of Donostia were sent to the outskirts.

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so that that kind of mcommercial festival would have free space.

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They have reproduced that model year-after-year, decade-after-decade

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during Franco's times that logic of celebrating expanded more and more,

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Franco died, and every municipal government since

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have maintained the exact some model.

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That model has been what certain powers have used

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to portray a specific image they wanted to relate with the city

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and in the last few years it was very clear when more and more private businesses

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were taking part in the organization of the Aste Nagusia.

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And that is why we began conversations with the CAT (The Municipal Tourist Office)

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and the city hall

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And we created what is called the Popular Commission of the Festivities.

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'Jai Herrikoi Batzordea', in Basque.

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That way, with these conversations we wanted to convey our intentions.

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In Donostia nobody thought that the people could enjoy or actively participate in the fiestas (festival)

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everything was very measured and designed by the municipal authority

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and they would decide what kind of Festival would be done.

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The people were mere spectator of the party.

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The people were mere spectators of the party.

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people have tried to open new paths towards popular participation in the party.

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They have tried to organize txoznas (Basque popular bars, related to social movements)

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they have organized alternative programmes to rival the oficial programme imposed by the City Hall

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from the 'Transition' to now.. and not to mention Franco's times

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all these attempts were sistematicaly blocked by the municipal government

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and of course, it is controlled by the right of the city.

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Since then, they have tried to eliminate any trace of popular party

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We had a bad beginning in 1983, when Alkain was the mayor;

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we put a temporary bar, a "txozna" in the Boulevard, and he sent some local policemen to take it away

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In the following years, 1984, 1885 and 1986, we continued talking to the city council

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and we kept moving forward

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I have good memories from the 1986,when we came to an agreement with Labaien

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he gave us all the permits for the concertsthat we used to organise in the port;

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we got 4,000-5,000 people to be at the concerts,

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something inconceivable at that time, a great number

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And that is when our decline began,

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when the city council saw that we were taking shape

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and that we were, in some way, overshadowing the official programme,

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they saw the risk

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they said that our alternative proposal covered the official programme.

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And then, they started to ban it again

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But the worst moment and the hardest was the year 1988,

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when Albistur was the mayor;they set the objective not to let us the port

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they didn't let us be there;they told us that we couldn't set up anything there

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we thought that they would change their mind at the last moment, as they did other times,

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and when we came to set up our "txozna" and our place,

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just there, under that building,

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it was where we found the tremendous surprise

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about 40 local policemen showed up there, with their dogs, ball guns, helmets and shields,

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something we had never seen

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the local police equipped as riot police

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and when we started to set up everything

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they charged against us and a great fight began here, in Portaletas

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many people were injured, some women were hit by the balls

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other young people had their forehead and nose broken by the truncheon blows

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and it is said that some local policemen were also injured;

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it was a tremendous fight, after all;

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in fact, Donostia had never seen such a confrontation between the citizens and the police

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That led, of course, to the following repression,

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where 12 members of the commission were threatened

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to go to jail for 16 months, but, finally, the judge rejected it

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at least we resisted there that day; we managed to set up the "txozna"

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we managed to carry out our programme

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but, in the end, it happened what we thought

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At dawn, the 'Beltzak' came (the riot squad of the Ertzaina),I think it was their first intervention in Donostia

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they came in many vans, dressed totally as riot police,

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and we were not in a position to face them;it was neither our objective.

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they took away all the material we had, and they confiscated it

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The following days, we made some kinds of leaps,

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we used to set up the "txozna" at the Boulevard at six o'clock in the evening,

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and we used to last ther until 2-3 o'clock in the morning.

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when we dismantle the everithing, to avoid losing it

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and, in this way, we used to assemble and dismantle everything everyday.

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It was an exhaustion for us,

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but we managed to keep firm our flag.

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Besides, we saw that the city council not only was willing to ban it,

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but also to attack the citizens,

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and that it would be difficult to overcome that situation.

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That situation led us almost to the nothingness

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to those few things that the city council used to organise

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and although the citizens used to organise themselves for other fields, they gave in as far as the Aste Nagusia was concerned

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due to all those happenings.

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Some years passed, and I don't remember exactly when,

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but I think it was in 1990 or 1992, there was a sort of resurrection.

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New people came to join us, with new purposes.

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These people tried to keep and revive

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the spirit of the Aste Nagusia and Herriko Jai Batzordea,by means of the "koadrilak" (groups of friends).

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They got some results, and they were there for some years,

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until we got in some way to this moment.

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The party is important, so that the people can break the routine,

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the daily routine, the work, everything that anyone does in an ordinary day.

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During the week , we have only some standard relationships, normalized relationships

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The party breaks the monotony

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the party breaks the way to understand life in a ritual way

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the party is important, specially, as a counterweight to that standardisation

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the political and economic power have standardized our lifestyle

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the party is that necessary counterweight and that mental hygiene of the people,

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so that the people can scape from the everyday life and understand that life has something more

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That we can meet each other and talk calmly, without so many regulations.

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What we are watching now is as important as "basque pelota" for the basque people

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this is the Fandango, the famous Fandango

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in the 90s there were some other attempts

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It is truth that, by then, the relationship between the city council and the party comission was not really good

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and there are two elements; I will talk specially about two of them

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on the one hand the bar tenders, which is a sector of the Old Part who felt that dissatisfaction

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I guess it is because as bartenders it has an influence on them

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but also because they were part of the popular movements

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and they wanted the party in Donosti to be popular and with its own identity.

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That is why they started to do little things like preparing lunches, games between groups of friends...

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When the bartenders started organising activities, the young people were not at the organisation yet.

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We started to organise activities on the street Ikatz.

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We were told that each bar had to organise a game:

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the game of four people walking on two skis, to take an egg in the air and games like that...

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We organised the "Euskal Bizikleta" (Basque Bicycle) with children's bikes.

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I remember it was something that we created the bartenders in the bars,

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and then, little by little the teamwork of some gaztetxes (occupied social centers) and the Gazte Asanblada (the youth assembly) resulted in the creation of the Pirates.

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It was a group of young people, really imaginative, and with new ideas,

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who had this feeling of mediocrity of the Aste Nagusia and this impossibility of orgainising a real party

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and who wanted to change all that.

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That is when, these two elements united and this is the result: Piratak.

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There is not Aste Nagusia without the donostiarrak (the inhabitants of Donostia).

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It is impossible to hide the memory of a city and it's desire to party.

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The treasure of this party is obvious and the desire to recover that treasure has gained strenth again.

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Let's do the boarding all together!

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Let's do the Aste Nagusia together! Long live the Pirates!

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Therefore, we needed a main activity, and that was 'The Boarding', without any doubt.

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And we went out to sea.

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We took the sea as the field of work and battle, for two main reasons:

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On the one hand, because we saw that if we wanted to change the party in Donosti

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we would need an element which we, the Donostiarrak, had relationship with,

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and we saw, clearly, that if something makes Donostia different, that is the sea.

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So, it was clear for us that everything that we organised, would be completely related to the sea.

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And, on the other hand, we realised that there was a bureaucratic vacuum in the administration with regard to the sea.

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specially, between the competences of the city council, the basque government and other public administrations

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and yes, we used that vacuum to develop our project

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That is why we suggested the boarding

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The boarding had a clear logic:

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we needed an activity that would join the party and the demands,

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that would be built over three main bases:

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The first one was the disobedience; we, as citizens, shouldn't ask permission to take part in out party.

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Therefore, it was a strong decisicion to celebrate that activity without asking for permission.

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The second one was the humour.

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We saw that the imagination had to be linked to the humour, in order to spread our message

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and in order to break that severity that transmitted the Aste Nagusia at that moment

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And the third one, of course, the participation.

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It had to be an event where as many people as possible could participate

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It started with that humbleness.

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That first year, only around 10, 15 or 20 rafts gathered, I don't remember exactly how many

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I remember that I was there

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It had an attraction, it was a success.

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We got it right, we had guessed right what the people really wanted

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"Drop anchor, down the bow..."

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Pirates are nice people.

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At the beginning, I remember that the first year the local police was waiting for them to arrest them

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I remember that when we finished the first boarding at the beach of La Concha

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the local police came to us, asking for documentation.

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We told them that we didn't have any documentation,

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and, next, they told us that we couldn't leave the remains of the rafts there.

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And, in the end, we held a meeting just there, and we decided to leave the rafts, in front of the city hall as a protest.

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We had many problems to carry that out,

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because from the city council and from the CAT they raised a huge number of obstacles and problems.

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But, little by little, when the Gazte Asanblada (Youth assembly) took charge of that work,

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that is when, with a good organisation, we succeeded in bringing forward this activity,

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"Local bosses and tyrants rowing in the galleys"

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The Pirates' flag on the mast of the city hall..."

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At first, this movement started as something very informal; we were a group of friends.

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The second year, there was an ebolution, the third year a growth.

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We can say that when the fifth year came we gained recognition.

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The party was established completely.

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The party carried on, year after year, and what we organised had more and more success.

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And we realised that the donostiarras,

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and the citizens that take part in the program Pirates,

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need an image, an image to identify with.

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In 2007, we presented for the first time the character "Ezkila Kapitaina" (the captain Ezkila)

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In order to creat Ezkila Kapitaina, first of all, we looked back in history,

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we analised and read the history of Donostia,

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and we realised that some centuries ago

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Donostia was an important pirate port or, at least, an important corsair port.

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We started to become interested in characters, and we discovered among the characters, a pirate known as "Campanario"

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With a clumsy playword, we turned spanish word "Campanario" into the basque word "Ezkila"

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and that is how "Ezkila Kapitaina" became the main image and icon of the Pirates of Donostia

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And an image that year after year gets more famous.

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Congratulations!

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Congratulations one more time, as we said on saturday, for having boarded Donostia.

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Congratulations for all the work.

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This kind of iniciative requires an almos professional organisation.

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It starts in January; we make an evaluation of last year and we propose new ideas for the next year.

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We talk, we reach some agreements and we consider them.

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0:30:06.000,0:30:14.000
The security is also essential, and that’s why we work together with Cruz Roja and the firemens.

0:30:14.000,0:30:19.000
“The flag of the villaje fiestas waves next to the seagulls”

0:30:19.000,0:30:25.000
“The wooden leg dancing through the streets”

0:30:25.000,0:30:30.000
“The flag of the villaje fiestas waves next to the seagulls”

0:30:30.000,0:30:35.000
“The wooden leg dancing through the streets”

0:30:38.000,0:30:46.000
And then when we arrive at the beach, there are people picking up everything until it gets dark.

0:31:36.000,0:31:44.000
There are around 200 people in the organization, and without this collaborative work, “Abordaia” wouldn’t exist.

0:31:44.000,0:31:45.000
We threw the stone,

0:31:45.000,0:31:52.000
And we saw that from the first moment the citizens support the initiative we propose.

0:31:52.000,0:31:55.000
And in that momento we thought:

0:31:55.000,0:32:07.000
What can we do to recover the spaces that the city council and so on had taken away from the citizens?

0:32:07.000,0:32:12.000
And some years later we created “Irrikitaldia”

0:32:12.000,0:32:18.000
An event were we parody the attitudes or obstacles that the council or the mayor

0:32:18.000,0:32:24.000
has put during the whole year.

0:32:24.000,0:32:29.000
What do you think about this year’s programme?

0:32:31.000,0:32:34.000
Odon! Odon! (Ex - mayor of Donostia Odon Elorza)

0:32:34.000,0:32:41.000


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0:39:29.000,0:39:35.000
Well Pirates, ten years ago Jon Tronbon called me to create a song in favour of The Pirates

0:39:35.000,0:39:39.000
because The Pirates wanted to invigorate Donostia.

0:39:39.000,0:39:43.000
I collaborated there, and who would have told us that the victory is ours!

0:39:43.000,0:39:47.000
The victory is for the Pirates! Donostia is ours’!

0:39:47.000,0:39:49.000
“Give it to me once”

0:39:49.000,0:39:52.000
"give it to me twice..."

0:39:52.000,0:39:54.000
"Give it to me three times..."

0:39:54.000,0:39:57.000
"Give it to me four times..."

0:40:55.000,0:40:59.000
Thank you Donostiako Piratak!

0:41:00.000,0:41:04.000
The Basque Country is crazy, real crazy.

0:41:04.000,0:41:13.000
During the last few years music has been another field for The Pirates to make themselves noticeable.

0:41:13.000,0:41:22.000
In the beginning The Pirates made musical offerings at Trinitate Square

0:41:22.000,0:41:34.000
the goal was to cover the expenses of the Aste Nagusia

0:41:34.000,0:41:41.000
During the 3-4 years I worked with The Pirates my responsability had everything to do with the economy section

0:41:41.000,0:41:53.000
Y would like to say that at least during those years the model of management that The Pirates had was one of self-management and empowerment

0:41:53.000,0:42:00.000
We needed a susteinable model of management, both theoretically and in practice

0:42:00.000,0:42:01.000
and that is the way we did it.

0:42:01.000,0:42:09.000
We didn't ask for money and we didn´t get any from the public institutions or from anywhere else

0:42:09.000,0:42:17.000
and we needed to be consistent with our way of thinking as well.

0:42:17.000,0:42:26.000
We launched this model of management from the start and not one of the initiatives has brought any money

0:42:26.000,0:42:29.000
we haven´t made a profit but we haven't lost any money either.

0:42:29.000,0:42:40.000
We have been consistent and we have proved self-management is possible.

0:42:40.000,0:42:44.000
In the beginning one-day concerts were organised

0:42:44.000,0:42:49.000
Later at Trinitate Square organising two-days concerts became possible.

0:42:49.000,0:42:53.000
Every time we have organised concerts we have made a bet

0:42:53.000,0:43:01.000
making room for local bands in the schedule of concerts

0:43:01.000,0:43:11.000
and at the same time we have always tried to bring the most popular Basque bands.

0:43:11.000,0:43:17.000
I remember how the stage barely fitted at Trinitate Square

0:43:17.000,0:43:21.000
but it was very well organised and a lot of people came.

0:43:21.000,0:43:28.000
We had our doubts before coming to Donostia, we didn't know what kind of atmosphere there would be

0:43:28.000,0:43:31.000
and it was surprising for us because the atmosphere was great

0:43:31.000,0:43:38.000
Those years we used to obtain permission to use the Trinitate Square for a few days

0:43:38.000,0:43:44.000
but different initiatives are carried out at the different squat houses in Donostia

0:43:44.000,0:43:49.000
for example at Letaman, Kortxoenea and previously at Ametsenea

0:43:49.000,0:43:55.000
In the end we decided that, taking our principles into account, the events organised by The Pirates.

0:43:55.000,0:43:59.000
and the festivities had to be for free

0:43:59.000,0:44:08.000
Having obtained "La Flamenka" area has been very important to introduce the totality

0:44:08.000,0:44:11.000
of the events and the different kinds of music in the same space.

0:44:11.000,0:44:16.000
We see that this area needs a pirate name

0:44:16.000,0:44:20.000
a pirate name that finds its roots in the history of Donostia

0:44:20.000,0:44:23.000
and out of a sudden there it is "La Flamenka" name.

0:44:23.000,0:44:30.000
La Flamenka was a XVIIIth century tavern located on Pueyo Street, current Fermin Kalbeton.

0:44:30.000,0:44:36.000


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0:46:25.000,0:46:34.000
To give the opportunity to play before 2.000 or 3.000 people to the groups that are just starting, it’s incredible to me.

0:46:34.000,0:46:41.000
Anyway, that help has to be given to the local groups, that impulse.

0:46:41.000,0:46:44.000
Besides, as it has been seen this year in La Flamenka,

0:46:44.000,0:46:52.000
It has been possible to combine different types of environments and to address to a lot of types of public.

0:47:13.000,0:47:19.000
The years go by and the activities we organize have more and more successful.

0:47:19.000,0:47:25.000
And it came a time when not even the Coucil could ignore us.

0:47:25.000,0:47:33.000
They get in contact with us and we find ourselves in a position where we can do our proper requests.

0:47:33.000,0:47:40.000
We started to send requests for an space for the fiestas to the City Council,

0:47:40.000,0:47:52.000
And in the beginning, it was the plaza Trinidad, then it was formed the area known as La Flamenka in the port of Donostia.

0:47:52.000,0:47:54.000
What does that space offer?

0:47:54.000,0:48:02.000
Apart from spaciousness and centrality, it permits us, in an indirect way,

0:48:02.000,0:48:06.000
To increase the age and gender margin to which it is directed our purpose.

0:48:06.000,0:48:09.000
We fullfilled a whole week programe step by step.

0:48:09.000,0:48:13.000
but it came a time when we decided that we had to reach to the whole population,

0:48:13.000,0:48:20.000
And we proposed activities for children and adults.

0:48:20.000,0:48:25.000
Some years ago we started with the Day of the Romeria, in the mountain Ugull.

0:48:25.000,0:48:30.000
This offers a very beautiful familiar plan.

0:48:32.000,0:48:37.000
Year by year, the program has been enlarging.

0:48:40.000,0:48:45.000
After that, the Day of the Adults came, so that they could also take part.

0:48:45.000,0:48:51.000
We agree with the thoughts of the Piratak.

0:48:51.000,0:48:54.000
to make popular fiestas, and what does this mean?

0:48:54.000,0:48:59.000
To be Basque and to have the biggest amount of participants.

0:48:59.000,0:49:07.000
We share that feeling and take sides in that.

0:49:07.000,0:49:12.000
We thought that calling it the Folks Day was more adequate than calling it the Adults Day.

0:49:15.000,0:49:21.000
There is no reason to think that the dance is for the older ones, in fact, normally is for the youngest ones.

0:49:21.000,0:49:26.000
Neither the singing, because young people also sing.

0:49:27.000,0:49:30.000
And we thought that Day of the Adults was not adequate

0:49:30.000,0:49:37.000
That it was a very archaic concept and we proposed to call it the Folk’s Day.

0:49:37.000,0:49:40.000
Now that it’s called like this, what do we understand as the Folk’s Day?

0:49:40.000,0:49:47.000
The Folk is the knowledge of the popular culture; I think it’s a German word

0:49:47.000,0:49:49.000
but nowadays everyone knows each other,

0:49:49.000,0:49:59.000
And that’s the knowledge of the customs and the way of being of each village.

0:49:59.000,0:50:08.000
We have always sang in Santa Agueda’s eve and in the nativity in December,

0:50:08.000,0:50:13.000
Also the Basque dances; we have always moved in that circle.

0:50:13.000,0:50:17.000
But we stayed there, always in our circle and between ourselves.

0:50:17.000,0:50:28.000
We saw that Donostia lacked something, and Piratak has fullfilled that gap.

0:50:28.000,0:50:41.000
We also have our own space now. In our case dancing and singing.

0:50:44.000,0:50:53.000
I think that we should fullfill this space with young people, because most of us are adults that day.

0:50:53.000,0:50:57.000
Another days we participate together with the young ones and I think that it’s a very rewarding experience.

0:50:57.000,0:51:01.000
Since then, the Big Week has been very different.

0:51:01.000,0:51:09.000
And finally, the program for the children, so that they start being Piratak since they are young.

0:51:28.000,0:51:33.000
Rich people don’t love us because we are free and rebels.

0:51:33.000,0:51:36.000
We love our mischievous Basque Piratak,

0:51:36.000,0:51:42.000
Because they are imaginative, happy and because they make initiatives independently.

0:51:42.000,0:51:44.000
What are children taught since they are small?

0:51:44.000,0:51:52.000
To learn to make do by themselves, to learn to do things by themselves. Imagination, values

0:51:52.000,0:51:55.000
When they grow up, the children become teenagers.

0:51:55.000,0:52:03.000
And when they are young, they are denied from all those values so many times. That’s why we love our Piratak.

0:52:03.000,0:52:10.000
Because they are brave and inventive. That’s why we also feel Pirates.

0:52:10.000,0:52:14.000
We love doing things by ourselves.

0:52:14.000,0:52:20.000
Like this one, I don’t know how to describe it; it’s a movement of a lot of passion,

0:52:20.000,0:52:24.000
People function with that same passion.

0:52:24.000,0:52:30.000
For example, some months ago,there were floods in the neighborhood Martutene and considering this fact,

0:52:30.000,0:52:37.000
We received hundreds of mails in our web saying that from Piratak we should organize brigade or something like that,

0:52:37.000,0:52:40.000
To go to Martutene neighborhood to help.

0:52:40.000,0:52:44.000
We immediately got in contact with the city council.

0:52:44.000,0:52:48.000
The city council already had one protocol for these cases,

0:52:48.000,0:52:58.000
And I think that the work done there had good consequences for those affected and personally for us

0:52:58.000,0:53:04.000
Since then, there have been a lot of changes inside the movement,

0:53:04.000,0:53:10.000
And one of the changes is that the Captain Ezkila from now on, will have an assistant; Matti.

0:53:10.000,0:53:17.000
The figure of that assistant, will always be fulfilled by one movement, one person,

0:53:17.000,0:53:23.000
Or someone that in our opinion provides something to the city, with the aim of acclaiming that support.

0:53:23.000,0:53:27.000
Good night Piratak!

0:53:27.000,0:53:32.000
On behalf of Matti and the inhabitants of Martutene, thank you very much Piratak.

0:53:32.000,0:53:35.000
Thank you all for this tribute.

0:53:35.000,0:53:41.000
To having created the character called Matti, and to feel that they have thought of us have moved us a lot.

0:53:41.000,0:53:49.000
In november, after those floods, to feel that in those hard moments, we weren’t alone,

0:53:49.000,0:53:57.000
You gave us strength and courage to overcome those terrible moments.

0:53:57.000,0:54:02.000
Go on. Long live Donostiako Piratak!

0:54:02.000,0:54:08.000
Long live the popular fiestas of Donostia!

0:54:10.000,0:54:13.000
I was working in a bar and Barela phoned me.

0:54:13.000,0:54:19.000
I’m going to tell you the truth, I got goose bumps. I didn’t expect it.

0:54:19.000,0:54:24.000
You can’t expect someone to tell you “we are going to help you, without even knowing you”.

0:54:24.000,0:54:29.000
As I didn’t know Barela nor anyone of Piratak, I didn’t know anyone.

0:54:29.000,0:54:32.000
And suddenly, they pone you saying they want to help you.

0:54:32.000,0:54:40.000
Cleaning country houses, in anything, with 300 people you have ever met.

0:54:40.000,0:54:43.000
I tell you the truth, I have goose bumps.

0:54:43.000,0:54:44.000
Look, it still happens to me.

0:54:44.000,0:54:52.000
Things change within years, and as years go by, the ones that were young have become in adults,

0:54:52.000,0:54:54.000
We have been learning.

0:54:54.000,0:55:01.000
A movement like this, has made us know about stages, to know about music groups,

0:55:01.000,0:55:07.000
About electricity, about security plans and about things like that.

0:55:07.000,0:55:13.000
I think that has provided a lot to us as persons.

0:55:13.000,0:55:21.000
We always think about what a person can provide to a movement like this,

0:55:21.000,0:55:25.000
But we don’t think about what receives that person in return.

0:55:25.000,0:55:29.000
I think that it’s a bidirectional enrichment

0:55:29.000,0:55:33.000
I gave a lot to the group in its moment,

0:55:33.000,0:55:39.000
But looking to the past, the memories I have is that the group gave a lot to me.

0:55:39.000,0:55:47.000
The second aspect to highlight is the participation concept,

0:55:47.000,0:55:49.000
altough sometimes we use different words,

0:55:49.000,0:55:52.000
we’re always talking about the participation,

0:55:52.000,0:55:56.000
But to put it into practice is not that easy.

0:55:56.000,0:56:06.000
And I think that the Pirate movement has really been the complete materialization of this concept.

0:56:06.000,0:56:13.000
In addition, in a way that is adequate, sustainable and possible.

0:56:19.000,0:56:22.000
To be honest, Piratak for me means a lot of things.

0:56:22.000,0:56:24.000
I don’t know how to explain it.

0:56:24.000,0:56:28.000
I was 15 or 16 when I first took part in the games…

0:56:28.000,0:56:33.000
With te people of the neighbourhood. They phoned me and told “come to the games”, I went and we were there during the Big Week.

0:56:33.000,0:56:35.000
It was just participating in some of the initiatives of Piratak.

0:56:35.000,0:56:39.000
When I was 15 or 16, one day in the Old Town they told me:

0:56:39.000,0:56:43.000
“Onintza, there is a meeting of cuadrillas,come.”

0:56:43.000,0:56:45.000
And I went, without knowing very well what for.

0:56:45.000,0:56:50.000
We met in the society Kresala, and there started my experience as Pirate.

0:56:50.000,0:56:56.000
At first, from that meeting, preparing some games and so years have gone by.

0:56:56.000,0:56:59.000
We have been doing more things each time, and for me, the Piratak mean a lot of things at the same time.

0:56:59.000,0:57:02.000
Since it was my first experience in a movement like this.

0:57:02.000,0:57:07.000
I passed from being in my world with 15 years, to in a sudden discover a completely different world.

0:57:07.000,0:57:12.000
I have met a lot of people since I participate in Piratak,

0:57:12.000,0:57:18.000
And I have had a lot of experiences that in another way I couldn’t have lived.

0:57:18.000,0:57:26.000
And it has been a start for me to discover that if you insist in something, things turn out well.

0:57:26.000,0:57:29.000
In Piratak, we saw that our job produced results.

0:57:29.000,0:57:34.000
And I think that, in the long run, that has helped me in so many other projects.

0:57:41.000,0:57:50.000
We’ve always said that it’s an equalitarian, participative movement from the town.

0:57:50.000,0:57:56.000
Although we don’t say it very much, it’s noticeable that it’s a very humane movement.

0:57:58.000,0:58:03.000
It has made a space for itself in such a difficult city as Donostia

0:58:03.000,0:58:16.000
We have managed to support such an uncouth and different initiative in Donostia, some people call it the “unrivalled setting”

0:58:17.000,0:58:22.000
To be Pirate is to have little sleep and a lot of dreams.

0:58:24.000,0:58:32.000
Piratak has been one of the few breaths of fresh air that we have had in the last 10 years.

0:58:32.000,0:58:41.000
That in a subterranean way, they started to undermine the logic that the power was imposing in the fiesta donostiarra.

0:58:41.000,0:58:50.000
They have broken and shown that the popular need to have participative fiesta is something that stays in force,

0:58:50.000,0:58:55.000
and what’s more, due to the whole process of the privatization of the street, and to commercialization of the fiesta,

0:58:55.000,0:59:03.000
It hasn’t lost supporters.

0:59:03.000,0:59:12.000
It has managed to break that logic and today the fiestas are a part of everyone.

0:59:19.000,0:59:24.000
I think that from the perspective of the euskera and the Basque culture,

0:59:24.000,0:59:31.000
The most significant change that Donostia has had in the last years, has been the organization of Piratak in basque.

0:59:31.000,0:59:33.000
I mean, that “Piratak” work in “euskera”.

0:59:33.000,0:59:41.000
“Piratak” has helped a lot in the normalization of the “euskara” in Donostia. That’s the biggest change.

0:59:46.000,0:59:53.000
It’s something positive, popular and encouraging,

0:59:53.000,1:00:02.000
And that’s why, the participants of that time are very happy that the objectives are been managed.

1:00:02.000,1:00:08.000
And the spirit remains. That’s the most positive thing for us.

1:00:08.000,1:00:10.000
We’ve achieved that aim

1:00:10.000,1:00:15.000
The aim was to have an alternative and participative Big Week.

1:00:15.000,1:00:20.000
We were always saying that the Big Week was a shit.

1:00:20.000,1:00:29.000
And step by step and with people’s effort we’ve managed to have the Big Week we wanted.

1:00:40.000,1:00:46.000
It has been a great experience having seen grow from inside.

1:00:46.000,1:00:49.000
Thanks to the work done, the Big Week has changed.

1:00:49.000,1:00:54.000
Without that, everything would remain the same: see the fireworks and eat an ice-cream.

1:00:59.000,1:01:06.000
We can say that Piratak has grown from the void…, well, from the void or from everything,

1:01:06.000,1:01:16.000
because, in the end, the imagination of the youngest ones and the job of so many people, all that has been for “Piratak”.

1:01:16.000,1:01:19.000
And all the movement started from there.

1:02:01.000,1:02:08.000
In my opinion, to be Pirate or to want to be a Pirate is wanting to do something for Donotis’ fiestas.

1:02:08.000,1:02:14.000
and as I usually take photos in the concerts, I contacted them

1:02:14.000,1:02:19.000
And I’m very proud of having participated in something like this.

1:02:19.000,1:02:22.000
I don’t know, there’s nothing left to say.

1:02:22.000,1:02:26.000
In the beginning, 10 years ago, the ones that started in communication works,

1:02:26.000,1:02:29.000
started with tools Like posters, handwork,

1:02:29.000,1:02:33.000
and nowadays technology has developed

1:02:33.000,1:02:40.000
and we use social networks, applications, photo galleries, videos…

1:02:40.000,1:02:48.000
Anyway, our job is to broadcast the movements’ values to the biggest amount of people, in the most possible positive way.

1:02:56.000,1:03:01.000
I think that, in a daily basis, for the Basque Country, for Donostia,

1:03:01.000,1:03:05.000
in the same way that we are fighting for different lifestyles and people

1:03:05.000,1:03:09.000
It has to be done also in the fiestas and that’s what we want.

1:03:09.000,1:03:16.000
Also Sara was a Pirate since she was young, I think that even before she was born.

1:03:16.000,1:03:20.000
And she participated in the Big Week (Aste nagusia) last year.

1:03:20.000,1:03:27.000
In the “Abordaia Txikia”, and in the tailbacks, of course. The Irrikitaldi and the Abordaia, are to me for the moment.

1:03:27.000,1:03:35.000
But it’s clear what to be a Pirate means, that’s why they are Pirates.

1:03:35.000,1:03:45.000
(improvised verse) “Be Pirate and put the sails against the wind”

1:03:45.000,1:03:55.000
“Be Pirate and cross different seas”

1:03:55.000,1:04:04.000
“Be Pirate and face the tides”

1:04:04.000,1:04:13.000
“Be pirate, never stop, don’t weigh the anchor ”

1:04:13.000,1:04:23.000
“Be Pirate and board a whole city”

1:06:18.000,1:06:26.000
Production, realization and edition:

1:06:28.000,1:06:36.000
Cameras

1:06:37.000,1:06:53.000
Participants

1:06:56.000,1:07:16.000
To be a Pirate!

1:07:16.000,1:07:19.000
We left the port in a foggy day

1:07:19.000,1:07:21.000
Flags of hundreds of colors fluttering in the masts

1:07:21.000,1:07:23.000
Even though there are storms and rocks

1:07:23.000,1:07:26.000
We’ve been boarding Donostia since then

1:07:26.000,1:07:28.000
Let’s be mischievous; let’s be Pirates

1:07:28.000,1:07:31.000
Singing to the dawn with a patch in the eye

1:07:31.000,1:07:33.000
With the sails hoisted encouraging team work.

1:07:33.000,1:07:37.000
We carry the map of a new world in our hearts.

1:07:37.000,1:07:40.000
Let’s be Pirates!

1:07:42.000,1:07:47.000
We have hoisted the sails, we have joined our forces

1:07:47.000,1:07:52.000
Join us and let’s leave all ties behind.

1:07:52.000,1:07:57.000
We have hoisted the sails, we have joined our forces

1:07:57.000,1:08:03.000
Join us and let’s leave all ties behind

1:08:03.000,1:08:12.000
Ten! We’ve joined our forces. Let’s get the map of a new world.

1:08:12.000,1:08:23.000
Ten! We’ve joined our forces. Let’s get the map of a new world.

1:08:42.000,1:08:44.000
Come and let’s explore new seas

1:08:44.000,1:08:46.000
Come and hung your flag in the mast

1:08:46.000,1:08:49.000
Come to this equalitarian Basque boat

1:08:49.000,1:08:51.000
After ten years, we’re more every day

1:08:51.000,1:08:54.000
Let’s be mischievous; let’s be Pirates

1:08:54.000,1:08:56.000
Singing to the dawn with a patch in the eye

1:08:56.000,1:08:59.000
The sails hoisted encouraging team work.

1:08:59.000,1:09:03.000
We have the map of a new world in our hearts.

1:09:03.000,1:09:06.000
Let’s be Pirates!

1:09:08.000,1:09:14.000
Thank you very much Pirates!

1:09:14.000,1:09:20.000
Because thanks to you Donosti is no more Ñoñosti, its Donostia!

1:09:20.000,1:09:23.000
Thank you very much!

1:09:23.000,1:09:28.000
Join us and let’s leave all ties behind

1:09:28.000,1:09:38.000
Ten! We’ve joined our forces. Let’s get the map of a new world.

1:09:38.000,1:09:48.000
Ten! We’ve joined our forces. Let’s get the map of a new world.

1:10:13.000,1:10:18.000
We have hoisted the sails, we have joined our forces

1:10:18.000,1:10:23.000
Join us and let’s leave all ties behind.

1:10:23.000,1:10:28.000
We have hoisted the sails, we have joined our forces

1:10:28.000,1:10:33.000
Join us and lets join our forces

1:10:36.000,1:10:42.000
The map of a new world

1:10:42.000,1:10:46.000
Lets join our forces

1:10:46.000,1:10:49.000
The map of a new world

1:10:50.000,1:10:54.000
To everyone we have forgotten, to everyone that have uploaded the images and sounds we have used.

1:10:54.000,1:10:57.000
To everyone that in a way or another have helped us,

1:10:57.000,1:11:00.000
to those who have had patience with this long job,

1:11:00.000,1:11:01.000
To the strenght of the fury

1:11:01.000,1:11:03.000
To the friends of the bar Ilargi

1:11:03.000,1:11:05.000
To Eli, Joseba, to those Pirates that are not with us

1:11:05.000,1:11:07.000
Thanks to you, everything is possible in Donostia

1:11:09.000,1:11:14.000
Donostiako Piratak. 2013. Donostia. Euskal Herria.

1:11:15.000,1:11:32.000