0:00:14.667,0:00:18.742 What do horror movies and comedies have in common? 0:00:18.742,0:00:21.293 The two genres might seem totally different, 0:00:21.293,0:00:23.002 but the reason they're both so popular 0:00:23.002,0:00:25.365 is perhaps because what they have in common: 0:00:25.365,0:00:27.319 their use of dramatic irony. 0:00:27.319,0:00:28.733 First, let's clarify. 0:00:28.733,0:00:31.438 There are three types of irony out there. 0:00:31.438,0:00:33.767 Situational irony is when you expect one thing, 0:00:33.767,0:00:35.110 but get the opposite. 0:00:35.110,0:00:37.804 Verbal irony is when someone says something, 0:00:37.804,0:00:39.229 but truly means the opposite. 0:00:39.229,0:00:40.858 Dramatic irony, though, 0:00:40.858,0:00:42.824 is what we will be looking at right now. 0:00:42.824,0:00:44.319 Dramatic irony is when the audience 0:00:44.319,0:00:46.414 seems to know more about an event, 0:00:46.414,0:00:47.529 a situation, 0:00:47.529,0:00:48.864 or a conversation 0:00:48.864,0:00:50.277 than the characters in the movie, 0:00:50.277,0:00:51.240 on the show, 0:00:51.240,0:00:52.708 or in the book do. 0:00:52.708,0:00:54.620 The audience is in on a secret 0:00:54.620,0:00:56.455 that the characters have missed. 0:00:56.455,0:00:57.936 This is a great story-telling device 0:00:57.936,0:01:00.960 that creates tremendous emotion within that text. 0:01:00.960,0:01:02.528 Think about it for a moment. 0:01:02.528,0:01:04.686 How does it feel when, in a horror film, 0:01:04.686,0:01:06.990 you know that the scary villain is hiding 0:01:06.990,0:01:09.340 behind that door in the darkened room. 0:01:09.340,0:01:10.803 The music becomes eerie, 0:01:10.803,0:01:13.610 the lighting creates complete shadows, 0:01:13.610,0:01:15.681 this has to be bad for the hero! 0:01:15.681,0:01:18.819 Of course, though, that hero must enter the room 0:01:18.819,0:01:20.489 to find the villain. 0:01:20.489,0:01:23.156 You feel tremendous tension and the suspense 0:01:23.156,0:01:26.028 of knowing that someone will jump out and be scary, 0:01:26.028,0:01:28.913 but you just don't know when. 0:01:28.913,0:01:31.533 That tension is dramatic irony: 0:01:31.533,0:01:34.562 you know something more than the characters in the film. 0:01:34.562,0:01:36.664 Now, take the typical comedy. 0:01:36.664,0:01:40.686 There will probably be some type of "misunderstanding". 0:01:40.686,0:01:42.518 Again, we know more of what is going on 0:01:42.518,0:01:44.003 than the characters do. 0:01:44.003,0:01:45.672 Picture two characters making a plan 0:01:45.672,0:01:47.961 for a birthday surprise for their roommate 0:01:47.961,0:01:49.410 while that roommate overhears 0:01:49.410,0:01:51.945 the entire conversation from the hallway. 0:01:51.945,0:01:55.301 From there, confusion and misunderstanding occur, 0:01:55.301,0:01:56.934 and the tension builds. 0:01:56.934,0:01:59.179 This isn't the same tension as the horror film 0:01:59.179,0:02:00.849 since it is probably pretty funny 0:02:00.849,0:02:04.276 as the character tries to figure out the whos and the whats, 0:02:04.276,0:02:05.909 but it serves as a great example 0:02:05.909,0:02:09.497 of the tension and suspense of dramatic irony. 0:02:09.497,0:02:11.915 This tension or suspense in both genres 0:02:11.915,0:02:14.385 drives the story and keeps the plot progressing. 0:02:14.385,0:02:17.141 The audience wants, no, needs, 0:02:17.141,0:02:19.704 to see the tension of the dramatic irony broken 0:02:19.704,0:02:22.633 either by the scary person jumping out of the shadows 0:02:22.633,0:02:26.263 or by someone finally revealing someone's true identity 0:02:26.263,0:02:28.493 and clearing up the confusion. 0:02:28.493,0:02:31.243 So, when you feel like you are in on a secret, 0:02:31.243,0:02:33.133 that is dramatic irony, 0:02:33.133,0:02:35.563 a hallmark of all the great writers, 0:02:35.563,0:02:38.269 from Shakespeare to Hitchcock.