0:00:09.898,0:00:12.318 I started "Only Boys Aloud" 0:00:12.318,0:00:14.717 just coming up for two years ago, 0:00:15.247,0:00:17.787 because I come from[br]the South Wales Valleys 0:00:17.787,0:00:20.197 from a small community[br]called New Tredegar. 0:00:20.313,0:00:21.436 And 0:00:21.439,0:00:22.626 when I was growing up, 0:00:22.629,0:00:26.170 it was a very proud part of the world, 0:00:26.173,0:00:27.936 with a lot of industry, 0:00:27.936,0:00:30.217 with a lot of ambition, 0:00:30.224,0:00:33.632 with a sustainable economy. 0:00:34.586,0:00:36.718 In the middle of the '80s, 0:00:36.718,0:00:39.774 that was basically taken away 0:00:39.774,0:00:43.797 when the industries collapsed[br]for a variety of reasons 0:00:43.797,0:00:46.399 and left an enormous void 0:00:46.399,0:00:50.438 in the middle of the part[br]of the world that I call home. 0:00:50.438,0:00:51.594 Consequently, 0:00:51.594,0:00:55.065 there are huge problems of unemployment 0:00:55.071,0:00:57.204 in the South Wales Valleys, 0:00:57.204,0:01:02.046 and all of the problems[br]that come with that also. 0:01:02.533,0:01:04.848 The biggest, I think,[br]and the most destructive, 0:01:04.850,0:01:07.040 is a lack of aspiration. 0:01:07.622,0:01:13.672 And I wanted to use singing[br]to encourage lads from this area 0:01:14.441,0:01:16.260 to aspire to be something. 0:01:16.260,0:01:19.578 So our strapline is "inspiring to aspire." 0:01:20.643,0:01:22.555 I believe most passionately 0:01:22.555,0:01:25.732 in the transformative power[br]of community singing, 0:01:25.732,0:01:28.709 because in our increasingly virtual world, 0:01:29.821,0:01:34.541 we have fewer and fewer opportunities[br]of coming together physically, 0:01:34.541,0:01:37.951 and interacting with fellow human beings. 0:01:38.290,0:01:43.649 So "Only Boys Aloud"[br]is designed to encourage these lads 0:01:43.649,0:01:45.125 to leave their Xboxes, 0:01:45.125,0:01:46.329 to leave Facebook, 0:01:46.329,0:01:47.328 and come together. 0:01:47.328,0:01:51.245 Of course, Eric Whitacre has very famously[br]with his fabulous virtual choir 0:01:51.245,0:01:52.438 done this online. 0:01:52.438,0:01:55.672 But I passionately believe[br]that there is no substitute 0:01:55.672,0:01:58.670 for getting together[br]and having a damn good sing. 0:01:59.929,0:02:04.230 The tradition of male choir singing[br]is very prevalent in South Wales. 0:02:04.233,0:02:06.622 We still have a proliferation[br]of male choirs, 0:02:06.622,0:02:08.246 but they are getting older, 0:02:08.246,0:02:09.395 and there is an argument 0:02:09.395,0:02:12.075 that male choir singing[br]is irrelevant now. 0:02:12.075,0:02:15.382 I completely disagree with all of this. 0:02:15.382,0:02:19.655 I believe something that unifies anybody[br]as choral singing does 0:02:19.655,0:02:24.730 is increasingly more needed[br]in our world today. 0:02:25.009,0:02:28.480 "Why boys?" is something[br]I often get asked. 0:02:28.480,0:02:34.052 Well, because of the very strong tradition[br]of male choirs in Wales. 0:02:34.052,0:02:35.631 That's first and foremost. 0:02:35.631,0:02:37.933 Also there is a huge disparity 0:02:37.939,0:02:40.753 between the number of boys[br]who choose to sing 0:02:40.753,0:02:43.152 and the number of girls[br]that choose to sing. 0:02:43.152,0:02:45.317 And I think that's a problem generally, 0:02:45.317,0:02:48.602 but in a very masculine[br]environment, like South Wales. 0:02:48.602,0:02:51.982 Although I have to say,[br]in South Wales, ma'ams rule. 0:02:52.324,0:02:54.604 It's a very matriarchal society, 0:02:54.604,0:02:58.277 but at the same time, there are[br]lots of pressures on boys 0:02:58.284,0:03:01.531 not to do something[br]that isn't seen as "macho." 0:03:01.531,0:03:04.803 So with "Only Boys Aloud,"[br]we started 10 choirs, 0:03:05.480,0:03:09.174 predominantly in rugby clubs,[br]around the South Wales area, 0:03:09.499,0:03:13.170 covering a nine-hundred-square-mile area, 0:03:13.170,0:03:18.370 where the idea is that no boy[br]is fewer than 15 or 20 minutes away 0:03:18.370,0:03:21.016 from his local rehearsal. 0:03:21.235,0:03:24.723 So these choirs enrich[br]their individual communities, 0:03:24.723,0:03:28.074 but we also bring them together[br]to do large-scale events, 0:03:28.074,0:03:31.392 and we have about half of them here today. 0:03:31.937,0:03:36.111 Well, over 200 lads[br]between the ages of 14 and 19 0:03:36.111,0:03:40.206 have engaged with "Only Boys Aloud"[br]in the last two years. 0:03:40.206,0:03:41.676 And I'm delighted to say, 0:03:41.676,0:03:45.391 with the support of the Welsh Government[br]and the Principality Building Society, 0:03:45.391,0:03:46.389 back in Wales, 0:03:46.389,0:03:48.798 we are able to look forward to a future 0:03:48.798,0:03:51.803 where we've signed an agreement[br]for three years of sponsorship, 0:03:51.803,0:03:54.893 because I believe this work[br]is absolutely fundamental, 0:03:54.893,0:04:00.277 especially as young men are often blamed[br]for the problems in our society. 0:04:01.127,0:04:04.939 I think the lads on stage here will prove 0:04:04.939,0:04:09.478 that, far from problems,[br]there is so much good 0:04:09.479,0:04:11.441 and there is something very beautiful 0:04:11.441,0:04:15.795 about boys coming together[br]and just singing. 0:04:16.250,0:04:17.699 I'd like to first introduce... 0:04:17.699,0:04:20.020 It was supposed to be[br]a big surprise revealed 0:04:20.020,0:04:21.370 when we lifted the curtain, 0:04:21.370,0:04:23.042 and there were loads of them there. 0:04:23.042,0:04:26.232 But you all saw the rehearsals[br]so that's gone out of the window. 0:04:26.232,0:04:27.260 So just act shocked. 0:04:27.260,0:04:29.974 Give me a nice big gust of air[br]when they come out, please. 0:04:30.155,0:04:34.977 Can I introduce firstly our two soloists,[br]who are going to sing the first piece. 0:04:34.977,0:04:38.535 One of the things we want to do[br]is we want to move the choir forward, 0:04:38.535,0:04:41.857 but we also really respect our roots,[br]and where we come from. 0:04:41.864,0:04:44.918 And that's why the first song[br]we've chosen to sing this afternoon 0:04:44.918,0:04:46.871 is a song called "Calon Lan," 0:04:46.874,0:04:50.086 which really is a prayer for good heart, 0:04:50.086,0:04:54.999 because the words say, "a good heart[br]can sing all day and all night." 0:04:54.999,0:04:56.278 So this is "Calon Lan." 0:04:56.278,0:04:59.546 Please give a warm welcome[br]to Gareth Evans and Yvonne Jenkin. 0:04:59.546,0:05:01.545 (Applause) 0:05:12.491,0:05:13.487 Oh! 0:05:13.487,0:05:14.927 (Laughter) 0:05:14.932,0:05:16.231 (Music) 0:05:16.231,0:05:18.228 (Applause) 0:05:21.938,0:05:23.758 (Welsh music - "Calon Lan") 0:05:30.217,0:05:33.993 ♪ Nid wy'n gofyn bywyd moethus ♪ 0:05:33.993,0:05:40.818 ♪ Aur y byd na'I berlau mвn ♪ 0:05:41.003,0:05:47.380 ♪ Gofyn wyf am galon hapus ♪ 0:05:47.792,0:05:54.094 ♪ Calon onest, calon lвn ♪ 0:05:54.540,0:06:01.283 ♪ Calon lвn yn llawn daioni ♪ 0:06:01.543,0:06:08.327 ♪ Tecach yw na'r lili dlos ♪ 0:06:08.467,0:06:15.221 ♪ Dim ond calon lвn all ganu ♪ 0:06:16.700,0:06:17.700 (Choir) 0:06:18.710,0:06:22.246 ♪ Canu'r dydd ♪ 0:06:22.246,0:06:27.886 ♪ A chanu'r nos ♪ 0:06:30.785,0:06:32.793 (Piano music) 0:06:39.300,0:06:45.226 ♪ Pe dymunwn olud bydol ♪ 0:06:45.853,0:06:51.609 ♪ Hedyn buan ganddo sydd ♪ 0:06:51.995,0:06:57.921 ♪ Golud calon lвn, rinweddol ♪ 0:06:58.159,0:07:04.148 ♪ Yn dwyn bythol elw fydd ♪ 0:07:04.611,0:07:10.577 ♪ Calon lвn yn llawn daioni ♪ 0:07:10.838,0:07:16.774 ♪ Tecach yw na'r lili dlos ♪ 0:07:17.209,0:07:25.058 ♪ Dim ond calon lвn all ganu ♪ 0:07:27.460,0:07:33.406 ♪ Canu'r dydd a chanu'r nos ♪ 0:07:34.252,0:07:39.937 ♪ Hwyr a bore fy nymuniad ♪ 0:07:40.172,0:07:46.670 ♪ Gwyd I'r nef ar adain cвn ♪ 0:07:46.897,0:07:53.273 ♪ Ar I Dduw, er mwyn fy Ngheidwad ♪ 0:07:53.545,0:07:59.822 ♪ Roddi I mi galon lвn ♪ 0:08:03.555,0:08:09.960 ♪ Calon lвn yn llawn daioni ♪ 0:08:10.178,0:08:16.401 ♪ Tecach yw na'r lili dlos ♪ 0:08:16.823,0:08:23.065 ♪ Dim ond calon lвn all ganu ♪ 0:08:23.578,0:08:29.826 ♪ Canu'r dydd a chanu'r nos ♪ 0:08:30.316,0:08:36.568 ♪ Calon lвn yn llawn daioni ♪ 0:08:36.884,0:08:43.107 ♪ Tecach yw na'r lili dlos ♪ 0:08:43.721,0:08:49.823 ♪ Dim ond calon lвn all ganu ♪ 0:08:50.349,0:08:53.654 ♪ Canu'r dydd ♪ 0:08:53.654,0:08:59.114 ♪ A chanu'r nos ♪ 0:08:59.505,0:09:02.320 ♪ Calon lвn ♪ 0:09:02.771,0:09:05.713 ♪ Calon lвn ♪ 0:09:06.274,0:09:08.926 ♪ Calon ♪ 0:09:08.926,0:09:13.926 ♪ Lвn ♪ 0:09:19.353,0:09:21.350 (Applause) (Cheers) 0:09:34.582,0:09:35.668 Thank you. 0:09:35.668,0:09:37.667 (Applause) 0:09:40.098,0:09:41.193 Thank you very much. 0:09:41.193,0:09:42.466 Now one of the reasons 0:09:42.466,0:09:45.424 that we've been asked[br]to finish this day off... 0:09:45.424,0:09:47.092 That's the wrong words, completely. 0:09:47.092,0:09:49.539 I'm not intending[br]on finishing anything off. 0:09:49.542,0:09:51.208 But "il finale" for this day 0:09:51.208,0:09:54.306 is because it's time for you to sing,[br]ladies and gentlemen. 0:09:54.306,0:09:56.075 Oh, look at the enthusiasm there! 0:09:56.075,0:09:57.501 Oh, it's amazing! 0:09:58.435,0:10:00.728 One of the ways... 0:10:00.728,0:10:02.997 Oh, people are running for the doors now. 0:10:02.997,0:10:04.215 Lock the doors! 0:10:05.688,0:10:09.794 We don't have any audition requirements[br]for "Only Boys Aloud." 0:10:09.794,0:10:12.285 So it's fine for you all to just let go. 0:10:12.288,0:10:13.532 Now, ladies and gentlemen, 0:10:13.532,0:10:17.744 one of the things that you need[br]to try and do with "Only Boys Aloud" 0:10:17.744,0:10:21.555 is think about choral singing,[br]and what's relevant to young people. 0:10:21.555,0:10:23.832 So the first song we did - 0:10:23.832,0:10:26.218 you might think it's a little bit cheesy - 0:10:26.220,0:10:27.266 but I'd really love it 0:10:27.266,0:10:29.870 if you just go with it for me,[br]ladies and gentlemen. 0:10:30.247,0:10:35.122 I'm going to teach you, in three parts,[br]a little four-bar riff. 0:10:35.122,0:10:37.645 If you're very good,[br]I'll make it an eight-bar riff. 0:10:37.954,0:10:40.837 But we'll just start small, 0:10:40.837,0:10:42.757 and we'll go on if we can. 0:10:42.757,0:10:43.758 OK. 0:10:44.278,0:10:46.983 I'd like people who enjoy singing low. 0:10:46.983,0:10:48.488 Actually, no. 0:10:48.488,0:10:50.514 Can I get you guys down here? 0:10:50.514,0:10:53.642 As you're on the bottom,[br]you'll be the bass part for me, please. 0:10:53.642,0:10:55.279 OK, so we're going to do this. 0:10:55.279,0:10:56.842 And if anyone guesses what... 0:10:56.847,0:11:00.037 There's an elaborate prize[br]for anyone who guesses what the piece is. 0:11:00.037,0:11:01.601 OK, so we're going to do, 0:11:01.601,0:11:06.029 ♪ Dum duh-duh-dum duh-duh-dum ♪ 0:11:06.029,0:11:09.179 ♪ Duh-duh-dum duh-duh-dum ♪ 0:11:09.179,0:11:11.767 Just that much, please;[br]this is the stalls. 0:11:11.767,0:11:13.747 One, two, three, four. 0:11:13.747,0:11:18.815 Audience: ♪ Dum duh-duh-dum duh-duh-dum ♪ 0:11:18.815,0:11:21.445 ♪ Duh-duh-dum duh-duh-dum ♪ 0:11:21.445,0:11:22.447 TRE: Right, OK. 0:11:22.447,0:11:25.640 Let's everyone on your feet, please,[br]because that was a bit rubbish. 0:11:25.640,0:11:27.067 (Laughter) 0:11:27.067,0:11:29.691 OK, can you shake out for me,[br]ladies and gentlemen? 0:11:29.691,0:11:32.435 That includes you in the posh seats, 0:11:32.435,0:11:34.741 and those in the cheap seats[br]at the top, as well. 0:11:34.741,0:11:36.001 (Laughter) 0:11:36.001,0:11:38.749 Shake your hand for me,[br]ladies and gentlemen, please. 0:11:38.749,0:11:40.552 Give me a, "Brrrrr!" 0:11:40.552,0:11:41.554 Audience: Brrrrr! 0:11:41.554,0:11:42.553 TRE: That's better. 0:11:42.553,0:11:45.219 Now shoulders back, please;[br]circulate them nice and back. 0:11:45.219,0:11:46.222 Up! 0:11:46.222,0:11:47.304 Really squeeze -- 0:11:47.304,0:11:49.972 You've been sat there all day[br]listening to people talk - 0:11:49.972,0:11:51.444 and let it go, "Ah!" 0:11:51.444,0:11:53.878 You were very good at the gasp.[br]Thank you for that! 0:11:53.905,0:11:54.944 (Laughter) 0:11:54.944,0:11:55.940 And up! 0:11:55.940,0:11:57.516 Wiggling fingers, wiggling knees. 0:11:57.516,0:11:59.166 Make a noise, "Aaaaahhhhh!" 0:11:59.166,0:12:00.962 Audience: "Aaaaahhhhh!" 0:12:00.962,0:12:02.065 TRE: And release! 0:12:02.065,0:12:03.069 I never thought 0:12:03.069,0:12:06.643 the first time I stood on the stage[br]in Sadler's Wells I would be doing that. 0:12:06.643,0:12:07.639 (Laughter) 0:12:07.639,0:12:08.788 Now let's do that again. 0:12:08.788,0:12:13.922 Stalls, ♪ Dum duh-duh-dum duh-duh-dum ♪ 0:12:13.922,0:12:19.102 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum... ♪ 0:12:19.102,0:12:20.342 And now, keep going, OK. 0:12:20.342,0:12:21.437 Right, good, thank you. 0:12:22.027,0:12:24.451 There's some very good[br]singing down here, well done! 0:12:24.451,0:12:27.198 Let's get the middle[br]to do the middle part. 0:12:27.198,0:12:28.198 Yours goes, 0:12:28.198,0:12:30.870 ♪ Duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh ♪ 0:12:30.870,0:12:33.550 ♪ Duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh ♪ 0:12:33.550,0:12:35.870 (Lower tone) ♪ Duh-duh[br]duh-duh duh-duh duh-duh ♪ 0:12:35.870,0:12:37.226 Cases the last bar. 0:12:37.226,0:12:39.461 Do you think you can[br]cope with that, middle row? 0:12:39.461,0:12:41.164 Middles, a grand circle, "Mmmm!" 0:12:41.164,0:12:42.157 (Speaking in Welsh) 0:12:42.157,0:12:44.821 Oh, sorry, that was Welsh.[br]One, two, three, four. 0:12:44.821,0:12:45.998 ♪ Duh-duh duh-duh ♪ 0:12:45.998,0:12:52.127 Audience: ♪ Duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh duh-duh ♪ 0:12:52.127,0:12:55.854 TRE: ♪ Duh-duh duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh duh-duh ♪ 0:12:55.854,0:12:57.624 ♪ Duh-duh duh-duh duh-duh duh-duh ♪ 0:12:57.624,0:12:59.684 (Lower tone) ♪ Duh-duh duh-duh duh-duh ♪ 0:12:59.684,0:13:02.735 Good. There are, in fact,[br]two distinct notes here. 0:13:02.735,0:13:04.661 (Laughter) 0:13:05.847,0:13:07.605 It'd be great if you could use them. 0:13:07.605,0:13:08.608 OK. 0:13:08.608,0:13:09.608 (Laughter) 0:13:09.608,0:13:11.948 So, grand circle, you are on that note, 0:13:11.952,0:13:13.536 unless put out of the bottom. 0:13:13.536,0:13:14.788 ♪ Dummmm... ♪ 0:13:14.788,0:13:16.718 One, two, three, four. 0:13:16.718,0:13:18.022 ♪ Dum... ♪ 0:13:18.025,0:13:19.830 Audience: ♪ Duh-duh-dum... ♪ 0:13:19.830,0:13:24.272 TRE: ♪ Duh-duh-dum[br]duh-duh-dum duh-duh... ♪ 0:13:24.272,0:13:26.518 ♪ Duh-duh duh-duh duh-duh duh-duh duh... ♪ 0:13:26.518,0:13:27.515 Audience: ♪ Dum... ♪ 0:13:27.515,0:13:31.181 TRE: ♪ Duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh, duh... ♪ 0:13:31.181,0:13:32.179 Thank you. 0:13:32.179,0:13:35.137 Top! You all the top part say, "Hoo!" 0:13:35.137,0:13:37.453 That's what I like,[br]a lit bit of enthusiasm! 0:13:37.827,0:13:39.105 OK, so we go, 0:13:39.105,0:13:41.058 ♪ Duh duh duh duh ♪ 0:13:41.058,0:13:43.024 (Higher tone) ♪ Duh duh duh duh ♪ 0:13:43.024,0:13:44.946 (Lower tone) ♪ Duh duh duh duh ♪ 0:13:44.946,0:13:46.922 (Even lower tone) ♪ Duh duh duh duh ♪ 0:13:46.922,0:13:48.853 (Higher tone) ♪ Duh duh duh duh ♪ 0:13:48.853,0:13:50.757 (Even higher tone) ♪ Duh duh duh duh ♪ 0:13:50.763,0:13:52.631 (Lower tone) ♪ Duh duh duh duh ♪ 0:13:52.631,0:13:53.631 ♪ Duh duh duh duh ♪ 0:13:53.631,0:13:54.625 Again. 0:13:54.625,0:13:56.381 Audience: ♪ Duh duh duh duh ♪ 0:13:56.418,0:13:58.203 ♪ Duh duh duh duh ♪ 0:13:58.241,0:13:59.296 ♪ Duh duh duh duh ♪ 0:13:59.296,0:14:02.128 TRE: Middle part, you're going[br]to join in noooooow. 0:14:02.130,0:14:04.957 ♪ Duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh ♪ 0:14:04.957,0:14:08.621 ♪ Duh-duh duh-duh duh-duh duh-duh[br]duh-duh duh-duh duh-duh duh... ♪ 0:14:08.621,0:14:09.740 And bottom! 0:14:09.740,0:14:14.802 Audience: ♪ Dum duh-duh-dum duh-duh-dum ♪ 0:14:14.802,0:14:17.422 ♪ Duh-duh-dum duh-duh-dum ♪ 0:14:17.422,0:14:19.366 TRE: ♪ Duh duh duh duh ♪ 0:14:19.366,0:14:21.320 (Higher tone) ♪ Duh duh duh duh ♪ 0:14:21.320,0:14:23.266 ♪ Duh duh duh duh ♪ 0:14:23.266,0:14:25.282 (Lower tone) ♪ Duh duh duh duh ♪ 0:14:25.282,0:14:26.424 Well done! Well done! 0:14:26.424,0:14:28.001 We're getting somewhere. 0:14:29.089,0:14:30.765 I'm going to make this quickly. 0:14:30.765,0:14:34.384 I'm going to turn this four-bar phrase[br]into an eight-bar phrase that repeats. 0:14:34.384,0:14:36.250 All we need to do, bottom, is we go, 0:14:36.250,0:14:42.286 ♪ Dum duh-duh-dum[br]duh-duh-dum duh-duh-dum... ♪ 0:14:42.286,0:14:43.431 Actually, no. Forget it. 0:14:43.431,0:14:45.433 We'll just stick with the four-bar phrase. 0:14:45.433,0:14:47.131 (Laughter) 0:14:47.953,0:14:50.393 We're not in the land of song[br]anymore, boys. 0:14:50.393,0:14:52.113 (Laughter) 0:14:52.113,0:14:54.408 (Applause) (Cheers) 0:14:57.863,0:14:58.863 Right. OK. 0:14:58.863,0:15:00.385 (Music - "Don't Stop Believin'") 0:15:00.385,0:15:01.959 Here we go. That's all. Be great. 0:15:02.938,0:15:04.085 ♪ Duh duh duh duh ♪ 0:15:04.085,0:15:09.003 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum ♪ 0:15:09.003,0:15:10.845 ♪ Duh duh duh duh ♪ 0:15:10.887,0:15:12.188 ♪ Duh duh duh duh ♪ 0:15:12.188,0:15:16.879 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum ♪ 0:15:16.879,0:15:18.899 ♪ Duh duh duh duh ♪ 0:15:18.938,0:15:20.251 ♪ Duh duh duh ♪ 0:15:20.251,0:15:23.353 ♪ Just a small town girl ♪ 0:15:23.823,0:15:27.553 ♪ Livin' in a lonely world ♪ 0:15:28.061,0:15:34.359 ♪ She took the midnight train[br]goin' anywhere ♪ 0:15:36.299,0:15:39.612 ♪ Just a city boy ♪ 0:15:39.824,0:15:43.581 ♪ Born and raised in South Detroit ♪ 0:15:44.127,0:15:50.028 ♪ He took the midnight train[br]goin' anywhere ♪ 0:15:50.028,0:15:51.032 TRE: Keep going! 0:15:51.032,0:15:52.415 Audience: ♪ Duh duh duh duh ♪ 0:15:52.415,0:15:56.873 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum ♪ 0:15:56.873,0:15:58.880 ♪ Duh duh duh duh duh duh duh duh ♪ 0:15:58.880,0:16:02.844 ♪ Dum duh-duh-dum duh-duh-dum ♪ 0:16:02.844,0:16:04.094 ♪ Duh duh duh duh ♪ 0:16:04.094,0:16:06.859 ♪ Duh-duh-dum duh-duh-dum ♪ 0:16:07.729,0:16:11.456 ♪ A singer in a smoky room ♪ 0:16:11.633,0:16:15.164 ♪ A smell of wine and cheap perfume ♪ 0:16:15.349,0:16:18.107 ♪ For a smile they can share the night ♪ 0:16:18.107,0:16:22.741 ♪ It goes on and on, and on, and on ♪ 0:16:22.741,0:16:27.010 ♪ Strangers waiting ♪ 0:16:27.884,0:16:30.392 ♪ Up and down the boulevard ♪ 0:16:30.392,0:16:37.018 ♪ Their shadows searching in the night ♪ 0:16:38.659,0:16:42.927 ♪ Streetlights, people ♪ 0:16:43.800,0:16:46.807 ♪ Living just to find emotion ♪ 0:16:46.807,0:16:53.806 ♪ Hiding somewhere in the night ♪ 0:16:54.842,0:16:56.841 (Music) 0:16:58.841,0:17:02.941 ♪ Duh duh duh duh duh duh duh duh ♪ 0:17:03.251,0:17:07.184 ♪ Working hard to get my fill ♪ 0:17:07.807,0:17:11.349 ♪ Everybody wants a thrill ♪ 0:17:11.349,0:17:14.560 ♪ Payin' anything to roll the dice ♪ 0:17:14.560,0:17:18.809 ♪ Just one more time ♪ 0:17:19.140,0:17:23.666 ♪ Some will win, some will lose ♪ 0:17:23.666,0:17:27.134 ♪ Some were born to sing the blues ♪ 0:17:27.134,0:17:30.090 ♪ Oh, the movie never ends ♪ 0:17:30.090,0:17:34.718 ♪ It goes on and on, and on, and on ♪ 0:17:34.718,0:17:38.763 ♪ Strangers waiting ♪ 0:17:39.848,0:17:42.372 ♪ Up and down the boulevard ♪ 0:17:42.372,0:17:49.159 ♪ Their shadows searching in the night ♪ 0:17:50.735,0:17:54.857 ♪ Streetlights, people ♪ 0:17:55.829,0:17:58.816 ♪ Living just to find emotion ♪ 0:17:58.819,0:18:05.815 ♪ Hiding somewhere in the night ♪ 0:18:06.835,0:18:10.116 ♪ Duh duh duh duh duh duh duh duh ♪ 0:18:10.116,0:18:14.876 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum ♪ 0:18:14.876,0:18:18.100 ♪ Duh duh duh duh duh duh duh duh ♪ 0:18:18.100,0:18:22.840 ♪ Duh-duh-dum duh-duh-dum duh-duh-dum ♪ 0:18:22.840,0:18:26.717 ♪ Don't stop believin' ♪ 0:18:27.806,0:18:30.762 ♪ Hold on to the feelin' ♪ 0:18:30.762,0:18:37.763 ♪ Streetlights, people ♪ 0:18:38.857,0:18:42.647 ♪ Don't stop believin' ♪ 0:18:43.765,0:18:46.609 ♪ Hold on to the feelin' ♪ 0:18:46.609,0:18:53.610 ♪ Streetlights, people ♪ 0:18:54.875,0:18:58.662 ♪ Don't stop believin' ♪ 0:18:59.794,0:19:02.676 ♪ Hold on to the feelin' ♪ 0:19:02.676,0:19:09.677 ♪ Streetlights, people ♪ 0:19:10.815,0:19:14.742 ♪ Don't stop believin' ♪ 0:19:15.810,0:19:18.734 ♪ Hold on to the feelin' ♪ 0:19:18.734,0:19:25.728 ♪ Streetlights, people ♪ 0:19:26.850,0:19:28.525 ♪ Don't stop ♪ 0:19:28.838,0:19:31.135 (Cheers) 0:19:31.135,0:19:33.439 (Applause) 0:19:38.096,0:19:39.292 TRE: Thank you very much. 0:19:39.292,0:19:40.532 Thank you. 0:19:40.532,0:19:41.828 (Cheers) 0:19:41.828,0:19:44.131 (Applause)