"特寫紐約市"
大伙們，謝謝你們來
你們一直這段旅途中陪著我
對我來說真的很重要
我這一生‧‧‧‧‧‧
''喬丹·卡斯特爾--畫家''
[女士] 還是要恭喜妳！
[卡司特爾] 謝謝
比起外向的人，我認為自己更像個內向的人
我可以不停創作
就像腎上腺素開始發作
我也有能力表現得十分外向
所以我也試圖在全球尋找與我志同道合的朋友
通常都會是某人站在某一邊
這感覺有點像所謂的「正念」
要求我們凡事需緩緩
來好好感受與別人相處的當下
["喬丹·卡斯特爾感受當下"]
我時常注意到
他人不易感知到的事物
[路易] 我記得就像昨天一樣
那是個如此平靜、充滿活力的一晚
感覺好像用畫的方式描繪──
氣氛 就像粉紅氛圍的夏日
我們就是在125號街上遇見喬丹
這是我的榮幸今日能在這裡
成為見證此景的一份子
我愛她
[昆汀] 我好像一個超級巨星 [笑聲]
Yo!我害羞得一直臉紅! [笑聲]
我真的害羞得一直臉紅
[贊恩] 我在溜這條狗，對吧？
我們見面之後我坐了下來，然後擺了這個姿勢
[男人] 這個地方是在美國吧？
[贊恩] 對，哈林區
[哈林區第125號街]
[路易] 最近過得如何？
我可以介紹你去Megastar Brand store嗎？
我們有所有款式
你有連帽衫
我們有長袖T恤
關於黑人權力的所有東西
我們有各式各樣的東西──
女士過得還行嗎？
我可以介紹你去Megastar Brand store嗎？
[女士] 也許下次吧寶貝
[路易] 好哦，照顧自己哦
[卡司特爾] 我一個人馳走在夜晚時
路易和A-Thug正在整理他們的東西
所以當我正在拍照取景時
路易在某個時間點問道, "發生什麼事了？"
"你是藝術家? 一個攝影師?"
"什麼原因讓你到哈林區取材?"
然後我對他說, "喔，其實我是一個畫家啦,"
"我正在做一個系列作品.
他們就說, "哦好！"
"我們很樂意參與！"
他們在最一開始就有有滿滿的活力了
--你們把這個變成張照片了 我沒有生氣.
[笑聲] --當你有台相機的時候就發揮它的用處啊！
我拍攝某人最真實的時刻便是
一瞬的剎那
我始終陪伴他們身邊
但我跟他們度過許多親密的時光
最初，只有我一人在工作室
在頃刻間，重新接觸我對某人的感受
在我的腦海中，我足足一個人坐在這一小時
尋找個可以鑽研我最親密的感受與想法的地方
處理我周圍的世界
而這就是我在繪畫時做的事
我花了太多的時間「看」
並提前決定顏色
極細心地攪拌它們
所以當我到達這個境界時
我能夠發揮一定的自信心
用我的方式去重新連結即接發生的事
你知道，如果你直接坐在某人的前面
你是為了生活而工作的啊
「相機」也因此成為我與訪問者的橋樑
它給了我時間 讓我三思而後行
那個時間點與 A-Thug和路易
我不知道我是否注意到了座位上的「黑色素」襯衫
I'm quite sure I didn't as I'm taking the pictures.
But it's only in retrospect,
as I took time to really study the environment that they had created,
that I was like, "Whoa!"
"There are really prominent things happening here."
His shirt saying, "T.H.U.G., the hate you gave us,"
I also didn't notice until I started making the painting.
I think that's a very powerful statement,
to wear it on your chest like a shield
that communities of color often have to create
in order to protect and honor ourselves.
[LOUIE] I get the best feeling when I come outside
and somebody's wearing one of my t-shirts,
one of my hats.
Right here is a little bear I done drew out,
animated it with the little graphic design.
So, I've got to produce.
Like, making art into wearable clothing right now.
Young Style Designs.
It's wearable art right here, though.
Jordan, her work is on showcase.
You've got to go inside of an establishment.
I'm more of a street hustler,
I get it out right on the cement concrete block.
She left a little event in my life, like a nice little milestone.
Just dropped down and did something nice.
[CASTEEL] I have somehow found a way
to weasel myself into a one-percent opportunity within the art market
that has proven, on so many levels,
that room for me is few and far between,
as a young African-American woman
in a space that is primarily run by older White men.
The history of this country is complicated.
The history of how art has moved through institutions,
and been valued, is complicated.
With access comes responsibility.
With visibility comes responsibility.
[ZEN] There are very few spaces where
Black men are being represented
outside of criminality and entertainment.
People probably pass the subjects in this work everyday,
without acknowledging anything about them.
There is a value in just being.