1
00:00:05,060 --> 00:00:07,260
[Bed Stuy, Brooklyn]

2
00:00:08,119 --> 00:00:09,120
Octubre 2013

3
00:00:09,120 --> 00:00:11,460
Sí, creo que tiene que ser así

4
00:00:11,460 --> 00:00:12,780
[Marela Zacarías, artista]

5
00:00:12,780 --> 00:00:17,360
Porque necesitamos 
que llegue hasta aquí, ¿sabes?

6
00:00:18,140 --> 00:00:21,800
[Nueva York en primer plano]

7
00:00:22,880 --> 00:00:24,081
¡Perfecto!

8
00:00:25,540 --> 00:00:26,300
¡Empecemos!

9
00:00:26,300 --> 00:00:28,040


10
00:00:32,299 --> 00:00:34,240
No queremos cubrirlo entero.

11
00:00:34,260 --> 00:00:37,720
Creo que el truco es no tocarlo apenas.

12
00:00:37,720 --> 00:00:38,420
Porque cuanto más...

13
00:00:38,430 --> 00:00:42,250
Si lo presionas demasiado
empezará a cambiar de forma

14
00:00:45,260 --> 00:00:49,020
[A Marela le encargaron una obra
para el Consulado de EE.UU en Monterrey.]

15
00:00:50,120 --> 00:00:52,280
[Es su mayor escultura hasta la fecha]

16
00:00:53,070 --> 00:00:55,070
He pintado murales durante 10 años

17
00:00:55,070 --> 00:00:58,870
El proceso de creación y formar 
parte de la comunidad es maravilloso.

18
00:00:58,870 --> 00:01:02,949
Pero hay una parte del arte público
que te limita un poco

19
00:01:02,949 --> 00:01:05,610
porque el proceso creativo

20
00:01:05,610 --> 00:01:09,210
dura solo el tiempo
en el que haces la maqueta

21
00:01:09,970 --> 00:01:12,039
Una parte de mi necesitaba más

22
00:01:12,039 --> 00:01:17,099
necesitaba ese momento de creación
durante la producción.

23
00:01:18,360 --> 00:01:23,420
Sí, esta parte del proceso
es mucho más instinctiva.

24
00:01:23,420 --> 00:01:28,340


25
00:01:28,340 --> 00:01:31,120


26
00:01:31,680 --> 00:01:35,120


27
00:01:35,130 --> 00:01:38,810
Todas se unen para formar un puzzle.

28
00:01:59,820 --> 00:02:05,300
Enero 2014

29
00:02:33,340 --> 00:02:35,760
Mi propia naturaleza es muy colorida.

30
00:02:35,760 --> 00:02:38,820
Quiero expresar color.

31
00:02:39,180 --> 00:02:43,980
Una vez que eligo el color
tengo que registrar lo que hago.

32
00:02:43,980 --> 00:02:47,260
Numero todos los colores que utilizo.

33
00:02:48,920 --> 00:02:53,900
Hemos creado nuestra propia
numeración de colores.

34
00:02:54,780 --> 00:02:57,640


35
00:02:58,120 --> 00:03:01,090


36
00:03:01,090 --> 00:03:04,500


37
00:03:04,500 --> 00:03:06,620
No tengo ese tipo de personalidad

38
00:03:06,620 --> 00:03:09,819
a la que le gusta planificar y organizar.

39
00:03:09,819 --> 00:03:11,550
Es algo que ha tenido que aprender

40
00:03:12,020 --> 00:03:13,680
Este es 31 ¿no?

41
00:03:13,680 --> 00:03:16,180
Y este es 5.

42
00:03:18,360 --> 00:03:21,580
Este es 22.

43
00:03:22,140 --> 00:03:24,540
Yo extendería esas líneas

44
00:03:24,540 --> 00:03:26,060
hasta aquí.

45
00:03:26,060 --> 00:03:26,800
Sí.

46
00:03:28,020 --> 00:03:30,420


47
00:03:30,430 --> 00:03:32,200


48
00:03:32,200 --> 00:03:35,190


49
00:03:35,190 --> 00:03:38,930


50
00:03:38,930 --> 00:03:40,220


51
00:03:40,230 --> 00:03:44,810


52
00:03:44,810 --> 00:03:46,569


53
00:03:46,569 --> 00:03:48,970


54
00:03:48,970 --> 00:03:52,300
Marela siempre guarda
algo en el bolsillo

55
00:03:52,300 --> 00:03:54,580
que es la pieza final.

56
00:03:58,240 --> 00:04:03,160
Siempre he sentido la influencia
de los patrones de ropa.

57
00:04:04,040 --> 00:04:08,900
La forma de usar el color
en algunos es muy sofisticada.

58
00:04:08,900 --> 00:04:10,099
Como aquí, por ejemplo

59
00:04:10,099 --> 00:04:13,620


60
00:04:13,620 --> 00:04:17,600


61
00:04:17,600 --> 00:04:21,079
Es algo impredecible y emocionante

62
00:04:21,089 --> 00:04:26,270
Esto

63
00:04:26,940 --> 00:04:30,220
Estas somos mi madre y yo, en México.

64
00:04:30,230 --> 00:04:32,280
MI madre es antropóloga.

65
00:04:32,280 --> 00:04:38,380


66
00:04:39,020 --> 00:04:41,919
Estas culturas usaban su ropa

67
00:04:41,919 --> 00:04:44,290
para mostrar su relación

68
00:04:44,290 --> 00:04:47,700
con el universo, la Tierra y su comunidad.

69
00:04:47,700 --> 00:04:49,010
Y lo más increíble de todo

70
00:04:49,010 --> 00:04:52,380
es que muchos de esos
símbolos de la era Maya

71
00:04:52,380 --> 00:04:53,860
se siguen usando hoy en día.

72
00:04:53,860 --> 00:04:56,530
Hay una especie de resistencia cultural

73
00:04:56,530 --> 00:04:59,430
que se expresa a través de esta ropa.

74
00:05:00,720 --> 00:05:03,020
Marela ha vivido la mitad de su vida

75
00:05:03,020 --> 00:05:04,410


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81
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83
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86
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87
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88
00:05:33,940 --> 00:05:37,080
Febrero 2014

89
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90
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91
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96
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97
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98
00:06:12,260 --> 00:06:15,000
Monterrey, México

99
00:06:15,000 --> 00:06:18,040
Junio 2014

100
00:06:21,140 --> 00:06:25,160
Consulado General de los EEUU

101
00:06:27,080 --> 00:06:30,140
Mariela expone su obra en México por primera vez

102
00:06:30,560 --> 00:06:32,760


103
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104
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