1 00:00:00,000 --> 00:00:03,500 (música instrumental lenta) 2 00:00:05,885 --> 00:00:08,601 (sons de passos) 3 00:00:08,601 --> 00:00:11,268 (piano sendo tocado) 4 00:00:12,234 --> 00:00:17,234 (teclas de piano) (batidas do metrônomo) 5 00:00:17,601 --> 00:00:20,684 (música instrumental) 6 00:00:32,090 --> 00:00:34,500 - Eu não faço pinturas e eu não faço esculturas. 7 00:00:34,500 --> 00:00:39,000 O que acontece é que as coisas que eu faço usam tinta, fotografia, desenhos 8 00:00:39,000 --> 00:00:43,110 e também envolvem, sabe, materiais: 9 00:00:43,110 --> 00:00:46,170 madeira ou metal, e por aí vai. 10 00:00:46,170 --> 00:00:49,980 Para propor e desenvolver conceitos e ideias por meio dos materiais. 11 00:00:49,980 --> 00:00:51,675 (música instrumental lenta) 12 00:00:51,675 --> 00:00:53,010 Você pode fazer arte com todo tipo de material, 13 00:00:53,010 --> 00:00:56,010 e você não precisa aprender a desenhar, 14 00:00:56,010 --> 00:00:58,320 ou aprender a pintar para ser um artista. 15 00:00:58,320 --> 00:01:01,326 Charles Gaines Sistemas & Estruturas 16 00:01:01,326 --> 00:01:04,409 (música instrumental) 17 00:01:05,730 --> 00:01:07,020 Eu estava num curso de pintura e descobri que o processo 18 00:01:07,020 --> 00:01:09,300 de pintar não tinha muito significado para mim. 19 00:01:09,300 --> 00:01:12,120 Havia um senso esmagador que era tudo arbitrário. 20 00:01:12,120 --> 00:01:13,710 Havia um entendimento que uma obra de arte era feita 21 00:01:13,710 --> 00:01:15,900 a partir da sua imaginação, e da sua intuição. 22 00:01:15,900 --> 00:01:19,380 Eu acredito sim que existe tal coisa como a intuição 23 00:01:19,380 --> 00:01:22,650 e existe tal coisa como a imaginação. 24 00:01:22,650 --> 00:01:25,380 Eu só acho que esses são conceitos feitos culturalmente. 25 00:01:25,380 --> 00:01:28,200 O que entendemos por conhecimento e significado 26 00:01:28,200 --> 00:01:29,242 não são puramente produtos de nosso gênio, 27 00:01:29,242 --> 00:01:32,790 mas são construídos na estrutura cuja qual residimos. 28 00:01:32,790 --> 00:01:36,480 Então eu queria fazer um tipo de obra cuja produção 29 00:01:36,480 --> 00:01:39,540 é uma consequência de um sistema, em vez da minha imaginação. 30 00:01:39,540 --> 00:01:42,603 A primeira obra que fiz assim é chamada: 31 00:01:44,670 --> 00:01:47,220 Walnut Tree Orchard (Pomar de Nogueiras) 32 00:01:47,220 --> 00:01:51,360 Eu fotografei várias nogueiras e converti a forma em números numa grade. 33 00:01:51,360 --> 00:01:52,920 A silhueta então foi usada para dispor em camadas o formato 34 00:01:52,920 --> 00:01:54,240 das árvores uma encima da outra. 35 00:01:54,240 --> 00:01:56,010 (música instrumental) 36 00:01:56,010 --> 00:01:59,610 Isso também produz evidências das diferenças daquelas árvores 37 00:01:59,610 --> 00:02:03,750 onde as formas não se alinham, e o sistema que eu uso 38 00:02:03,750 --> 00:02:05,450 me permite sinalizar essas mudanças. 39 00:02:06,830 --> 00:02:08,640 De certa forma, estou tentando sugerir 40 00:02:08,640 --> 00:02:11,700 que o tipo de diferença visual que acontece no sistema 41 00:02:11,700 --> 00:02:14,280 opera da mesma forma que outros conceitos 42 00:02:14,280 --> 00:02:18,630 de diferença em outras áreas: 43 00:02:18,630 --> 00:02:19,863 política, diferenças de gênero, raça, classe. 44 00:02:27,312 --> 00:02:28,890 Nos desenhos, nós podemos ver que essas diferenças 45 00:02:28,890 --> 00:02:30,930 são construídas pelo sistema. 46 00:02:30,930 --> 00:02:34,170 E no domínio social e político, as diferenças que vemos também 47 00:02:34,170 --> 00:02:36,360 são construídas por um sistema. 48 00:02:36,360 --> 00:02:39,510 49 00:02:39,510 --> 00:02:40,590 50 00:02:40,590 --> 00:02:44,430 51 00:02:44,430 --> 00:02:47,040 52 00:02:47,040 --> 00:02:49,620 53 00:02:49,620 --> 00:02:52,740 54 00:02:52,740 --> 00:02:53,883 55 00:02:55,920 --> 00:03:00,920 56 00:03:05,182 --> 00:03:07,260 57 00:03:07,260 --> 00:03:08,790 58 00:03:08,790 --> 00:03:09,933 59 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