1 00:00:11,503 --> 00:00:13,415 - (Hank) Esto es lindo. - (Rujeko) Ajá. 2 00:00:17,999 --> 00:00:22,259 ¿Son todas estas fotografías de tu abuelo? 3 00:00:22,259 --> 00:00:24,870 Si. De hecho, no las he visto. 4 00:00:25,904 --> 00:00:30,937 Es increíble abrir una caja y encontrar estas cosas. 5 00:00:30,937 --> 00:00:32,608 Esta... 6 00:00:32,608 --> 00:00:35,030 Esta es una de las mis primeras sesiones. 7 00:00:35,030 --> 00:00:36,300 (Rujeko) Guau. 8 00:00:36,300 --> 00:00:40,253 (Hank) Estas son fotos de los archivos de mi mamá. 9 00:00:40,253 --> 00:00:42,970 Esta foto la he usado mucho en mi trabajo. 10 00:00:42,970 --> 00:00:43,970 Ajá. 11 00:00:43,970 --> 00:00:45,680 (Hank) Los están bautizando. 12 00:00:45,680 --> 00:00:48,140 - (Hank) Ves esto cuernos... - (Rujeko) Ajá. 13 00:00:48,140 --> 00:00:50,780 (Hank) Esta mujer... Esto es tan poderoso. 14 00:00:50,780 --> 00:00:51,780 [Rujeko] Así es. 15 00:00:52,890 --> 00:00:57,030 Las dos cosas que recuerdo que me decían cuando tenía tres o cuatro años son: 16 00:00:57,030 --> 00:01:01,470 "Haces demasiadas preguntas" y "No debes quedarte mirando a la gente". 17 00:01:01,470 --> 00:01:03,170 ♪(música animada)♪ 18 00:01:03,170 --> 00:01:07,355 Gran parte de mi trabajo es un combinación de ambas. 19 00:01:09,130 --> 00:01:11,562 La fotografía era una razón para quedarse mirando. 20 00:01:11,562 --> 00:01:14,049 ♪(música se intensifica)♪ 21 00:01:14,049 --> 00:01:16,390 Mi trabajo se enfoca en el encuadre y el contexto, 22 00:01:16,390 --> 00:01:19,730 y en cómo la posición en la que estés 23 00:01:19,730 --> 00:01:23,390 puede darle forma a tu perspectiva de la verdad, 24 00:01:23,390 --> 00:01:25,617 de la realidad y de lo que importa. 25 00:01:25,617 --> 00:01:27,393 ♪(música animada continúa)♪ 26 00:01:27,393 --> 00:01:30,833 Además de la fotografía, debo trabajar con diferentes técnicas. 27 00:01:30,833 --> 00:01:35,446 ♪(música animada continúa)♪ 28 00:01:35,446 --> 00:01:39,050 Tengo que buscar diferentes maneras de mirar algo 29 00:01:39,050 --> 00:01:41,736 que podemos llegar a pensar que ya hemos visto mil veces. 30 00:01:47,236 --> 00:01:52,996 ♪(música animada)♪ 31 00:01:52,996 --> 00:01:56,420 Estaba leyendo el libro de Roland Barthes titulado "La cámara lúcida", 32 00:01:56,420 --> 00:01:58,771 en el que habla del punctum. 33 00:01:59,301 --> 00:02:03,341 Él ve al punctum como algo que te atraviesa, 34 00:02:03,341 --> 00:02:05,555 algo de la fotografía que permanece en ti. 35 00:02:07,371 --> 00:02:11,860 Cuando miro esta fotografía de un jugador de los Harlem Globetrotter 36 00:02:11,860 --> 00:02:13,890 parado frente a la Estatua de la Libertad, 37 00:02:13,890 --> 00:02:16,007 el punctum para mí es el brazo. 38 00:02:16,007 --> 00:02:19,332 ♪(música animada)♪ 39 00:02:19,332 --> 00:02:23,880 Me gusta buscar el equilibrio entre el espectáculo de lo deportivo 40 00:02:23,880 --> 00:02:27,587 y el contexto histórico y político. 41 00:02:30,477 --> 00:02:33,721 Durante mi investigación, el libro emblemático de Ernest Cole 42 00:02:33,721 --> 00:02:35,209 "House of Bondage". 43 00:02:36,501 --> 00:02:40,310 Él fue un fotógrafo negro que viajó por Sudáfrica 44 00:02:40,310 --> 00:02:42,860 y documentó los horrores del "apartheid". 45 00:02:42,860 --> 00:02:45,919 y, luego, sacó las imágenes del país de forma ilegal. 46 00:02:45,919 --> 00:02:51,194 ♪(música animada)♪ 47 00:02:51,194 --> 00:02:54,730 Una imagen en particular de una fila de mineros desnudos 48 00:02:54,730 --> 00:02:56,974 con los brazos levantados siendo revisados 49 00:02:56,974 --> 00:02:58,609 realmente me impactó. 50 00:02:58,609 --> 00:03:02,349 Ya la había visto muchas veces, pero, viéndola con ojo crítico, 51 00:03:02,349 --> 00:03:05,600 me di cuenta de que, a menudo, me daba culpa ver esto 52 00:03:05,600 --> 00:03:08,378 porque siempre miraba embobado sus cuerpos. 53 00:03:09,576 --> 00:03:12,421 Hacerlo reafirmaba la opresión. 54 00:03:12,421 --> 00:03:16,334 ♪(música animada)♪ 55 00:03:16,334 --> 00:03:19,870 Quería reversionar esa imagen en forma de escultura, 56 00:03:19,870 --> 00:03:21,200 y la titulé "Manos arriba". 57 00:03:23,498 --> 00:03:26,076 Quiero que los espectadores puedan caminar, 58 00:03:26,076 --> 00:03:27,886 levantar la vista y observar 59 00:03:28,946 --> 00:03:32,738 para que intenten mirar a estos hombres con dignidad. 60 00:03:32,738 --> 00:03:36,030 ♪(música animada)♪ 61 00:03:36,042 --> 00:03:38,920 Unos seis meses después de haber hecho la escultura, 62 00:03:38,920 --> 00:03:41,590 al otro lado del mundo, en Ferguson, Misuri, 63 00:03:41,590 --> 00:03:44,640 la frase "Manos arriba, no disparen" se hizo conocida 64 00:03:44,640 --> 00:03:46,809 tras el asesinato de Mike Brown. 65 00:03:46,809 --> 00:03:50,450 (multitud) ¡Manos arriba, no disparen! 66 00:03:51,552 --> 00:03:54,401 (Hank) Cuando por fin exhibí la obra en los Estados Unidos, 67 00:03:55,211 --> 00:03:58,098 la gente la llamó "Manos arriba, no disparen". 68 00:03:58,126 --> 00:04:01,351 ♪(música animada)♪ 69 00:04:01,351 --> 00:04:02,920 Veo una conexión en todo. 70 00:04:02,920 --> 00:04:07,120 Si estoy haciendo una obra sobre mineros del carbón 71 00:04:07,120 --> 00:04:10,140 o Ferguson o baloncesto, 72 00:04:11,678 --> 00:04:15,709 sinceramente, muchos de los cuerpos 73 00:04:15,709 --> 00:04:17,733 74 00:04:20,788 --> 00:04:23,357 75 00:04:23,357 --> 00:04:24,215 76 00:04:24,876 --> 00:04:26,240 77 00:04:28,150 --> 00:04:31,690 78 00:04:31,690 --> 00:04:34,766 79 00:04:34,766 --> 00:04:36,130 80 00:04:36,130 --> 00:04:39,890 81 00:04:39,890 --> 00:04:42,360 82 00:04:42,360 --> 00:04:45,042 83 00:04:45,042 --> 00:04:46,280 84 00:04:46,280 --> 00:04:47,280 85 00:04:47,280 --> 00:04:48,280 86 00:04:48,280 --> 00:04:50,540 87 00:04:50,751 --> 00:04:52,220 88 00:04:53,155 --> 00:04:54,708 89 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