WEBVTT 00:00:24.938 --> 00:00:26.805 Normally, I don't do public work, 00:00:26.805 --> 00:00:29.238 I don't do commissions. 00:00:30.071 --> 99:59:59.999 You know, the library is the National Library 99:59:59.999 --> 99:59:59.999 So it was like a major project. 99:59:59.999 --> 99:59:59.999 So they approached me, but I told them, 99:59:59.999 --> 99:59:59.999 "If I have an idea I like, I will do it." 99:59:59.999 --> 99:59:59.999 So when the building was ready, I had a couple of ideas, 99:59:59.999 --> 99:59:59.999 And one of these ideas was to have this skeleton of a whale in the center. 99:59:59.999 --> 99:59:59.999 Somehow, it was like an image, more than an idea. 99:59:59.999 --> 99:59:59.999 But it came to me like a very clear image 99:59:59.999 --> 99:59:59.999 Of this floating whale in the center of the bookshelves in the library. 99:59:59.999 --> 99:59:59.999 When I am dealing with a ready-made object 99:59:59.999 --> 99:59:59.999 Or something from reality, 99:59:59.999 --> 99:59:59.999 I try to understand the logic of the object, 99:59:59.999 --> 99:59:59.999 How it works. 99:59:59.999 --> 99:59:59.999 So I took some joints in the different centers of movement in the whale, 99:59:59.999 --> 99:59:59.999 And from those points, I start to draw circles. 99:59:59.999 --> 99:59:59.999 They're like rings, 99:59:59.999 --> 99:59:59.999 And those rings intersect, 99:59:59.999 --> 99:59:59.999 So you have different points in the body. 99:59:59.999 --> 99:59:59.999 So, from the different centers of the skeleton, 99:59:59.999 --> 99:59:59.999 I was drawing rings expanding, 99:59:59.999 --> 99:59:59.999 And they were touching in different ways, 99:59:59.999 --> 99:59:59.999 Surprising ways, 99:59:59.999 --> 99:59:59.999 Until it was really huge rings. 99:59:59.999 --> 99:59:59.999 At the end was a lot labor to fill it with graphite. 99:59:59.999 --> 99:59:59.999 And I like the graphite because its lead 99:59:59.999 --> 99:59:59.999 Has certain qualities that is not like painting on the bone, 99:59:59.999 --> 99:59:59.999 It's more like dust. 99:59:59.999 --> 99:59:59.999 I always liked the idea of this dark mineral 99:59:59.999 --> 99:59:59.999 Against the whiteness of the bone, 99:59:59.999 --> 99:59:59.999 How they contrast. 99:59:59.999 --> 99:59:59.999 If you think, in my work, as a way of taking from reality 99:59:59.999 --> 99:59:59.999 And then extracting something, and then revealing just one central part, 99:59:59.999 --> 99:59:59.999 Or the part that I'm interested in. 99:59:59.999 --> 99:59:59.999 It's a kind of collage. 99:59:59.999 --> 99:59:59.999 Getting involved with that, and remaking the structure again. 99:59:59.999 --> 99:59:59.999 So it still is what it is originally, 99:59:59.999 --> 99:59:59.999 But then is revealed in a different way. 99:59:59.999 --> 99:59:59.999 I mean, I know that when you do something like this 99:59:59.999 --> 99:59:59.999 In a big building like that one, 99:59:59.999 --> 99:59:59.999 The symbolism and the mythology starts to play a factor, 99:59:59.999 --> 99:59:59.999 And humanity has a lot of legendary tales and stories 99:59:59.999 --> 99:59:59.999 And mythologies in relation to the whale. 99:59:59.999 --> 99:59:59.999 On the other hand, normally in a building like this, 99:59:59.999 --> 99:59:59.999 You will do an eagle or something symbolic about Mexico or something like that, 99:59:59.999 --> 99:59:59.999 That they love to do in the old times, you know? 99:59:59.999 --> 99:59:59.999 But I think now, being more about knowledge, 99:59:59.999 --> 99:59:59.999 and also the building has an ecological side. 99:59:59.999 --> 99:59:59.999 But I think that all that is in the work 99:59:59.999 --> 99:59:59.999 Without me saying anything. 99:59:59.999 --> 99:59:59.999 I think for me, what is important is the translation 99:59:59.999 --> 99:59:59.999 From real experience. 99:59:59.999 --> 99:59:59.999 But then how you translate that experience into a sign, 99:59:59.999 --> 99:59:59.999 into a language, into art, 99:59:59.999 --> 99:59:59.999 That you can communicate your discoveries to other people.