9:59:59.000,9:59:59.000 [Glenn Ligon: Významové úrovne] 9:59:59.000,9:59:59.000 Je veľa úrovní, 9:59:59.000,9:59:59.000 na ktorýh môžu byť moje obrazy vnímané. 9:59:59.000,9:59:59.000 Dá sa na ne pozerať jednoducho [br] 9:59:59.000,9:59:59.000 ako na objekt nejakým spôsobom krásny. 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 Dá sa na to pozerať 9:59:59.000,9:59:59.000 ako na objekt, obsahujúci text, 9:59:59.000,9:59:59.000 ktorý má rôzne úrovne čitateľnosti. 9:59:59.000,9:59:59.000 Ak niekto pozná Johna Baldwina 9:59:59.000,9:59:59.000 a uvedomí si, že ten text[br]v mojich obrazoch 9:59:59.000,9:59:59.000 je z jeho esejí, 9:59:59.000,9:59:59.000 obraz sa mu otvára 9:59:59.000,9:59:59.000 a dostáva iný význam. 9:59:59.000,9:59:59.000 Obraz 9:59:59.000,9:59:59.000 "Milónový pochod" 9:59:59.000,9:59:59.000 vznikol v polovici 9o-tych rokov, 9:59:59.000,9:59:59.000 zopár rokov potom, ako Louis Farrakhan, 9:59:59.000,9:59:59.000 líder islamistov 9:59:59.000,9:59:59.000 zorganizoval pochod 9:59:59.000,9:59:59.000 na The Mall vo Washingtone D.C. 9:59:59.000,9:59:59.000 o viditeľnosti a prítomnosti 9:59:59.000,9:59:59.000 čiernych ľudí v krajine, 9:59:59.000,9:59:59.000 čo bolo pre mňa pomerne ironické, 9:59:59.000,9:59:59.000 keďže čierni ľudia boli v tejto krajine 9:59:59.000,9:59:59.000 už od začiatku. 9:59:59.000,9:59:59.000 Ešte predtým, ako to vôbec bola krajina. 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000 9:59:59.000,9:59:59.000