[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:07.24,0:00:10.74,Default,,0000,0000,0000,,[Glenn Ligon: nivele de inteles]\N
Dialogue: 0,0:00:14.34,0:00:16.23,Default,,0000,0000,0000,,Sunt multe nivele
Dialogue: 0,0:00:16.23,0:00:19.00,Default,,0000,0000,0000,,la care picturile mele pot fi abordate
Dialogue: 0,0:00:19.31,0:00:22.17,Default,,0000,0000,0000,,Cineva poate aborda ca pe un simplu obiect
Dialogue: 0,0:00:22.34,0:00:25.05,Default,,0000,0000,0000,,care are un anumit tip de frumuste.
Dialogue: 0,0:00:25.68,0:00:30.49,Default,,0000,0000,0000,,Cineva poate aborda ca pe un obiect\Nce are un mesaj in el
Dialogue: 0,0:00:30.57,0:00:34.25,Default,,0000,0000,0000,,care are diferite nivele de lizibilitate.
Dialogue: 0,0:00:38.51,0:00:40.54,Default,,0000,0000,0000,,Daca cineva il stie pe James Baldwin
Dialogue: 0,0:00:40.54,0:00:43.35,Default,,0000,0000,0000,,si realizeaza ca textul din pictura mea
Dialogue: 0,0:00:43.35,0:00:45.72,Default,,0000,0000,0000,,este dintr-un eseu scris de el,
Dialogue: 0,0:00:45.92,0:00:48.22,Default,,0000,0000,0000,,atunci, asta "deschide" pictura,
Dialogue: 0,0:00:48.53,0:00:51.36,Default,,0000,0000,0000,,ii ofera un nivel diferit de intelegere.
Dialogue: 0,0:00:54.84,0:00:58.84,Default,,0000,0000,0000,,Picturile care fac referinta la
Dialogue: 0,0:00:58.90,0:01:02.26,Default,,0000,0000,0000,,{\i1}The Million Man March{\i0}, au fost facute\N
Dialogue: 0,0:01:02.26,0:01:06.26,Default,,0000,0000,0000,,la mijlocul anilor '90, la cativa ani\Ndupa Louis Farrakhan,
Dialogue: 0,0:01:06.37,0:01:08.29,Default,,0000,0000,0000,,liderul natiunilor Islamului,
Dialogue: 0,0:01:08.36,0:01:12.36,Default,,0000,0000,0000,,care a organizat un mars la {\i1}The Mall{\i0}\Nin Washington D.C.
Dialogue: 0,0:01:12.44,0:01:16.44,Default,,0000,0000,0000,,despre vizibilitatea si prezenta
Dialogue: 0,0:01:16.48,0:01:17.95,Default,,0000,0000,0000,,oamenilor negri in tara,
Dialogue: 0,0:01:18.08,0:01:20.36,Default,,0000,0000,0000,,ceea ce mi se pare mai degraba ironic
Dialogue: 0,0:01:20.41,0:01:24.11,Default,,0000,0000,0000,,din moment ce negrii au fost in tara asta\Nde la inceput,
Dialogue: 0,0:01:24.20,0:01:26.15,Default,,0000,0000,0000,,dinainte sa fie tara.
Dialogue: 0,0:01:26.57,0:01:30.57,Default,,0000,0000,0000,,Dar inca simtim nevoia sa\Nne afirmam individualismul.
Dialogue: 0,0:01:35.44,0:01:39.44,Default,,0000,0000,0000,,Ironia acestui mars, poate, a fost ca\Nfemeile negre erau
Dialogue: 0,0:01:39.75,0:01:43.75,Default,,0000,0000,0000,,incurajate sa lipseasca de la munca
Dialogue: 0,0:01:43.86,0:01:47.86,Default,,0000,0000,0000,,dar sa nu participe la mars,\Nin prezenta.
Dialogue: 0,0:01:48.78,0:01:52.78,Default,,0000,0000,0000,,Cand am inceput sa ma gandesc la\Na face picturi pe matase
Dialogue: 0,0:01:52.96,0:01:55.04,Default,,0000,0000,0000,,folosind imagini ale acestui mars,
Dialogue: 0,0:01:55.35,0:01:58.91,Default,,0000,0000,0000,,acest tip de notiune a absentei\Nsau disparitiei a femeilor
Dialogue: 0,0:01:58.94,0:02:02.14,Default,,0000,0000,0000,,a fost ceva ce m-a interesat\Nsi ceva
Dialogue: 0,0:02:02.21,0:02:06.21,Default,,0000,0000,0000,,ce am incercat sa gasesc\Nin interiorul imaginilor.
Dialogue: 0,0:02:08.49,0:02:12.49,Default,,0000,0000,0000,,Ca orice opera, lucrurile devin mai\Nvaloroase daca stii mai mult despre ele.
Dialogue: 0,0:02:12.55,0:02:16.76,Default,,0000,0000,0000,,Dar nu cred ca asta e crucial.\NCineva poate intra intr-un muzeu
Dialogue: 0,0:02:16.88,0:02:21.31,Default,,0000,0000,0000,,si sa nu stie un lucru despre o pictura\Nde-a lui Jackson Pollock
Dialogue: 0,0:02:21.34,0:02:26.05,Default,,0000,0000,0000,,si totusi sa aiba o reactie la ea,\Nsa primeasca ceva de la ea
Dialogue: 0,0:02:26.72,0:02:30.72,Default,,0000,0000,0000,,Ceea ce primesc de la ea poate fi mai\Nvaloros daca stiu mai multe despre ea
Dialogue: 0,0:02:30.80,0:02:33.22,Default,,0000,0000,0000,,dar asta e ca orice altceva.
Dialogue: 0,0:02:33.43,0:02:36.58,Default,,0000,0000,0000,,Stii, asta e despre a exista in lume