1 00:00:00,140 --> 00:00:03,100 [Ήχοι πουλιών που κελαηδούν] 2 00:00:03,340 --> 00:00:08,800 [Ντοκιμαντέρ της σειράς Αrt21 New York Close up] 3 00:00:09,620 --> 00:00:11,640 [Τοποθεσία Φορτ Γκριν, Μπρούκλιν] 4 00:00:14,580 --> 00:00:16,910 Αισθάνομαι πως το να μπορώ να δουλεύω από το σπίτι... 5 00:00:18,060 --> 00:00:19,720 το να ξυπνάω το πρωί, 6 00:00:19,720 --> 00:00:22,439 να παίρνω πρωινό, να αρχίζω να δουλεύω... 7 00:00:22,439 --> 00:00:25,480 αυτό αποτελεί μια πολύ ομαλή μετάβαση 8 00:00:25,480 --> 00:00:27,609 απευθείας μέσα στη δουλειά 9 00:00:27,609 --> 00:00:31,759 από ένα πιο ήρεμο, 10 00:00:31,759 --> 00:00:34,079 πιο επικεντρωμένο περιβάλλον. 11 00:00:44,680 --> 00:00:46,800 [Λουίζ Ντεσπόν, Καλλιτέχνης] 12 00:00:48,400 --> 00:00:50,580 [Νικόλ Γουόνγκ, Βοηθός καλλιτέχνης] 13 00:01:08,180 --> 00:01:11,640 Σκέφτομαι να κάνουμε λευκές τελείες πάνω σε αυτά, 14 00:01:11,640 --> 00:01:13,780 μέχρι να φτάσεις αυτό εδώ το μικρό... 15 00:01:13,780 --> 00:01:15,299 να σταματήσεις πριν φτάσεις στο μικρότερο. 16 00:01:15,299 --> 00:01:17,179 Να σταματήσεις σε αυτό εδώ. 17 00:01:21,460 --> 00:01:26,600 Αυτό που μου αρέσει στο να δουλεύω με αυτόν τον τρόπο 18 00:01:26,600 --> 00:01:30,320 είναι το ότι δεν χρειάζεται να περιμένω να μου δοθεί κάποια ευκαιρία. 19 00:01:30,320 --> 00:01:33,990 Δεν χρειάζεται να υποβάλλω αίτηση χρηματοδότησης για να υλοποιήσω την ιδέα 20 00:01:33,990 --> 00:01:36,810 όταν μπορώ να κάνω αυτό που χρειάζεται να κάνω 21 00:01:36,810 --> 00:01:39,640 κι αυτό που θέλω να κάνω απλώς πάνω στο χαρτί. 22 00:01:42,800 --> 00:01:45,960 Μου αρέσει αυτό---δεν έχω δικαιολογία να μην δημιουργήσω 23 00:01:45,969 --> 00:01:48,289 αφού ο τρόπος αυτός είναι τόσο περιεκτικός. 24 00:01:48,899 --> 00:01:53,570 Το να είσαι συγκεντωμένος και αφοσιωμένος στο να κάνεις ένα απλό πράγμα 25 00:01:53,570 --> 00:01:56,439 μπορεί να είναι ίσως και αυτό που σε μετασχηματίζει περισσότερο από ο,τιδήποτε. 26 00:01:56,439 --> 00:02:00,180 Όσο κι αν αυτό δεν είναι πολύ ευρύ, 27 00:02:00,180 --> 00:02:03,780 μπορεί να είναι απροσμέτρητα βαθύ. 28 00:02:04,200 --> 00:02:10,259 [Λουίζ Ντεσπόν, Ζωγραφίζοντας Βαθιά] 29 00:02:15,420 --> 00:02:18,720 30 00:02:18,720 --> 00:02:21,709 31 00:02:21,709 --> 00:02:24,209 32 00:02:24,209 --> 00:02:26,730 33 00:02:26,730 --> 00:02:28,730 34 00:02:28,730 --> 00:02:32,350 35 00:02:35,080 --> 00:02:38,790 36 00:02:38,790 --> 00:02:40,080 37 00:02:40,080 --> 00:02:42,480 38 00:02:42,480 --> 00:02:44,349 39 00:02:44,349 --> 00:02:47,870 40 00:02:47,870 --> 00:02:50,670 41 00:02:50,670 --> 00:02:52,470 42 00:02:52,470 --> 00:02:54,629 43 00:02:54,629 --> 00:02:57,480 44 00:02:57,480 --> 00:02:59,450 45 00:02:59,450 --> 00:03:01,640 46 00:03:01,640 --> 00:03:05,580 47 00:03:07,880 --> 00:03:11,200 48 00:03:12,080 --> 00:03:14,140 49 00:03:14,140 --> 00:03:16,760 50 00:03:16,760 --> 00:03:19,909 51 00:03:19,909 --> 00:03:22,700 52 00:03:22,700 --> 00:03:25,660 53 00:03:35,560 --> 00:03:38,480 54 00:03:38,480 --> 00:03:40,099 55 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