Magical adventures in fantasy otherworlds  may sound fun on paper, but more often than not they’re a surprisingly risky gamble. In  the best-case scenario you’ll come back home and find only seconds have passed since you left  and you won’t even get in trouble for being gone. Sometimes time passes at a one-to-one rate and  the whole time you’re gallivanting around in the magical otherworld, time’s still passing  back in the real one and you’re gonna have some serious explaining to do if and when you  get back. But the worst case scenario flips that first one on its head - you might think  you only spent a few days in the otherworld, but hundreds of years could be passing in  reality. The concept of localized time dilation is a staple in fiction and folklore because it’s  frankly deeply unnerving. As a bonus fun fact, it’s a real thing in relativity - it’s almost  totally unobservable under normal circumstances, since we tend to stay in mostly one place  relative to the earth and don’t usually move at an appreciable fraction of the speed of  light, but a clock moving relative to an observer can be observed to tick slower than a relatively  stationary one, and a clock close to a gravitating mass will measure less time passing than a  clock farther away from the same mass. Thanks to gravitic time dilation, the core of the earth is  about two and a half years younger than the crust. This is bananas, you may  remember it from Interstellar, that's basically the only time  pop culture ever used this. Maybe those magical otherworlds simply reside…  close to the event horizon… slowed and distorted by the very nature of space-time……… or maybe  it’s fiction and we don’t need to read too far into it. Anyway, today let’s talk about a  japanese folktale about the dangers of magical otherworlds and the importance of following  instructions from people who know more than you. Our story begins with a young fisherman  called Urashima who’s a very sweet guy without a mean bone in his body. His profession  of “fisherman” does make it a little difficult for him to be completely harmless, but he’s very  conscientious about the whole thing and doesn’t do any more harm than he has to. So that’s why  one day, when he fishes up a massive turtle, he remembers hearing that turtles are  supposed to live for a thousand years, and he feels bad about cutting that short just for  a tasty dinner, so he throws the turtle back and settles in for a nice little fishing-boat nap. This is when a beautiful woman rises out of the water, steps into the boat and tells Urashima  that she was that turtle and is also the daughter of the sea god and she’s here because he  just proved himself in a secret test of character and is qualified to be her husband.  Urashima likes the sound of that, and he and the princess sail out to the Dragon Palace to be  married, where they settle in to live together in riches and luxury for a thousand blissful years. And if only the story ended there. But while Urashima is a big fan of this magical palace and  dragon princess wife situation, after about three years of divine marital bliss he starts feeling a  little bit homesick and he wants to sail back to his humble village to check in on his family and  friends, you know? The Dragon Princess doesn’t think this is a very good idea, but she won’t stop  him, so she just warns him to be very careful, because she has a feeling something very bad might  happen if he does anything reckless. She gives him a small box and warns him not to open it under any  circumstances or he won’t be able to come back. So Urashima tucks the box away, grabs his boat  and sails back home - but it’s not quite what he was expecting to see. The mountains and rivers  are all the same, but the buildings are gone, including his house. He flags down a couple  beachgoers and asks them what happened to the Urashima house, and they tell him that’s a weird  thing to ask, since it’s an old folktale around these parts - four hundred years ago some kid  named Urashima drowned on a fishing trip and never came home. His family are, of course, long dead,  and even the village he lived in has fallen into ruin. Urashima realizes the dragon palace might  just be one of those magical fairy realms he’s heard about, where time passes a lot slower on the  inside than the outside. He thought it was only three years, but it’s been centuries out here. Well, that’s a bummer, but what are you gonna do, right? With no surviving friends or  family and no reason to stick around, Urashima prepares to head back - only to realize…  he doesn’t remember the way. Surprise surprise, the ocean doesn’t have too many identifiable  landmarks. Urashima freaks out and panics for a bit before remembering the box and thinking  maybe there’ll be something inside he can use. Surprise surprise - there isn’t. When he cracks  the box the only thing inside is a vaguely ominous cloud of vapor and the recollection that that  was the one thing he was supposed to not do. Whoops! Whatever magic was in the box dissipates  and Urashima gets hit with four hundred years of backlogged time all at once, rapidly aging  all the way up into a corpse. Total bummer. Moral of the story? Well, aside from the  standard “don’t disobey magical orders from fairy tale ladies”, maybe, you know, make  sure you and your fiancee are fully on the same page before moving in together. You know,  you might handle your chores differently, or have different standards of organization…  that’s just the kind of stuff you should really talk out first. And also your fiancee’s house  might be a relativistic anomaly that completely cuts you off from your friends and loved ones  forever, which is just generally a red flag. [Maybe This Time]