[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.85,0:00:05.91,Default,,0000,0000,0000,,[shutters opening, light switch clicking]
Dialogue: 0,0:00:07.30,0:00:10.48,Default,,0000,0000,0000,,Let's clean up this mess!\N[clap clap clap clap]
Dialogue: 0,0:00:10.48,0:00:12.73,Default,,0000,0000,0000,,Road to no compromise vibraphone!
Dialogue: 0,0:00:12.73,0:00:14.42,Default,,0000,0000,0000,,[cheering sample] [clap]\N[♪ unreleased/Work ♪]
Dialogue: 0,0:00:14.42,0:00:19.57,Default,,0000,0000,0000,,Check this out: These are the 22 Matrix Sentinel \Nmarble gates for the new vibraphone drops.
Dialogue: 0,0:00:19.57,0:00:24.90,Default,,0000,0000,0000,,In the last episode I built this vibraphone drop system \Nwith all the metal rails.
Dialogue: 0,0:00:24.90,0:00:27.01,Default,,0000,0000,0000,,[MMX playing a vibraphone scale]
Dialogue: 0,0:00:27.01,0:00:32.30,Default,,0000,0000,0000,,And then I took the angle grinder and \Njust removed like ten days work.
Dialogue: 0,0:00:32.30,0:00:37.70,Default,,0000,0000,0000,,In this video I will explain to you exactly \Nwhy I needed to make this redesign.
Dialogue: 0,0:00:37.71,0:00:40.92,Default,,0000,0000,0000,,But before I explain that, I'm so excited \Nto actually start to build this,
Dialogue: 0,0:00:40.92,0:00:43.90,Default,,0000,0000,0000,,so let's make some plywood pieces on the CNC.
Dialogue: 0,0:00:43.90,0:00:47.92,Default,,0000,0000,0000,,Ever since I came up with matrix sentinels \Nfor the drums of the Marble Machine X,
Dialogue: 0,0:00:47.92,0:00:52.16,Default,,0000,0000,0000,,I have been toying with the idea to \Nuse them for the vibraphone as well.
Dialogue: 0,0:00:52.16,0:00:54.70,Default,,0000,0000,0000,,It took me a day to design this assembly in CAD,
Dialogue: 0,0:00:54.70,0:00:58.98,Default,,0000,0000,0000,,and it consists of laser-cut metal parts \Nand CNC cut plywood parts.
Dialogue: 0,0:00:58.98,0:01:04.44,Default,,0000,0000,0000,,I'm going to start making these marble shuttles, \Nthat feeds a marble every time a note is played.
Dialogue: 0,0:01:04.44,0:01:07.21,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:01:09.26,0:01:11.62,Default,,0000,0000,0000,,[boom]
Dialogue: 0,0:01:13.40,0:01:18.22,Default,,0000,0000,0000,,When I was at ThinkerCon in Alabama \NI met my maker idol Frank Howard.
Dialogue: 0,0:01:18.22,0:01:23.14,Default,,0000,0000,0000,,He has the same CNC machine as I have, and I \Nasked him what end mills he's using for plywood,
Dialogue: 0,0:01:23.14,0:01:25.34,Default,,0000,0000,0000,,and he was: "compression bits".
Dialogue: 0,0:01:25.54,0:01:30.75,Default,,0000,0000,0000,,I had never heard of these kinds of end mills before, \Nthey're also called "up and down", and the special thing
Dialogue: 0,0:01:30.75,0:01:34.00,Default,,0000,0000,0000,,is that the flute direction is changing \Nin the middle of the end mill.
Dialogue: 0,0:01:34.15,0:01:38.62,Default,,0000,0000,0000,,So in the top of the end mill, it's cutting down,\Nand in the bottom, it's cutting up.
Dialogue: 0,0:01:38.62,0:01:45.04,Default,,0000,0000,0000,,So on the top of the plywood the end mill will cut down, \Nand on the bottom of the plywood it will cut up,
Dialogue: 0,0:01:45.04,0:01:47.48,Default,,0000,0000,0000,,which results in much less tear out.
Dialogue: 0,0:01:47.48,0:01:52.48,Default,,0000,0000,0000,,Normally, I had a great finish on the top of the plywood, \Nbut a little bit of tear out on the underside,
Dialogue: 0,0:01:52.48,0:01:56.55,Default,,0000,0000,0000,,which is expected when you're using \Nthe down cutters that I normally use.
Dialogue: 0,0:01:56.55,0:01:59.44,Default,,0000,0000,0000,,I was really excited to see \Nif this made a difference.
Dialogue: 0,0:01:59.96,0:02:02.56,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:02:10.00,0:02:12.09,Default,,0000,0000,0000,,[melody starts on vibraphone]
Dialogue: 0,0:02:18.20,0:02:22.13,Default,,0000,0000,0000,,To cut into tight corners you need to use \Na smaller diameter tool,
Dialogue: 0,0:02:22.13,0:02:24.68,Default,,0000,0000,0000,,and I only have this up cutter for metal.
Dialogue: 0,0:02:24.68,0:02:29.31,Default,,0000,0000,0000,,And you can actually see how it's leaving \Na little bit of tear out on the top there.
Dialogue: 0,0:02:29.31,0:02:31.66,Default,,0000,0000,0000,,Just because it's an up cutter.
Dialogue: 0,0:02:31.66,0:02:34.22,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:02:39.26,0:02:46.72,Default,,0000,0000,0000,,At this moment I realized I forgot to pass for some unique \Nmarble shutters that has a relief cut, to clear these washers.
Dialogue: 0,0:02:46.72,0:02:52.78,Default,,0000,0000,0000,,I also saw that I had some interference on some relief cuts. \NI needed to redesign them to make them longer.
Dialogue: 0,0:02:52.90,0:02:58.94,Default,,0000,0000,0000,,And I checked the simulation for this extra cut very carefully, \Nto not ruin my already cut pieces.
Dialogue: 0,0:02:59.08,0:03:04.16,Default,,0000,0000,0000,,Today me and the CNC machine were kind of best friends \Nand it did exactly what I asked it to do.
Dialogue: 0,0:03:04.50,0:03:06.42,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:03:28.98,0:03:31.68,Default,,0000,0000,0000,,[part lands in box with a thud]
Dialogue: 0,0:03:50.84,0:03:52.04,Default,,0000,0000,0000,,[music stops]
Dialogue: 0,0:03:55.94,0:04:01.64,Default,,0000,0000,0000,,Okay, there's only one single operation left to do \Nfor these marble shuttles before they're completed:
Dialogue: 0,0:04:01.96,0:04:05.50,Default,,0000,0000,0000,,I need to pilot drill two holes for the L hooks.
Dialogue: 0,0:04:05.84,0:04:09.61,Default,,0000,0000,0000,,And old Martin would just go to the \Ndrill press and hope for the best,
Dialogue: 0,0:04:09.96,0:04:14.08,Default,,0000,0000,0000,,but new Martin knows that when \Nyou have a repetitive job like this;
Dialogue: 0,0:04:14.12,0:04:16.78,Default,,0000,0000,0000,,to pilot drill 44 holes\N- and I want them accurate -
Dialogue: 0,0:04:16.90,0:04:20.28,Default,,0000,0000,0000,,it's better to invest some time in setting up the operation.
Dialogue: 0,0:04:20.40,0:04:23.40,Default,,0000,0000,0000,,So I'm going to do this on the CNC machine,\Ndo it properly.
Dialogue: 0,0:04:23.62,0:04:30.70,Default,,0000,0000,0000,,I cut three locating slots with different tolerances \Nand found that the middle one had the perfect press fit.
Dialogue: 0,0:04:30.78,0:04:37.98,Default,,0000,0000,0000,,And here I'm using a custom-made mallet that a \NFrench maker and youtuber sent me: Olivier Verdier.
Dialogue: 0,0:04:38.08,0:04:40.86,Default,,0000,0000,0000,,He has a fantastic channel, so check him out on YouTube!
Dialogue: 0,0:04:40.86,0:04:46.70,Default,,0000,0000,0000,,It does feel very proper to locate these plywood pieces \Nwith a custom plywood mallet.
Dialogue: 0,0:04:47.06,0:04:51.50,Default,,0000,0000,0000,,Thank you, Olivier! I love the mallet, \Nand I love the "Puy lentils" as well.
Dialogue: 0,0:05:13.03,0:05:18.74,Default,,0000,0000,0000,,Here I'm reaping the rewards from my upfront \Ntime investment in making this into a CNC operation,
Dialogue: 0,0:05:19.00,0:05:26.18,Default,,0000,0000,0000,,it's just to repeat the same tool path over and over \Nagain, and the results are immaculate. Love it!
Dialogue: 0,0:05:31.62,0:05:35.28,Default,,0000,0000,0000,,[laughing]\NClose!
Dialogue: 0,0:05:35.28,0:05:39.08,Default,,0000,0000,0000,,[noises from the activities]
Dialogue: 0,0:06:13.06,0:06:15.50,Default,,0000,0000,0000,,[Martin singing softly in Swedish:]\N[♪ Allan Edvall: Du och jag ♪]
Dialogue: 0,0:06:15.56,0:06:19.66,Default,,0000,0000,0000,,♪ Livet är en sand som i ett timglas rinner. ♪\N("Life is the sand in an hourglass flowing.")
Dialogue: 0,0:06:19.66,0:06:23.66,Default,,0000,0000,0000,,♪ Låt oss leva upp den lilla tid vi hinner. ♪\N("Let us live the little time we are given.")
Dialogue: 0,0:06:24.04,0:06:28.10,Default,,0000,0000,0000,,♪ Åh, du dyra liv som tynar och försvinner. ♪\N("Oh, the precious life that fades and vanish.")
Dialogue: 0,0:06:28.10,0:06:31.90,Default,,0000,0000,0000,,♪ Livet är en sand som i ett timglas rinner. ♪\N("Life is the sand in an hourglass flowing.")
Dialogue: 0,0:06:34.46,0:06:38.46,Default,,0000,0000,0000,,[bass beat start]\N[♪ spring gang: You Left Behind ♪]
Dialogue: 0,0:06:52.30,0:06:57.00,Default,,0000,0000,0000,,[arcade game achievement samples]
Dialogue: 0,0:07:09.70,0:07:12.52,Default,,0000,0000,0000,,[music goes airy]
Dialogue: 0,0:07:27.32,0:07:29.22,Default,,0000,0000,0000,,[bass reintroduced]
Dialogue: 0,0:08:02.68,0:08:04.76,Default,,0000,0000,0000,,[arcade game achievement samples]\N[music stops]
Dialogue: 0,0:08:06.36,0:08:12.74,Default,,0000,0000,0000,,Me and Wilson has leveled up enough to take on \Nthe mini-boss of the assembly; the bottom plywood part here.
Dialogue: 0,0:08:12.82,0:08:19.52,Default,,0000,0000,0000,,You can see that it has a seven degree tilt, and that is because the \Nmarble shuttles are moving perpendicular to the Marble Machine X.
Dialogue: 0,0:08:19.60,0:08:22.66,Default,,0000,0000,0000,,But the vibraphone is mounted at a seven degree angle.
Dialogue: 0,0:08:22.82,0:08:31.88,Default,,0000,0000,0000,,I started by drilling holes for M5 bolts and then I used a \Nball-end cutter to cut these apple shaped marble grooves.
Dialogue: 0,0:08:32.02,0:08:35.72,Default,,0000,0000,0000,,And then I used a two millimeter end mill \Nto cut the "internal walls" slot.
Dialogue: 0,0:08:35.72,0:08:39.70,Default,,0000,0000,0000,,Those slots will separate the two marbles in each "apple".
Dialogue: 0,0:08:39.84,0:08:46.74,Default,,0000,0000,0000,,Here I'm using a three millimeter bit to cut a thin groove for the \Nvertical L hook that will go straight through this plywood piece.
Dialogue: 0,0:08:46.86,0:08:49.70,Default,,0000,0000,0000,,And I ran into a problem with this operation.
Dialogue: 0,0:08:54.94,0:08:59.82,Default,,0000,0000,0000,,The wood chips had nowhere to go and they got \Npacked up and they broke off this little tool.
Dialogue: 0,0:09:00.06,0:09:05.69,Default,,0000,0000,0000,,I tried redesigning the tool paths and using another tool, \Nbut I ended up breaking that as well,
Dialogue: 0,0:09:05.69,0:09:08.06,Default,,0000,0000,0000,,so I redesigned the tool paths again.
Dialogue: 0,0:09:08.06,0:09:11.27,Default,,0000,0000,0000,,In the end I solved this by cutting only four millimeter deep,
Dialogue: 0,0:09:11.27,0:09:16.14,Default,,0000,0000,0000,,and then pausing the machine and vacuum cleaning \Nout all the wood chips, out of the groove.
Dialogue: 0,0:09:16.14,0:09:23.62,Default,,0000,0000,0000,,Then cutting four millimeter again, vacuum cleaning and then four \Nmillimeter deeper and so on until I was through the whole plywood.
Dialogue: 0,0:09:23.94,0:09:31.40,Default,,0000,0000,0000,,Definitely learned a lesson here to actually plan for proper \Nchip evacuation on tight operations like these.
Dialogue: 0,0:09:31.60,0:09:36.56,Default,,0000,0000,0000,,Here I'm using that same compression bit, that I \Ntalked about in the beginning of the video, again.
Dialogue: 0,0:09:36.72,0:09:41.12,Default,,0000,0000,0000,,I'm cutting the larger internal slots, \Nand then I'm cutting the contour.
Dialogue: 0,0:09:41.28,0:09:45.70,Default,,0000,0000,0000,,And I have to say it works so much better \Nthan a straight down cutter.
Dialogue: 0,0:09:45.70,0:09:47.90,Default,,0000,0000,0000,,The result is actually perfect!
Dialogue: 0,0:09:47.90,0:09:53.75,Default,,0000,0000,0000,,There's no fraying or no tear out on the bottom of the plywood, \Nand that saves me a lot of sanding,
Dialogue: 0,0:09:53.75,0:09:56.96,Default,,0000,0000,0000,,and just generally leaves a more professional-looking part.
Dialogue: 0,0:09:59.64,0:10:01.24,Default,,0000,0000,0000,,[camera shutter sound]
Dialogue: 0,0:10:05.40,0:10:10.78,Default,,0000,0000,0000,,I don't remember when I made those burn marks, \NI must have welded on top of this plywood or something.
Dialogue: 0,0:10:10.86,0:10:15.24,Default,,0000,0000,0000,,But they will be hidden inside this assembly, so no worries!
Dialogue: 0,0:10:15.24,0:10:18.46,Default,,0000,0000,0000,,[woosh]\N[♪ unreleased/Helping Out ♪]
Dialogue: 0,0:10:34.98,0:10:37.59,Default,,0000,0000,0000,,On the top of the assembly we have these PMMA pipes,
Dialogue: 0,0:10:37.59,0:10:42.32,Default,,0000,0000,0000,,and the marbles come through them \Ninto this 20 degree wedge transition piece.
Dialogue: 0,0:10:42.32,0:10:47.58,Default,,0000,0000,0000,,And looking at the top of the piece we can see that \Nwe have spaced the holes to fit the PMMA pipes,
Dialogue: 0,0:10:47.76,0:10:51.92,Default,,0000,0000,0000,,but when the marbles go through this transition wedge,\Nthey go closer to each other,
Dialogue: 0,0:10:51.92,0:10:57.46,Default,,0000,0000,0000,,which means that I have to split this piece \Nto be able to machine this shape on a 3-axis CNC machine.
Dialogue: 0,0:10:57.86,0:11:04.30,Default,,0000,0000,0000,,If we look from the front you can clearly see how the\Ntransition from the PMMA pipes goes narrower,
Dialogue: 0,0:11:04.30,0:11:06.56,Default,,0000,0000,0000,,in through the top metal piece.
Dialogue: 0,0:11:06.56,0:11:10.34,Default,,0000,0000,0000,,Setting up the tool paths for this operation \Nwas by far the most complicated,
Dialogue: 0,0:11:10.34,0:11:12.100,Default,,0000,0000,0000,,because I had to indicate the pieces correctly,
Dialogue: 0,0:11:12.100,0:11:17.04,Default,,0000,0000,0000,,and I had to be able to turn them 90 degrees \Nand machine them from different sides.
Dialogue: 0,0:11:17.64,0:11:23.62,Default,,0000,0000,0000,,I started by cutting the two long plywood rectangles. \NI plan to use the resulting pockets for indication.
Dialogue: 0,0:11:23.62,0:11:28.40,Default,,0000,0000,0000,,I forgot to hog out the radius in the corners \Nso I'm just doing that manually here.
Dialogue: 0,0:11:28.40,0:11:33.82,Default,,0000,0000,0000,,And now you can see that my plywood rectangles can \Nindicate perfectly into the corner of the pocket.
Dialogue: 0,0:11:34.58,0:11:42.99,Default,,0000,0000,0000,,By doing it this way, the machine knows exactly where my plywood \Nrectangles are situated and I can start the machining of the shapes.
Dialogue: 0,0:11:43.62,0:11:46.72,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:11:55.48,0:12:01.24,Default,,0000,0000,0000,,I left rectangular blocks on the side of the piece so I can \Ntake them out when I'm done machining from one side,
Dialogue: 0,0:12:01.24,0:12:03.34,Default,,0000,0000,0000,,turn them exactly 90 degrees,
Dialogue: 0,0:12:03.34,0:12:07.34,Default,,0000,0000,0000,,indicate them towards the same corner, \Nand run the next tool path;
Dialogue: 0,0:12:07.34,0:12:09.76,Default,,0000,0000,0000,,machining from a completely new direction.
Dialogue: 0,0:12:09.76,0:12:14.60,Default,,0000,0000,0000,,This way I can achieve the quote unquote "impossible shapes" \Non this three axis CNC.
Dialogue: 0,0:12:14.86,0:12:16.74,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:12:21.32,0:12:27.52,Default,,0000,0000,0000,,So in this little plywood wedge there are 22 marble paths \Nthat go at a compound angle,
Dialogue: 0,0:12:27.52,0:12:33.18,Default,,0000,0000,0000,,and I really love the challenge to try to \Nmake these kind of difficult 3D shapes
Dialogue: 0,0:12:33.18,0:12:35.88,Default,,0000,0000,0000,,on a three-axis CNC machine from plywood.
Dialogue: 0,0:12:35.88,0:12:37.64,Default,,0000,0000,0000,,I think it's really fun.
Dialogue: 0,0:12:37.64,0:12:40.02,Default,,0000,0000,0000,,[music continues]
Dialogue: 0,0:12:48.62,0:12:49.66,Default,,0000,0000,0000,,[music stops]
Dialogue: 0,0:12:49.66,0:12:53.34,Default,,0000,0000,0000,,When I first heard about CNC machines, \NI thought they worked like this:
Dialogue: 0,0:12:53.34,0:12:58.74,Default,,0000,0000,0000,,You put the machine in your workshop. \NYou put the power on and you press Start.
Dialogue: 0,0:12:59.07,0:13:02.80,Default,,0000,0000,0000,,While the machine is making your perfect part, you do this:
Dialogue: 0,0:13:03.01,0:13:04.76,Default,,0000,0000,0000,,[birds singing]
Dialogue: 0,0:13:04.76,0:13:10.30,Default,,0000,0000,0000,,That is not the case, in my case.\NIt actually feels more like this:
Dialogue: 0,0:13:10.38,0:13:14.44,Default,,0000,0000,0000,,[panic alarm]
Dialogue: 0,0:13:14.54,0:13:20.12,Default,,0000,0000,0000,,There's a lot of manual labor, the machine is actually \Nreally really stupid in itself.
Dialogue: 0,0:13:20.26,0:13:25.00,Default,,0000,0000,0000,,If you tell it to do something, it will do it\Neven if it's a bad idea! [chuckles]
Dialogue: 0,0:13:25.26,0:13:29.98,Default,,0000,0000,0000,,And to figure out what is a good or bad idea \Nis entirely on your shoulders.
Dialogue: 0,0:13:29.98,0:13:34.93,Default,,0000,0000,0000,,But this is a specific rabbit hole that I \Nreally love in the Marble Machine X process.
Dialogue: 0,0:13:34.93,0:13:39.56,Default,,0000,0000,0000,,I never get tired of cutting \NBaltic birch plywood on the CNC.
Dialogue: 0,0:13:40.84,0:13:42.84,Default,,0000,0000,0000,,[marbles dropping]
Dialogue: 0,0:13:45.92,0:13:48.70,Default,,0000,0000,0000,,[laughing]
Dialogue: 0,0:13:48.70,0:13:50.70,Default,,0000,0000,0000,,Great!
Dialogue: 0,0:13:53.00,0:13:58.00,Default,,0000,0000,0000,,We're done with the plywood parts \Nprocurement of this assembly.
Dialogue: 0,0:13:58.34,0:14:02.56,Default,,0000,0000,0000,,I have to wait for the metal parts from the laser cutting place
Dialogue: 0,0:14:02.56,0:14:05.25,Default,,0000,0000,0000,,until we can put this together and put it on the machine.
Dialogue: 0,0:14:05.25,0:14:08.36,Default,,0000,0000,0000,,In the beginning of time I made an assumption.
Dialogue: 0,0:14:08.36,0:14:10.62,Default,,0000,0000,0000,,In engineering you should not assume anything.
Dialogue: 0,0:14:10.80,0:14:16.88,Default,,0000,0000,0000,,My assumption was that a vibraphone bar wants to be hit \Nin the middle, so we designed these holders for that.
Dialogue: 0,0:14:17.00,0:14:23.62,Default,,0000,0000,0000,,Then you guys helped out by posting brilliant comments \Nsaying that there's better sound off center:
Dialogue: 0,0:14:23.62,0:14:25.78,Default,,0000,0000,0000,,[vibraphone notes]
Dialogue: 0,0:14:25.78,0:14:30.48,Default,,0000,0000,0000,,When this information reached me, we had \Nalready made these vibraphone holders,
Dialogue: 0,0:14:30.48,0:14:34.22,Default,,0000,0000,0000,,so I made a video showing \Nthat I'm gonna do a compromise.
Dialogue: 0,0:14:34.22,0:14:37.84,Default,,0000,0000,0000,,It was hitting closer to the sweet spot, \Nbut not {\i1}at{\i0} the sweet spot.
Dialogue: 0,0:14:37.84,0:14:39.84,Default,,0000,0000,0000,,But I thought that was going to be ok.
Dialogue: 0,0:14:39.84,0:14:43.10,Default,,0000,0000,0000,,You guys again, were like \Nscreaming in the comment field:
Dialogue: 0,0:14:43.10,0:14:46.64,Default,,0000,0000,0000,,"Why don't you just shift the bars like this?" and I was like:
Dialogue: 0,0:14:46.64,0:14:50.50,Default,,0000,0000,0000,,"Ah, no, the resonator pipe has to be centered", I thought.
Dialogue: 0,0:14:50.76,0:14:54.82,Default,,0000,0000,0000,,And then I made a test and the resonator pipe \Nwas super happy to be off center.
Dialogue: 0,0:14:54.82,0:14:57.20,Default,,0000,0000,0000,,So even moving a centimeter from:
Dialogue: 0,0:14:57.26,0:15:00.02,Default,,0000,0000,0000,,[vibraphone notes, on an off center]
Dialogue: 0,0:15:00.02,0:15:03.43,Default,,0000,0000,0000,,The vibraphone is the lead singer \Nof the Marble Machine X band.
Dialogue: 0,0:15:03.52,0:15:09.50,Default,,0000,0000,0000,,It requires very very special conditions \Nto perform. Basically a needy bastard.
Dialogue: 0,0:15:09.51,0:15:13.61,Default,,0000,0000,0000,,I don't know if that is a trait for lead singers, but anyway...\N[chuckles]
Dialogue: 0,0:15:14.68,0:15:19.24,Default,,0000,0000,0000,,I'm a needy bastard band leader myself,\NI just don't sing.
Dialogue: 0,0:15:19.28,0:15:24.51,Default,,0000,0000,0000,,Your suggestion proved to be absolutely, probably the best.
Dialogue: 0,0:15:24.51,0:15:29.98,Default,,0000,0000,0000,,And I hope you understand why I assumed \Nwhat I assumed at the time.
Dialogue: 0,0:15:29.98,0:15:34.62,Default,,0000,0000,0000,,And now when I have the whole picture \NI can see this much more clearly.
Dialogue: 0,0:15:34.94,0:15:39.28,Default,,0000,0000,0000,,The vibraphone was just screaming \Nfor the matrix sentinels solution.
Dialogue: 0,0:15:39.48,0:15:43.50,Default,,0000,0000,0000,,Thank you for commenting and \Nthanks for helping out with this build!
Dialogue: 0,0:15:43.50,0:15:48.78,Default,,0000,0000,0000,,I'm really touched by the amazing support \Nfrom the crowdfunding campaign,
Dialogue: 0,0:15:49.10,0:15:53.48,Default,,0000,0000,0000,,all the new Wintergatan backers who are supporting my dream.
Dialogue: 0,0:15:53.48,0:15:58.62,Default,,0000,0000,0000,,I talk about it more and more, it's because it's growing \Nand becoming more and more important.
Dialogue: 0,0:15:58.62,0:16:04.04,Default,,0000,0000,0000,,I can hire help around me:\NIt frees up my time to actually think
Dialogue: 0,0:16:04.10,0:16:07.84,Default,,0000,0000,0000,,about just where a marble should\Nhit the vibraphone plate.
Dialogue: 0,0:16:07.84,0:16:11.34,Default,,0000,0000,0000,,I could not live with this horrible harmonic!
Dialogue: 0,0:16:11.34,0:16:16.83,Default,,0000,0000,0000,,When we could have a clean transient with a good fundamental
Dialogue: 0,0:16:16.83,0:16:21.44,Default,,0000,0000,0000,,of the singer of the Marble Machine X.\NThank you for watching. See you in the next video!
Dialogue: 0,0:16:22.22,0:16:23.22,Default,,0000,0000,0000,,[blows air]
Dialogue: 0,0:16:23.85,0:16:25.55,Default,,0000,0000,0000,,[thud]\NWhat?
Dialogue: 0,0:16:25.55,0:16:29.64,Default,,0000,0000,0000,,[fanfare playing]
Dialogue: 0,0:16:30.40,0:16:34.52,Default,,0000,0000,0000,,[noise from trying to light the match]
Dialogue: 0,0:16:39.58,0:16:41.58,Default,,0000,0000,0000,,[ignition spark]
Dialogue: 0,0:16:45.92,0:16:47.92,Default,,0000,0000,0000,,Yay.\N[laughing]
Dialogue: 0,0:16:48.16,0:16:51.26,Default,,0000,0000,0000,,The milestone I never wanted to reach, okay.
Dialogue: 0,0:16:51.38,0:16:54.98,Default,,0000,0000,0000,,I just want to say seriously \Nthanks for following this journey.
Dialogue: 0,0:16:54.98,0:16:58.48,Default,,0000,0000,0000,,Click like on this video if you believe \NI can avoid episode thousand.
Dialogue: 0,0:16:58.59,0:16:59.79,Default,,0000,0000,0000,,[blows air]
Dialogue: 0,0:17:00.00,0:17:02.00,Default,,0000,0000,0000,,[vibraphone tone]