WEBVTT 00:00:00.086 --> 00:00:03.003 (orchestral music) 00:00:04.710 --> 00:00:07.860 - Hi everyone, welcome to the Cooking Show today. 00:00:07.860 --> 00:00:09.610 - Thank you so much for joining me. 00:00:12.000 --> 00:00:13.680 We'll be building, we'll be cooking, 00:00:13.680 --> 00:00:15.780 and we'll be having a great time. 00:00:23.289 --> 00:00:25.410 When I started making videos, 00:00:25.410 --> 00:00:28.260 I was just watching on my downtime on YouTube, 00:00:28.260 --> 00:00:31.170 a lot of aspirational media like cooking shows 00:00:31.170 --> 00:00:35.223 and music videos and home improvement TV. 00:00:37.830 --> 00:00:40.950 I was playing around with maybe the formal elements of how 00:00:40.950 --> 00:00:44.940 the material world is shown inside of these things 00:00:44.940 --> 00:00:49.523 that are halfway advertising and halfway instructional. 00:00:57.270 --> 00:00:59.760 - Then I started to really think about the hosts 00:00:59.760 --> 00:01:04.080 of these things, the perfection that is tempered with 00:01:04.080 --> 00:01:07.810 this often sort of fake or performed vulnerability 00:01:08.880 --> 00:01:10.980 where it seems like certain things that are probably 00:01:10.980 --> 00:01:14.661 beyond most of our own grasp could be graspable or held. 00:01:19.620 --> 00:01:21.488 We'll be right back. 00:01:21.488 --> 00:01:24.071 (upbeat music) 00:01:24.990 --> 00:01:27.480 I grew up in central Brooklyn. 00:01:27.480 --> 00:01:30.213 I think I was a pretty sort of solitary kid. 00:01:32.340 --> 00:01:35.220 I would spend a lot of time just kind of looking at things, 00:01:35.220 --> 00:01:38.430 surfaces and the outsides of buildings, 00:01:38.430 --> 00:01:41.073 sort of making up stories for myself. 00:01:43.320 --> 00:01:45.330 So this is the house I grew up in. 00:01:45.330 --> 00:01:48.180 We like to take a kind of laissez-faire approach 00:01:48.180 --> 00:01:49.773 to the front lawn. 00:01:51.060 --> 00:01:53.940 I was doing a lot of things that would sort of seem like 00:01:53.940 --> 00:01:57.243 art or felt like art from a pretty young age. 00:01:59.400 --> 00:02:02.340 It was like the space where the world made sense for me. 00:02:02.340 --> 00:02:04.260 This one is like a Halloween, 00:02:04.260 --> 00:02:06.060 I think I was a dead house wife, 00:02:06.060 --> 00:02:08.310 that's what I said I was that year. 00:02:08.310 --> 00:02:12.300 - Even at this age, she was stubborn, 00:02:12.300 --> 00:02:14.717 she kind of knew what she wanted to do. 00:02:16.200 --> 00:02:17.884 She had her own mind. 00:02:17.884 --> 00:02:20.467 (upbeat music) 00:02:27.180 --> 00:02:30.183 - Early on actually, I had called myself a painter. 00:02:33.420 --> 00:02:35.430 And I think really what attracted me to that 00:02:35.430 --> 00:02:37.053 was like paint itself. 00:02:38.310 --> 00:02:42.150 The sort of alchemical magical way colors came together 00:02:42.150 --> 00:02:44.463 on the surface of a canvas. 00:02:47.850 --> 00:02:50.940 And I realized that like state of becoming 00:02:50.940 --> 00:02:52.833 was what was really exciting to me. 00:02:54.240 --> 00:02:56.550 That's how I started making video, actually was sort of 00:02:56.550 --> 00:03:00.150 recording myself in the process of making paintings 00:03:00.150 --> 00:03:01.440 and then remixing that 00:03:01.440 --> 00:03:04.140 or reediting that later on to share 00:03:04.140 --> 00:03:06.778 what I really cared about with other people. 00:03:06.778 --> 00:03:10.288 (upbeat music) 00:03:10.288 --> 00:03:13.650 And then that evolved into sculptures and installations 00:03:13.650 --> 00:03:17.870 to sort of house and recontextualize those moving images. 00:03:17.870 --> 00:03:20.453 (upbeat music) 00:03:24.727 --> 00:03:27.873 Oh look, here's you with your beautiful face mask. 00:03:32.010 --> 00:03:35.640 - If my kids ask me to go to the moon with them, 00:03:35.640 --> 00:03:37.053 I'm gonna try to go there. 00:03:37.920 --> 00:03:41.187 You know, I'm learning, she's teaching me. 00:03:41.187 --> 00:03:45.750 And that's what artists do, they enlighten us 00:03:45.750 --> 00:03:49.083 because they see things on a subconscious level. 00:03:52.530 --> 00:03:54.753 - I knew that my mom was such a ham. 00:03:56.100 --> 00:03:59.310 I never saw her actually cooking food in the kitchen 00:03:59.310 --> 00:04:02.280 when we were growing up, but we had these long mirrors 00:04:02.280 --> 00:04:04.710 in front of the kitchen and she would do these sort of like 00:04:04.710 --> 00:04:07.980 fake Julia Child's performances for herself 00:04:07.980 --> 00:04:10.920 and maybe like burn a piece of toast and then walk away. 00:04:10.920 --> 00:04:15.630 - Today I'll be showing you my daily clean beauty routine. 00:04:15.630 --> 00:04:18.450 This one is so much fun to use. 00:04:18.450 --> 00:04:20.400 I'm going to show you how to make this. 00:04:21.630 --> 00:04:24.030 - So it felt really natural to sort of invite her 00:04:24.030 --> 00:04:26.133 into my process in that way. 00:04:28.050 --> 00:04:31.200 - It smells like Cheetos. 00:04:31.200 --> 00:04:34.080 - I do like to kind of operate in this space 00:04:34.080 --> 00:04:36.450 where the videos at first look like something 00:04:36.450 --> 00:04:39.120 you're really familiar with, and then I start to 00:04:39.120 --> 00:04:41.490 insert these uncomfortable things, 00:04:41.490 --> 00:04:45.183 maybe these uncomfortable truths into a familiar form, 00:04:47.160 --> 00:04:49.050 and then sort of see what happens 00:04:49.050 --> 00:04:51.383 when that friction comes up. 00:04:56.220 --> 00:04:57.600 - I think a lot of these themes 00:04:57.600 --> 00:04:59.880 that I think about like aspiration 00:04:59.880 --> 00:05:03.960 and how we try to seek control over our lives, 00:05:03.960 --> 00:05:07.560 they come so much to the forefront in this space of wellness 00:05:07.560 --> 00:05:08.670 and wellness culture. 00:05:08.670 --> 00:05:11.550 And our bodies are obviously the site where so many 00:05:11.550 --> 00:05:13.533 of these things really play out. 00:05:17.250 --> 00:05:21.930 In 2019, that company, Mirror, started doing a lot of ads 00:05:21.930 --> 00:05:23.043 on the subway. 00:05:24.600 --> 00:05:27.930 You could have this instructor beam straight into your room 00:05:27.930 --> 00:05:30.120 and it could look like high-end design 00:05:30.120 --> 00:05:31.890 and they could be kind of coaxing you out 00:05:31.890 --> 00:05:33.813 of whatever into exercising. 00:05:34.710 --> 00:05:37.860 And so I just wanted to try to make my own 00:05:37.860 --> 00:05:39.869 and see what would happen. 00:05:39.869 --> 00:05:42.619 (downbeat music) 00:05:48.210 --> 00:05:51.603 I thought about them kind of like haunted medicine cabinets. 00:05:54.630 --> 00:05:56.940 Rather than giving you clear instruction 00:05:56.940 --> 00:06:01.320 about how to work out or what the weather is like, 00:06:01.320 --> 00:06:04.770 they're just as much sort of asking you for instruction 00:06:04.770 --> 00:06:07.260 or giving confounding advice 00:06:07.260 --> 00:06:10.440 or they're playing CAPTCHA tests 00:06:10.440 --> 00:06:12.890 and maybe wanting you to help them out with them. 00:06:14.515 --> 00:06:17.265 (downbeat music) 00:06:20.188 --> 00:06:23.160 I called the piece Needy Machines in that way 00:06:23.160 --> 00:06:26.403 because I thought of these objects as sort of needy. 00:06:28.950 --> 00:06:31.740 But also wondering within this space, especially the space 00:06:31.740 --> 00:06:35.613 of the bathroom, if we are needy machines somehow. 00:06:42.510 --> 00:06:44.250 I think it's also a friction I'm living 00:06:44.250 --> 00:06:45.480 with constantly, right? 00:06:45.480 --> 00:06:46.833 And I think we all are. 00:06:48.450 --> 00:06:51.970 Between the sort of space of fantasy we want to live in 00:06:53.760 --> 00:06:55.851 and then the truth that we kind of know 00:06:55.851 --> 00:06:57.376 even in an embodied way 00:06:58.825 --> 00:07:01.143 about the instability of everything. 00:07:02.256 --> 00:07:05.089 (downbeat music)