[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:00.47,0:00:02.90,Default,,0000,0000,0000,,- I'm station manager,\NDan Aykroyd. Dialogue: 0,0:00:02.97,0:00:05.00,Default,,0000,0000,0000,,During the past few weeks\Nin Los Angeles, Dialogue: 0,0:00:05.07,0:00:06.94,Default,,0000,0000,0000,,actor, Lee Marvin, and his\Nformer live-in companion, Dialogue: 0,0:00:07.01,0:00:08.64,Default,,0000,0000,0000,,Michele Triola Marvin,\Nhave been in court Dialogue: 0,0:00:08.71,0:00:10.51,Default,,0000,0000,0000,,to settle her claim\Nthat he owes her Dialogue: 0,0:00:10.58,0:00:12.88,Default,,0000,0000,0000,,half his income from the\Nsix years they lived together. Dialogue: 0,0:00:12.94,0:00:15.11,Default,,0000,0000,0000,,That is the subject of\Ntonight's Point CounterPoint. Dialogue: 0,0:00:15.18,0:00:17.05,Default,,0000,0000,0000,,Jane will take the pro\NMichele Marvin point Dialogue: 0,0:00:17.12,0:00:18.78,Default,,0000,0000,0000,,while I take the--\N[audience groans and claps] Dialogue: 0,0:00:18.85,0:00:20.95,Default,,0000,0000,0000,,anti Michele Triola\Ncounterpoint. Dialogue: 0,0:00:21.02,0:00:23.02,Default,,0000,0000,0000,,[audience claps]\NJane? Dialogue: 0,0:00:23.09,0:00:24.52,Default,,0000,0000,0000,,- Dan, times change and so does Dialogue: 0,0:00:24.59,0:00:26.36,Default,,0000,0000,0000,,the nature of relationships. Dialogue: 0,0:00:26.43,0:00:28.59,Default,,0000,0000,0000,,People are reluctant to\Nget married these days, Dialogue: 0,0:00:28.66,0:00:30.03,Default,,0000,0000,0000,,and looking at\Ndivorce statistics, Dialogue: 0,0:00:30.10,0:00:31.13,Default,,0000,0000,0000,,who can blame them. Dialogue: 0,0:00:31.20,0:00:32.63,Default,,0000,0000,0000,,But the lack of a piece of paper Dialogue: 0,0:00:32.70,0:00:34.07,Default,,0000,0000,0000,,does not necessarily\Nmean the lack Dialogue: 0,0:00:34.13,0:00:35.50,Default,,0000,0000,0000,,of a total commitment. Dialogue: 0,0:00:35.57,0:00:37.07,Default,,0000,0000,0000,,A woman in this\Nmodern-day relationship Dialogue: 0,0:00:37.14,0:00:39.81,Default,,0000,0000,0000,,may well give up all her\Nown personal pursuits, Dialogue: 0,0:00:39.87,0:00:41.61,Default,,0000,0000,0000,,as Michele Marvin\Nclaims she did, Dialogue: 0,0:00:41.67,0:00:44.04,Default,,0000,0000,0000,,to give her full support\Nto her man's career. Dialogue: 0,0:00:44.11,0:00:45.74,Default,,0000,0000,0000,,And Michele Marvin\Nis just asking Dialogue: 0,0:00:45.81,0:00:48.18,Default,,0000,0000,0000,,that the courts recognize\Nthat reality. Dialogue: 0,0:00:48.25,0:00:49.55,Default,,0000,0000,0000,,Dan, there's an old saying, Dialogue: 0,0:00:49.62,0:00:51.95,Default,,0000,0000,0000,,behind every successful man\Nthere's a woman, Dialogue: 0,0:00:52.02,0:00:53.92,Default,,0000,0000,0000,,a loving, giving, caring woman. Dialogue: 0,0:00:53.99,0:00:55.32,Default,,0000,0000,0000,,But you wouldn't know\Nabout that, Dan, Dialogue: 0,0:00:55.39,0:00:56.69,Default,,0000,0000,0000,,because there's no old saying Dialogue: 0,0:00:56.76,0:00:59.42,Default,,0000,0000,0000,,about what's behind\Na miserable failure. Dialogue: 0,0:00:59.49,0:01:02.53,Default,,0000,0000,0000,,[cheers and applause] Dialogue: 0,0:01:06.87,0:01:08.87,Default,,0000,0000,0000,,- Jane, you ignorant slut. Dialogue: 0,0:01:08.93,0:01:12.91,Default,,0000,0000,0000,,[cheers and applause] Dialogue: 0,0:01:12.97,0:01:14.51,Default,,0000,0000,0000,,Bagged out, dried up slunk meat Dialogue: 0,0:01:14.57,0:01:16.74,Default,,0000,0000,0000,,like you and Michele Triola\Nknow the rules. Dialogue: 0,0:01:16.81,0:01:19.01,Default,,0000,0000,0000,,If you want a contract,\Nsign on the dotted line. Dialogue: 0,0:01:19.08,0:01:21.78,Default,,0000,0000,0000,,Oh, but let's all shed a tear\Nfor poor Michele Triola. Dialogue: 0,0:01:21.85,0:01:22.88,Default,,0000,0000,0000,,There was only testimony\Nthat she had Dialogue: 0,0:01:22.95,0:01:24.45,Default,,0000,0000,0000,,sexual intercourse over 40 times Dialogue: 0,0:01:24.52,0:01:26.48,Default,,0000,0000,0000,,with another man while\Nliving with actor Lee Marvin. Dialogue: 0,0:01:26.55,0:01:28.29,Default,,0000,0000,0000,,But I suppose that sort\Nof fashionable promiscuity Dialogue: 0,0:01:28.35,0:01:29.49,Default,,0000,0000,0000,,means nothing to\Nsomeone like you, Jane, Dialogue: 0,0:01:29.56,0:01:30.86,Default,,0000,0000,0000,,who hops from bed to bed Dialogue: 0,0:01:30.92,0:01:32.96,Default,,0000,0000,0000,,with the frequency of\Na cheap, HAM radio. Dialogue: 0,0:01:33.02,0:01:35.46,Default,,0000,0000,0000,,[laughter] Dialogue: 0,0:01:35.53,0:01:37.30,Default,,0000,0000,0000,,But hell hath no fury\Nlike a woman scorned. Dialogue: 0,0:01:37.36,0:01:38.80,Default,,0000,0000,0000,,And Michele Triola,\Nlike a screeching, Dialogue: 0,0:01:38.86,0:01:40.87,Default,,0000,0000,0000,,squealing, rapacious swamp sow, Dialogue: 0,0:01:40.93,0:01:42.27,Default,,0000,0000,0000,,is after actor Lee Marvin's Dialogue: 0,0:01:42.34,0:01:43.87,Default,,0000,0000,0000,,last three million dollars. Dialogue: 0,0:01:43.94,0:01:45.57,Default,,0000,0000,0000,,I guess what you and Michele\Nare saying is Dialogue: 0,0:01:45.64,0:01:47.94,Default,,0000,0000,0000,,that when you're on your backs,\Nthe meter is running. Dialogue: 0,0:01:49.98,0:01:51.18,Default,,0000,0000,0000,,Well, please spare us gals, Dialogue: 0,0:01:51.24,0:01:52.74,Default,,0000,0000,0000,,and tell us the rates\Nat the top. Dialogue: 0,0:01:52.81,0:01:54.11,Default,,0000,0000,0000,,Then we can choose\Nwhich two-bit tarts Dialogue: 0,0:01:54.18,0:01:55.77,Default,,0000,0000,0000,,and bargain basement\Nsluts to shack up with. Dialogue: 0,0:01:55.77,0:02:01.91,Default,,0000,0000,0000,,- That's the news, good night\Nand have a pleasant tomorrow.