1
00:00:02,890 --> 00:00:07,118
The message connected to public
theatre is not an advertisement.

2
00:00:07,118 --> 00:00:11,493
I understand that the Theatre Institute is an institution,

3
00:00:11,493 --> 00:00:19,398
but the whole explanation of the artist and the
graphics as such have nothing to do with advertising.

4
00:00:19,398 --> 00:00:22,037
And I think that Woynarowski 
didn't deserve the suggestions

5
00:00:22,037 --> 00:00:24,234
that he is practising some clandestine advertising,

6
00:00:24,234 --> 00:00:28,414
because he is a top-class artist, 
and I think he deserves respect.

7
00:00:28,414 --> 00:00:32,305
I know that he pulled out also because of the
atmosphere that came to surround his figure,

8
00:00:32,305 --> 00:00:34,216
a very mean and unpleasant one,

9
00:00:34,216 --> 00:00:36,869
and I think that's not right.

10
00:00:36,869 --> 00:00:46,411
We are thus left in Warsaw with an old, 
deteriorating mural, it really is in a bad shape,

11
00:00:46,411 --> 00:00:50,620
and with the sense that today, no
mural can ever be painted over.

12
00:00:50,620 --> 00:00:55,985
With this suggestion that these works, which, I think 
that after all, according to the spirit of street art,

13
00:00:55,985 --> 00:00:59,539
are supposed to be evanescent, temporary,

14
00:00:59,539 --> 00:01:05,034
which are meant as interventions and sometimes
the way that they are created borders on the illegal –

15
00:01:05,034 --> 00:01:09,954
that these would be supposed to function eternally.

16
00:01:09,954 --> 00:01:14,075
And it worries me, in that we don’t
have an excess of free wall space

17
00:01:14,075 --> 00:01:19,922
which would allow us to paint new murals
and leave the ones created earlier.

18
00:01:19,922 --> 00:01:27,993
And, to be honest, the foundations that organise 
mural painting do not always have the means

19
00:01:27,993 --> 00:01:32,806
and possibilities of maintaining
their works in good condition.