0:00:02.890,0:00:07.118 The message connected to public[br]theatre is not an advertisement. 0:00:07.118,0:00:11.493 I understand that the Theatre Institute is an institution, 0:00:11.493,0:00:19.398 but the whole explanation of the artist and the[br]graphics as such have nothing to do with advertising. 0:00:19.398,0:00:22.037 And I think that Woynarowski [br]didn't deserve the suggestions 0:00:22.037,0:00:24.234 that he is practising some clandestine advertising, 0:00:24.234,0:00:28.414 because he is a top-class artist, [br]and I think he deserves respect. 0:00:28.414,0:00:32.305 I know that he pulled out also because of the[br]atmosphere that came to surround his figure, 0:00:32.305,0:00:34.216 a very mean and unpleasant one, 0:00:34.216,0:00:36.869 and I think that's not right. 0:00:36.869,0:00:46.411 We are thus left in Warsaw with an old, [br]deteriorating mural, it really is in a bad shape, 0:00:46.411,0:00:50.620 and with the sense that today, no[br]mural can ever be painted over. 0:00:50.620,0:00:55.985 With this suggestion that these works, which, I think [br]that after all, according to the spirit of street art, 0:00:55.985,0:00:59.539 are supposed to be evanescent, temporary, 0:00:59.539,0:01:05.034 which are meant as interventions and sometimes[br]the way that they are created borders on the illegal – 0:01:05.034,0:01:09.954 that these would be supposed to function eternally. 0:01:09.954,0:01:14.075 And it worries me, in that we don’t[br]have an excess of free wall space 0:01:14.075,0:01:19.922 which would allow us to paint new murals[br]and leave the ones created earlier. 0:01:19.922,0:01:27.993 And, to be honest, the foundations that organise [br]mural painting do not always have the means 0:01:27.993,0:01:32.806 and possibilities of maintaining[br]their works in good condition.