1 00:00:00,000 --> 00:00:02,000 Ne industrine time, 2 00:00:02,000 --> 00:00:05,000 ne besojme qe imazhet mund te ndryshojne boten. 3 00:00:05,000 --> 00:00:08,000 Ne rregull, ne jemi naiv, ne jemi sy hapur. 4 00:00:08,000 --> 00:00:10,000 E verteta eshte se ne e dime se 5 00:00:10,000 --> 00:00:12,000 imazhet ne vete nuk e ndryshojne boten, 6 00:00:12,000 --> 00:00:15,000 por ne gjithashtu jemi ne dijeni, qe nga fillimi i fotografise, 7 00:00:15,000 --> 00:00:18,000 imazhet kan provokuar reagime ne njerez, 8 00:00:18,000 --> 00:00:21,000 dhe keto reagime kane shkaktuar ndryshime . 9 00:00:21,000 --> 00:00:24,000 Pra le te fillojme me nje grup te imazheve. 10 00:00:24,000 --> 00:00:26,000 Une do te isha ekstemisht e befasuar 11 00:00:26,000 --> 00:00:29,000 nese ju nuk i njihni shume ose shumicen prej tyre. 12 00:00:29,000 --> 00:00:31,000 Ata me se miri jane te pershkruara si portrete 13 00:00:31,000 --> 00:00:34,000 pra portrete, ndoshta jane klishe. 14 00:00:34,000 --> 00:00:36,000 Ne fakt, ato jane aq te njohura 15 00:00:36,000 --> 00:00:38,000 saqe ndoshta mund ti njihni ato 16 00:00:38,000 --> 00:00:41,000 ne form te lehte ose paksa ndryshe. 17 00:00:42,000 --> 00:00:44,000 (Buzeqeshje) 18 00:00:45,000 --> 00:00:47,000 Por mendoj ne jemi duke kerkuar per dicka me shume. 19 00:00:47,000 --> 00:00:49,000 Ne jemi duke kerkuar per dicka me shume. 20 00:00:49,000 --> 00:00:51,000 Ne jemi duke kerkuar per imazhe qe shendritin 21 00:00:51,000 --> 00:00:54,000 nje drite pa kompromis per ceshtjet e rendesishme, 22 00:00:54,000 --> 00:00:57,000 imazhe qe kapercejne kufijet, qe kapercejne religjione, 23 00:00:57,000 --> 00:00:59,000 imazhe qe na provokojne neve 24 00:00:59,000 --> 00:01:01,000 te vihemi dhe te bejme dicka-- 25 00:01:01,000 --> 00:01:03,000 me fjale tjera, te aktrojme. 26 00:01:03,000 --> 00:01:06,000 Mire keto imazhe qe te gjithe ju i keni pare. 27 00:01:06,000 --> 00:01:08,000 Na kane ndryshuar pamjen tone per boten fizike. 28 00:01:08,000 --> 00:01:11,000 Ne kurre nuk e kemi pare planetin nga kjo prespektive me pare. 29 00:01:11,000 --> 00:01:13,000 Shume njerez atribuojne 30 00:01:13,000 --> 00:01:15,000 ne lindjen e levizjen te ambientit 31 00:01:15,000 --> 00:01:17,000 duke pare planetin keshtu 32 00:01:17,000 --> 00:01:19,000 per te paren here -- 33 00:01:19,000 --> 00:01:21,000 eshte i vogel, eshte fragjil. 34 00:01:22,000 --> 00:01:25,000 Katerdhjete vite me vone, ky grup, shume sesa me shume 35 00:01:25,000 --> 00:01:27,000 jane te vetdijshem te fuqise destruktive 36 00:01:27,000 --> 00:01:30,000 qe speciet tona mund te zoterojne mjedisin tone. 37 00:01:30,000 --> 00:01:33,000 Dhe ne fund, ne duket qe bejme dicka per ate. 38 00:01:34,000 --> 00:01:37,000 Kjo fuqi destruktive merr shume forma te ndryshme. 39 00:01:37,000 --> 00:01:40,000 Per shembull, keto imazhe te marrura nga Brent Stirton 40 00:01:40,000 --> 00:01:42,000 ne Congo. 41 00:01:42,000 --> 00:01:45,000 Keto gorilla ishin vrare, disa mund te thone te kryqezuara, 42 00:01:45,000 --> 00:01:47,000 dhe jo befasisht, 43 00:01:47,000 --> 00:01:49,000 ata shkaktuan zemerim nderkomtar. 44 00:01:49,000 --> 00:01:51,000 Me e reja, 45 00:01:51,000 --> 00:01:54,000 neve tragjikisht na eshte kujtuar fuqia destruktive e natyres 46 00:01:54,000 --> 00:01:56,000 me termetin e fundit ne Haiti. 47 00:01:57,000 --> 00:02:00,000 Mire, une mendoj se cka eshte me e keqja 48 00:02:00,000 --> 00:02:02,000 eshte fuqia destruktive e njerezimit mbi njerezim. 49 00:02:02,000 --> 00:02:05,000 Samuel Pisar, nje i mbjetuar ne Auschwitz, tha, 50 00:02:05,000 --> 00:02:07,000 dhe une do te citoj ate, 51 00:02:07,000 --> 00:02:09,000 " Hulocaust na meson neve se natyra, 52 00:02:09,000 --> 00:02:12,000 madje ne momentet me te egera 53 00:02:12,000 --> 00:02:15,000 eshte i pa rrezikshme ne krahasim me njeriun, 54 00:02:15,000 --> 00:02:18,000 kur ai humb perimetrin e tij moral dhe arsyen." 55 00:02:18,000 --> 00:02:21,000 Eshte nje tjter lloj i kryqezimit. 56 00:02:21,000 --> 00:02:23,000 Imazhet tronditese nga Abu Ghraub 57 00:02:23,000 --> 00:02:25,000 gjithashtu edhe imazhet nga Gunatanamo 58 00:02:25,000 --> 00:02:27,000 paten nje ndikim te thelle. 59 00:02:27,000 --> 00:02:29,000 Publikimi i ketyre imazheve, 60 00:02:29,000 --> 00:02:31,000 te kunderta me imazhet ne vete, 61 00:02:31,000 --> 00:02:34,000 shkaktuan nje qeveri te ndryshojne politikat e tij. 62 00:02:34,000 --> 00:02:36,000 Disa do te argumentojne se jane keto imazhe 63 00:02:36,000 --> 00:02:39,000 qe e nxiten kryengritjen ne Irak 64 00:02:39,000 --> 00:02:41,000 se pothuajse cdo akt tjter. 65 00:02:41,000 --> 00:02:44,000 Per me shume, keto imazhe pergjithmone larguan 66 00:02:44,000 --> 00:02:47,000 te ashtu-quajteren toke morale e forcave pushtuese. 67 00:02:47,000 --> 00:02:49,000 Le te kthehemi pak. 68 00:02:49,000 --> 00:02:51,000 Ne 1960 dhe 1970, 69 00:02:51,000 --> 00:02:53,000 Lufta e Vietnamit ne thelb ishte shfaqur 70 00:02:53,000 --> 00:02:55,000 ne dhomat e ndenjes Amerikane. 71 00:02:55,000 --> 00:02:58,000 Foto te reja kane sjellur njerezit balle per balle 72 00:02:58,000 --> 00:03:01,000 me viktimat e liftes: nje vajze e vogel e djekur nga napalmi, 73 00:03:02,000 --> 00:03:04,000 nje student i vrare nga Rojet Kombetare 74 00:03:04,000 --> 00:03:07,000 ne Universitetin Kent State ne Ohio gjate nje proteste. 75 00:03:07,000 --> 00:03:09,000 Ne fakt, keto imazhe u bene 76 00:03:09,000 --> 00:03:11,000 zerat e protestave. 77 00:03:11,000 --> 00:03:13,000 Tani, imazhet kane fuqi 78 00:03:13,000 --> 00:03:15,000 per te ndare driten e kuptimushmerise 79 00:03:15,000 --> 00:03:17,000 ne dyshim, injorance, 80 00:03:17,000 --> 00:03:19,000 dhe ne vecanti-- Une kam dhene shume diskutime per kete 81 00:03:19,000 --> 00:03:22,000 por une vetem do te ju tregoj nje imazh-- 82 00:03:22,000 --> 00:03:24,000 ceshtja e HIV/AIDS. 83 00:03:25,000 --> 00:03:28,000 Ne 1980, njollosja e njerezve me semundjen 84 00:03:28,000 --> 00:03:30,000 ishte nje barriere e tmershme 85 00:03:30,000 --> 00:03:32,000 biles per te diskutuar ose adresuar ate 86 00:03:32,000 --> 00:03:35,000 Nje akt i thjeshte, ne 1987, te gruas me te famshme ne bote, 87 00:03:35,000 --> 00:03:37,000 Princesha e Wales, duke prekur 88 00:03:37,000 --> 00:03:39,000 nje femije te infektuar me HIV/AIDS 89 00:03:39,000 --> 00:03:42,000 berei nje pune te mire, vecanerisht ne Europe, per te ndaluar ate. 90 00:03:42,000 --> 00:03:45,000 Ajo, me mire se shumica, e ka ditur fuqine e imazhit. 91 00:03:46,000 --> 00:03:48,000 Pra kur ne konfrontohemi nga nje imazh i fuqishem, 92 00:03:48,000 --> 00:03:50,000 ne te gjithe e kemi nje zgjidhje: 93 00:03:50,000 --> 00:03:53,000 Ne mund te shikojme larg, ose mund te adresojme imazhin. 94 00:03:53,000 --> 00:03:55,000 Fatmiresisht, kur keto foto u shfaqen 95 00:03:55,000 --> 00:03:57,000 Guardian ne 1988, 96 00:03:57,000 --> 00:04:00,000 ata vendosen shume fokus dhe vemendje, ne fund , shume para 97 00:04:00,000 --> 00:04:02,000 ndaj perpjekjeve per te zvogeluar urine ne Sudan. 98 00:04:02,000 --> 00:04:04,000 A e ndryshuan imazhet boten? 99 00:04:04,000 --> 00:04:06,000 Jo, por ata paten ndikimin kryesor. 100 00:04:07,000 --> 00:04:09,000 Imazhet zakonisht na shtyejne neve te pyesim per besimet tona thelbesore 101 00:04:09,000 --> 00:04:12,000 dhe pergjegjesit tona per njeri tjetrin. 102 00:04:12,000 --> 00:04:14,000 Ne te gjithe pame keto imazhe pas Katrina, 103 00:04:14,000 --> 00:04:16,000 dhe mendoj per miliona njerez 104 00:04:16,000 --> 00:04:18,000 ata paten nje ndikm shume te fuqishem. 105 00:04:18,000 --> 00:04:20,000 Dhe une mendoj eshte shume e papelqyeshme 106 00:04:20,000 --> 00:04:22,000 qe ata ishin larg nga intelekti i Amerikaneve 107 00:04:22,000 --> 00:04:25,000 kur ata shkuan te votoj ne Nentor 2008. 108 00:04:26,000 --> 00:04:29,000 Fatkeqeshit, disa imazhe shume te rendesishme 109 00:04:29,000 --> 00:04:32,000 konsiderohen shume grafik ose shetesuese per ne per ti pare ato. 110 00:04:33,000 --> 00:04:35,000 Une do te ja tregoj nje foto ketu, 111 00:04:35,000 --> 00:04:38,000 dhe eshte nje foto nga Eugene Richards te nje veterani ne luften e Irakut 112 00:04:38,000 --> 00:04:40,000 nga nje pjese e jashtezakonshme e punes, 113 00:04:40,000 --> 00:04:43,000 i cila asnjehere nuk ka qene e publikuar, e quajtur Lufta eshte Personale. 114 00:04:43,000 --> 00:04:45,000 Por imazhet nuk kane nevoje te jene grafike 115 00:04:45,000 --> 00:04:47,000 ne menyre qe te na kujtohet tragjedia e luftes. 116 00:04:47,000 --> 00:04:50,000 John Moore e vendosi kete foto ne Arlington Cemetery. 117 00:04:50,000 --> 00:04:52,000 Pas te gjithave momente tensionuese te konfliktit 118 00:04:52,000 --> 00:04:55,000 ne te gjitha zonat e konfliktit te botes, 119 00:04:55,000 --> 00:04:58,000 eshte nje fotofraf nga nje vend me i qete 120 00:04:58,000 --> 00:05:01,000 i qe me shqetson mua ende, shume me shume se te tjeret. 121 00:05:02,000 --> 00:05:05,000 Ansel Adams tha, une nuk do te pajtohem me te, 122 00:05:05,000 --> 00:05:08,000 " Ju nuk e merrni nje fotograf, ju e beni ate." 123 00:05:08,000 --> 00:05:10,000 Sipas opinionit tim, nuk eshte fotografi qe e bene foton, 124 00:05:10,000 --> 00:05:12,000 jeni ju. 125 00:05:12,000 --> 00:05:14,000 Ne sjellim te cdo imazh 126 00:05:14,000 --> 00:05:16,000 vlerat tona, sistemet tona te besimit, 127 00:05:16,000 --> 00:05:19,000 dhe si rezultat i saj, imazhi bashkevepron me ne. 128 00:05:19,000 --> 00:05:21,000 Comapania ime ka 7- milion imazhe. 129 00:05:21,000 --> 00:05:24,000 Une kam nje imazh ne zyren time. 130 00:05:24,000 --> 00:05:26,000 Ja ku eshte. 131 00:05:26,000 --> 00:05:28,000 Shpresoj qe heren tjeter te shihni 132 00:05:28,000 --> 00:05:30,000 nje imazh qe ngjall dicka ne ju, 133 00:05:30,000 --> 00:05:32,000 ju me se mire do te kuptoni pse, 134 00:05:32,000 --> 00:05:35,000 dhe une e di se te folurit me audiencen 135 00:05:35,000 --> 00:05:37,000 ju definitivisht do te beni dicka rreth saj. 136 00:05:37,000 --> 00:05:39,000 Dhe faleminderit per te gjithe fotografet. 137 00:05:39,000 --> 00:05:41,000 (Duartroktije)