1 00:00:00,548 --> 00:00:03,298 (dramatic music) 2 00:00:13,837 --> 00:00:16,837 (audience applauds) 3 00:00:18,680 --> 00:00:19,850 - Hi, I'm Lynne Franklin. 4 00:00:19,850 --> 00:00:21,810 I have one question for you. 5 00:00:21,810 --> 00:00:24,347 How would you like to be a mind reader? 6 00:00:24,347 --> 00:00:25,500 - [Woman] Yes. 7 00:00:25,500 --> 00:00:27,092 - 'Cause part of me is thinking, 8 00:00:27,092 --> 00:00:31,490 "I bet your mind's thinking, 'That's not gonna happen.'" 9 00:00:31,490 --> 00:00:33,550 Here's the truth. 10 00:00:33,550 --> 00:00:37,701 People's brains process information, they think, 11 00:00:37,701 --> 00:00:40,000 in three different ways. 12 00:00:40,000 --> 00:00:42,520 And their body language will tell you all day long 13 00:00:42,520 --> 00:00:44,160 what their primary style is. 14 00:00:44,160 --> 00:00:46,490 You just need to know what to look for 15 00:00:46,490 --> 00:00:48,800 and what to do when you see it. 16 00:00:48,800 --> 00:00:51,440 And it's not one of those where she's leaning back, 17 00:00:51,440 --> 00:00:52,720 her arms are crossed, she's frowning, 18 00:00:52,720 --> 00:00:54,950 so she must be unhappy. 19 00:00:54,950 --> 00:00:59,230 It's actually understanding how their brains work 20 00:00:59,230 --> 00:01:01,851 and then presenting your information in a way 21 00:01:01,851 --> 00:01:06,610 that people can see it, hear it, and feel it 22 00:01:06,610 --> 00:01:08,880 and increase the chances that they'll say yes 23 00:01:08,880 --> 00:01:10,410 to whatever you're proposing 24 00:01:10,410 --> 00:01:12,020 and also decrease the chances 25 00:01:12,020 --> 00:01:14,220 that you'll do something stupid, 26 00:01:14,220 --> 00:01:15,910 like this. 27 00:01:15,910 --> 00:01:18,870 Back in my 20s before I knew any of this stuff, 28 00:01:18,870 --> 00:01:21,470 I had a client who was a corporate controller, 29 00:01:21,470 --> 00:01:23,500 and he would sit across from me in meetings 30 00:01:23,500 --> 00:01:24,680 and he was always looking down 31 00:01:24,680 --> 00:01:26,660 with the occasional glance up. 32 00:01:26,660 --> 00:01:29,467 And I thought, "Okay, well he's a numbers guy. 33 00:01:29,467 --> 00:01:32,280 "He just feels comfortable looking at the numbers." 34 00:01:32,280 --> 00:01:34,547 And then as time went on I thought, "Well, you know, 35 00:01:34,547 --> 00:01:36,147 "he's just socially inept, 36 00:01:36,147 --> 00:01:38,179 "and he doesn't know how to give me eye contact." 37 00:01:38,179 --> 00:01:40,750 And finally, because I was young and stupid, 38 00:01:40,750 --> 00:01:42,137 I thought, "Every time he's looking up, 39 00:01:42,137 --> 00:01:45,060 "he's looking at my chest and I'm offended." 40 00:01:45,060 --> 00:01:46,957 And there was one point I actually in a meeting went, 41 00:01:46,957 --> 00:01:49,468 "Excuse me, I'm up here." 42 00:01:49,468 --> 00:01:52,487 Ooh, yeah, talk about judgmental. 43 00:01:52,487 --> 00:01:54,590 Here's the scoop. 44 00:01:54,590 --> 00:01:56,340 This guy's brain worked in a way 45 00:01:56,340 --> 00:01:58,860 that he was never gonna give me eye contact. 46 00:01:58,860 --> 00:02:00,270 And no matter how many times 47 00:02:00,270 --> 00:02:02,940 I modeled the behavior I wanted him to use, 48 00:02:02,940 --> 00:02:06,636 all that did was make both of us feel uncomfortable. 49 00:02:06,636 --> 00:02:09,120 So how can you tell? 50 00:02:09,120 --> 00:02:12,660 How can you read people's body language to read your minds? 51 00:02:12,660 --> 00:02:14,480 We're gonna show you right now. 52 00:02:14,480 --> 00:02:15,840 And that means I'm gonna bring out 53 00:02:15,840 --> 00:02:19,054 our first body language model, James. 54 00:02:19,054 --> 00:02:21,360 (audience applauds) 55 00:02:21,360 --> 00:02:22,263 Thank you James. 56 00:02:24,120 --> 00:02:28,250 James represents 75% of the world. 57 00:02:28,250 --> 00:02:29,412 You didn't know this about James, 58 00:02:29,412 --> 00:02:32,413 but James is a looker. 59 00:02:32,413 --> 00:02:36,010 (audience laughs) 60 00:02:36,010 --> 00:02:40,810 What that means is that James' brain thinks in pictures 61 00:02:40,810 --> 00:02:42,880 and images, in pictures and images. 62 00:02:42,880 --> 00:02:45,790 And here's how we can tell that James is a looker 63 00:02:45,790 --> 00:02:47,010 from his body language. 64 00:02:47,010 --> 00:02:49,230 First thing, he stands up tall. 65 00:02:49,230 --> 00:02:51,160 He has good posture. 66 00:02:51,160 --> 00:02:52,770 Second, he is dressed well, 67 00:02:52,770 --> 00:02:55,859 because appearance is important to lookers. 68 00:02:55,859 --> 00:02:57,410 The next thing you'll notice 69 00:02:57,410 --> 00:02:59,510 about James is that he holds a little stress 70 00:02:59,510 --> 00:03:00,343 in his shoulders. 71 00:03:00,343 --> 00:03:01,176 Lift up your shoulders a little bit. 72 00:03:01,176 --> 00:03:02,903 Yeah, holds the stress there. 73 00:03:03,870 --> 00:03:07,930 Next thing, you'll notice he has wrinkles in his forehead, 74 00:03:07,930 --> 00:03:09,890 because James looks up 75 00:03:09,890 --> 00:03:12,000 when he remembers something he has seen, 76 00:03:12,000 --> 00:03:15,050 and he looks up more often than most of us do. 77 00:03:15,050 --> 00:03:15,900 Next thing you'll notice 78 00:03:15,900 --> 00:03:18,853 about James is that he has thin lips, suck 'em in. 79 00:03:20,418 --> 00:03:22,160 You know, this is a chicken and egg thing. 80 00:03:22,160 --> 00:03:24,750 We're not quite sure why lookers have thin lips, 81 00:03:24,750 --> 00:03:26,050 but most of them do. 82 00:03:26,050 --> 00:03:28,240 And the other thing about lookers is they give you 83 00:03:28,240 --> 00:03:29,430 lots of eye contact. 84 00:03:29,430 --> 00:03:31,020 Look at 'em, look at 'em, look at 'em. 85 00:03:31,020 --> 00:03:33,580 All of 'em, look at all of 'em. 86 00:03:33,580 --> 00:03:35,566 Thanks James. - Thank you. 87 00:03:35,566 --> 00:03:38,600 (audience applauds) 88 00:03:38,600 --> 00:03:42,210 - Okay, now that you know that James is a looker, 89 00:03:42,210 --> 00:03:46,180 here are the two things you do to build rapport with him. 90 00:03:46,180 --> 00:03:49,100 The first is that you give him lots of eye contact, 91 00:03:49,100 --> 00:03:52,090 because he literally believes if you do not look at him, 92 00:03:52,090 --> 00:03:53,950 you are not paying attention to him 93 00:03:53,950 --> 00:03:56,100 and you are ignoring him. 94 00:03:56,100 --> 00:04:00,400 The second thing you do with lookers is you give them words 95 00:04:00,400 --> 00:04:02,530 that have a visual component to it. 96 00:04:02,530 --> 00:04:04,190 I see what you mean. 97 00:04:04,190 --> 00:04:05,800 Or look at this. 98 00:04:05,800 --> 00:04:08,870 Or let's picture working together this way. 99 00:04:08,870 --> 00:04:10,640 So you use the type of language 100 00:04:10,640 --> 00:04:13,590 that is going on in James' brain. 101 00:04:13,590 --> 00:04:18,000 Those are lookers, 75% of people in the world. 102 00:04:18,000 --> 00:04:21,504 Our next body language model is Marg, 103 00:04:21,504 --> 00:04:26,305 and Marg represents 20% of the people in the world. 104 00:04:26,305 --> 00:04:29,305 (audience applauds) 105 00:04:30,800 --> 00:04:32,963 Marg is a listener. 106 00:04:33,810 --> 00:04:37,350 What this means is that Marg's brain thinks 107 00:04:37,350 --> 00:04:40,730 in words and sounds, in words and sounds. 108 00:04:40,730 --> 00:04:42,043 And this is the body language 109 00:04:42,043 --> 00:04:44,910 that you will see in a listener. 110 00:04:44,910 --> 00:04:48,200 First, Marg not as well-dressed as James, 111 00:04:48,200 --> 00:04:50,707 'cause appearance is not as important to her. 112 00:04:50,707 --> 00:04:51,540 (audience laughs) 113 00:04:51,540 --> 00:04:52,373 Sorry Marg. 114 00:04:54,570 --> 00:04:57,410 Next, Marg has a tendency to look down 115 00:04:57,410 --> 00:04:59,670 and to the left, because that's where you look 116 00:04:59,670 --> 00:05:02,917 when you're remembering something you have heard. 117 00:05:02,917 --> 00:05:04,080 Next thing you'll notice 118 00:05:04,080 --> 00:05:05,490 about Marg is that a lot of times 119 00:05:05,490 --> 00:05:07,433 she'll put her head in her hand. 120 00:05:09,112 --> 00:05:11,040 It's called telephone posture. 121 00:05:11,040 --> 00:05:11,920 Other things you'll notice 122 00:05:11,920 --> 00:05:16,480 about Marg is that she has a tendency to mumble to herself. 123 00:05:16,480 --> 00:05:17,675 Go ahead and mumble. 124 00:05:17,675 --> 00:05:19,257 (Marg mumbles) 125 00:05:19,257 --> 00:05:20,870 (audience laughs) 126 00:05:20,870 --> 00:05:23,740 And it's not that she's crazy. 127 00:05:23,740 --> 00:05:25,890 It's that she thinks in words and sounds, 128 00:05:25,890 --> 00:05:28,960 so she's literally talking to herself. 129 00:05:28,960 --> 00:05:30,230 Another thing you'll notice about Marg, 130 00:05:30,230 --> 00:05:31,650 yep, she's the pen clicker 131 00:05:31,650 --> 00:05:34,123 and the banger on the pen on the table. 132 00:05:35,820 --> 00:05:39,120 These are listeners, 20% of the people in the world. 133 00:05:39,120 --> 00:05:40,725 Thanks Marg. - Thank you. 134 00:05:40,725 --> 00:05:44,000 (audience applauds) 135 00:05:44,000 --> 00:05:45,740 - If you wanna appeal to listeners, 136 00:05:45,740 --> 00:05:46,700 you do two things. 137 00:05:46,700 --> 00:05:49,700 The first thing, you do not give them lots of eye contact, 138 00:05:49,700 --> 00:05:51,360 it freaks them out. 139 00:05:51,360 --> 00:05:52,750 That's exactly what was going on 140 00:05:52,750 --> 00:05:54,733 with that corporate controller. 141 00:05:54,733 --> 00:05:57,110 So what you do is that when they're speaking, 142 00:05:57,110 --> 00:05:58,530 you look at them and then you look away. 143 00:05:58,530 --> 00:06:00,470 And when you're speaking, you look at them 144 00:06:00,470 --> 00:06:02,260 and then look away. 145 00:06:02,260 --> 00:06:06,800 The second thing you do with listeners is that you use words 146 00:06:06,800 --> 00:06:07,960 that are auditory. 147 00:06:07,960 --> 00:06:09,400 That sounds good to me. 148 00:06:09,400 --> 00:06:11,620 Or let's talk this over. 149 00:06:11,620 --> 00:06:13,960 That's the type of language their brain uses, 150 00:06:13,960 --> 00:06:15,756 so you're using that to appeal with them. 151 00:06:15,756 --> 00:06:18,800 Listeners, 20% of the people in the world. 152 00:06:18,800 --> 00:06:22,033 And our final body language model is Marina. 153 00:06:23,220 --> 00:06:26,340 And Marina represents 5% of the people in the world. 154 00:06:26,340 --> 00:06:27,378 Give her a round of applause. 155 00:06:27,378 --> 00:06:30,378 (audience applauds) 156 00:06:31,990 --> 00:06:34,298 Marina is a toucher. 157 00:06:34,298 --> 00:06:35,543 Not what you think. 158 00:06:36,780 --> 00:06:41,610 What that means is that Marina's brain thinks 159 00:06:41,610 --> 00:06:45,520 in feelings and tactilely, in feelings and tactilely. 160 00:06:45,520 --> 00:06:48,190 And here's the kind of body language you will see 161 00:06:48,190 --> 00:06:49,450 in a toucher. 162 00:06:49,450 --> 00:06:51,690 First thing and the biggest tell in touchers is whether 163 00:06:51,690 --> 00:06:53,560 or not they've ever met you before in their lives, 164 00:06:53,560 --> 00:06:55,691 they are ready to hug you. 165 00:06:55,691 --> 00:06:57,347 (Lynne laughs) 166 00:06:57,347 --> 00:06:59,720 Second thing you'll notice 167 00:06:59,720 --> 00:07:02,160 about touchers is that they are dressed 168 00:07:02,160 --> 00:07:04,223 for comfort rather than style. 169 00:07:05,560 --> 00:07:08,820 Next thing is that they have full lips, 170 00:07:08,820 --> 00:07:10,316 give 'em big lips. 171 00:07:10,316 --> 00:07:11,730 (audience laughs) 172 00:07:11,730 --> 00:07:15,560 Same thing, I know, more touchers have full lips. 173 00:07:15,560 --> 00:07:16,393 Next thing you'll notice 174 00:07:16,393 --> 00:07:19,223 about touchers is that they have a tendency to lean in, 175 00:07:20,572 --> 00:07:23,020 because they are trying to decrease the amount 176 00:07:23,020 --> 00:07:24,840 of physical space between you and them 177 00:07:24,840 --> 00:07:26,740 and build rapport that way. 178 00:07:26,740 --> 00:07:28,230 Touchers also have a tendency to reach out 179 00:07:28,230 --> 00:07:32,490 and touch your arm when they're in conversation with you. 180 00:07:32,490 --> 00:07:35,610 And touchers also have a tendency to look down, 181 00:07:35,610 --> 00:07:36,820 because that's where you look 182 00:07:36,820 --> 00:07:39,900 when you're remembering something you have felt. 183 00:07:39,900 --> 00:07:40,851 Thanks Marina. 184 00:07:40,851 --> 00:07:41,684 - Thank you. 185 00:07:41,684 --> 00:07:44,684 (audience applauds) 186 00:07:45,640 --> 00:07:47,460 - All right, you wanna build rapport with touchers, 187 00:07:47,460 --> 00:07:48,830 5% of the people in the world, 188 00:07:48,830 --> 00:07:50,290 here are the two things you do. 189 00:07:50,290 --> 00:07:53,517 If you feel comfortable, let them touch you. 190 00:07:53,517 --> 00:07:55,200 (audience laughs) 191 00:07:55,200 --> 00:07:56,913 Appropriately, please. 192 00:07:58,152 --> 00:08:00,230 But if you don't feel comfortable, 193 00:08:00,230 --> 00:08:02,210 because a lot of us if you've never met somebody before 194 00:08:02,210 --> 00:08:03,466 and they're ready to give you a bear hug, 195 00:08:03,466 --> 00:08:05,533 the last thing you wanna do is is go, 196 00:08:06,563 --> 00:08:10,891 'cause we've all done that, and it does not build rapport. 197 00:08:10,891 --> 00:08:12,990 So if a toucher is coming at you, 198 00:08:12,990 --> 00:08:14,010 and you don't feel comfortable, 199 00:08:14,010 --> 00:08:14,950 stick your hand out. 200 00:08:14,950 --> 00:08:17,380 Give these people a point of contact with you. 201 00:08:17,380 --> 00:08:19,450 That's what they're looking for. 202 00:08:19,450 --> 00:08:22,960 The second thing you do with touchers is you use language 203 00:08:22,960 --> 00:08:27,070 that either has a feeling to it or is tactile. 204 00:08:27,070 --> 00:08:29,830 So I wanna hear how you're feeling about this. 205 00:08:29,830 --> 00:08:31,130 Let's get in touch. 206 00:08:31,130 --> 00:08:33,419 Reach out and tell me what you think. 207 00:08:33,419 --> 00:08:36,460 That's the kind of language that appeals to touchers, 208 00:08:36,460 --> 00:08:38,143 people who process information 209 00:08:38,143 --> 00:08:41,289 in feelings and tactilely. 210 00:08:41,289 --> 00:08:42,500 So I'm gonna read your mind again, 211 00:08:42,500 --> 00:08:43,332 and you're probably thinking, 212 00:08:43,332 --> 00:08:45,240 "So which one of these three am I?" 213 00:08:45,240 --> 00:08:47,110 Let's figure that out right now. 214 00:08:47,110 --> 00:08:49,343 What I want you to do is close your eyes, 215 00:08:50,310 --> 00:08:53,380 and remember an important memory. 216 00:08:53,380 --> 00:08:55,380 Now this could be something from your childhood, 217 00:08:55,380 --> 00:08:56,820 maybe your 10th birthday party. 218 00:08:56,820 --> 00:08:58,900 It could be something that happened to you last week. 219 00:08:58,900 --> 00:09:00,093 So an important memory. 220 00:09:01,242 --> 00:09:03,210 Now I want you to pay attention 221 00:09:03,210 --> 00:09:05,350 to how you're remembering it. 222 00:09:05,350 --> 00:09:08,100 Are you remembering it like a movie 223 00:09:08,100 --> 00:09:10,153 or a series of pictures and images? 224 00:09:11,040 --> 00:09:14,020 Are you remembering by hearing what people said 225 00:09:14,020 --> 00:09:15,943 or describing what happened? 226 00:09:16,800 --> 00:09:18,621 Or are you remembering it how you felt 227 00:09:18,621 --> 00:09:20,993 or how things felt to you? 228 00:09:22,720 --> 00:09:23,770 Okay, open up your eyes. 229 00:09:23,770 --> 00:09:25,920 How many of you remembered it like a movie? 230 00:09:26,820 --> 00:09:27,980 Right, most of you. 231 00:09:27,980 --> 00:09:29,860 How many of you were describing it to yourself, 232 00:09:29,860 --> 00:09:31,563 remembering what people said? 233 00:09:32,680 --> 00:09:33,520 Right, listeners. 234 00:09:33,520 --> 00:09:36,210 And finally, how many of you remember how you felt 235 00:09:36,210 --> 00:09:37,510 or how things felt to you? 236 00:09:38,690 --> 00:09:40,520 Right, now you know who you are. 237 00:09:40,520 --> 00:09:41,570 That's the good news. 238 00:09:41,570 --> 00:09:43,010 Here's the bad news. 239 00:09:43,010 --> 00:09:44,490 You're gonna treat everybody else 240 00:09:44,490 --> 00:09:47,430 as though they think the same way. 241 00:09:47,430 --> 00:09:50,270 And you've already seen how awful that can be 242 00:09:50,270 --> 00:09:52,020 when you're working with a corporate controller 243 00:09:52,020 --> 00:09:54,113 who has a different way of thinking. 244 00:09:55,030 --> 00:09:58,070 Here's my invitation to you. 245 00:09:58,070 --> 00:10:00,030 I want you to start paying attention 246 00:10:00,030 --> 00:10:01,876 to other people's body language 247 00:10:01,876 --> 00:10:05,143 to figure out how they think. 248 00:10:06,360 --> 00:10:08,850 Because here's the magic part of it. 249 00:10:08,850 --> 00:10:10,855 Once you start presenting your ideas 250 00:10:10,855 --> 00:10:13,500 in a way that they get them, 251 00:10:13,500 --> 00:10:15,503 they will say yes to you more often. 252 00:10:16,569 --> 00:10:18,600 But here's the scoop too. 253 00:10:18,600 --> 00:10:22,520 I'm not asking you to become somebody else, 254 00:10:22,520 --> 00:10:25,340 because you can't change how your brain works. 255 00:10:25,340 --> 00:10:27,941 It's true, you think in all three ways, 256 00:10:27,941 --> 00:10:30,220 but just the way you have a dominant hand, 257 00:10:30,220 --> 00:10:32,240 you have a dominant style. 258 00:10:32,240 --> 00:10:33,710 You can't change that. 259 00:10:33,710 --> 00:10:37,940 But what you can do is accommodate your language, 260 00:10:37,940 --> 00:10:41,090 both body and verbal, with the people you're with 261 00:10:41,090 --> 00:10:43,490 in order to build rapport, which allows you 262 00:10:43,490 --> 00:10:45,290 to reach the full spectrum of people 263 00:10:45,290 --> 00:10:47,180 that you're hanging out with. 264 00:10:47,180 --> 00:10:49,200 And here's the other magic thing. 265 00:10:49,200 --> 00:10:51,280 You don't even have to be in somebody's presence 266 00:10:51,280 --> 00:10:53,120 to figure out how their brains work. 267 00:10:53,120 --> 00:10:54,830 Interested? 268 00:10:54,830 --> 00:10:58,430 Right, all you need to do is listen to 269 00:10:58,430 --> 00:11:00,710 or look at the words they're using. 270 00:11:00,710 --> 00:11:02,360 So if you're in a phone conversation, 271 00:11:02,360 --> 00:11:03,480 listen for the words. 272 00:11:03,480 --> 00:11:05,870 If you're reading an email, look at the words. 273 00:11:05,870 --> 00:11:08,690 People who are lookers will use more visual language. 274 00:11:08,690 --> 00:11:11,240 People who are listeners will use more auditory words, 275 00:11:11,240 --> 00:11:13,230 and people who are touchers will use more feeling 276 00:11:13,230 --> 00:11:14,210 and kinesthetic words. 277 00:11:14,210 --> 00:11:15,850 You don't have to be in that same space 278 00:11:15,850 --> 00:11:17,060 to know who they are. 279 00:11:17,060 --> 00:11:18,390 So here's my challenge to you. 280 00:11:18,390 --> 00:11:20,810 Go back and read some of the emails 281 00:11:20,810 --> 00:11:23,930 that you have sent, and you will notice 282 00:11:23,930 --> 00:11:25,630 now that you know who you are, 283 00:11:25,630 --> 00:11:27,430 the kind of language that you're using, 284 00:11:27,430 --> 00:11:28,330 and it'll back that up. 285 00:11:28,330 --> 00:11:29,630 It happens with everybody. 286 00:11:30,490 --> 00:11:32,430 So 10 minutes ago, 287 00:11:32,430 --> 00:11:34,460 you didn't think you could read people's body language 288 00:11:34,460 --> 00:11:35,293 to read their minds. 289 00:11:35,293 --> 00:11:37,416 And now you know what to do. 290 00:11:37,416 --> 00:11:40,470 So practice this stuff on the people at home 291 00:11:40,470 --> 00:11:43,320 or the people at work, and when you do this, 292 00:11:43,320 --> 00:11:45,730 when you use these tools to build rapport 293 00:11:45,730 --> 00:11:47,370 with all kinds of different people, 294 00:11:47,370 --> 00:11:50,714 you'll become the most persuasive person in the room. 295 00:11:50,714 --> 00:11:51,663 Thank you. 296 00:11:51,663 --> 00:11:54,663 (audience applauds)