0:00:12.000,0:00:17.250
Sjećam se kako nas je majka[br]dovela u Britanski muzej u Londonu.

0:00:18.440,0:00:21.170
Majčina je obitelj bila iz Iraka.

0:00:21.600,0:00:24.570
Odmah nas je odvela u asirske galerije

0:00:25.410,0:00:30.610
i u dvoranu s reljefom[br]„Lov na lavove kralja Asurbanipala”.

0:00:31.740,0:00:37.120
Nema ništa zanimljivije kao kad[br]s deset godina otkrijete prvi strip

0:00:37.370,0:00:40.880
i saznate da ga je vaš narod izradio.

0:00:41.780,0:00:45.230
Okrenula se prema nama[br]i pitala nas: „A što to radi ovdje?”

0:00:45.630,0:00:47.660
Tad smo snažno[br]osvijestili činjenicu

0:00:47.690,0:00:53.100
da ti muzeji nisu samo ti[br]pristojni relikvijari za predmete

0:00:53.155,0:00:55.925
koji se razmjenjuju među kulturama,

0:00:55.925,0:00:58.443
nego da su ti predmeti nasilno oduzeti.

0:00:59.903,0:01:04.583
Bio je to muzej, ali i palača zločina.

0:01:05.653,0:01:09.775
[Michael Rakowitz: Proganjanje Zapada]

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„Nevidljivi neprijatelj[br]ne bi trebao postojati”

0:01:22.720,0:01:27.798
djelo je koje sam počeo raditi 2006.

0:01:28.557,0:01:31.740
U razdoblju nakon[br]američke invazije na Irak

0:01:32.120,0:01:36.079
više od 8 000 rukotvorina[br]ukradeno je iz Iračkog nacionalnog muzeja.

0:01:38.170,0:01:42.000
Počeo sam razmišljati što bi[br]za te rukotvorine značilo

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da se vrate kao duhovi[br]i opsjedaju muzeje na Zapadu.

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U ovaj su projekt, nažalost,[br]uključena i arheološka nalazišta

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koja su devastirale[br]skupine kao što je ISIS.

0:01:59.235,0:02:03.570
Ovo je instalacija „Dvorana F”[br]u sjeverozapadnoj palači Nimruda.

0:02:04.160,0:02:11.130
Kada je uništena 2015.,[br]u njoj je bilo dvjesto reljefa.

0:02:12.160,0:02:15.360
No prvotno je u njoj bilo njih 600.

0:02:16.110,0:02:20.800
Većina njih iskopana je sredinom 1800-ih

0:02:20.800,0:02:25.000
i zatim odaslana[br]u različite ustanove na Zapadu.

0:02:27.211,0:02:32.080
Zapad pripisuje vrijednost[br]umjetninama iz tog dijela svijeta,

0:02:32.619,0:02:36.480
no ne postoji nikakva simetrija[br]kad u obzir uzmete način

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na koji se obezvrjeđuju[br]narodi iz tih krajeva.

0:02:46.431,0:02:50.530
Reljefi su postavljeni[br]prema prvotnom arhitektonskom otisku.

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Ovim se projektom posjetitelja[br]želi staviti u položaj Iračana

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u toj palači jedan dan prije[br]nego što ju je ISIS razorio.

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I pokazati kolikom dijelu povijesti[br]nisu imali pristup kao i praznine

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u i kroz koje su bili prisiljeni gledati.

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