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Ich weiß noch, wie unsere Mutter uns
ins Britische Museum in London mitnahm.

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Die Familie meiner Mutter stammte aus dem Irak.

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Sie ging mit uns sofort zu den assyrischen Galerien

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in die Halle, wo sich die Löwenjagd von Assurbanipal befand.

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Wenn man zehn Jahre alt ist, gibt es nichts Cooleres
als zu erfahren, dass das der erste Comic war

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und das dein Volk dafür verantwortlich war.

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Sie drehte sich zu uns und sagte:

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"Und was hat das hier zu suchen?"

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Das machte uns deutlich bewusst,

10
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dass diese Museen nicht einfach nur diese vornehmen Aufbewahrungshallen

11
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für Dinge waren, die Kulturen miteinander ausgetauscht hatten,

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sondern das diese Stücke mit Gewalt genommen wurden.

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Es war ein Museum, aber auch gleichzeitig ein Palast von Verbrechen.

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[Michael Rakowitz: Den Westen heimsuchen]

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"Der unsichtbare Feind sollte nicht existieren" ist dieses fortlaufende Werk,
das ich 2006 begann.

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Nach der US-Invasion des Irak

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wurden mehr als 8.000 Artefakte aus dem irakischen Nationalmuseum geraubt.

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Ich begann, darüber nachzudenken, was passieren würde, 
wenn diese Artefakte als Geister zurückkämen,

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um in westlichen Museen herumzuspuken.

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Dieses Projekt umfasst mittlerweile

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die archäologischen Stätten, die von Gruppen wie ISIS verwüstet wurden.

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Diese Installation in Raum F im nordwestlichen Palast von Nimrud.

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Als er 2015 zerstört wurde,

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befanden sich in ihm zweihundert Reliefs.

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Ursprünglich fasst er jedoch über sechshundert dieser Reliefs.

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Die Mehrzahl der Reliefs wurden Mitte des 19. Jahrhunderts ausgegraben

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und dann an unterschiedliche westliche Institutionen geschickt.

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Der Westen

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