[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.76,0:00:08.32,Default,,0000,0000,0000,,For much of the 20th century, our idea of cinema music was classical,
Dialogue: 0,0:00:08.32,0:00:11.52,Default,,0000,0000,0000,,symphonic, stately even.
Dialogue: 0,0:00:11.52,0:00:14.12,Default,,0000,0000,0000,,MUSIC: "Jumpin' Jack Flash" by The Rolling Stones
Dialogue: 0,0:00:14.12,0:00:16.72,Default,,0000,0000,0000,,But might this also be film music?
Dialogue: 0,0:00:16.72,0:00:20.40,Default,,0000,0000,0000,,A pop hit by The Rolling Stones turned up to full volume,
Dialogue: 0,0:00:20.40,0:00:23.68,Default,,0000,0000,0000,,- driving the action. \N- # Watch it! #
Dialogue: 0,0:00:25.08,0:00:28.20,Default,,0000,0000,0000,,MARTIN SCORSESE: 'The music I knew, and the music that scored my life,
Dialogue: 0,0:00:28.20,0:00:29.88,Default,,0000,0000,0000,,'is the music I heard growing up.
Dialogue: 0,0:00:29.88,0:00:32.28,Default,,0000,0000,0000,,'And the music that was around me at the time.'
Dialogue: 0,0:00:32.28,0:00:37.28,Default,,0000,0000,0000,,And that was the music that propelled all the action in the story.
Dialogue: 0,0:00:37.28,0:00:41.76,Default,,0000,0000,0000,,Mean Streets was the most extreme expression yet of how
Dialogue: 0,0:00:41.76,0:00:45.28,Default,,0000,0000,0000,,popular music had pushed aside the symphonic tradition
Dialogue: 0,0:00:45.28,0:00:47.28,Default,,0000,0000,0000,,to take hold of the film score.
Dialogue: 0,0:00:47.28,0:00:51.28,Default,,0000,0000,0000,,As new musical genres like rock, pop and disco were born,
Dialogue: 0,0:00:51.28,0:00:53.40,Default,,0000,0000,0000,,they reverberated throughout cinema.
Dialogue: 0,0:00:53.40,0:00:56.80,Default,,0000,0000,0000,,MUSIC: "A Hard Day's Night" by The Beatles
Dialogue: 0,0:00:56.80,0:01:00.12,Default,,0000,0000,0000,,Popular music revitalised the soundtrack,
Dialogue: 0,0:01:00.12,0:01:02.16,Default,,0000,0000,0000,,and indeed the movies themselves.
Dialogue: 0,0:01:02.16,0:01:06.28,Default,,0000,0000,0000,,More distinctive, simpler, more direct, more memorable.
Dialogue: 0,0:01:06.28,0:01:09.32,Default,,0000,0000,0000,,It was music that appealed to a younger audience.
Dialogue: 0,0:01:09.32,0:01:11.36,Default,,0000,0000,0000,,And to a new generation of composers
Dialogue: 0,0:01:11.36,0:01:14.44,Default,,0000,0000,0000,,and directors who knew how to use it.
Dialogue: 0,0:01:14.44,0:01:18.56,Default,,0000,0000,0000,,These composers pushed the film score in fresh, exciting directions.
Dialogue: 0,0:01:19.68,0:01:22.44,Default,,0000,0000,0000,,Composers like John Barry.
Dialogue: 0,0:01:22.44,0:01:26.32,Default,,0000,0000,0000,,MUSIC: "James Bond Theme" by John Barry Orchestra
Dialogue: 0,0:01:28.36,0:01:33.52,Default,,0000,0000,0000,,Those screaming horns are giving us a tremendous sense of power and sex.
Dialogue: 0,0:01:35.44,0:01:37.72,Default,,0000,0000,0000,,And Lalo Schifrin,
Dialogue: 0,0:01:37.72,0:01:42.84,Default,,0000,0000,0000,,whose cool jazz beats gave an inner voice to iconic movie stars.
Dialogue: 0,0:01:42.84,0:01:45.100,Default,,0000,0000,0000,,MUSIC: "Bullitt Theme" by Lalo Schifrin
Dialogue: 0,0:01:45.100,0:01:48.16,Default,,0000,0000,0000,,'Steve McQueen, he said,'
Dialogue: 0,0:01:48.16,0:01:50.48,Default,,0000,0000,0000,,"Bullitt is a very simple guy.
Dialogue: 0,0:01:50.48,0:01:52.56,Default,,0000,0000,0000,,"I want you to write a simple theme."
Dialogue: 0,0:01:56.24,0:02:00.76,Default,,0000,0000,0000,,It was pop arranger Ennio Morricone who orchestrated this.
Dialogue: 0,0:02:00.76,0:02:03.64,Default,,0000,0000,0000,,One of the greatest gunfights in cinema.
Dialogue: 0,0:02:07.100,0:02:10.48,Default,,0000,0000,0000,,Here the characters are choreographed to the music
Dialogue: 0,0:02:10.48,0:02:12.20,Default,,0000,0000,0000,,in an almost operatic way.
Dialogue: 0,0:02:13.84,0:02:16.68,Default,,0000,0000,0000,,But pop has also been used for commercial
Dialogue: 0,0:02:16.68,0:02:18.68,Default,,0000,0000,0000,,rather than creative reasons.
Dialogue: 0,0:02:18.68,0:02:21.20,Default,,0000,0000,0000,,To help fund and promote big budget movies.
Dialogue: 0,0:02:21.20,0:02:25.16,Default,,0000,0000,0000,,MUSIC: "Take My Breath Away" by Berlin
Dialogue: 0,0:02:25.16,0:02:28.76,Default,,0000,0000,0000,,MUSIC: "Misirlou" by Dick Dale
Dialogue: 0,0:02:28.76,0:02:31.36,Default,,0000,0000,0000,,And when the most influential director of his generation
Dialogue: 0,0:02:31.36,0:02:34.72,Default,,0000,0000,0000,,decides he can get rid of original scores altogether,
Dialogue: 0,0:02:34.72,0:02:37.76,Default,,0000,0000,0000,,has the use of popular music in film gone too far?
Dialogue: 0,0:02:39.76,0:02:42.24,Default,,0000,0000,0000,,Is it really possible to cut out the composer
Dialogue: 0,0:02:42.24,0:02:44.68,Default,,0000,0000,0000,,and still make a musically great film?
Dialogue: 0,0:02:56.24,0:02:59.36,Default,,0000,0000,0000,,JAZZ MUSIC PLAYS
Dialogue: 0,0:03:01.100,0:03:04.36,Default,,0000,0000,0000,,In the late 1940s,
Dialogue: 0,0:03:04.36,0:03:08.92,Default,,0000,0000,0000,,cities across America were buzzing with a new style of jazz.
Dialogue: 0,0:03:08.92,0:03:15.12,Default,,0000,0000,0000,,More exciting, less predictable, more like the sound of real life.
Dialogue: 0,0:03:15.12,0:03:18.04,Default,,0000,0000,0000,,But it was far removed from the discipline of
Dialogue: 0,0:03:18.04,0:03:20.16,Default,,0000,0000,0000,,the traditional film score.
Dialogue: 0,0:03:20.16,0:03:23.72,Default,,0000,0000,0000,,And Hollywood cinema wasn't ready for it.
Dialogue: 0,0:03:23.72,0:03:29.24,Default,,0000,0000,0000,,Until a film came along in 1951 which would be the perfect vehicle.
Dialogue: 0,0:03:30.88,0:03:35.12,Default,,0000,0000,0000,,A Streetcar Named Desire boasted the first all-jazz score.
Dialogue: 0,0:03:35.12,0:03:38.72,Default,,0000,0000,0000,,And it's one of those movies I can remember seeing for the first time.
Dialogue: 0,0:03:38.72,0:03:42.72,Default,,0000,0000,0000,,I was completely blown away by the jazz - the immediacy of it.
Dialogue: 0,0:03:42.72,0:03:44.52,Default,,0000,0000,0000,,The physicality, too.
Dialogue: 0,0:03:44.52,0:03:47.48,Default,,0000,0000,0000,,And if it had that effect on me in the 1980s,
Dialogue: 0,0:03:47.48,0:03:50.04,Default,,0000,0000,0000,,think what it did to audiences in 1951.
Dialogue: 0,0:03:52.32,0:03:56.56,Default,,0000,0000,0000,,A Streetcar Named Desire stars Marlon Brando as Stanley.
Dialogue: 0,0:03:56.56,0:03:59.96,Default,,0000,0000,0000,,The arrival of his unstable sister-in-law Blanche,
Dialogue: 0,0:03:59.96,0:04:02.72,Default,,0000,0000,0000,,played by Vivienne Leigh, causes sexual tension,
Dialogue: 0,0:04:02.72,0:04:04.36,Default,,0000,0000,0000,,which leads to her breakdown.
Dialogue: 0,0:04:04.36,0:04:07.20,Default,,0000,0000,0000,,You can hear the seeds of this in the music
Dialogue: 0,0:04:07.20,0:04:10.64,Default,,0000,0000,0000,,from their very first encounter.
Dialogue: 0,0:04:10.64,0:04:14.04,Default,,0000,0000,0000,,SLOW JAZZ MUSIC
Dialogue: 0,0:04:18.40,0:04:22.36,Default,,0000,0000,0000,,The soundtrack was the debut film score of Alex North.
Dialogue: 0,0:04:22.36,0:04:24.92,Default,,0000,0000,0000,,A modernist composer who loved jazz.
Dialogue: 0,0:04:24.92,0:04:27.12,Default,,0000,0000,0000,,And had long wondered
Dialogue: 0,0:04:27.12,0:04:30.100,Default,,0000,0000,0000,,if its essence could be captured in a more classical musical structure.
Dialogue: 0,0:04:30.100,0:04:35.68,Default,,0000,0000,0000,,With Streetcar, North harnessed the rhythms and harmonies of jazz
Dialogue: 0,0:04:35.68,0:04:39.88,Default,,0000,0000,0000,,to emphasise the complex chemistry between the characters.
Dialogue: 0,0:04:39.88,0:04:42.88,Default,,0000,0000,0000,,As soon as Stanley walks in the room,
Dialogue: 0,0:04:42.88,0:04:45.08,Default,,0000,0000,0000,,you get this brilliant jazz riff.
Dialogue: 0,0:04:45.08,0:04:47.32,Default,,0000,0000,0000,,HE PLAYS PIANO
Dialogue: 0,0:04:50.80,0:04:53.16,Default,,0000,0000,0000,,It's got a march to it, a sort of step.
Dialogue: 0,0:04:53.16,0:04:56.96,Default,,0000,0000,0000,,It's like the march of fate - he will be her nemesis.
Dialogue: 0,0:04:56.96,0:05:01.84,Default,,0000,0000,0000,,Over that we get these two gorgeous sax solos.
Dialogue: 0,0:05:01.84,0:05:04.52,Default,,0000,0000,0000,,One of them starts almost straightaway.
Dialogue: 0,0:05:04.52,0:05:06.12,Default,,0000,0000,0000,,Which is kind of Stanley.
Dialogue: 0,0:05:11.52,0:05:16.48,Default,,0000,0000,0000,,- You must be Stanley. I'm Blanche. \N- Oh, you're Stella's sister.
Dialogue: 0,0:05:17.72,0:05:20.48,Default,,0000,0000,0000,,- Yes. \N- Oh, hi.
Dialogue: 0,0:05:20.48,0:05:24.44,Default,,0000,0000,0000,,There's a real sense that Stanley's there in all his sweaty glory.
Dialogue: 0,0:05:24.44,0:05:26.72,Default,,0000,0000,0000,,We suddenly hear another sax solo,
Dialogue: 0,0:05:26.72,0:05:30.16,Default,,0000,0000,0000,,which immediately begins to climb higher and higher and higher.
Dialogue: 0,0:05:30.16,0:05:34.16,Default,,0000,0000,0000,,Until it almost gets within a range beyond which it can't go.
Dialogue: 0,0:05:34.16,0:05:36.56,Default,,0000,0000,0000,,That is Blanche.
Dialogue: 0,0:05:40.64,0:05:42.92,Default,,0000,0000,0000,,Hey, you mind if I make myself comfortable?
Dialogue: 0,0:05:42.92,0:05:45.52,Default,,0000,0000,0000,,- My shirt is sticking to me. \N- Please, please. Please do.
Dialogue: 0,0:05:45.52,0:05:49.36,Default,,0000,0000,0000,,That sax solo is telling us what she's feeling.
Dialogue: 0,0:05:49.36,0:05:52.08,Default,,0000,0000,0000,,And she's already close to breakdown.
Dialogue: 0,0:05:52.08,0:05:54.96,Default,,0000,0000,0000,,These are all moments in the scene that simply couldn't be
Dialogue: 0,0:05:54.96,0:05:56.60,Default,,0000,0000,0000,,put across any other way.
Dialogue: 0,0:05:56.60,0:05:59.36,Default,,0000,0000,0000,,And what the instruments are doing is being played in a way
Dialogue: 0,0:05:59.36,0:06:02.60,Default,,0000,0000,0000,,whereby you can hear the breath, you can hear the notes
Dialogue: 0,0:06:02.60,0:06:05.44,Default,,0000,0000,0000,,moving around, you can hear them being bent and changed.
Dialogue: 0,0:06:05.44,0:06:08.12,Default,,0000,0000,0000,,And it begins to sound like a human voice.
Dialogue: 0,0:06:08.12,0:06:13.52,Default,,0000,0000,0000,,When you add that sound to a scene, there's a real sense of physicality.
Dialogue: 0,0:06:13.52,0:06:15.64,Default,,0000,0000,0000,,Humanity, if you like.
Dialogue: 0,0:06:15.64,0:06:18.88,Default,,0000,0000,0000,,Something which you couldn't get out of classical music.
Dialogue: 0,0:06:18.88,0:06:22.48,Default,,0000,0000,0000,,But which jazz gives you from the first second you hear a note.
Dialogue: 0,0:06:22.48,0:06:25.88,Default,,0000,0000,0000,,But this is no ordinary love triangle.
Dialogue: 0,0:06:25.88,0:06:30.04,Default,,0000,0000,0000,,Despite Blanche's attraction to Stanley, it's Stella, his wife,
Dialogue: 0,0:06:30.04,0:06:33.92,Default,,0000,0000,0000,,with her unavoidable sexual power, who really has a hold over him.
Dialogue: 0,0:06:33.92,0:06:36.44,Default,,0000,0000,0000,,Stella!
Dialogue: 0,0:06:38.12,0:06:40.44,Default,,0000,0000,0000,,Hey, Stella!
Dialogue: 0,0:06:40.44,0:06:43.100,Default,,0000,0000,0000,,North's score in this scene is doing what all great film music does -
Dialogue: 0,0:06:43.100,0:06:46.24,Default,,0000,0000,0000,,telling us more than we can see.
Dialogue: 0,0:06:46.24,0:06:50.24,Default,,0000,0000,0000,,And in this case, more than the characters will actually tell us.
Dialogue: 0,0:06:50.24,0:06:52.64,Default,,0000,0000,0000,,This scene's about desire.
Dialogue: 0,0:06:52.64,0:06:56.36,Default,,0000,0000,0000,,You can hear in every note of that sax how Stanley feels about Stella.
Dialogue: 0,0:06:56.36,0:06:58.24,Default,,0000,0000,0000,,And how she feels about him.
Dialogue: 0,0:06:58.24,0:07:00.100,Default,,0000,0000,0000,,And what binds the two of them together.
Dialogue: 0,0:07:00.100,0:07:03.56,Default,,0000,0000,0000,,ATMOSPHERIC JAZZ MUSIC
Dialogue: 0,0:07:08.24,0:07:10.28,Default,,0000,0000,0000,,And that was the problem.
Dialogue: 0,0:07:10.28,0:07:13.88,Default,,0000,0000,0000,,The Legion Of Decency, a self appointed moral pressure group,
Dialogue: 0,0:07:13.88,0:07:15.100,Default,,0000,0000,0000,,were very powerful at this time.
Dialogue: 0,0:07:15.100,0:07:19.64,Default,,0000,0000,0000,,They saw the scene, heard the music and took exception to both.
Dialogue: 0,0:07:20.92,0:07:25.36,Default,,0000,0000,0000,,The scene had to be cut, and North had to go back and rescore.
Dialogue: 0,0:07:25.36,0:07:29.68,Default,,0000,0000,0000,,Out went the sax to be replaced by strings.
Dialogue: 0,0:07:29.68,0:07:31.40,Default,,0000,0000,0000,,EMOTIONAL MUSIC
Dialogue: 0,0:07:33.12,0:07:36.52,Default,,0000,0000,0000,,Sentimentality took over from sensuality.
Dialogue: 0,0:07:39.44,0:07:43.76,Default,,0000,0000,0000,,And in the version everybody saw, Stella wanted Stanley back.
Dialogue: 0,0:07:43.76,0:07:47.88,Default,,0000,0000,0000,,But in North's original, Stella just wanted Stanley.
Dialogue: 0,0:07:52.48,0:07:54.40,Default,,0000,0000,0000,,Don't ever leave me, baby.
Dialogue: 0,0:07:59.20,0:08:04.40,Default,,0000,0000,0000,,Through the 1950s, jazz expanded the range of film music in America.
Dialogue: 0,0:08:04.40,0:08:08.20,Default,,0000,0000,0000,,And drove a wave of gritty dramas whose soundtracks captured
Dialogue: 0,0:08:08.20,0:08:12.52,Default,,0000,0000,0000,,the moral complexities of the characters and stories.
Dialogue: 0,0:08:12.52,0:08:15.52,Default,,0000,0000,0000,,MUSIC: "Beat Girl Theme" by John Barry
Dialogue: 0,0:08:15.52,0:08:17.84,Default,,0000,0000,0000,,Across the Atlantic,
Dialogue: 0,0:08:17.84,0:08:20.76,Default,,0000,0000,0000,,Britain was producing its own socially aware dramas
Dialogue: 0,0:08:20.76,0:08:22.96,Default,,0000,0000,0000,,with contemporary scores to match.
Dialogue: 0,0:08:29.52,0:08:31.100,Default,,0000,0000,0000,,Beat Girl was set in the Soho beat scene.
Dialogue: 0,0:08:31.100,0:08:35.56,Default,,0000,0000,0000,,And while its moralistic plot was all a bit trad, its music
Dialogue: 0,0:08:35.56,0:08:39.52,Default,,0000,0000,0000,,harnessed the urgency and energy of jazz-influenced British pop.
Dialogue: 0,0:08:42.64,0:08:45.80,Default,,0000,0000,0000,,Beat Girl was the debut film score by John Barry -
Dialogue: 0,0:08:45.80,0:08:48.88,Default,,0000,0000,0000,,a young composer and arranger who'd had several pop hits
Dialogue: 0,0:08:48.88,0:08:51.48,Default,,0000,0000,0000,,with his own group, The John Barry Seven.
Dialogue: 0,0:08:54.44,0:08:57.100,Default,,0000,0000,0000,,The band's signature sound was driven by catchy guitar riffs
Dialogue: 0,0:08:57.100,0:09:01.04,Default,,0000,0000,0000,,and Barry's own trumpet solos.
Dialogue: 0,0:09:01.04,0:09:05.20,Default,,0000,0000,0000,,Barry's real ambition was to have a career as a pop star.
Dialogue: 0,0:09:05.20,0:09:07.76,Default,,0000,0000,0000,,And he only landed the Beat Girl job
Dialogue: 0,0:09:07.76,0:09:11.20,Default,,0000,0000,0000,,because he shared the same manager as the film's star Adam Faith.
Dialogue: 0,0:09:11.20,0:09:14.04,Default,,0000,0000,0000,,# I diss what you told me... #
Dialogue: 0,0:09:14.04,0:09:16.16,Default,,0000,0000,0000,,But maybe it was predestined.
Dialogue: 0,0:09:16.16,0:09:18.88,Default,,0000,0000,0000,,Barry's father had run a cinema chain
Dialogue: 0,0:09:18.88,0:09:21.36,Default,,0000,0000,0000,,and, as a child, he'd lapped up movies.
Dialogue: 0,0:09:22.72,0:09:25.96,Default,,0000,0000,0000,,John Barry worked here in Soho - the heart of London's film
Dialogue: 0,0:09:25.96,0:09:28.100,Default,,0000,0000,0000,,and music industries. Tin Pan Alley.
Dialogue: 0,0:09:28.100,0:09:32.84,Default,,0000,0000,0000,,He even used a strip club as a rehearsal space for his band,
Dialogue: 0,0:09:32.84,0:09:34.44,Default,,0000,0000,0000,,The John Barry Seven.
Dialogue: 0,0:09:34.44,0:09:37.72,Default,,0000,0000,0000,,I think you can hear those influences in the job that he did.
Dialogue: 0,0:09:37.72,0:09:42.64,Default,,0000,0000,0000,,Arranging and performing the theme to the first James Bond film, Dr No.
Dialogue: 0,0:09:42.64,0:09:45.40,Default,,0000,0000,0000,,MUSIC: "James Bond Theme" by John Barry Orchestra
Dialogue: 0,0:09:45.40,0:09:49.44,Default,,0000,0000,0000,,Dr No's opening titles are animated entirely around the rhythm
Dialogue: 0,0:09:49.44,0:09:52.52,Default,,0000,0000,0000,,of the music - pushing it to the fore.
Dialogue: 0,0:09:52.52,0:09:54.88,Default,,0000,0000,0000,,We can't ignore the swagger of the guitar
Dialogue: 0,0:09:54.88,0:09:57.68,Default,,0000,0000,0000,,and the almost sleazy quality of the horns.
Dialogue: 0,0:10:03.04,0:10:06.04,Default,,0000,0000,0000,,Barry was brought in to arrange this theme from a tune
Dialogue: 0,0:10:06.04,0:10:09.84,Default,,0000,0000,0000,,written by big band singer Monty Norman.
Dialogue: 0,0:10:09.84,0:10:11.04,Default,,0000,0000,0000,,I never saw the movie.
Dialogue: 0,0:10:11.04,0:10:13.64,Default,,0000,0000,0000,,I never met Saltzman and Broccoli. I never met the director.
Dialogue: 0,0:10:13.64,0:10:17.12,Default,,0000,0000,0000,,I never even read a script. I just knew Bond.
Dialogue: 0,0:10:17.12,0:10:19.24,Default,,0000,0000,0000,,I think it was in the Daily Mail,
Dialogue: 0,0:10:19.24,0:10:24.88,Default,,0000,0000,0000,,there was a strip of Bond, which I'd occasionally looked at.
Dialogue: 0,0:10:24.88,0:10:26.100,Default,,0000,0000,0000,,So I knew what it was about.
Dialogue: 0,0:10:26.100,0:10:30.40,Default,,0000,0000,0000,,Monty Norman's theme for Dr No was based on a number
Dialogue: 0,0:10:30.40,0:10:33.24,Default,,0000,0000,0000,,he'd written for musical. And it went like this.
Dialogue: 0,0:10:33.24,0:10:36.36,Default,,0000,0000,0000,,HE PLAYS DR NO MELODY
Dialogue: 0,0:10:37.72,0:10:40.100,Default,,0000,0000,0000,,So what John Barry did in his arrangement, was bring to it
Dialogue: 0,0:10:40.100,0:10:43.40,Default,,0000,0000,0000,,everything he understood about pop and jazz.
Dialogue: 0,0:10:43.40,0:10:46.20,Default,,0000,0000,0000,,First of all, he kept that melody line but he gave it to
Dialogue: 0,0:10:46.20,0:10:48.52,Default,,0000,0000,0000,,the twangy guitar that he understood so well
Dialogue: 0,0:10:48.52,0:10:50.20,Default,,0000,0000,0000,,from The John Barry Seven days.
Dialogue: 0,0:10:50.20,0:10:53.44,Default,,0000,0000,0000,,Then he added a real driver behind it, which is
Dialogue: 0,0:10:53.44,0:10:55.56,Default,,0000,0000,0000,,this deep bass brass sound.
Dialogue: 0,0:10:55.56,0:10:58.64,Default,,0000,0000,0000,,HE PLAYS THEME
Dialogue: 0,0:11:03.24,0:11:07.28,Default,,0000,0000,0000,,Then he added this fabulous middle eight, which takes the music
Dialogue: 0,0:11:07.28,0:11:09.36,Default,,0000,0000,0000,,and the film on to a different level.
Dialogue: 0,0:11:09.36,0:11:12.20,Default,,0000,0000,0000,,HE PLAYS THEME
Dialogue: 0,0:11:16.20,0:11:18.08,Default,,0000,0000,0000,,That screaming horn section
Dialogue: 0,0:11:18.08,0:11:20.76,Default,,0000,0000,0000,,has an extraordinary confidence and raciness.
Dialogue: 0,0:11:22.04,0:11:24.80,Default,,0000,0000,0000,,But it's also deeply pop. It's deeply jazz.
Dialogue: 0,0:11:24.80,0:11:27.56,Default,,0000,0000,0000,,It's got a wonderful kind of mish-mash of all the things
Dialogue: 0,0:11:27.56,0:11:28.100,Default,,0000,0000,0000,,that John Barry understood.
Dialogue: 0,0:11:28.100,0:11:32.48,Default,,0000,0000,0000,,MUSIC: "James Bond Theme" by John Barry Orchestra
Dialogue: 0,0:11:37.24,0:11:41.60,Default,,0000,0000,0000,,John Barry got paid 250 quid for his arrangement of the Bond theme.
Dialogue: 0,0:11:41.60,0:11:44.72,Default,,0000,0000,0000,,And it wasn't until he queued up with everybody else to see
Dialogue: 0,0:11:44.72,0:11:47.84,Default,,0000,0000,0000,,Dr No at the cinema that he realised how ubiquitous his theme was.
Dialogue: 0,0:11:47.84,0:11:51.16,Default,,0000,0000,0000,,He contacted the producers, saying, "I arranged your opening title
Dialogue: 0,0:11:51.16,0:11:54.32,Default,,0000,0000,0000,,"music, I didn't expect to hear it sploshed through the whole film.
Dialogue: 0,0:11:54.32,0:11:56.24,Default,,0000,0000,0000,,"Can I have some more money?"
Dialogue: 0,0:11:56.24,0:11:59.12,Default,,0000,0000,0000,,They said, "No, but you can score the next one.
Dialogue: 0,0:11:59.12,0:12:00.96,Default,,0000,0000,0000,,"If there is a next one."
Dialogue: 0,0:12:00.96,0:12:04.68,Default,,0000,0000,0000,,In fact, Barry went on to score 11 Bond movies.
Dialogue: 0,0:12:04.68,0:12:07.64,Default,,0000,0000,0000,,And you can hear the difference when he's not just an arranger
Dialogue: 0,0:12:07.64,0:12:10.88,Default,,0000,0000,0000,,but a fully-fledged composer in his own right.
Dialogue: 0,0:12:10.88,0:12:14.08,Default,,0000,0000,0000,,MUSIC: "Goldfinger" by Shirley Bassey
Dialogue: 0,0:12:22.64,0:12:26.20,Default,,0000,0000,0000,,For Goldfinger, Barry drew from his pop contacts,
Dialogue: 0,0:12:26.20,0:12:29.40,Default,,0000,0000,0000,,casting Shirley Bassey to sing the title song.
Dialogue: 0,0:12:30.44,0:12:33.32,Default,,0000,0000,0000,,LOUD KISS
Dialogue: 0,0:12:33.32,0:12:37.04,Default,,0000,0000,0000,,# It's the kiss of death
Dialogue: 0,0:12:37.04,0:12:40.72,Default,,0000,0000,0000,,# From Mr Goldfinger... #
Dialogue: 0,0:12:40.72,0:12:44.24,Default,,0000,0000,0000,,From now on, every Bond movie's title number would be
Dialogue: 0,0:12:44.24,0:12:47.44,Default,,0000,0000,0000,,performed by a leading pop star of the day.
Dialogue: 0,0:12:47.44,0:12:49.60,Default,,0000,0000,0000,,And the song would help sell the movie.
Dialogue: 0,0:12:49.60,0:12:52.40,Default,,0000,0000,0000,,# ..His heart is cold
Dialogue: 0,0:12:52.40,0:12:54.92,Default,,0000,0000,0000,,# He loves only gold... #
Dialogue: 0,0:12:54.92,0:12:58.16,Default,,0000,0000,0000,,Having firmly established his Goldfinger theme
Dialogue: 0,0:12:58.16,0:12:59.72,Default,,0000,0000,0000,,in the opening song, Barry runs it
Dialogue: 0,0:12:59.72,0:13:04.04,Default,,0000,0000,0000,,though a series of symphonic variations throughout the film.
Dialogue: 0,0:13:04.04,0:13:08.12,Default,,0000,0000,0000,,As when Bond pursues Goldfinger through the Swiss Alps.
Dialogue: 0,0:13:08.12,0:13:11.16,Default,,0000,0000,0000,,VARIATION ON BOND THEME PLAYS
Dialogue: 0,0:13:14.56,0:13:17.92,Default,,0000,0000,0000,,And here, Barry seamlessly switches from the original Bond theme
Dialogue: 0,0:13:17.92,0:13:20.88,Default,,0000,0000,0000,,to the Goldfinger tune.
Dialogue: 0,0:13:20.88,0:13:24.48,Default,,0000,0000,0000,,MUSIC PLAYS
Dialogue: 0,0:13:24.48,0:13:26.44,Default,,0000,0000,0000,,He's on the move.
Dialogue: 0,0:13:35.100,0:13:39.52,Default,,0000,0000,0000,,Although his music's origins are rooted in pop and jazz,
Dialogue: 0,0:13:39.52,0:13:43.16,Default,,0000,0000,0000,,Barry was also scoring the characters with their own themes -
Dialogue: 0,0:13:43.16,0:13:46.56,Default,,0000,0000,0000,,in a way traditional Hollywood composers would have understood.
Dialogue: 0,0:13:47.88,0:13:50.88,Default,,0000,0000,0000,,Barry's success showed how the worlds of film
Dialogue: 0,0:13:50.88,0:13:54.24,Default,,0000,0000,0000,,and pop music were drawing ever closer together.
Dialogue: 0,0:13:59.84,0:14:03.92,Default,,0000,0000,0000,,But throughout the '60s, although pop was becoming an ally of film,
Dialogue: 0,0:14:03.92,0:14:07.68,Default,,0000,0000,0000,,it also threatened to pull young audiences away from the movies,
Dialogue: 0,0:14:07.68,0:14:10.16,Default,,0000,0000,0000,,overtaking them in popularity.
Dialogue: 0,0:14:10.16,0:14:12.64,Default,,0000,0000,0000,,MUSIC: "Hard Day's Night" by The Beatles
Dialogue: 0,0:14:14.84,0:14:20.08,Default,,0000,0000,0000,,So, with a strident guitar chord and an opening shot that captures
Dialogue: 0,0:14:20.08,0:14:22.88,Default,,0000,0000,0000,,the tidal wave of fan hysteria,
Dialogue: 0,0:14:22.88,0:14:27.04,Default,,0000,0000,0000,,one film set out directly to embrace the pop phenomenon.
Dialogue: 0,0:14:29.44,0:14:32.92,Default,,0000,0000,0000,,A Hard Day's Night - the first film to feature The Beatles,
Dialogue: 0,0:14:32.92,0:14:35.16,Default,,0000,0000,0000,,the world's biggest pop band.
Dialogue: 0,0:14:35.16,0:14:37.72,Default,,0000,0000,0000,,Nobody had ever seen anything like it before.
Dialogue: 0,0:14:37.72,0:14:39.48,Default,,0000,0000,0000,,But then that was the idea.
Dialogue: 0,0:14:39.48,0:14:42.16,Default,,0000,0000,0000,,A young generation could tell straightaway,
Dialogue: 0,0:14:42.16,0:14:45.08,Default,,0000,0000,0000,,this was a movie aimed directly at them.
Dialogue: 0,0:14:45.08,0:14:47.60,Default,,0000,0000,0000,,# So why on earth should I moan
Dialogue: 0,0:14:47.60,0:14:49.92,Default,,0000,0000,0000,,# Cos when I get you alone
Dialogue: 0,0:14:49.92,0:14:52.20,Default,,0000,0000,0000,,# You know I feel OK... #
Dialogue: 0,0:14:52.20,0:14:56.32,Default,,0000,0000,0000,,Director Richard Lester faced a unique challenge.
Dialogue: 0,0:14:56.32,0:14:59.24,Default,,0000,0000,0000,,He had to choose songs which had already been
Dialogue: 0,0:14:59.24,0:15:02.08,Default,,0000,0000,0000,,recorded by The Beatles before a script had even been written.
Dialogue: 0,0:15:02.08,0:15:05.56,Default,,0000,0000,0000,,And somehow construct a film that made sense.
Dialogue: 0,0:15:06.60,0:15:10.60,Default,,0000,0000,0000,,We were given ten songs and I rejected two.
Dialogue: 0,0:15:10.60,0:15:12.72,Default,,0000,0000,0000,,You sit down,
Dialogue: 0,0:15:12.72,0:15:16.76,Default,,0000,0000,0000,,given this bag of toys, of wonderful songs,
Dialogue: 0,0:15:16.76,0:15:18.76,Default,,0000,0000,0000,,and you think,
Dialogue: 0,0:15:18.76,0:15:20.76,Default,,0000,0000,0000,,"I can't see where this can go."
Dialogue: 0,0:15:23.08,0:15:27.24,Default,,0000,0000,0000,,The only thing that bound these songs together was the band.
Dialogue: 0,0:15:27.24,0:15:31.68,Default,,0000,0000,0000,,So Lester looked to the Beatles themselves for ideas about how
Dialogue: 0,0:15:31.68,0:15:34.64,Default,,0000,0000,0000,,to build his sequences.
Dialogue: 0,0:15:34.64,0:15:38.48,Default,,0000,0000,0000,,They all had a fairly developed sense of the surreal.
Dialogue: 0,0:15:38.48,0:15:43.68,Default,,0000,0000,0000,,The first thing I tried to do with the film is to let the audience
Dialogue: 0,0:15:43.68,0:15:49.48,Default,,0000,0000,0000,,know that things were not going to be a straightforward documentary
Dialogue: 0,0:15:49.48,0:15:54.12,Default,,0000,0000,0000,,narrative of a day in the life of The Beatles.
Dialogue: 0,0:15:54.12,0:15:56.68,Default,,0000,0000,0000,,Aye, aye, the Liverpool shuffle.
Dialogue: 0,0:15:56.68,0:15:58.64,Default,,0000,0000,0000,,In this scene,
Dialogue: 0,0:15:58.64,0:16:03.28,Default,,0000,0000,0000,,the band magically switch from playing cards to playing a song.
Dialogue: 0,0:16:03.28,0:16:05.100,Default,,0000,0000,0000,,MUSIC: "When I Get Home" by The Beatles
Dialogue: 0,0:16:07.72,0:16:10.56,Default,,0000,0000,0000,,# Whoa-whoa I... #
Dialogue: 0,0:16:10.56,0:16:15.16,Default,,0000,0000,0000,,It was saying to the audience, "You see, life is not as you think it is.
Dialogue: 0,0:16:15.16,0:16:17.92,Default,,0000,0000,0000,,"There is a surreal quality to them."
Dialogue: 0,0:16:17.92,0:16:21.96,Default,,0000,0000,0000,,# Can't you see? Can't you see? #
Dialogue: 0,0:16:21.96,0:16:28.80,Default,,0000,0000,0000,,The whole of Hard Day's Night was starting out of them
Dialogue: 0,0:16:28.80,0:16:32.72,Default,,0000,0000,0000,,being ordered about in small spaces.
Dialogue: 0,0:16:32.72,0:16:33.100,Default,,0000,0000,0000,,And no messing about.
Dialogue: 0,0:16:33.100,0:16:36.92,Default,,0000,0000,0000,,Lennon, put those girls down or I'll tell your mother on you.
Dialogue: 0,0:16:36.92,0:16:41.08,Default,,0000,0000,0000,,'Being yelled at and being chased by people,
Dialogue: 0,0:16:41.08,0:16:43.96,Default,,0000,0000,0000,,'and that sudden sense of relief.'
Dialogue: 0,0:16:43.96,0:16:45.100,Default,,0000,0000,0000,,We're out!
Dialogue: 0,0:16:45.100,0:16:48.52,Default,,0000,0000,0000,,MUSIC: "Can't Buy Me Love" by The Beatles
Dialogue: 0,0:16:48.52,0:16:53.76,Default,,0000,0000,0000,,'When they break out and run down a staircase and out into a field.'
Dialogue: 0,0:16:53.76,0:16:56.24,Default,,0000,0000,0000,,# I'll buy you a diamond ring... #
Dialogue: 0,0:16:56.24,0:16:58.20,Default,,0000,0000,0000,,CHEERING
Dialogue: 0,0:16:58.20,0:17:02.12,Default,,0000,0000,0000,,The success of A Hard Day's Night showed how pop music
Dialogue: 0,0:17:02.12,0:17:04.80,Default,,0000,0000,0000,,could get younger audiences flocking to the cinema.
Dialogue: 0,0:17:12.12,0:17:15.60,Default,,0000,0000,0000,,Hollywood had also seen how the wind was blowing.
Dialogue: 0,0:17:15.60,0:17:18.20,Default,,0000,0000,0000,,And leading the way was Walt Disney.
Dialogue: 0,0:17:18.20,0:17:21.08,Default,,0000,0000,0000,,Looking to appeal to children and parents alike,
Dialogue: 0,0:17:21.08,0:17:25.40,Default,,0000,0000,0000,,Disney realised his new composers had to be au fait with the pop song.
Dialogue: 0,0:17:25.40,0:17:28.32,Default,,0000,0000,0000,,He signed up the song-writing duo, brothers Richard
Dialogue: 0,0:17:28.32,0:17:32.60,Default,,0000,0000,0000,,and Robert Sherman, creators of the smash hit You're Sixteen.
Dialogue: 0,0:17:34.24,0:17:36.32,Default,,0000,0000,0000,,My dad challenged us to write pop music.
Dialogue: 0,0:17:36.32,0:17:38.44,Default,,0000,0000,0000,,And we started writing pop songs.
Dialogue: 0,0:17:38.44,0:17:44.28,Default,,0000,0000,0000,,And we had some big number one hits with rock 'n' roll songs.
Dialogue: 0,0:17:44.28,0:17:48.16,Default,,0000,0000,0000,,Uncle Walt wanted the brothers to bring their song-writing magic
Dialogue: 0,0:17:48.16,0:17:50.52,Default,,0000,0000,0000,,to a new Disney movie.
Dialogue: 0,0:17:50.52,0:17:53.68,Default,,0000,0000,0000,,He said, "You know what a nanny is?" We said, "Oh, yeah, it's a goat.
Dialogue: 0,0:17:53.68,0:17:56.64,Default,,0000,0000,0000,,"You want to do an animated film about a nanny goat?"
Dialogue: 0,0:17:56.64,0:17:59.20,Default,,0000,0000,0000,,"No, no, no," he says. "It's an English nursemaid."
Dialogue: 0,0:17:59.20,0:18:00.96,Default,,0000,0000,0000,,"Oh, yeah, sure. We can..."
Dialogue: 0,0:18:00.96,0:18:03.80,Default,,0000,0000,0000,,So we read this enchanting series of stories.
Dialogue: 0,0:18:03.80,0:18:07.96,Default,,0000,0000,0000,,The challenge facing the brothers was not only to compose
Dialogue: 0,0:18:07.96,0:18:12.84,Default,,0000,0000,0000,,the songs for Mary Poppins, but to construct a story from these books.
Dialogue: 0,0:18:14.40,0:18:17.20,Default,,0000,0000,0000,,We were reading them with great alarm because we'd say,
Dialogue: 0,0:18:17.20,0:18:20.20,Default,,0000,0000,0000,,"Well what's the plot? I mean, where is the storyline?"
Dialogue: 0,0:18:20.20,0:18:22.28,Default,,0000,0000,0000,,It was not a storyline at all.
Dialogue: 0,0:18:22.28,0:18:25.96,Default,,0000,0000,0000,,It was just wonderful adventures with this magical nanny
Dialogue: 0,0:18:25.96,0:18:29.16,Default,,0000,0000,0000,,who comes in and does great stuff, and then she leaves.
Dialogue: 0,0:18:29.16,0:18:32.12,Default,,0000,0000,0000,,So we knew we had to do some quick thinking.
Dialogue: 0,0:18:32.12,0:18:34.64,Default,,0000,0000,0000,,Let's come in with a storyline.
Dialogue: 0,0:18:34.64,0:18:37.72,Default,,0000,0000,0000,,MUSIC: "Boiled Beef And Carrots" by Harry Champion
Dialogue: 0,0:18:37.72,0:18:42.76,Default,,0000,0000,0000,,The brothers fused American pop with a more surprising tradition -
Dialogue: 0,0:18:42.76,0:18:45.68,Default,,0000,0000,0000,,English music hall.
Dialogue: 0,0:18:45.68,0:18:48.28,Default,,0000,0000,0000,,# Boiled beef and carrots
Dialogue: 0,0:18:48.28,0:18:49.96,Default,,0000,0000,0000,,# Boiled beef and carrots... #
Dialogue: 0,0:18:49.96,0:18:52.12,Default,,0000,0000,0000,,Their passion for these songs would be
Dialogue: 0,0:18:52.12,0:18:54.24,Default,,0000,0000,0000,,the inspiration behind the film's score.
Dialogue: 0,0:18:54.24,0:18:57.24,Default,,0000,0000,0000,,With the movie set in Edwardian London.
Dialogue: 0,0:18:57.24,0:19:01.16,Default,,0000,0000,0000,,I've always been a fan of English music hall.
Dialogue: 0,0:19:01.16,0:19:03.40,Default,,0000,0000,0000,,Those wonderful old songs. Boiled Beef And Carrots.
Dialogue: 0,0:19:03.40,0:19:05.12,Default,,0000,0000,0000,,All those things like that.
Dialogue: 0,0:19:05.12,0:19:08.16,Default,,0000,0000,0000,,Walt bought that right away. He knew what I was talking about.
Dialogue: 0,0:19:08.16,0:19:11.88,Default,,0000,0000,0000,,We were called in and there were Walt Disney, all of them
Dialogue: 0,0:19:11.88,0:19:15.08,Default,,0000,0000,0000,,singing Knees Up Mother Brown, kicking their feet up in the air.
Dialogue: 0,0:19:15.08,0:19:16.64,Default,,0000,0000,0000,,And they were all out of breath.
Dialogue: 0,0:19:16.64,0:19:20.48,Default,,0000,0000,0000,,And Walt said, "Now, I want you to write me a song like this, right?"
Dialogue: 0,0:19:20.48,0:19:23.12,Default,,0000,0000,0000,,We said, "Yes, Walt, we'll write you a song like that."
Dialogue: 0,0:19:23.12,0:19:24.76,Default,,0000,0000,0000,,So we started with...
Dialogue: 0,0:19:24.76,0:19:26.40,Default,,0000,0000,0000,,# Step in time, step in time
Dialogue: 0,0:19:26.40,0:19:27.80,Default,,0000,0000,0000,,# Step in time, step in time
Dialogue: 0,0:19:27.80,0:19:29.60,Default,,0000,0000,0000,,# You never need a reason, never need a rhyme
Dialogue: 0,0:19:29.60,0:19:31.16,Default,,0000,0000,0000,,# Step in time you step in time... #
Dialogue: 0,0:19:31.16,0:19:32.84,Default,,0000,0000,0000,,Link your elbows!
Dialogue: 0,0:19:32.84,0:19:34.80,Default,,0000,0000,0000,,# Link your elbows, step in time
Dialogue: 0,0:19:34.80,0:19:36.40,Default,,0000,0000,0000,,# Link your elbows, step in time
Dialogue: 0,0:19:36.40,0:19:37.96,Default,,0000,0000,0000,,# Link your elbows, link your elbows
Dialogue: 0,0:19:37.96,0:19:39.72,Default,,0000,0000,0000,,# Link your elbows... #
Dialogue: 0,0:19:39.72,0:19:42.44,Default,,0000,0000,0000,,That little piece went for 12 minutes.
Dialogue: 0,0:19:42.44,0:19:45.60,Default,,0000,0000,0000,,You know, one of the greatest scenes you've ever seen.
Dialogue: 0,0:19:45.60,0:19:48.92,Default,,0000,0000,0000,,And the Shermans would mix all the ingredients that make a classic
Dialogue: 0,0:19:48.92,0:19:53.28,Default,,0000,0000,0000,,pop song - a memorable lyric, a catchy melody and a potent hook -
Dialogue: 0,0:19:53.28,0:19:56.04,Default,,0000,0000,0000,,to create the film's most-loved tune.
Dialogue: 0,0:19:59.12,0:20:01.40,Default,,0000,0000,0000,,We came up with this nonsense word,
Dialogue: 0,0:20:01.40,0:20:04.08,Default,,0000,0000,0000,,which we decided would be a great gift for Mary Poppins
Dialogue: 0,0:20:04.08,0:20:05.68,Default,,0000,0000,0000,,to give to the children.
Dialogue: 0,0:20:05.68,0:20:07.24,Default,,0000,0000,0000,,So we said, "Let's give them
Dialogue: 0,0:20:07.24,0:20:09.68,Default,,0000,0000,0000,,"a really, funny, crazy, obnoxious word."
Dialogue: 0,0:20:09.68,0:20:12.40,Default,,0000,0000,0000,,And we started, we said, "It's got to be super colossal."
Dialogue: 0,0:20:12.40,0:20:15.92,Default,,0000,0000,0000,,And super colossal...well, anybody would write super colossal.
Dialogue: 0,0:20:15.92,0:20:18.76,Default,,0000,0000,0000,,So we said, "Super something, super crazy,
Dialogue: 0,0:20:18.76,0:20:21.04,Default,,0000,0000,0000,,"super caga...flava...slava...
Dialogue: 0,0:20:21.04,0:20:25.76,Default,,0000,0000,0000,,"Supercali... supercalifragilistic! A-ha!" And then, we had...
Dialogue: 0,0:20:25.76,0:20:28.56,Default,,0000,0000,0000,,# Um diddle diddle um diddle ay Um diddle diddle diddle um
Dialogue: 0,0:20:28.56,0:20:31.16,Default,,0000,0000,0000,,# Because I was afraid to speak When I was just a lad
Dialogue: 0,0:20:31.16,0:20:34.72,Default,,0000,0000,0000,,# Me father gave me nose a tweak And told me I was bad...
Dialogue: 0,0:20:34.72,0:20:38.24,Default,,0000,0000,0000,,# But then one day I learned a word That saved me aching nose
Dialogue: 0,0:20:38.24,0:20:41.32,Default,,0000,0000,0000,,# The biggest word you ever heard And this is how it goes, oh!
Dialogue: 0,0:20:41.32,0:20:44.20,Default,,0000,0000,0000,,# Supercalifragilisticexpialidocious
Dialogue: 0,0:20:44.20,0:20:47.48,Default,,0000,0000,0000,,# Even though the sound of it Is something quite atrocious
Dialogue: 0,0:20:47.48,0:20:50.76,Default,,0000,0000,0000,,# If you say it loud enough You'll always sound precocious
Dialogue: 0,0:20:50.76,0:20:52.88,Default,,0000,0000,0000,,# Supercalifragilisticexpialidocious
Dialogue: 0,0:20:52.88,0:20:56.36,Default,,0000,0000,0000,,# Um diddle diddle um diddle ay # Um diddle diddle um diddle ay... #
Dialogue: 0,0:20:56.36,0:21:00.16,Default,,0000,0000,0000,,These songs earned the Sherman Brothers two Academy Awards.
Dialogue: 0,0:21:00.16,0:21:02.76,Default,,0000,0000,0000,,# I've reached the top And had to stop
Dialogue: 0,0:21:02.76,0:21:04.76,Default,,0000,0000,0000,,# And that's what bothering me... #
Dialogue: 0,0:21:04.76,0:21:08.52,Default,,0000,0000,0000,,Their knack for writing pop tunes would underlay the huge success
Dialogue: 0,0:21:08.52,0:21:11.92,Default,,0000,0000,0000,,they went on to enjoy with other classic Disney movies,
Dialogue: 0,0:21:11.92,0:21:13.52,Default,,0000,0000,0000,,like The Jungle Book.
Dialogue: 0,0:21:13.52,0:21:15.100,Default,,0000,0000,0000,,# ..I'm tired of monkeying around!
Dialogue: 0,0:21:15.100,0:21:17.60,Default,,0000,0000,0000,,# Oh, oobee doo
Dialogue: 0,0:21:17.60,0:21:20.48,Default,,0000,0000,0000,,# I wanna be like you
Dialogue: 0,0:21:20.48,0:21:24.04,Default,,0000,0000,0000,,# I wanna walk like you Talk like you... #
Dialogue: 0,0:21:24.04,0:21:26.60,Default,,0000,0000,0000,,The Shermans had applied their pop sensibility
Dialogue: 0,0:21:26.60,0:21:30.08,Default,,0000,0000,0000,,to reinvigorate the animated musical.
Dialogue: 0,0:21:30.08,0:21:33.12,Default,,0000,0000,0000,,But in Europe, an entirely different film genre
Dialogue: 0,0:21:33.12,0:21:36.80,Default,,0000,0000,0000,,would unexpectedly be changed by a pop composer.
Dialogue: 0,0:21:39.52,0:21:43.40,Default,,0000,0000,0000,,This is the opening of A Fistful Of Dollars,
Dialogue: 0,0:21:43.40,0:21:46.88,Default,,0000,0000,0000,,its bold graphics and striking music a declaration
Dialogue: 0,0:21:46.88,0:21:49.20,Default,,0000,0000,0000,,that the Spaghetti Western had arrived.
Dialogue: 0,0:21:51.52,0:21:53.96,Default,,0000,0000,0000,,Italian filmmakers were giving new life
Dialogue: 0,0:21:53.96,0:21:56.08,Default,,0000,0000,0000,,to one the oldest genres of cinema.
Dialogue: 0,0:21:56.08,0:21:58.12,Default,,0000,0000,0000,,Written by Ennio Morricone,
Dialogue: 0,0:21:58.12,0:22:00.92,Default,,0000,0000,0000,,this title theme boasts the kind of elements
Dialogue: 0,0:22:00.92,0:22:03.20,Default,,0000,0000,0000,,that made his sound so distinctive -
Dialogue: 0,0:22:03.20,0:22:05.08,Default,,0000,0000,0000,,the melody, the whistles,
Dialogue: 0,0:22:05.08,0:22:07.12,Default,,0000,0000,0000,,the recording of a whip crack.
Dialogue: 0,0:22:08.84,0:22:10.12,Default,,0000,0000,0000,,HORSE TROTTING
Dialogue: 0,0:22:10.12,0:22:11.100,Default,,0000,0000,0000,,GUNSHOTS
Dialogue: 0,0:22:14.24,0:22:17.72,Default,,0000,0000,0000,,This use of real world sounds came from Morricone's time
Dialogue: 0,0:22:17.72,0:22:20.64,Default,,0000,0000,0000,,as an arranger of Italian pop records.
Dialogue: 0,0:22:21.88,0:22:24.52,Default,,0000,0000,0000,,TRANSLATION FROM ITALIAN:
Dialogue: 0,0:22:39.36,0:22:42.84,Default,,0000,0000,0000,,The music for A Fistful Of Dollars was based on a pop record
Dialogue: 0,0:22:42.84,0:22:46.44,Default,,0000,0000,0000,,that Morricone had arranged called Pastures Of Plenty,
Dialogue: 0,0:22:46.44,0:22:49.72,Default,,0000,0000,0000,,which had impressed director Sergio Leone.
Dialogue: 0,0:22:49.72,0:22:51.56,Default,,0000,0000,0000,,# We come with the dust
Dialogue: 0,0:22:51.56,0:22:54.08,Default,,0000,0000,0000,,# And we're gone with the wind
Dialogue: 0,0:22:54.08,0:22:59.84,Default,,0000,0000,0000,,# Oh, oooh, oooh, oooh... #
Dialogue: 0,0:22:59.84,0:23:03.28,Default,,0000,0000,0000,,Leone and Morricone had been friends since childhood,
Dialogue: 0,0:23:03.28,0:23:06.56,Default,,0000,0000,0000,,but Leone also knew that the innovation Morricone had shown
Dialogue: 0,0:23:06.56,0:23:09.76,Default,,0000,0000,0000,,on his pop records could deliver something special
Dialogue: 0,0:23:09.76,0:23:11.36,Default,,0000,0000,0000,,despite a tight budget.
Dialogue: 0,0:23:13.36,0:23:16.40,Default,,0000,0000,0000,,Morricone brings his own sensibility to the Western,
Dialogue: 0,0:23:16.40,0:23:20.72,Default,,0000,0000,0000,,he mixes his kind of idea of '60s music and modern sounds
Dialogue: 0,0:23:20.72,0:23:24.72,Default,,0000,0000,0000,,and very individualistic sounds with the idea of the Old West,
Dialogue: 0,0:23:24.72,0:23:29.20,Default,,0000,0000,0000,,the Spanish guitar, the whistle, this sense of folk music.
Dialogue: 0,0:23:29.20,0:23:33.12,Default,,0000,0000,0000,,And here, he combines this with the 19th-century European device
Dialogue: 0,0:23:33.12,0:23:35.56,Default,,0000,0000,0000,,of the leitmotif.
Dialogue: 0,0:23:35.56,0:23:39.24,Default,,0000,0000,0000,,So out of that title music, when we first see Clint Eastwood,
Dialogue: 0,0:23:39.24,0:23:40.92,Default,,0000,0000,0000,,The Man With No Name,
Dialogue: 0,0:23:40.92,0:23:42.64,Default,,0000,0000,0000,,he gets his own little motif.
Dialogue: 0,0:23:42.64,0:23:45.60,Default,,0000,0000,0000,,FLUTE PLAYS
Dialogue: 0,0:23:45.60,0:23:48.04,Default,,0000,0000,0000,,Just a little flute...
Dialogue: 0,0:23:48.04,0:23:51.72,Default,,0000,0000,0000,,But then, when he is spotted by the villain, you get this.
Dialogue: 0,0:23:52.100,0:23:55.36,Default,,0000,0000,0000,,PIANO PLAYS
Dialogue: 0,0:23:55.36,0:23:59.24,Default,,0000,0000,0000,,And it's got a little bit more of a sense of danger about it.
Dialogue: 0,0:23:59.24,0:24:01.88,Default,,0000,0000,0000,,PIANO PLAYS
Dialogue: 0,0:24:03.04,0:24:05.72,Default,,0000,0000,0000,,And above that comes the Japanese flute,
Dialogue: 0,0:24:05.72,0:24:07.36,Default,,0000,0000,0000,,which to me says, you know,
Dialogue: 0,0:24:07.36,0:24:08.96,Default,,0000,0000,0000,,Yojimbo, which is the Japanese epic
Dialogue: 0,0:24:08.96,0:24:11.36,Default,,0000,0000,0000,,on which this film was entirely based.
Dialogue: 0,0:24:11.36,0:24:13.36,Default,,0000,0000,0000,,So now, Eastwood is a samurai.
Dialogue: 0,0:24:13.36,0:24:15.28,Default,,0000,0000,0000,,This is what Morricone does,
Dialogue: 0,0:24:15.28,0:24:19.32,Default,,0000,0000,0000,,he drops these tiny musical ideas into the film throughout,
Dialogue: 0,0:24:19.32,0:24:21.72,Default,,0000,0000,0000,,giving us a different feel, a different sound each time,
Dialogue: 0,0:24:21.72,0:24:24.52,Default,,0000,0000,0000,,sometimes very, very short, just a couple of notes.
Dialogue: 0,0:24:28.92,0:24:31.92,Default,,0000,0000,0000,,Here we have the other great gift that Morricone has,
Dialogue: 0,0:24:31.92,0:24:34.60,Default,,0000,0000,0000,,a gift for melody, and not just melody,
Dialogue: 0,0:24:34.60,0:24:36.60,Default,,0000,0000,0000,,a melody that will break your heart.
Dialogue: 0,0:24:36.60,0:24:38.20,Default,,0000,0000,0000,,MELODY PLAYS
Dialogue: 0,0:24:38.20,0:24:39.88,Default,,0000,0000,0000,,Get three coffins ready.
Dialogue: 0,0:24:42.80,0:24:44.96,Default,,0000,0000,0000,,But often, a melody that is placed
Dialogue: 0,0:24:44.96,0:24:49.16,Default,,0000,0000,0000,,either before or during the most violent moments of these films,
Dialogue: 0,0:24:49.16,0:24:53.12,Default,,0000,0000,0000,,it gives them an extraordinary texture. Listen to this.
Dialogue: 0,0:24:53.12,0:24:55.88,Default,,0000,0000,0000,,MELANCHOLIC PIANO PIECE
Dialogue: 0,0:25:05.96,0:25:07.84,Default,,0000,0000,0000,,MELODY CONTINUES
Dialogue: 0,0:25:16.20,0:25:18.04,Default,,0000,0000,0000,,It's actually still quite a thin sound,
Dialogue: 0,0:25:18.04,0:25:20.84,Default,,0000,0000,0000,,it's a single melodic instrument over a string section,
Dialogue: 0,0:25:20.84,0:25:22.28,Default,,0000,0000,0000,,so it's not full orchestra.
Dialogue: 0,0:25:22.28,0:25:24.04,Default,,0000,0000,0000,,This is partially because of budget,
Dialogue: 0,0:25:24.04,0:25:27.04,Default,,0000,0000,0000,,but also because I think Morricone understands
Dialogue: 0,0:25:27.04,0:25:31.40,Default,,0000,0000,0000,,that we want to hear small textures working under these moments,
Dialogue: 0,0:25:31.40,0:25:34.68,Default,,0000,0000,0000,,but it really makes us root for Clint Eastwood
Dialogue: 0,0:25:34.68,0:25:38.44,Default,,0000,0000,0000,,and gives Clint Eastwood's character a soft side
Dialogue: 0,0:25:38.44,0:25:42.28,Default,,0000,0000,0000,,which is simply not there in the way that he plays it.
Dialogue: 0,0:25:46.56,0:25:48.60,Default,,0000,0000,0000,,By the time we get to the final shootout,
Dialogue: 0,0:25:48.60,0:25:50.80,Default,,0000,0000,0000,,that theme of Eastwood's has become huge.
Dialogue: 0,0:25:50.80,0:25:53.32,Default,,0000,0000,0000,,We now have a trumpet on the lead line,
Dialogue: 0,0:25:53.32,0:25:55.20,Default,,0000,0000,0000,,very Spanish, beautiful.
Dialogue: 0,0:25:55.20,0:25:58.72,Default,,0000,0000,0000,,We have strings behind, we have the voices behind,
Dialogue: 0,0:25:58.72,0:26:00.64,Default,,0000,0000,0000,,so it has an amazing strength.
Dialogue: 0,0:26:00.64,0:26:03.68,Default,,0000,0000,0000,,FULL MELODY PLAYS
Dialogue: 0,0:26:10.92,0:26:13.36,Default,,0000,0000,0000,,And we're now in a world of ritual.
Dialogue: 0,0:26:13.36,0:26:17.36,Default,,0000,0000,0000,,It's as if the music is making the characters choreographed.
Dialogue: 0,0:26:18.76,0:26:22.20,Default,,0000,0000,0000,,They appear to move in time with the music.
Dialogue: 0,0:26:22.20,0:26:24.96,Default,,0000,0000,0000,,MELODY INTENSIFIES
Dialogue: 0,0:26:31.96,0:26:34.48,Default,,0000,0000,0000,,And it gives it that timeless quality,
Dialogue: 0,0:26:34.48,0:26:37.04,Default,,0000,0000,0000,,but it also gives it an operatic quality -
Dialogue: 0,0:26:37.04,0:26:40.64,Default,,0000,0000,0000,,this shootout was inevitable from the first moment of the film
Dialogue: 0,0:26:40.64,0:26:44.88,Default,,0000,0000,0000,,and now the music is giving us the arena within which it can happen.
Dialogue: 0,0:26:52.100,0:26:57.60,Default,,0000,0000,0000,,Scenes like these placed Morricone in the great tradition of composers
Dialogue: 0,0:26:57.60,0:27:00.32,Default,,0000,0000,0000,,who shaped not just the sound of a movie,
Dialogue: 0,0:27:00.32,0:27:02.44,Default,,0000,0000,0000,,but its very construction.
Dialogue: 0,0:27:02.44,0:27:06.04,Default,,0000,0000,0000,,In these and his subsequent films with director Sergio Leone,
Dialogue: 0,0:27:06.04,0:27:10.12,Default,,0000,0000,0000,,Morricone was a fully-fledged artistic collaborator
Dialogue: 0,0:27:10.12,0:27:12.32,Default,,0000,0000,0000,,in creating the cinematic drama.
Dialogue: 0,0:27:16.84,0:27:21.52,Default,,0000,0000,0000,,The Spaghetti Western established a trend for increasingly violent films
Dialogue: 0,0:27:21.52,0:27:23.68,Default,,0000,0000,0000,,with almost wordless heroes,
Dialogue: 0,0:27:23.68,0:27:26.100,Default,,0000,0000,0000,,whose inner nature was expressed through the music.
Dialogue: 0,0:27:29.24,0:27:31.24,Default,,0000,0000,0000,,This method of scoring characters
Dialogue: 0,0:27:31.24,0:27:33.52,Default,,0000,0000,0000,,would make its way into American cinema
Dialogue: 0,0:27:33.52,0:27:36.56,Default,,0000,0000,0000,,through a film shot here, on the West Coast.
Dialogue: 0,0:27:38.68,0:27:42.72,Default,,0000,0000,0000,,I'm driving through San Francisco, it's a beautiful sunny day.
Dialogue: 0,0:27:42.72,0:27:44.12,Default,,0000,0000,0000,,And thanks to the movies,
Dialogue: 0,0:27:44.12,0:27:47.52,Default,,0000,0000,0000,,these are some of the most recognisable streets in the world.
Dialogue: 0,0:27:47.52,0:27:49.24,Default,,0000,0000,0000,,But there's something missing.
Dialogue: 0,0:27:49.24,0:27:51.16,Default,,0000,0000,0000,,JAZZ MUSIC PLAYS
Dialogue: 0,0:27:51.16,0:27:52.44,Default,,0000,0000,0000,,That's more like it.
Dialogue: 0,0:28:01.48,0:28:04.24,Default,,0000,0000,0000,,This is the soundtrack to the movie Bullitt,
Dialogue: 0,0:28:04.24,0:28:08.16,Default,,0000,0000,0000,,set in San Francisco and starring Steve McQueen.
Dialogue: 0,0:28:14.20,0:28:16.60,Default,,0000,0000,0000,,Bullitt was scored by Lalo Schifrin,
Dialogue: 0,0:28:16.60,0:28:18.76,Default,,0000,0000,0000,,an Argentinian-born composer
Dialogue: 0,0:28:18.76,0:28:22.08,Default,,0000,0000,0000,,who trained in both classical and jazz music.
Dialogue: 0,0:28:22.08,0:28:24.56,Default,,0000,0000,0000,,He'd worked in Hollywood since the early '60s
Dialogue: 0,0:28:24.56,0:28:29.32,Default,,0000,0000,0000,,and was best known for his theme to TV series Mission: Impossible.
Dialogue: 0,0:28:34.04,0:28:38.68,Default,,0000,0000,0000,,Schifrin had also been mentored by the jazz legend Dizzy Gillespie,
Dialogue: 0,0:28:38.68,0:28:41.08,Default,,0000,0000,0000,,playing with him in New York in the '50s,
Dialogue: 0,0:28:41.08,0:28:44.32,Default,,0000,0000,0000,,and he wanted to inject some of those jazz rhythms and beats
Dialogue: 0,0:28:44.32,0:28:46.24,Default,,0000,0000,0000,,into the soundtrack for Bullitt.
Dialogue: 0,0:28:50.48,0:28:52.84,Default,,0000,0000,0000,,Like Clint Eastwood's gunslinger,
Dialogue: 0,0:28:52.84,0:28:56.52,Default,,0000,0000,0000,,Steve McQueen's detective Frank Bullitt rarely speaks,
Dialogue: 0,0:28:56.52,0:28:59.36,Default,,0000,0000,0000,,but Schifrin's score is his voice.
Dialogue: 0,0:28:59.36,0:29:01.44,Default,,0000,0000,0000,,Steve McQueen, he said,
Dialogue: 0,0:29:01.44,0:29:03.68,Default,,0000,0000,0000,,"Bullitt is a very simple guy.
Dialogue: 0,0:29:03.68,0:29:05.100,Default,,0000,0000,0000,,"I want you to write a simple theme."
Dialogue: 0,0:29:10.36,0:29:12.80,Default,,0000,0000,0000,,McQueen's charisma is that of an ordinary man
Dialogue: 0,0:29:12.80,0:29:14.92,Default,,0000,0000,0000,,required to do extraordinary things.
Dialogue: 0,0:29:14.92,0:29:18.68,Default,,0000,0000,0000,,His almost wordless performance means that we are relying a lot
Dialogue: 0,0:29:18.68,0:29:21.04,Default,,0000,0000,0000,,on how he looks for that charisma.
Dialogue: 0,0:29:23.08,0:29:26.84,Default,,0000,0000,0000,,However, Lalo Schifrin's music gives his every moment,
Dialogue: 0,0:29:26.84,0:29:29.60,Default,,0000,0000,0000,,no matter how mundane, a cool energy.
Dialogue: 0,0:29:35.96,0:29:38.84,Default,,0000,0000,0000,,Bullitt's most famous sequence is ten minutes long
Dialogue: 0,0:29:38.84,0:29:42.28,Default,,0000,0000,0000,,and contains no dialogue, but an awful lot of driving.
Dialogue: 0,0:29:42.28,0:29:45.36,Default,,0000,0000,0000,,What makes it compelling is Lalo Schifrin's score,
Dialogue: 0,0:29:45.36,0:29:48.52,Default,,0000,0000,0000,,which through a couple of very precise gear changes
Dialogue: 0,0:29:48.52,0:29:50.52,Default,,0000,0000,0000,,turns a street game of cat and mouse
Dialogue: 0,0:29:50.52,0:29:52.100,Default,,0000,0000,0000,,into something altogether more deadly.
Dialogue: 0,0:29:56.28,0:29:58.24,Default,,0000,0000,0000,,Here, Schifrin's music focuses
Dialogue: 0,0:29:58.24,0:30:00.52,Default,,0000,0000,0000,,on Bullitt's intense concentration
Dialogue: 0,0:30:00.52,0:30:03.88,Default,,0000,0000,0000,,as he tails a pair of mobsters through the busy streets.
Dialogue: 0,0:30:05.68,0:30:08.60,Default,,0000,0000,0000,,It is insistent but tightly controlled,
Dialogue: 0,0:30:08.60,0:30:12.24,Default,,0000,0000,0000,,as we feel the pressure building up for the inevitable chase.
Dialogue: 0,0:30:12.24,0:30:14.64,Default,,0000,0000,0000,,MUSIC PLAYS
Dialogue: 0,0:30:17.96,0:30:21.24,Default,,0000,0000,0000,,So what will the score do next?
Dialogue: 0,0:30:21.24,0:30:24.92,Default,,0000,0000,0000,,'The director, he asked me to write music for the chase.
Dialogue: 0,0:30:24.92,0:30:26.76,Default,,0000,0000,0000,,'I said, "No."'
Dialogue: 0,0:30:26.76,0:30:28.44,Default,,0000,0000,0000,,"Why not?"
Dialogue: 0,0:30:28.44,0:30:31.04,Default,,0000,0000,0000,,"Because you are going to orchestrate the chase
Dialogue: 0,0:30:31.04,0:30:34.36,Default,,0000,0000,0000,,"with sound effects, you don't need music."
Dialogue: 0,0:30:34.36,0:30:37.76,Default,,0000,0000,0000,,'When Bullitt is in the car and changes gears,
Dialogue: 0,0:30:37.76,0:30:41.56,Default,,0000,0000,0000,,'that's when the chase starts and I build music up to that point,
Dialogue: 0,0:30:41.56,0:30:43.40,Default,,0000,0000,0000,,'and at that moment, stop.'
Dialogue: 0,0:30:43.40,0:30:44.64,Default,,0000,0000,0000,,MUSIC STOPS
Dialogue: 0,0:30:44.64,0:30:48.48,Default,,0000,0000,0000,,TYRES SQUEAL
Dialogue: 0,0:30:48.48,0:30:53.40,Default,,0000,0000,0000,,CAR ENGINE RUMBLES
Dialogue: 0,0:30:53.40,0:30:55.64,Default,,0000,0000,0000,,And yet people congratulate you
Dialogue: 0,0:30:55.64,0:30:57.84,Default,,0000,0000,0000,,on your scoring of the chase, I believe.
Dialogue: 0,0:30:57.84,0:31:00.76,Default,,0000,0000,0000,,Yes, they say, I love the music over the chase."
Dialogue: 0,0:31:00.76,0:31:02.12,Default,,0000,0000,0000,,And there's no music.
Dialogue: 0,0:31:04.28,0:31:07.08,Default,,0000,0000,0000,,Three years after Bullitt, Schifrin was invited
Dialogue: 0,0:31:07.08,0:31:09.100,Default,,0000,0000,0000,,to score another, altogether more violent, thriller
Dialogue: 0,0:31:09.100,0:31:11.40,Default,,0000,0000,0000,,set in San Francisco.
Dialogue: 0,0:31:15.76,0:31:17.32,Default,,0000,0000,0000,,And with Dirty Harry,
Dialogue: 0,0:31:17.32,0:31:21.56,Default,,0000,0000,0000,,director Don Siegel offered Schifrin considerable scope to experiment.
Dialogue: 0,0:31:23.24,0:31:25.48,Default,,0000,0000,0000,,And he said, "I have a new film," and he said,
Dialogue: 0,0:31:25.48,0:31:27.40,Default,,0000,0000,0000,,"I want you to write the music for it."
Dialogue: 0,0:31:27.40,0:31:30.20,Default,,0000,0000,0000,,And he gave me complete freedom.
Dialogue: 0,0:31:30.20,0:31:32.60,Default,,0000,0000,0000,,He didn't tell me what to do.
Dialogue: 0,0:31:32.60,0:31:36.40,Default,,0000,0000,0000,,While the dramatic centre of Dirty Harry is Clint Eastwood,
Dialogue: 0,0:31:36.40,0:31:40.32,Default,,0000,0000,0000,,much of Schifrin's music actually accompanies Scorpio,
Dialogue: 0,0:31:40.32,0:31:42.84,Default,,0000,0000,0000,,the crazed serial killer he pursues.
Dialogue: 0,0:31:49.60,0:31:53.32,Default,,0000,0000,0000,,I love, particularly, right from the very start in Dirty Harry,
Dialogue: 0,0:31:53.32,0:31:56.28,Default,,0000,0000,0000,,the first thing we have is Scorpio up on the roof
Dialogue: 0,0:31:56.28,0:31:58.04,Default,,0000,0000,0000,,- with his gun trained. \N- Yeah.
Dialogue: 0,0:31:58.04,0:32:01.48,Default,,0000,0000,0000,,And the music has a terrific power to it.
Dialogue: 0,0:32:01.48,0:32:05.88,Default,,0000,0000,0000,,TENSE MUSIC PLAYS
Dialogue: 0,0:32:05.88,0:32:08.84,Default,,0000,0000,0000,,Scorpio came with the idea of voices.
Dialogue: 0,0:32:08.84,0:32:11.76,Default,,0000,0000,0000,,Very frenetic,
Dialogue: 0,0:32:11.76,0:32:16.44,Default,,0000,0000,0000,,kind of...hysterical voices.
Dialogue: 0,0:32:17.84,0:32:21.60,Default,,0000,0000,0000,,Schifrin uses unusual sounds, such as rubbing the rim of a glass,
Dialogue: 0,0:32:21.60,0:32:24.84,Default,,0000,0000,0000,,to take us inside Scorpio's psychotic mind.
Dialogue: 0,0:32:24.84,0:32:29.44,Default,,0000,0000,0000,,EERIE MUSIC PLAYS
Dialogue: 0,0:32:34.48,0:32:36.56,Default,,0000,0000,0000,,There's also a sense that Scorpio
Dialogue: 0,0:32:36.56,0:32:39.16,Default,,0000,0000,0000,,represents the end of the '60s dream,
Dialogue: 0,0:32:39.16,0:32:41.92,Default,,0000,0000,0000,,a countercultural figure turned psychopath.
Dialogue: 0,0:32:44.32,0:32:49.08,Default,,0000,0000,0000,,Schifrin captures that idea in this scene with acid-rock guitar riffs.
Dialogue: 0,0:32:49.08,0:32:51.100,Default,,0000,0000,0000,,ROCK MUSIC PLAYS
Dialogue: 0,0:32:56.08,0:33:01.72,Default,,0000,0000,0000,,In Bullitt, I have electric guitar playing jazz or jazz style.
Dialogue: 0,0:33:01.72,0:33:06.72,Default,,0000,0000,0000,,In...in Dirty Harry, I used, for Scorpio,
Dialogue: 0,0:33:06.72,0:33:11.20,Default,,0000,0000,0000,,electric guitars playing kind of acid rock
Dialogue: 0,0:33:11.20,0:33:13.76,Default,,0000,0000,0000,,because I wanted to make a difference.
Dialogue: 0,0:33:13.76,0:33:18.20,Default,,0000,0000,0000,,ROCK MUSIC PLAYS
Dialogue: 0,0:33:18.20,0:33:20.08,Default,,0000,0000,0000,,Again, it's unpredictable.
Dialogue: 0,0:33:20.08,0:33:22.56,Default,,0000,0000,0000,,Yeah, and menacing, a little bit menacing.
Dialogue: 0,0:33:29.80,0:33:33.12,Default,,0000,0000,0000,,Schifrin had taken the popular-music influenced score
Dialogue: 0,0:33:33.12,0:33:35.04,Default,,0000,0000,0000,,to a new level of sophistication.
Dialogue: 0,0:33:36.44,0:33:38.100,Default,,0000,0000,0000,,But he was still working in the classic mould
Dialogue: 0,0:33:38.100,0:33:41.60,Default,,0000,0000,0000,,of a film composer trusted by the director
Dialogue: 0,0:33:41.60,0:33:44.68,Default,,0000,0000,0000,,to take charge of how a film sounded.
Dialogue: 0,0:33:44.68,0:33:49.52,Default,,0000,0000,0000,,But by the 1970s, a new generation of directors was coming into cinema
Dialogue: 0,0:33:49.52,0:33:52.80,Default,,0000,0000,0000,,who'd grown up with pop music as the soundtrack to their lives
Dialogue: 0,0:33:52.80,0:33:57.12,Default,,0000,0000,0000,,and wanted to reflect this far more directly in their films.
Dialogue: 0,0:34:03.20,0:34:05.88,Default,,0000,0000,0000,,In 1973, the greatest of these directors
Dialogue: 0,0:34:05.88,0:34:08.56,Default,,0000,0000,0000,,began a journey back into his own youth.
Dialogue: 0,0:34:08.56,0:34:11.48,Default,,0000,0000,0000,,Here, on the streets of New York's Little Italy.
Dialogue: 0,0:34:14.28,0:34:19.24,Default,,0000,0000,0000,,Martin Scorsese's Mean Streets was a film about the New York Mafia.
Dialogue: 0,0:34:19.24,0:34:21.80,Default,,0000,0000,0000,,It followed in the wake of The Godfather,
Dialogue: 0,0:34:21.80,0:34:23.80,Default,,0000,0000,0000,,but concerned small-time criminals
Dialogue: 0,0:34:23.80,0:34:25.100,Default,,0000,0000,0000,,and drew extensively on
Dialogue: 0,0:34:25.100,0:34:27.64,Default,,0000,0000,0000,,Scorsese's own memories.
Dialogue: 0,0:34:27.64,0:34:29.88,Default,,0000,0000,0000,,Scorsese made it on a small budget
Dialogue: 0,0:34:29.88,0:34:33.12,Default,,0000,0000,0000,,raised independently of the big studios.
Dialogue: 0,0:34:33.12,0:34:35.68,Default,,0000,0000,0000,,But it meant he had creative control
Dialogue: 0,0:34:35.68,0:34:39.32,Default,,0000,0000,0000,,and he made the key decision to leave out the composer entirely
Dialogue: 0,0:34:39.32,0:34:43.16,Default,,0000,0000,0000,,drawing the film soundtrack from his own record collection.
Dialogue: 0,0:34:43.16,0:34:45.44,Default,,0000,0000,0000,,'It wasn't even a question.'
Dialogue: 0,0:34:45.44,0:34:48.72,Default,,0000,0000,0000,,I could never have a composer, like Bernard Herrmann or Elmer Bernstein
Dialogue: 0,0:34:48.72,0:34:51.56,Default,,0000,0000,0000,,or...that was out of the question.
Dialogue: 0,0:34:51.56,0:34:53.92,Default,,0000,0000,0000,,You know, I knew I was going to make films somehow,
Dialogue: 0,0:34:53.92,0:34:57.16,Default,,0000,0000,0000,,but when I did, the soundtrack's up to me.
Dialogue: 0,0:34:57.16,0:35:00.16,Default,,0000,0000,0000,,And the music I knew and the music that scored my life,
Dialogue: 0,0:35:00.16,0:35:01.100,Default,,0000,0000,0000,,and still does to a certain extent,
Dialogue: 0,0:35:01.100,0:35:04.64,Default,,0000,0000,0000,,is the music I heard while growing up.
Dialogue: 0,0:35:04.64,0:35:07.72,Default,,0000,0000,0000,,So music was very, very much part of a expression
Dialogue: 0,0:35:07.72,0:35:10.20,Default,,0000,0000,0000,,of who you are and how you feel.
Dialogue: 0,0:35:18.04,0:35:19.40,Default,,0000,0000,0000,,You know, in reality,
Dialogue: 0,0:35:19.40,0:35:22.64,Default,,0000,0000,0000,,Mean Streets really takes place between '61 and '63,
Dialogue: 0,0:35:22.64,0:35:25.40,Default,,0000,0000,0000,,even though we shot it in '72.
Dialogue: 0,0:35:25.40,0:35:28.88,Default,,0000,0000,0000,,There was Phil Spector and there was the Wall Of Sound.
Dialogue: 0,0:35:28.88,0:35:31.44,Default,,0000,0000,0000,,And that's the sound I hear in my head.
Dialogue: 0,0:35:31.44,0:35:33.88,Default,,0000,0000,0000,,And that was the music that propelled
Dialogue: 0,0:35:33.88,0:35:35.72,Default,,0000,0000,0000,,all the action in the story
Dialogue: 0,0:35:35.72,0:35:38.44,Default,,0000,0000,0000,,and because that's what was playing in the middle of the night
Dialogue: 0,0:35:38.44,0:35:40.40,Default,,0000,0000,0000,,in those after-hour joints that we were in.
Dialogue: 0,0:35:40.40,0:35:42.64,Default,,0000,0000,0000,,Cos there were jukeboxes in these places, you see.
Dialogue: 0,0:35:42.64,0:35:45.88,Default,,0000,0000,0000,,And especially in the summertime, that music would just echo through.
Dialogue: 0,0:35:45.88,0:35:47.68,Default,,0000,0000,0000,,And when you're living in a tenement area,
Dialogue: 0,0:35:47.68,0:35:51.04,Default,,0000,0000,0000,,everybody's out and everybody knows what everybody else is doing.
Dialogue: 0,0:35:52.28,0:35:54.08,Default,,0000,0000,0000,,Right from the pre-title sequence,
Dialogue: 0,0:35:54.08,0:35:56.44,Default,,0000,0000,0000,,Scorsese used a record he loved
Dialogue: 0,0:35:56.44,0:36:00.68,Default,,0000,0000,0000,,to accompany the lead character, Charlie, played by Harvey Keitel.
Dialogue: 0,0:36:00.68,0:36:03.16,Default,,0000,0000,0000,,'I imagined the opening of the picture,
Dialogue: 0,0:36:03.16,0:36:05.100,Default,,0000,0000,0000,,'he looks at himself in the mirror, wonders who the hell he is'
Dialogue: 0,0:36:05.100,0:36:08.24,Default,,0000,0000,0000,,and then, he puts his head back on the pillow
Dialogue: 0,0:36:08.24,0:36:11.08,Default,,0000,0000,0000,,and as we do that, we cut three times into the beat.
Dialogue: 0,0:36:11.08,0:36:14.84,Default,,0000,0000,0000,,So that was all worked out in my head way, way in advance.
Dialogue: 0,0:36:16.36,0:36:19.28,Default,,0000,0000,0000,,MUSIC: "Be My Baby," by The Ronettes
Dialogue: 0,0:36:22.60,0:36:24.72,Default,,0000,0000,0000,,'The first beats of Be My Baby,
Dialogue: 0,0:36:24.72,0:36:27.16,Default,,0000,0000,0000,,'they just emerged'
Dialogue: 0,0:36:27.16,0:36:29.68,Default,,0000,0000,0000,,and they're with me all the time.
Dialogue: 0,0:36:30.68,0:36:32.96,Default,,0000,0000,0000,,So it's...even when I'm on set, it's always...
Dialogue: 0,0:36:32.96,0:36:35.60,Default,,0000,0000,0000,,HE TAPS THE SONG'S RHYTHM
Dialogue: 0,0:36:35.60,0:36:38.56,Default,,0000,0000,0000,,And they know, everybody looks at me, "Yeah, OK?"
Dialogue: 0,0:36:38.56,0:36:40.92,Default,,0000,0000,0000,,And it's just, it's just what I do.
Dialogue: 0,0:36:40.92,0:36:43.44,Default,,0000,0000,0000,,It's part of, it's become part of my DNA.
Dialogue: 0,0:36:44.64,0:36:47.76,Default,,0000,0000,0000,,And then, the thing was to go to home movies.
Dialogue: 0,0:36:49.44,0:36:52.40,Default,,0000,0000,0000,,And then, intercut with actual eight-millimetre films
Dialogue: 0,0:36:52.40,0:36:57.64,Default,,0000,0000,0000,,that my brother took of his first son's christening, that was 1965.
Dialogue: 0,0:36:57.64,0:37:01.32,Default,,0000,0000,0000,,- # ..Say you'll be my darling \N- Be my, be my baby
Dialogue: 0,0:37:01.32,0:37:04.28,Default,,0000,0000,0000,,# Be my baby now
Dialogue: 0,0:37:04.28,0:37:06.28,Default,,0000,0000,0000,,# Whoa whoa whoa whoa... #
Dialogue: 0,0:37:06.28,0:37:09.40,Default,,0000,0000,0000,,Mean Streets tells how Charlie's attempts
Dialogue: 0,0:37:09.40,0:37:11.04,Default,,0000,0000,0000,,to get ahead in the local mafia
Dialogue: 0,0:37:11.04,0:37:12.76,Default,,0000,0000,0000,,are complicated by Catholic guilt
Dialogue: 0,0:37:12.76,0:37:16.28,Default,,0000,0000,0000,,and his loyalty to his irresponsible friend Johnny Boy,
Dialogue: 0,0:37:16.28,0:37:18.20,Default,,0000,0000,0000,,played by Robert De Niro.
Dialogue: 0,0:37:20.52,0:37:22.48,Default,,0000,0000,0000,,Scorsese carefully makes us wait
Dialogue: 0,0:37:22.48,0:37:25.76,Default,,0000,0000,0000,,before showing us the two friends together.
Dialogue: 0,0:37:25.76,0:37:27.16,Default,,0000,0000,0000,,Girls, after you.
Dialogue: 0,0:37:27.16,0:37:30.100,Default,,0000,0000,0000,,'All right, OK, thanks a lot, Lord, thanks a lot for opening my eyes...'
Dialogue: 0,0:37:30.100,0:37:34.20,Default,,0000,0000,0000,,Charlie is waiting at the bar for Johnny Boy,
Dialogue: 0,0:37:34.20,0:37:38.08,Default,,0000,0000,0000,,what could Scorsese possibly do with such an ordinary scene?
Dialogue: 0,0:37:38.08,0:37:39.80,Default,,0000,0000,0000,,Well, what he does is to pull off
Dialogue: 0,0:37:39.80,0:37:43.52,Default,,0000,0000,0000,,possibly the greatest musical cue of the whole movie.
Dialogue: 0,0:37:43.52,0:37:47.80,Default,,0000,0000,0000,,MUSIC: "Jumpin' Jack Flash", by The Rolling Stones
Dialogue: 0,0:37:47.80,0:37:49.72,Default,,0000,0000,0000,,The music leaps into the foreground
Dialogue: 0,0:37:49.72,0:37:53.24,Default,,0000,0000,0000,,and, suddenly, Johnny Boy IS Jumpin' Jack Flash
Dialogue: 0,0:37:53.24,0:37:55.40,Default,,0000,0000,0000,,and he's a gas, gas, gas.
Dialogue: 0,0:37:55.40,0:37:58.08,Default,,0000,0000,0000,,And we know Charlie can't trust him.
Dialogue: 0,0:37:58.08,0:38:02.52,Default,,0000,0000,0000,,Look at Charlie's face - he knows Johnny Boy is going to be trouble.
Dialogue: 0,0:38:02.52,0:38:06.84,Default,,0000,0000,0000,,SONG CONTINUES
Dialogue: 0,0:38:09.08,0:38:13.88,Default,,0000,0000,0000,,It's a world in which there is a conformity and a tradition,
Dialogue: 0,0:38:13.88,0:38:15.100,Default,,0000,0000,0000,,a tradition which is underworld.
Dialogue: 0,0:38:15.100,0:38:19.28,Default,,0000,0000,0000,,Johnny is anarchy
Dialogue: 0,0:38:19.28,0:38:21.48,Default,,0000,0000,0000,,and is Jumpin' Jack Flash.
Dialogue: 0,0:38:23.72,0:38:25.84,Default,,0000,0000,0000,,And I knew it had to be in slow motion,
Dialogue: 0,0:38:25.84,0:38:27.60,Default,,0000,0000,0000,,but what we found when I cut to Harvey
Dialogue: 0,0:38:27.60,0:38:31.16,Default,,0000,0000,0000,,and when he put that glass of liquor down, it just worked beautifully
Dialogue: 0,0:38:31.16,0:38:33.68,Default,,0000,0000,0000,,with the music and he moves back to the edge of the bar
Dialogue: 0,0:38:33.68,0:38:36.16,Default,,0000,0000,0000,,and there's a woman sitting there, I don't know who she is,
Dialogue: 0,0:38:36.16,0:38:37.68,Default,,0000,0000,0000,,but she looks like a ghost.
Dialogue: 0,0:38:37.68,0:38:41.16,Default,,0000,0000,0000,,SONG CONTINUES
Dialogue: 0,0:38:41.16,0:38:42.84,Default,,0000,0000,0000,,I guess, basically, you know,
Dialogue: 0,0:38:42.84,0:38:44.88,Default,,0000,0000,0000,,that was the movie, that was the one,
Dialogue: 0,0:38:44.88,0:38:46.24,Default,,0000,0000,0000,,I put it all in there.
Dialogue: 0,0:38:47.36,0:38:52.32,Default,,0000,0000,0000,,And if anyone was ever to wonder what that life was like or...
Dialogue: 0,0:38:53.72,0:38:57.72,Default,,0000,0000,0000,,..or what that world sounded like and felt like, you know,
Dialogue: 0,0:38:57.72,0:39:00.24,Default,,0000,0000,0000,,they can check out that picture.
Dialogue: 0,0:39:02.92,0:39:06.04,Default,,0000,0000,0000,,Scorsese had proved that a serious, dramatic film
Dialogue: 0,0:39:06.04,0:39:08.76,Default,,0000,0000,0000,,could cut out the composer altogether.
Dialogue: 0,0:39:10.60,0:39:14.64,Default,,0000,0000,0000,,That same year another of this new wave of young directors,
Dialogue: 0,0:39:14.64,0:39:18.84,Default,,0000,0000,0000,,George Lucas, explored his boyhood experiences in American Graffiti
Dialogue: 0,0:39:18.84,0:39:20.72,Default,,0000,0000,0000,,to a soundtrack consisting entirely
Dialogue: 0,0:39:20.72,0:39:24.20,Default,,0000,0000,0000,,of '50s and early '60s pop classics.
Dialogue: 0,0:39:27.100,0:39:31.64,Default,,0000,0000,0000,,But through the '70s, pop music itself was changing,
Dialogue: 0,0:39:31.64,0:39:34.40,Default,,0000,0000,0000,,evolving new styles and genres.
Dialogue: 0,0:39:34.40,0:39:37.36,Default,,0000,0000,0000,,For film producers canny enough to ride this wave,
Dialogue: 0,0:39:37.36,0:39:39.48,Default,,0000,0000,0000,,there was serious money to be made.
Dialogue: 0,0:39:40.76,0:39:44.72,Default,,0000,0000,0000,,In 1977, a film was released that was shot here, in Brooklyn,
Dialogue: 0,0:39:44.72,0:39:47.84,Default,,0000,0000,0000,,and used the latest pop music to tell us about the dreams
Dialogue: 0,0:39:47.84,0:39:49.76,Default,,0000,0000,0000,,and hopes of its characters.
Dialogue: 0,0:39:49.76,0:39:52.32,Default,,0000,0000,0000,,Not a back catalogue of '50s and '60s hits,
Dialogue: 0,0:39:52.32,0:39:54.64,Default,,0000,0000,0000,,but a phenomenon that was sweeping the country
Dialogue: 0,0:39:54.64,0:39:57.56,Default,,0000,0000,0000,,and would burn very brightly, if a little briefly.
Dialogue: 0,0:39:57.56,0:40:00.80,Default,,0000,0000,0000,,Ladies and gentlemen, I give you disco.
Dialogue: 0,0:40:02.44,0:40:06.36,Default,,0000,0000,0000,,MUSIC: "Night Fever", by the Bee Gees
Dialogue: 0,0:40:06.36,0:40:10.68,Default,,0000,0000,0000,,The producers of Saturday Night Fever wanted to build its soundtrack
Dialogue: 0,0:40:10.68,0:40:14.76,Default,,0000,0000,0000,,around six songs that had already been recorded by the Bee Gees.
Dialogue: 0,0:40:18.48,0:40:21.56,Default,,0000,0000,0000,,To provide additional tracks and incidental music,
Dialogue: 0,0:40:21.56,0:40:23.32,Default,,0000,0000,0000,,David Shire was called in.
Dialogue: 0,0:40:25.28,0:40:27.16,Default,,0000,0000,0000,,With a theatre and jazz background,
Dialogue: 0,0:40:27.16,0:40:29.36,Default,,0000,0000,0000,,Shire had written scores for key '70s films
Dialogue: 0,0:40:29.36,0:40:31.80,Default,,0000,0000,0000,,like All The President's Men.
Dialogue: 0,0:40:31.80,0:40:35.56,Default,,0000,0000,0000,,He now had to find a way of working within the disco style.
Dialogue: 0,0:40:36.60,0:40:38.44,Default,,0000,0000,0000,,I guess that's what I liked about disco.
Dialogue: 0,0:40:38.44,0:40:40.88,Default,,0000,0000,0000,,You could take anything, you could take Beethoven,
Dialogue: 0,0:40:40.88,0:40:44.48,Default,,0000,0000,0000,,you could take Rimsky-Korsakov, you could take Mussorgsky,
Dialogue: 0,0:40:44.48,0:40:49.36,Default,,0000,0000,0000,,and just put 120 beats-per-minute to it and a rhythm section,
Dialogue: 0,0:40:49.36,0:40:51.84,Default,,0000,0000,0000,,and it would kind of work.
Dialogue: 0,0:40:53.16,0:40:54.72,Default,,0000,0000,0000,,For this sequence,
Dialogue: 0,0:40:54.72,0:40:57.76,Default,,0000,0000,0000,,Shire adapted a classical piece Night on a Bare Mountain
Dialogue: 0,0:40:57.76,0:41:01.36,Default,,0000,0000,0000,,by the 19th-century Russian composer Modest Mussorgsky.
Dialogue: 0,0:41:01.36,0:41:07.12,Default,,0000,0000,0000,,MUSIC: "Night on a Bare Mountain" by Mussorgsky, adaptation David Shire
Dialogue: 0,0:41:12.100,0:41:16.76,Default,,0000,0000,0000,,Shire gives it a disco twist, which enhances the tune's
Dialogue: 0,0:41:16.76,0:41:19.88,Default,,0000,0000,0000,,and the scene's dizzying, dangerous feel.
Dialogue: 0,0:41:19.88,0:41:23.28,Default,,0000,0000,0000,,MAN SHOUTING
Dialogue: 0,0:41:26.72,0:41:33.32,Default,,0000,0000,0000,,And it turned out to be the most lucrative film job I've ever had.
Dialogue: 0,0:41:33.32,0:41:39.12,Default,,0000,0000,0000,,The least composing but the most rewarding, financially.
Dialogue: 0,0:41:40.24,0:41:43.96,Default,,0000,0000,0000,,The Saturday Night Fever soundtrack sold 15 million copies
Dialogue: 0,0:41:43.96,0:41:46.88,Default,,0000,0000,0000,,and spent six months at number one.
Dialogue: 0,0:41:46.88,0:41:50.100,Default,,0000,0000,0000,,The film itself earned more than 90m at the US Box Office,
Dialogue: 0,0:41:50.100,0:41:53.56,Default,,0000,0000,0000,,a huge sum for the time.
Dialogue: 0,0:41:53.56,0:41:56.72,Default,,0000,0000,0000,,Hollywood studios would now seek to exploit this cash cow,
Dialogue: 0,0:41:56.72,0:42:00.48,Default,,0000,0000,0000,,with an eye firmly on the commercial rather than the artistic
Dialogue: 0,0:42:00.48,0:42:02.24,Default,,0000,0000,0000,,possibilities of pop songs.
Dialogue: 0,0:42:03.80,0:42:06.92,Default,,0000,0000,0000,,In the 1980s, with American cinema ticket sales topping
Dialogue: 0,0:42:06.92,0:42:08.04,Default,,0000,0000,0000,,a billion-a-year,
Dialogue: 0,0:42:08.04,0:42:11.88,Default,,0000,0000,0000,,Hollywood and the pop industry became increasingly co-dependent.
Dialogue: 0,0:42:13.04,0:42:16.40,Default,,0000,0000,0000,,Big budget movies like Top Gun were indiscriminately filled with
Dialogue: 0,0:42:16.40,0:42:17.48,Default,,0000,0000,0000,,pop and rock tracks.
Dialogue: 0,0:42:19.72,0:42:23.44,Default,,0000,0000,0000,,Video were used to market movies on MTV,
Dialogue: 0,0:42:23.44,0:42:26.48,Default,,0000,0000,0000,,while the films were used to promote the artists themselves.
Dialogue: 0,0:42:29.08,0:42:31.48,Default,,0000,0000,0000,,MUSIC: "Take My Breath Away", by Berlin
Dialogue: 0,0:42:33.44,0:42:35.72,Default,,0000,0000,0000,,Against this corporate background,
Dialogue: 0,0:42:35.72,0:42:39.80,Default,,0000,0000,0000,,it would take a director of singular vision to make popular music
Dialogue: 0,0:42:39.80,0:42:41.92,Default,,0000,0000,0000,,mean more than the sum of its lyrics.
Dialogue: 0,0:42:44.40,0:42:49.64,Default,,0000,0000,0000,,MUSIC: "Blue Velvet" by Bobby Vinton
Dialogue: 0,0:42:49.64,0:42:54.36,Default,,0000,0000,0000,,Right from exaggeratedly idyllic opening of Blue Velvet,
Dialogue: 0,0:42:54.36,0:42:59.16,Default,,0000,0000,0000,,David Lynch uses '50s pop songs to create a dream-like atmosphere.
Dialogue: 0,0:43:04.88,0:43:08.44,Default,,0000,0000,0000,,For Lynch, classic pop is like necromancy,
Dialogue: 0,0:43:08.44,0:43:10.52,Default,,0000,0000,0000,,bringing to life a world of strange,
Dialogue: 0,0:43:10.52,0:43:14.08,Default,,0000,0000,0000,,chilling encounters between people on the edge, as in this scene
Dialogue: 0,0:43:14.08,0:43:18.24,Default,,0000,0000,0000,,where the title song is performed by the film's star Isabella Rossellini.
Dialogue: 0,0:43:21.72,0:43:27.12,Default,,0000,0000,0000,,# Blue velvet... #
Dialogue: 0,0:43:29.08,0:43:32.72,Default,,0000,0000,0000,,Here, Lynch's sinister alchemy twists a seemingly innocent
Dialogue: 0,0:43:32.72,0:43:36.32,Default,,0000,0000,0000,,love song to highlight the growing obsession of the film's
Dialogue: 0,0:43:36.32,0:43:39.48,Default,,0000,0000,0000,,protagonist Geoffrey with Rossellini's character.
Dialogue: 0,0:43:41.84,0:43:44.72,Default,,0000,0000,0000,,# ..was the night from the stars... #
Dialogue: 0,0:43:46.60,0:43:49.12,Default,,0000,0000,0000,,To help Rossellini with her vocal performance,
Dialogue: 0,0:43:49.12,0:43:54.12,Default,,0000,0000,0000,,the producers called songwriter and composer Angelo Badalamenti.
Dialogue: 0,0:43:54.12,0:43:55.84,Default,,0000,0000,0000,,And I meet with Isabella.
Dialogue: 0,0:43:55.84,0:43:58.24,Default,,0000,0000,0000,,We work on the song Blue Velvet.
Dialogue: 0,0:43:58.24,0:44:00.52,Default,,0000,0000,0000,,We then record it.
Dialogue: 0,0:44:00.52,0:44:02.72,Default,,0000,0000,0000,,David puts the earphones on,
Dialogue: 0,0:44:02.72,0:44:05.04,Default,,0000,0000,0000,,he listens to the whole thing,
Dialogue: 0,0:44:05.04,0:44:07.36,Default,,0000,0000,0000,,takes the earphones off and he says,
Dialogue: 0,0:44:07.36,0:44:09.56,Default,,0000,0000,0000,,"This is peachy keen.
Dialogue: 0,0:44:09.56,0:44:11.12,Default,,0000,0000,0000,,"That's the ticket."
Dialogue: 0,0:44:13.12,0:44:15.32,Default,,0000,0000,0000,,But that wasn't the end of it.
Dialogue: 0,0:44:15.32,0:44:19.32,Default,,0000,0000,0000,,Lynch wanted to use a track by the band This Mortal Coil in the film,
Dialogue: 0,0:44:19.32,0:44:22.84,Default,,0000,0000,0000,,but the producers couldn't afford to licence it.
Dialogue: 0,0:44:22.84,0:44:27.80,Default,,0000,0000,0000,,Instead, they suggested Badalamenti should write an original song.
Dialogue: 0,0:44:27.80,0:44:31.60,Default,,0000,0000,0000,,So I said, "OK, but I need a lyric. I'm not a lyric writer.
Dialogue: 0,0:44:31.60,0:44:36.44,Default,,0000,0000,0000,,"Why don't you tell your director to write a lyric?"
Dialogue: 0,0:44:36.44,0:44:39.24,Default,,0000,0000,0000,,And I'm recording Isabella now on Blue Velvet,
Dialogue: 0,0:44:39.24,0:44:42.16,Default,,0000,0000,0000,,and she comes in with this little piece of paper,
Dialogue: 0,0:44:42.16,0:44:45.44,Default,,0000,0000,0000,,and on it, on the top, says, "Mysteries of Love."
Dialogue: 0,0:44:47.44,0:44:50.12,Default,,0000,0000,0000,,And I'm reading it, "And sometimes the wind blows,
Dialogue: 0,0:44:50.12,0:44:53.28,Default,,0000,0000,0000,,"and you and I float in the darkness and kiss for ever..."
Dialogue: 0,0:44:53.28,0:44:54.32,Default,,0000,0000,0000,,blah, blah, blah.
Dialogue: 0,0:44:55.64,0:44:57.88,Default,,0000,0000,0000,,I'm thinking, "This is awful."
Dialogue: 0,0:44:57.88,0:44:59.84,Default,,0000,0000,0000,,So, what do I do? I call David and I say,
Dialogue: 0,0:44:59.84,0:45:02.84,Default,,0000,0000,0000,,"David, I'm just curious. What kind of music do you hear for it?"
Dialogue: 0,0:45:02.84,0:45:08.28,Default,,0000,0000,0000,,"Oh, Angelo, just let it float. Make it like the tides of the ocean.
Dialogue: 0,0:45:08.28,0:45:11.52,Default,,0000,0000,0000,,"Make it kind of cosmic and..." No clue, right?
Dialogue: 0,0:45:12.56,0:45:15.24,Default,,0000,0000,0000,,I take the lyric, I put it on the piano...
Dialogue: 0,0:45:15.24,0:45:18.44,Default,,0000,0000,0000,,- I'll play it for you, if you like. \N- Sure. Please.
Dialogue: 0,0:45:18.44,0:45:22.56,Default,,0000,0000,0000,,# Sometimes a wind blows
Dialogue: 0,0:45:25.72,0:45:29.48,Default,,0000,0000,0000,,# And you and I...
Dialogue: 0,0:45:34.20,0:45:38.96,Default,,0000,0000,0000,,- WOMAN'S VOICE: \N- # ..float... #
Dialogue: 0,0:45:40.24,0:45:45.48,Default,,0000,0000,0000,,In this scene, the song Mysteries of Love epitomises the purity of love,
Dialogue: 0,0:45:45.48,0:45:49.16,Default,,0000,0000,0000,,not the morbid desire Geoffrey felt for Rossellini's character
Dialogue: 0,0:45:49.16,0:45:50.60,Default,,0000,0000,0000,,when Blue Velvet played.
Dialogue: 0,0:45:53.52,0:45:56.40,Default,,0000,0000,0000,,The lyric forced me to...
Dialogue: 0,0:45:56.40,0:45:58.08,Default,,0000,0000,0000,,Even David's description...
Dialogue: 0,0:45:58.08,0:46:02.40,Default,,0000,0000,0000,,Just something floating and no real times,
Dialogue: 0,0:46:02.40,0:46:05.24,Default,,0000,0000,0000,,no rhymes, no hooks.
Dialogue: 0,0:46:05.24,0:46:07.96,Default,,0000,0000,0000,,# ..And the mysteries of love... #
Dialogue: 0,0:46:10.12,0:46:13.80,Default,,0000,0000,0000,,Lynch had started out wanting to include one pop track in his film
Dialogue: 0,0:46:13.80,0:46:17.100,Default,,0000,0000,0000,,and ended up co-writing a brand-new one but, more importantly,
Dialogue: 0,0:46:17.100,0:46:20.32,Default,,0000,0000,0000,,he'd found himself a musical soul mate.
Dialogue: 0,0:46:20.32,0:46:22.88,Default,,0000,0000,0000,,Angelo Badalamenti has gone on to score pretty much
Dialogue: 0,0:46:22.88,0:46:24.80,Default,,0000,0000,0000,,all of Lynch's films since
Dialogue: 0,0:46:24.80,0:46:27.20,Default,,0000,0000,0000,,and I think there's a reason for that.
Dialogue: 0,0:46:27.20,0:46:32.56,Default,,0000,0000,0000,,His music is the sound of Lynch's world with all its paradoxes.
Dialogue: 0,0:46:32.56,0:46:35.96,Default,,0000,0000,0000,,It's cold but, at the same time, it's very warm.
Dialogue: 0,0:46:35.96,0:46:38.76,Default,,0000,0000,0000,,It's nostalgic and yet it's very, very modern.
Dialogue: 0,0:46:38.76,0:46:40.20,Default,,0000,0000,0000,,And, to be frank, for me,
Dialogue: 0,0:46:40.20,0:46:44.84,Default,,0000,0000,0000,,David Lynch's films couldn't work without Badalamenti's music.
Dialogue: 0,0:46:46.76,0:46:52.36,Default,,0000,0000,0000,,One day in 1989, the pair sat down at Badalamenti's piano
Dialogue: 0,0:46:52.36,0:46:53.88,Default,,0000,0000,0000,,and, in a single take,
Dialogue: 0,0:46:53.88,0:46:57.32,Default,,0000,0000,0000,,wrote the theme for a groundbreaking new television series.
Dialogue: 0,0:46:59.24,0:47:02.84,Default,,0000,0000,0000,,David comes in. "Angelo, now we're really pals."
Dialogue: 0,0:47:02.84,0:47:07.88,Default,,0000,0000,0000,,And he says, "We're in a dark wood."
Dialogue: 0,0:47:07.88,0:47:09.44,Default,,0000,0000,0000,,And I'm going like...
Dialogue: 0,0:47:09.44,0:47:11.12,Default,,0000,0000,0000,,PLAYS MOODY PIANO MUSIC
Dialogue: 0,0:47:11.12,0:47:15.20,Default,,0000,0000,0000,,"No, Angelo, those are beautiful notes but can you do them slower?"
Dialogue: 0,0:47:15.20,0:47:16.28,Default,,0000,0000,0000,,OK.
Dialogue: 0,0:47:16.28,0:47:17.92,Default,,0000,0000,0000,,PLAYS PIANO SLOWER
Dialogue: 0,0:47:20.12,0:47:22.36,Default,,0000,0000,0000,,"No, no, Angelo, slower."
Dialogue: 0,0:47:22.36,0:47:24.80,Default,,0000,0000,0000,,I said, "David, if we do it any slower,
Dialogue: 0,0:47:24.80,0:47:26.88,Default,,0000,0000,0000,,"I'm going to play in reverse."
Dialogue: 0,0:47:31.12,0:47:36.72,Default,,0000,0000,0000,,"OK, Angelo, now there's a girl named Laura Palmer...
Dialogue: 0,0:47:36.72,0:47:40.04,Default,,0000,0000,0000,,"She's a very troubled teenager,
Dialogue: 0,0:47:40.04,0:47:43.04,Default,,0000,0000,0000,,"and she's in the dark woods and she's coming out
Dialogue: 0,0:47:43.04,0:47:44.52,Default,,0000,0000,0000,,"behind some trees.
Dialogue: 0,0:47:45.64,0:47:47.44,Default,,0000,0000,0000,,"She's very beautiful, too.
Dialogue: 0,0:47:48.76,0:47:50.84,Default,,0000,0000,0000,,"Give me something that's her."
Dialogue: 0,0:47:50.84,0:47:54.52,Default,,0000,0000,0000,,SAD PIANO MUSIC PLAYS
Dialogue: 0,0:48:00.92,0:48:02.12,Default,,0000,0000,0000,,"That's it, Angelo.
Dialogue: 0,0:48:02.12,0:48:06.44,Default,,0000,0000,0000,,"Now let it build, cos she's coming closer and she's so troubled.
Dialogue: 0,0:48:10.16,0:48:15.36,Default,,0000,0000,0000,,"She's got tears in her eyes. Angelo, it's so sad. Reach a climax.
Dialogue: 0,0:48:18.04,0:48:20.04,Default,,0000,0000,0000,,"That's it. Just keep it going.
Dialogue: 0,0:48:25.64,0:48:29.100,Default,,0000,0000,0000,,"Beautiful. Beautiful. Now, start coming down
Dialogue: 0,0:48:29.100,0:48:35.52,Default,,0000,0000,0000,,"but fall slowly. Come slowly, slowly down, down.
Dialogue: 0,0:48:36.80,0:48:38.80,Default,,0000,0000,0000,,"That's it.
Dialogue: 0,0:48:38.80,0:48:40.20,Default,,0000,0000,0000,,"That's it.
Dialogue: 0,0:48:40.20,0:48:42.28,Default,,0000,0000,0000,,"Quiet.
Dialogue: 0,0:48:42.28,0:48:45.52,Default,,0000,0000,0000,,"Now, Angelo, go back into the dark woods...
Dialogue: 0,0:48:48.44,0:48:51.04,Default,,0000,0000,0000,,"..and stay there.
Dialogue: 0,0:48:51.04,0:48:53.12,Default,,0000,0000,0000,,"There's an owl in the background."
Dialogue: 0,0:48:56.44,0:49:00.24,Default,,0000,0000,0000,,He said, "Angelo, you just wrote Twin Peaks."
Dialogue: 0,0:49:06.04,0:49:08.88,Default,,0000,0000,0000,,From a starting point in pop, Badalamenti
Dialogue: 0,0:49:08.88,0:49:12.08,Default,,0000,0000,0000,,and Lynch formed a fertile partnership of director
Dialogue: 0,0:49:12.08,0:49:15.68,Default,,0000,0000,0000,,and composer almost unparalleled in contemporary cinema.
Dialogue: 0,0:49:18.84,0:49:22.36,Default,,0000,0000,0000,,But could a truly creative director ever insist, in effect,
Dialogue: 0,0:49:22.36,0:49:25.56,Default,,0000,0000,0000,,that he wouldn't touch a composer with a barge pole?
Dialogue: 0,0:49:27.16,0:49:30.88,Default,,0000,0000,0000,,As a composer, I rather took against Quentin Tarantino,
Dialogue: 0,0:49:30.88,0:49:33.04,Default,,0000,0000,0000,,gifted filmmaker though he is,
Dialogue: 0,0:49:33.04,0:49:35.72,Default,,0000,0000,0000,,when he reportedly said that he doesn't use composers
Dialogue: 0,0:49:35.72,0:49:38.44,Default,,0000,0000,0000,,because he wouldn't trust one with his movies.
Dialogue: 0,0:49:38.44,0:49:41.80,Default,,0000,0000,0000,,But then, maybe it's my prejudices I should be challenging.
Dialogue: 0,0:49:41.80,0:49:43.56,Default,,0000,0000,0000,,Maybe he's right.
Dialogue: 0,0:49:43.56,0:49:46.24,Default,,0000,0000,0000,,Let's see what he gains by not using a composer.
Dialogue: 0,0:49:48.32,0:49:52.64,Default,,0000,0000,0000,,Tarantino's 1992 debut Reservoir Dogs features
Dialogue: 0,0:49:52.64,0:49:55.16,Default,,0000,0000,0000,,a soundtrack solely consisting of old pop
Dialogue: 0,0:49:55.16,0:49:58.76,Default,,0000,0000,0000,,and rock songs that the characters hear on a local radio station.
Dialogue: 0,0:50:00.64,0:50:04.32,Default,,0000,0000,0000,,(RADIO PRESENTER) ..super sounds of the '70s continues.
Dialogue: 0,0:50:04.32,0:50:06.64,Default,,0000,0000,0000,,This embeds the music in the film
Dialogue: 0,0:50:06.64,0:50:09.44,Default,,0000,0000,0000,,and enables the characters to interact with it,
Dialogue: 0,0:50:09.44,0:50:11.96,Default,,0000,0000,0000,,as in this notorious torture scene.
Dialogue: 0,0:50:13.04,0:50:19.100,Default,,0000,0000,0000,,MUSIC: "Stuck In The Middle With You" by Stealers Wheel
Dialogue: 0,0:50:23.24,0:50:25.100,Default,,0000,0000,0000,,By playing the catchy Stuck In The Middle With You,
Dialogue: 0,0:50:25.100,0:50:28.20,Default,,0000,0000,0000,,written by Gerry Rafferty and Joe Egan,
Dialogue: 0,0:50:28.20,0:50:33.16,Default,,0000,0000,0000,,Tarantino lulls the audience into being charmed by Mr Blonde.
Dialogue: 0,0:50:33.16,0:50:37.20,Default,,0000,0000,0000,,Singing along to the song despite the feeling of imminent danger.
Dialogue: 0,0:50:37.20,0:50:39.16,Default,,0000,0000,0000,,# ..Stuck in the middle with you
Dialogue: 0,0:50:39.16,0:50:41.96,Default,,0000,0000,0000,,# Yes I'm stuck in the middle with you... #
Dialogue: 0,0:50:41.96,0:50:45.40,Default,,0000,0000,0000,,Then, when the violence hits, it's all the more shocking.
Dialogue: 0,0:50:46.96,0:50:50.40,Default,,0000,0000,0000,,The violence of Reservoir Dogs divided the audiences and critics,
Dialogue: 0,0:50:50.40,0:50:52.24,Default,,0000,0000,0000,,but its soundtrack was hailed as
Dialogue: 0,0:50:52.24,0:50:55.16,Default,,0000,0000,0000,,one of the finest uses of pop music in a generation.
Dialogue: 0,0:50:57.20,0:51:00.32,Default,,0000,0000,0000,,So, how does Tarantino get round the tricky issue of being
Dialogue: 0,0:51:00.32,0:51:02.72,Default,,0000,0000,0000,,allowed to use someone's music in this way?
Dialogue: 0,0:51:04.04,0:51:07.08,Default,,0000,0000,0000,,Enter music supervisor Karyn Rachtman.
Dialogue: 0,0:51:09.28,0:51:13.04,Default,,0000,0000,0000,,What does a music supervisor do on a movie?
Dialogue: 0,0:51:13.04,0:51:17.12,Default,,0000,0000,0000,,Your job can be as basic as licensing every track,
Dialogue: 0,0:51:17.12,0:51:18.72,Default,,0000,0000,0000,,and just handling the negotiations
Dialogue: 0,0:51:18.72,0:51:20.92,Default,,0000,0000,0000,,and making sure that you take care of all the rights.
Dialogue: 0,0:51:20.92,0:51:23.36,Default,,0000,0000,0000,,What happens if you have to then go and say,
Dialogue: 0,0:51:23.36,0:51:25.48,Default,,0000,0000,0000,,"We may not be able to clear the rights"?
Dialogue: 0,0:51:25.48,0:51:26.76,Default,,0000,0000,0000,,It happens all the time.
Dialogue: 0,0:51:26.76,0:51:29.12,Default,,0000,0000,0000,,85% of the movies I've worked on,
Dialogue: 0,0:51:29.12,0:51:31.68,Default,,0000,0000,0000,,you do not get every song you want.
Dialogue: 0,0:51:31.68,0:51:33.04,Default,,0000,0000,0000,,During Reservoir Dogs,
Dialogue: 0,0:51:33.04,0:51:36.100,Default,,0000,0000,0000,,Quentin, when he wrote that script, he had written in the songs.
Dialogue: 0,0:51:36.100,0:51:40.68,Default,,0000,0000,0000,,Especially with the scene Stuck In The Middle With You,
Dialogue: 0,0:51:40.68,0:51:41.92,Default,,0000,0000,0000,,that was being shot to.
Dialogue: 0,0:51:41.92,0:51:45.52,Default,,0000,0000,0000,,So, he has a music supervisor on the film who told him,
Dialogue: 0,0:51:45.52,0:51:48.92,Default,,0000,0000,0000,,"You can't use any '70s songs." Quentin was devastated.
Dialogue: 0,0:51:48.92,0:51:52.28,Default,,0000,0000,0000,,And I said, "I will get you Stuck In The Middle With You."
Dialogue: 0,0:51:57.52,0:52:00.24,Default,,0000,0000,0000,,And I had to get on the phone with Joe Egan
Dialogue: 0,0:52:00.24,0:52:02.32,Default,,0000,0000,0000,,because I needed him to call the publisher.
Dialogue: 0,0:52:02.32,0:52:06.28,Default,,0000,0000,0000,,He didn't want to do it and I had to reference things like
Dialogue: 0,0:52:06.28,0:52:08.60,Default,,0000,0000,0000,,Singing In The Rain used in Clockwork Orange,
Dialogue: 0,0:52:08.60,0:52:10.80,Default,,0000,0000,0000,,and how we're paying homage to his song,
Dialogue: 0,0:52:10.80,0:52:14.32,Default,,0000,0000,0000,,even though somebody's getting their ear cut off by a sick freak.
Dialogue: 0,0:52:14.32,0:52:16.24,Default,,0000,0000,0000,,You have to tell him the scene, I assume.
Dialogue: 0,0:52:16.24,0:52:18.24,Default,,0000,0000,0000,,You have to tell him the scene. Yeah, of course.
Dialogue: 0,0:52:18.24,0:52:20.16,Default,,0000,0000,0000,,After I got him Stuck In The Middle With You,
Dialogue: 0,0:52:20.16,0:52:23.24,Default,,0000,0000,0000,,Quentin said, "What can I do for you? I appreciate it so much."
Dialogue: 0,0:52:23.24,0:52:26.40,Default,,0000,0000,0000,,And I said, "You can fire your other music supervisor."
Dialogue: 0,0:52:27.44,0:52:30.36,Default,,0000,0000,0000,,Karyn Rachtman worked with Tarantino on his follow-up
Dialogue: 0,0:52:30.36,0:52:32.84,Default,,0000,0000,0000,,to Reservoir Dogs, Pulp Fiction,
Dialogue: 0,0:52:32.84,0:52:36.40,Default,,0000,0000,0000,,which again featured characters interacting with songs.
Dialogue: 0,0:52:36.40,0:52:38.48,Default,,0000,0000,0000,,But he didn't think he was going to put a song
Dialogue: 0,0:52:38.48,0:52:40.44,Default,,0000,0000,0000,,when Bruce Willis was driving in the car
Dialogue: 0,0:52:40.44,0:52:42.08,Default,,0000,0000,0000,,and he said, "Get me a song."
Dialogue: 0,0:52:44.72,0:52:47.44,Default,,0000,0000,0000,,# Flowers on the wall... #
Dialogue: 0,0:52:47.44,0:52:49.88,Default,,0000,0000,0000,,Flowers On The Wall ended up there.
Dialogue: 0,0:52:49.88,0:52:51.76,Default,,0000,0000,0000,,I just guess I was picturing Bruce Willis
Dialogue: 0,0:52:51.76,0:52:53.96,Default,,0000,0000,0000,,singing along to something funny.
Dialogue: 0,0:52:53.96,0:52:57.76,Default,,0000,0000,0000,,With Quentin's movies, the music sometimes let's you go...
Dialogue: 0,0:52:57.76,0:53:00.80,Default,,0000,0000,0000,,EXHALES DEEPLY
Dialogue: 0,0:53:04.08,0:53:06.40,Default,,0000,0000,0000,,But this fun musical sing along is just
Dialogue: 0,0:53:06.40,0:53:09.56,Default,,0000,0000,0000,,a moment of respite before the violence starts again.
Dialogue: 0,0:53:11.16,0:53:13.100,Default,,0000,0000,0000,,Motherfucker.
Dialogue: 0,0:53:13.100,0:53:16.20,Default,,0000,0000,0000,,TYRES SCREECH
Dialogue: 0,0:53:20.44,0:53:24.48,Default,,0000,0000,0000,,Tarantino's more recent films show that his drive to feature
Dialogue: 0,0:53:24.48,0:53:28.32,Default,,0000,0000,0000,,the music he loves doesn't just stop with pop and rock.
Dialogue: 0,0:53:28.32,0:53:30.92,Default,,0000,0000,0000,,He might not want to employ film composers,
Dialogue: 0,0:53:30.92,0:53:33.92,Default,,0000,0000,0000,,but he seems to own plenty of their soundtracks.
Dialogue: 0,0:53:33.92,0:53:36.20,Default,,0000,0000,0000,,Listen to this scene from Kill Bill.
Dialogue: 0,0:53:36.20,0:53:39.76,Default,,0000,0000,0000,,WOMAN WHISTLES
Dialogue: 0,0:53:39.76,0:53:41.92,Default,,0000,0000,0000,,The tune Daryl Hannah is whistling was
Dialogue: 0,0:53:41.92,0:53:46.36,Default,,0000,0000,0000,,written by Bernard Herrmann for the 1968 film Twisted Nerve.
Dialogue: 0,0:53:47.72,0:53:49.56,Default,,0000,0000,0000,,And remember this one?
Dialogue: 0,0:53:49.56,0:53:51.72,Default,,0000,0000,0000,,SPAGHETTI WESTERN MUSIC PLAYS
Dialogue: 0,0:53:54.56,0:53:57.08,Default,,0000,0000,0000,,Ennio Morricone's music for the climactic
Dialogue: 0,0:53:57.08,0:53:59.24,Default,,0000,0000,0000,,shoot-out in A Fistful Of Dollars.
Dialogue: 0,0:54:03.44,0:54:06.64,Default,,0000,0000,0000,,Tarantino, a master of utilising the pop song,
Dialogue: 0,0:54:06.64,0:54:08.60,Default,,0000,0000,0000,,uses composers all right,
Dialogue: 0,0:54:08.60,0:54:11.40,Default,,0000,0000,0000,,but only when their music is already iconic,
Dialogue: 0,0:54:11.40,0:54:16.12,Default,,0000,0000,0000,,revealing the debt even he owes to the history of the movie soundtrack.
Dialogue: 0,0:54:18.56,0:54:21.24,Default,,0000,0000,0000,,When it comes to respecting tradition,
Dialogue: 0,0:54:21.24,0:54:24.84,Default,,0000,0000,0000,,one cinema franchise more than any other requires its composed
Dialogue: 0,0:54:24.84,0:54:26.84,Default,,0000,0000,0000,,to acknowledge its musical heritage.
Dialogue: 0,0:54:29.68,0:54:33.52,Default,,0000,0000,0000,,For Casino Royale, composer David Arnold faced the challenge
Dialogue: 0,0:54:33.52,0:54:37.40,Default,,0000,0000,0000,,rebooting the legacy of John Barry for a contemporary audience,
Dialogue: 0,0:54:37.40,0:54:39.84,Default,,0000,0000,0000,,20 Bond movies on from Dr No.
Dialogue: 0,0:54:41.96,0:54:45.12,Default,,0000,0000,0000,,It was kind of classic back to sort of Barry,
Dialogue: 0,0:54:45.12,0:54:47.52,Default,,0000,0000,0000,,back to basics, the spirit of it.
Dialogue: 0,0:54:47.52,0:54:50.68,Default,,0000,0000,0000,,The wailing brass, the seductive strings,
Dialogue: 0,0:54:50.68,0:54:53.04,Default,,0000,0000,0000,,but knowing it's a different world.
Dialogue: 0,0:54:53.04,0:54:57.16,Default,,0000,0000,0000,,Casino Royale would be the first Bond movie to star Daniel Craig.
Dialogue: 0,0:54:58.48,0:55:02.32,Default,,0000,0000,0000,,Arnold's score had to reflect this tougher and more physical 007.
Dialogue: 0,0:55:09.52,0:55:14.52,Default,,0000,0000,0000,,The music was modelled on Daniel's movement and muscularity.
Dialogue: 0,0:55:14.52,0:55:16.56,Default,,0000,0000,0000,,His attitude, the way he looked...
Dialogue: 0,0:55:16.56,0:55:19.12,Default,,0000,0000,0000,,So, you're actually scoring body language...
Dialogue: 0,0:55:19.12,0:55:21.96,Default,,0000,0000,0000,,Bond's not one for saying an awful lot.
Dialogue: 0,0:55:24.100,0:55:27.76,Default,,0000,0000,0000,,The music is accompanying him moving.
Dialogue: 0,0:55:31.76,0:55:35.04,Default,,0000,0000,0000,,But Casino Royale is also an origin tale,
Dialogue: 0,0:55:35.04,0:55:38.96,Default,,0000,0000,0000,,explaining how Bond becomes a fully-fledged super spy.
Dialogue: 0,0:55:38.96,0:55:41.76,Default,,0000,0000,0000,,This presented Arnold with an interesting opportunity to
Dialogue: 0,0:55:41.76,0:55:44.16,Default,,0000,0000,0000,,work with a classic Bond theme.
Dialogue: 0,0:55:44.16,0:55:47.20,Default,,0000,0000,0000,,He deliberately didn't play the Bond theme during that
Dialogue: 0,0:55:47.20,0:55:50.56,Default,,0000,0000,0000,,film in its entirety until the very end of the picture.
Dialogue: 0,0:55:50.56,0:55:51.84,Default,,0000,0000,0000,,Erm...
Dialogue: 0,0:55:51.84,0:55:56.48,Default,,0000,0000,0000,,because it felt like he wasn't that character yet.
Dialogue: 0,0:55:56.48,0:55:58.100,Default,,0000,0000,0000,,When he wins the DB5 in the game of cards,
Dialogue: 0,0:55:58.100,0:56:01.40,Default,,0000,0000,0000,,the first time you kind of hint at that...
Dialogue: 0,0:56:01.40,0:56:02.68,Default,,0000,0000,0000,,HE HUMS GENTLY
Dialogue: 0,0:56:09.100,0:56:11.100,Default,,0000,0000,0000,,The first time he puts the dinner jacket on.
Dialogue: 0,0:56:11.100,0:56:13.100,Default,,0000,0000,0000,,He gets the tuxedo and he straighten his tie,
Dialogue: 0,0:56:13.100,0:56:16.32,Default,,0000,0000,0000,,and he looks at himself in the mirror and you think,
Dialogue: 0,0:56:16.32,0:56:17.84,Default,,0000,0000,0000,,"OK, that's a bit closer."
Dialogue: 0,0:56:21.92,0:56:23.32,Default,,0000,0000,0000,,SHE LAUGHS
Dialogue: 0,0:56:26.24,0:56:28.16,Default,,0000,0000,0000,,And then ultimately, at the end of the film,
Dialogue: 0,0:56:28.16,0:56:30.20,Default,,0000,0000,0000,,when he says, "The name's Bond - James Bond."
Dialogue: 0,0:56:30.20,0:56:32.20,Default,,0000,0000,0000,,There you are. Hello.
Dialogue: 0,0:56:35.24,0:56:38.52,Default,,0000,0000,0000,,The name's Bond - James Bond.
Dialogue: 0,0:56:41.40,0:56:44.88,Default,,0000,0000,0000,,It's only when these four seconds of black appear that we hear
Dialogue: 0,0:56:44.88,0:56:48.84,Default,,0000,0000,0000,,the Bond theme in full, just in time for the credits to roll.
Dialogue: 0,0:56:48.84,0:56:51.56,Default,,0000,0000,0000,,BOND THEME PLAYS
Dialogue: 0,0:56:51.56,0:56:52.80,Default,,0000,0000,0000,,David's Arnold's music
Dialogue: 0,0:56:52.80,0:56:55.48,Default,,0000,0000,0000,,helped give the Bond franchise a new lease of life.
Dialogue: 0,0:57:00.36,0:57:04.48,Default,,0000,0000,0000,,And, in, 2013, Skyfall, performed and co-written by Adele,
Dialogue: 0,0:57:04.48,0:57:07.56,Default,,0000,0000,0000,,became the first Bond song to win an Academy Award.
Dialogue: 0,0:57:09.92,0:57:12.76,Default,,0000,0000,0000,,# Let the sky fall
Dialogue: 0,0:57:12.76,0:57:15.76,Default,,0000,0000,0000,,# When it crumbles
Dialogue: 0,0:57:15.76,0:57:17.44,Default,,0000,0000,0000,,# We will stand tall... #
Dialogue: 0,0:57:17.44,0:57:19.100,Default,,0000,0000,0000,,The song carries its heritage proudly.
Dialogue: 0,0:57:19.100,0:57:21.40,Default,,0000,0000,0000,,The powerful chorus...
Dialogue: 0,0:57:23.24,0:57:25.44,Default,,0000,0000,0000,,# ..Let the sky fall
Dialogue: 0,0:57:25.44,0:57:28.16,Default,,0000,0000,0000,,# When it crumbles
Dialogue: 0,0:57:28.16,0:57:30.56,Default,,0000,0000,0000,,# We will stand tall... #
Dialogue: 0,0:57:32.36,0:57:35.92,Default,,0000,0000,0000,,The classic Bond chord progression it incorporates...
Dialogue: 0,0:57:35.92,0:57:39.40,Default,,0000,0000,0000,,# ..That sky falls
Dialogue: 0,0:57:40.72,0:57:43.76,Default,,0000,0000,0000,,# That sky falls... #
Dialogue: 0,0:57:43.76,0:57:47.20,Default,,0000,0000,0000,,And, crucially, the careful casting of the performer.
Dialogue: 0,0:57:47.20,0:57:52.08,Default,,0000,0000,0000,,Following a tradition that began with Shirley Bassey and Goldfinger.
Dialogue: 0,0:57:52.08,0:57:57.92,Default,,0000,0000,0000,,I don't think you would necessarily expect to see Adele in a scene
Dialogue: 0,0:57:57.92,0:58:01.84,Default,,0000,0000,0000,,but the sound of her voice says, "This could belong in Bond's world."
Dialogue: 0,0:58:06.12,0:58:08.52,Default,,0000,0000,0000,,Pop may once have been a cinematic upstart,
Dialogue: 0,0:58:08.52,0:58:12.56,Default,,0000,0000,0000,,but now it's so well established it can draw on its own tradition.
Dialogue: 0,0:58:12.56,0:58:15.24,Default,,0000,0000,0000,,Today's audience enjoys films that can move seamlessly
Dialogue: 0,0:58:15.24,0:58:18.48,Default,,0000,0000,0000,,between the orchestral score and the energy of popular music,
Dialogue: 0,0:58:18.48,0:58:21.72,Default,,0000,0000,0000,,making soundtracks more diverse, forceful and relevant.
Dialogue: 0,0:58:22.96,0:58:25.76,Default,,0000,0000,0000,,This has become the modern sound of cinema.
Dialogue: 0,0:58:27.92,0:58:31.28,Default,,0000,0000,0000,,Next time, the film score goes electronic.
Dialogue: 0,0:58:31.28,0:58:34.56,Default,,0000,0000,0000,,How technology pushed the boundaries of the soundtrack.
Dialogue: 0,0:58:39.76,0:58:44.52,Default,,0000,0000,0000,,MUSIC: "Skyfall" by Adele, instrumental arrangement
Dialogue: 0,0:58:57.100,0:59:01.04,Default,,0000,0000,0000,,Subtitles By Red Bee Media Ltd