[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.35,0:00:03.85,Default,,0000,0000,0000,,Virtual reality started for me
Dialogue: 0,0:00:03.85,0:00:06.98,Default,,0000,0000,0000,,in sort of an unusual place.
Dialogue: 0,0:00:06.98,0:00:09.17,Default,,0000,0000,0000,,It was the 1970s,
Dialogue: 0,0:00:09.17,0:00:10.77,Default,,0000,0000,0000,,I got into the field very young,
Dialogue: 0,0:00:10.77,0:00:12.63,Default,,0000,0000,0000,,I was 7-years-old.
Dialogue: 0,0:00:12.63,0:00:17.24,Default,,0000,0000,0000,,And the tool that I used \Nto access virtual reality
Dialogue: 0,0:00:17.24,0:00:20.81,Default,,0000,0000,0000,,was an Evel Knievel stunt cycle.
Dialogue: 0,0:00:20.81,0:00:23.43,Default,,0000,0000,0000,,This is a commercial for \Nthat particular item:
Dialogue: 0,0:00:23.43,0:00:24.78,Default,,0000,0000,0000,,Commercial: "What a jump!
Dialogue: 0,0:00:24.78,0:00:26.77,Default,,0000,0000,0000,,Evel's riding the amazing stunt cycle.
Dialogue: 0,0:00:26.77,0:00:29.54,Default,,0000,0000,0000,,That jiro-power sends him \Nover 100 feet at top speed."
Dialogue: 0,0:00:29.54,0:00:31.63,Default,,0000,0000,0000,,Chris Milk: So this was my joy back then.
Dialogue: 0,0:00:31.63,0:00:34.85,Default,,0000,0000,0000,,I rode this motorcycle everywhere,
Dialogue: 0,0:00:34.85,0:00:36.57,Default,,0000,0000,0000,,and I was there with Evel Knievel:
Dialogue: 0,0:00:36.57,0:00:39.06,Default,,0000,0000,0000,,we jumped the Snake River Canyon together.
Dialogue: 0,0:00:39.06,0:00:40.01,Default,,0000,0000,0000,,I wanted the rocket,
Dialogue: 0,0:00:40.01,0:00:41.19,Default,,0000,0000,0000,,I never got the rocket.
Dialogue: 0,0:00:41.19,0:00:45.95,Default,,0000,0000,0000,,I only got the motorcycle.
Dialogue: 0,0:00:45.95,0:00:47.59,Default,,0000,0000,0000,,I felt so connected to this world,
Dialogue: 0,0:00:47.59,0:00:49.97,Default,,0000,0000,0000,,I didn't want to be \Na storyteller when I grew up,
Dialogue: 0,0:00:49.97,0:00:52.44,Default,,0000,0000,0000,,I wanted to be stuntman.
Dialogue: 0,0:00:52.44,0:00:55.64,Default,,0000,0000,0000,,I was there, Evel Knievel was my friend,
Dialogue: 0,0:00:55.64,0:00:58.75,Default,,0000,0000,0000,,I had so much empathy for him.
Dialogue: 0,0:00:58.75,0:01:01.36,Default,,0000,0000,0000,,But, it didn't work out.
Dialogue: 0,0:01:01.36,0:01:03.38,Default,,0000,0000,0000,,I went to art school.
Dialogue: 0,0:01:03.38,0:01:05.79,Default,,0000,0000,0000,,I started making music videos.
Dialogue: 0,0:01:05.79,0:01:08.87,Default,,0000,0000,0000,,And this is one of the early\Nmusic videos that I made:
Dialogue: 0,0:01:08.87,0:01:14.76,Default,,0000,0000,0000,,Music: "Before the day you die,\Nyou gon' touch the sky."
Dialogue: 0,0:01:14.76,0:01:18.03,Default,,0000,0000,0000,,Chris Milk: You may notice \Nsome slight similarities here.
Dialogue: 0,0:01:18.03,0:01:19.82,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:01:19.82,0:01:22.46,Default,,0000,0000,0000,,And I got that rocket.
Dialogue: 0,0:01:22.46,0:01:25.10,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:01:25.10,0:01:27.64,Default,,0000,0000,0000,,So, now I'm a filmmaker,
Dialogue: 0,0:01:27.64,0:01:29.88,Default,,0000,0000,0000,,or, the beginning of a filmmaker,
Dialogue: 0,0:01:29.88,0:01:33.24,Default,,0000,0000,0000,,and I started using the tools that are\Navailable to me as a filmmaker
Dialogue: 0,0:01:33.24,0:01:36.53,Default,,0000,0000,0000,,to try to tell the most compelling stories\N
Dialogue: 0,0:01:36.53,0:01:38.02,Default,,0000,0000,0000,,that I can to an audience.
Dialogue: 0,0:01:38.02,0:01:41.15,Default,,0000,0000,0000,,And film is this incredible medium\Nthat allows us to feel empathy
Dialogue: 0,0:01:41.15,0:01:43.22,Default,,0000,0000,0000,,for people that are very different than us
Dialogue: 0,0:01:43.22,0:01:45.84,Default,,0000,0000,0000,,and worlds completely foreign \Nfrom our own.
Dialogue: 0,0:01:45.84,0:01:50.02,Default,,0000,0000,0000,,Unfortunately, Evel Knievel didn't feel\Nthe same empathy for us
Dialogue: 0,0:01:50.02,0:01:51.91,Default,,0000,0000,0000,,that we felt for him,
Dialogue: 0,0:01:51.91,0:01:54.33,Default,,0000,0000,0000,,and he sued us for this video
Dialogue: 0,0:01:54.33,0:01:56.06,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:01:56.06,0:01:58.11,Default,,0000,0000,0000,,shortly thereafter.
Dialogue: 0,0:01:58.11,0:02:00.72,Default,,0000,0000,0000,,On the upside,
Dialogue: 0,0:02:00.72,0:02:03.43,Default,,0000,0000,0000,,the man that I worshiped as a child,
Dialogue: 0,0:02:03.43,0:02:06.07,Default,,0000,0000,0000,,the man that I wanted \Nto become as an adult,
Dialogue: 0,0:02:06.07,0:02:10.56,Default,,0000,0000,0000,,I was finally able to get his autograph.
Dialogue: 0,0:02:10.56,0:02:13.90,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:02:17.83,0:02:22.85,Default,,0000,0000,0000,,Let's talk about film now.
Dialogue: 0,0:02:22.85,0:02:25.74,Default,,0000,0000,0000,,Film, it's an incredible medium,
Dialogue: 0,0:02:25.74,0:02:29.06,Default,,0000,0000,0000,,but essentially, it's the same\Nnow as it was then.
Dialogue: 0,0:02:29.06,0:02:32.53,Default,,0000,0000,0000,,It's a group of rectangles that are\Nplayed in a sequence.
Dialogue: 0,0:02:32.53,0:02:36.36,Default,,0000,0000,0000,,And we've done incredible things\Nwith those rectangles.
Dialogue: 0,0:02:36.36,0:02:39.25,Default,,0000,0000,0000,,But, I started thinking about,
Dialogue: 0,0:02:39.25,0:02:43.62,Default,,0000,0000,0000,,"Is there a way that I can use modern\Nand developing technologies
Dialogue: 0,0:02:43.62,0:02:45.74,Default,,0000,0000,0000,,to tell stories in different ways
Dialogue: 0,0:02:45.74,0:02:47.48,Default,,0000,0000,0000,,and tell different kinds of stories
Dialogue: 0,0:02:47.48,0:02:51.79,Default,,0000,0000,0000,,that maybe I couldn't tell using\Nthe traditional tools of filmmaking
Dialogue: 0,0:02:51.79,0:02:54.15,Default,,0000,0000,0000,,that we've been using for 100 years?"
Dialogue: 0,0:02:54.15,0:02:56.78,Default,,0000,0000,0000,,So, I started experiementing
Dialogue: 0,0:02:56.78,0:02:58.34,Default,,0000,0000,0000,,and what I was trying to do was
Dialogue: 0,0:02:58.34,0:03:03.05,Default,,0000,0000,0000,,to build the ultimate empathy machine.
Dialogue: 0,0:03:03.05,0:03:05.28,Default,,0000,0000,0000,,And here's one of the early experiments:
Dialogue: 0,0:03:07.98,0:03:10.66,Default,,0000,0000,0000,,Chris Milk: So this is called\N"The Wilderness Downtown",
Dialogue: 0,0:03:10.66,0:03:13.01,Default,,0000,0000,0000,,it was a collaboration with Arcade Fire.
Dialogue: 0,0:03:13.01,0:03:16.50,Default,,0000,0000,0000,,It asked you to put in the address\Nwhere you grew up at the beginning of it.
Dialogue: 0,0:03:16.50,0:03:17.97,Default,,0000,0000,0000,,It's a website.
Dialogue: 0,0:03:17.97,0:03:20.72,Default,,0000,0000,0000,,And out of it starts growing \Nthese little boxes
Dialogue: 0,0:03:20.72,0:03:22.25,Default,,0000,0000,0000,,with different browser windows.
Dialogue: 0,0:03:22.25,0:03:24.39,Default,,0000,0000,0000,,And you see this teenager \Nrunning down a street,
Dialogue: 0,0:03:24.39,0:03:27.06,Default,,0000,0000,0000,,and then you see Google Street View\Nand Google Maps imagery
Dialogue: 0,0:03:27.06,0:03:29.78,Default,,0000,0000,0000,,and you realize the street\Nhe's running down is yours.
Dialogue: 0,0:03:29.78,0:03:31.69,Default,,0000,0000,0000,,And when he stops in front of a house,
Dialogue: 0,0:03:31.69,0:03:35.74,Default,,0000,0000,0000,,he's stops in front of your house.
Dialogue: 0,0:03:35.74,0:03:39.42,Default,,0000,0000,0000,,And this was great, and I saw people \Nhaving an even deeper emotional reaction
Dialogue: 0,0:03:39.42,0:03:43.24,Default,,0000,0000,0000,,to this than the things that \NI had made in rectangles.
Dialogue: 0,0:03:43.24,0:03:46.56,Default,,0000,0000,0000,,And I'm essentially taking \Na piece of your history
Dialogue: 0,0:03:46.56,0:03:49.98,Default,,0000,0000,0000,,and putting it inside \Nthe framing of the story.
Dialogue: 0,0:03:49.98,0:03:51.58,Default,,0000,0000,0000,,But then I started thinking,
Dialogue: 0,0:03:51.58,0:03:53.43,Default,,0000,0000,0000,,"Okay, well that's a part of you.
Dialogue: 0,0:03:53.43,0:03:58.73,Default,,0000,0000,0000,,But, how do I put all of you\Ninside of the frame?"
Dialogue: 0,0:03:58.73,0:04:01.83,Default,,0000,0000,0000,,So to do that, I started\Nmaking art installations.
Dialogue: 0,0:04:01.83,0:04:04.37,Default,,0000,0000,0000,,And this is one called \N"The Treachery of Sanctuary."
Dialogue: 0,0:04:04.37,0:04:07.86,Default,,0000,0000,0000,,It's a triptych, I'm going to show\Nyou the third panel.
Dialogue: 0,0:04:30.66,0:04:35.11,Default,,0000,0000,0000,,So now I've got you inside of the frame,
Dialogue: 0,0:04:35.11,0:04:39.40,Default,,0000,0000,0000,,and I saw people having even more\Nvisceral emotional reactions
Dialogue: 0,0:04:39.40,0:04:42.08,Default,,0000,0000,0000,,to this work than the previous one.
Dialogue: 0,0:04:42.08,0:04:44.23,Default,,0000,0000,0000,,But then I started thinking about frames,
Dialogue: 0,0:04:44.23,0:04:46.24,Default,,0000,0000,0000,,and what do they represent.
Dialogue: 0,0:04:46.24,0:04:48.09,Default,,0000,0000,0000,,And a frame is just a window.
Dialogue: 0,0:04:48.09,0:04:50.38,Default,,0000,0000,0000,,I mean, all the media that we watch\N
Dialogue: 0,0:04:50.38,0:04:51.54,Default,,0000,0000,0000,,-- television, cinema --
Dialogue: 0,0:04:51.54,0:04:53.86,Default,,0000,0000,0000,,they're these windows into \Nthese other worlds.
Dialogue: 0,0:04:53.86,0:04:56.22,Default,,0000,0000,0000,,And I thought, "Well, great. \NI got you in a frame.
Dialogue: 0,0:04:56.22,0:04:57.82,Default,,0000,0000,0000,,But I don't want you in the frame,
Dialogue: 0,0:04:57.82,0:04:58.82,Default,,0000,0000,0000,,I don't want you in a window,
Dialogue: 0,0:04:58.82,0:05:00.24,Default,,0000,0000,0000,,I want you through the window,
Dialogue: 0,0:05:00.24,0:05:02.66,Default,,0000,0000,0000,,I want you on the other side,
Dialogue: 0,0:05:02.66,0:05:06.43,Default,,0000,0000,0000,,in the world, inhabiting the world."
Dialogue: 0,0:05:06.43,0:05:09.12,Default,,0000,0000,0000,,So that leads me back to virtual reality.
Dialogue: 0,0:05:09.12,0:05:11.34,Default,,0000,0000,0000,,Let's talk about virtual reality.
Dialogue: 0,0:05:12.12,0:05:14.88,Default,,0000,0000,0000,,Unfortunately, "Talking about \Nvirtual reality
Dialogue: 0,0:05:14.88,0:05:18.42,Default,,0000,0000,0000,,is like dancing about architecture."
Dialogue: 0,0:05:18.42,0:05:25.34,Default,,0000,0000,0000,,And this is actually someone dancing\Nabout architecture in virtual reality.
Dialogue: 0,0:05:25.34,0:05:27.82,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:05:27.82,0:05:29.54,Default,,0000,0000,0000,,So, it's difficult to explain.
Dialogue: 0,0:05:29.54,0:05:31.02,Default,,0000,0000,0000,,Why is difficult to explain?
Dialogue: 0,0:05:31.02,0:05:34.78,Default,,0000,0000,0000,,It's because it's a very \Nexperiential medium.
Dialogue: 0,0:05:34.78,0:05:36.70,Default,,0000,0000,0000,,You feel your way inside of it.
Dialogue: 0,0:05:36.70,0:05:38.50,Default,,0000,0000,0000,,It's a machine, but inside of it,
Dialogue: 0,0:05:38.50,0:05:40.64,Default,,0000,0000,0000,,it feels like real-life,
Dialogue: 0,0:05:40.64,0:05:42.22,Default,,0000,0000,0000,,it feels like truth.
Dialogue: 0,0:05:42.22,0:05:44.65,Default,,0000,0000,0000,,And you feel present in the world\Nthat you're inside
Dialogue: 0,0:05:44.65,0:05:47.69,Default,,0000,0000,0000,,and you feel present with the people\Nthat you're inside of it with.\N
Dialogue: 0,0:05:47.69,0:05:51.78,Default,,0000,0000,0000,,So, I'm going to show you a demo\Nof virtual reality film:
Dialogue: 0,0:05:51.78,0:05:54.01,Default,,0000,0000,0000,,a full-screeen version of\Nall the information
Dialogue: 0,0:05:54.01,0:05:56.21,Default,,0000,0000,0000,,that we capture when\Nwe shoot virtual reality.
Dialogue: 0,0:05:56.21,0:05:57.86,Default,,0000,0000,0000,,So we're shooting in every direction.
Dialogue: 0,0:05:57.86,0:06:00.21,Default,,0000,0000,0000,,This is a camera system that we built
Dialogue: 0,0:06:00.21,0:06:03.24,Default,,0000,0000,0000,,that has 3D cameras that look\Nat every direction
Dialogue: 0,0:06:03.24,0:06:05.99,Default,,0000,0000,0000,,and binaural microphones\Nthat face in very direction.
Dialogue: 0,0:06:05.99,0:06:08.95,Default,,0000,0000,0000,,We take this and we build, basically,\N
Dialogue: 0,0:06:08.95,0:06:11.85,Default,,0000,0000,0000,,a sphere of a world that you inhabit.
Dialogue: 0,0:06:11.85,0:06:14.74,Default,,0000,0000,0000,,So what I'm going to show you\Nis not a view into the world,
Dialogue: 0,0:06:14.74,0:06:18.11,Default,,0000,0000,0000,,it's basically the whole world\Nstretched into a rectangle.
Dialogue: 0,0:06:18.11,0:06:21.50,Default,,0000,0000,0000,,So this film is called \N"Clouds over Sidra."
Dialogue: 0,0:06:21.50,0:06:25.99,Default,,0000,0000,0000,,And it was made in conjunction with \Nour virtual reality company called VRSE
Dialogue: 0,0:06:25.99,0:06:27.76,Default,,0000,0000,0000,,and the United Nations,
Dialogue: 0,0:06:27.76,0:06:30.79,Default,,0000,0000,0000,,and a co-collaborator named Gabo Arora.
Dialogue: 0,0:06:30.79,0:06:34.62,Default,,0000,0000,0000,,And we went to a Syrian refugee camp\Nin Jordan in December
Dialogue: 0,0:06:34.62,0:06:39.14,Default,,0000,0000,0000,,and shot the story of a 12-year-old\Ngirl there named Sidra.
Dialogue: 0,0:06:39.14,0:06:42.47,Default,,0000,0000,0000,,And her and her family fled Syria\Nthrough the desert into Jordan
Dialogue: 0,0:06:42.47,0:06:46.57,Default,,0000,0000,0000,,and she's been living in this\Ncamp for the last year and a half.
Dialogue: 0,0:06:46.57,0:06:50.72,Default,,0000,0000,0000,,Video: "My name is Sidra,\N
Dialogue: 0,0:06:50.72,0:06:52.62,Default,,0000,0000,0000,,I am 12-years-old.
Dialogue: 0,0:06:52.62,0:06:54.42,Default,,0000,0000,0000,,I am in the fifth grade.
Dialogue: 0,0:06:54.42,0:06:59.60,Default,,0000,0000,0000,,I am from Syria in the Daraa province\Nin (?).
Dialogue: 0,0:06:59.60,0:07:02.28,Default,,0000,0000,0000,,I have lived here in \Nthe Zaatari camp in Jordan
Dialogue: 0,0:07:02.28,0:07:04.72,Default,,0000,0000,0000,,for the last year and a half.
Dialogue: 0,0:07:04.72,0:07:08.93,Default,,0000,0000,0000,,I have a big family:
Dialogue: 0,0:07:08.93,0:07:11.70,Default,,0000,0000,0000,,three brothers, one is a baby.
Dialogue: 0,0:07:11.70,0:07:15.14,Default,,0000,0000,0000,,He cries a lot.
Dialogue: 0,0:07:15.14,0:07:17.96,Default,,0000,0000,0000,,I asked my father if \NI cried when I was a baby,
Dialogue: 0,0:07:17.96,0:07:20.63,Default,,0000,0000,0000,,and he says I did not.
Dialogue: 0,0:07:20.63,0:07:23.82,Default,,0000,0000,0000,,I think I was a stronger baby\Nthan my brother."
Dialogue: 0,0:07:23.82,0:07:26.28,Default,,0000,0000,0000,,Chris Milk: So, when you're inside\Nof the headset.
Dialogue: 0,0:07:26.28,0:07:28.35,Default,,0000,0000,0000,,you're not seeing it like this.
Dialogue: 0,0:07:28.35,0:07:30.42,Default,,0000,0000,0000,,You're looking around through this world.
Dialogue: 0,0:07:30.42,0:07:35.71,Default,,0000,0000,0000,,You'll notice you see full\N360 degrees in all directions.
Dialogue: 0,0:07:35.71,0:07:38.66,Default,,0000,0000,0000,,And when you're sitting there\Nin her room, watching her,
Dialogue: 0,0:07:38.66,0:07:41.12,Default,,0000,0000,0000,,you're not watching it through\Na television screen,
Dialogue: 0,0:07:41.12,0:07:43.03,Default,,0000,0000,0000,,you're not watching it through a window,
Dialogue: 0,0:07:43.03,0:07:44.50,Default,,0000,0000,0000,,you're sitting there with her.
Dialogue: 0,0:07:44.50,0:07:47.47,Default,,0000,0000,0000,,When you look down, you're sitting\Non the same ground
Dialogue: 0,0:07:47.47,0:07:48.92,Default,,0000,0000,0000,,that she's sitting on.
Dialogue: 0,0:07:48.92,0:07:50.67,Default,,0000,0000,0000,,And because of that,
Dialogue: 0,0:07:50.67,0:07:53.76,Default,,0000,0000,0000,,you feel her humanity in a deeper way.
Dialogue: 0,0:07:53.76,0:07:59.59,Default,,0000,0000,0000,,You empathize with her in a deeper way.
Dialogue: 0,0:07:59.59,0:08:05.92,Default,,0000,0000,0000,,And I think that we can change\Nminds with this machine.
Dialogue: 0,0:08:05.92,0:08:09.69,Default,,0000,0000,0000,,And we've already started\Nto try to change a few.
Dialogue: 0,0:08:09.69,0:08:12.18,Default,,0000,0000,0000,,So we took this film to the\NWorld Economic Forum
Dialogue: 0,0:08:12.18,0:08:14.92,Default,,0000,0000,0000,,in Davos in January.
Dialogue: 0,0:08:14.92,0:08:17.02,Default,,0000,0000,0000,,And we showed it to a group of people
Dialogue: 0,0:08:17.02,0:08:21.10,Default,,0000,0000,0000,,whose decisions affect the lives\Nof millions of people.
Dialogue: 0,0:08:21.10,0:08:23.74,Default,,0000,0000,0000,,And these are people who might\Nnot otherwise be sitting
Dialogue: 0,0:08:23.74,0:08:29.62,Default,,0000,0000,0000,,in a tent in a refugee camp in Jordan.
Dialogue: 0,0:08:29.62,0:08:35.97,Default,,0000,0000,0000,,But, in January, one afternoon\Nin Switzerland,
Dialogue: 0,0:08:35.97,0:08:39.43,Default,,0000,0000,0000,,they suddenly all found themselves there.
Dialogue: 0,0:08:40.31,0:08:44.49,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:08:46.100,0:08:49.06,Default,,0000,0000,0000,,And they were affected by it.
Dialogue: 0,0:08:49.06,0:08:52.37,Default,,0000,0000,0000,,So we're going to make more of them.
Dialogue: 0,0:08:52.37,0:08:55.46,Default,,0000,0000,0000,,We're working with the \NUnited Nations right now
Dialogue: 0,0:08:55.46,0:08:57.52,Default,,0000,0000,0000,,to shoot a whole series of these films.
Dialogue: 0,0:08:57.52,0:09:00.19,Default,,0000,0000,0000,,We just finished shooting\Na story in Liberia.
Dialogue: 0,0:09:00.19,0:09:03.63,Default,,0000,0000,0000,,And now, we're going to shoot\Na story in India.
Dialogue: 0,0:09:03.63,0:09:05.51,Default,,0000,0000,0000,,And we're taking these films,
Dialogue: 0,0:09:05.51,0:09:08.04,Default,,0000,0000,0000,,and we're showing them \Nat the United Nations
Dialogue: 0,0:09:08.04,0:09:11.02,Default,,0000,0000,0000,,to people that work there and people\Nwho are visiting there.
Dialogue: 0,0:09:11.02,0:09:12.81,Default,,0000,0000,0000,,And we're showing \Nthem to the people
Dialogue: 0,0:09:12.81,0:09:17.27,Default,,0000,0000,0000,,that can actually change the lives\Nof the people inside the film.
Dialogue: 0,0:09:17.27,0:09:20.96,Default,,0000,0000,0000,,And that's where I think we just\Nstart to scratch the surface
Dialogue: 0,0:09:20.96,0:09:24.61,Default,,0000,0000,0000,,of the true power of virtual reality.
Dialogue: 0,0:09:24.61,0:09:26.84,Default,,0000,0000,0000,,It's not a video game peripheral.
Dialogue: 0,0:09:26.84,0:09:31.41,Default,,0000,0000,0000,,It connects humans\Nto other humans in a profound way
Dialogue: 0,0:09:31.41,0:09:34.87,Default,,0000,0000,0000,,that I've never seen before \Nin any other form of media.
Dialogue: 0,0:09:34.87,0:09:38.76,Default,,0000,0000,0000,,And it can change people's\Nperception of each other.
Dialogue: 0,0:09:38.76,0:09:41.95,Default,,0000,0000,0000,,And that's how I think \Nvirtual reality has the potential
Dialogue: 0,0:09:41.95,0:09:45.05,Default,,0000,0000,0000,,to actually change the world.
Dialogue: 0,0:09:45.05,0:09:49.53,Default,,0000,0000,0000,,So, it's a machine.
Dialogue: 0,0:09:49.53,0:09:51.11,Default,,0000,0000,0000,,But through this machine,
Dialogue: 0,0:09:51.11,0:09:54.07,Default,,0000,0000,0000,,we become more compassionate,
Dialogue: 0,0:09:54.07,0:09:56.73,Default,,0000,0000,0000,,we become more empathetic,
Dialogue: 0,0:09:56.73,0:09:59.58,Default,,0000,0000,0000,,and we become more connected.
Dialogue: 0,0:09:59.58,0:10:03.81,Default,,0000,0000,0000,,And ultimately, we become more human.
Dialogue: 0,0:10:03.81,0:10:05.65,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:10:05.65,0:10:08.77,Default,,0000,0000,0000,,(Applause)