1 00:00:02,600 --> 00:00:06,773 [New York Close Up] 2 00:00:07,590 --> 00:00:11,949 [Museum of the Moving Image--Astoria, Queens] 3 00:00:12,600 --> 00:00:15,760 THOLLAM MCDONAS: Oh man! 4 00:00:15,780 --> 00:00:18,950 (LAUGHTER) 5 00:00:24,575 --> 00:00:27,323 MATTHEW MARINELLI: This is going to be a great shot when the doors close. 6 00:00:27,323 --> 00:00:29,612 MARTHA COLBURN: Ahhhhh! 7 00:00:29,612 --> 00:00:33,070 ["Martha Colburn & The Musicians"] 8 00:00:35,550 --> 00:00:38,710 MARTHA: God! 9 00:00:38,730 --> 00:00:41,900 Yes, this is the set list for tonight. 10 00:00:41,920 --> 00:00:44,569 [Martha Colburn--Artist] 11 00:00:44,569 --> 00:00:50,080 Which I very tentatively edited my program to and hope nothing changes. 12 00:00:54,100 --> 00:00:59,250 We’re going to start our live show. I’m Martha Colburn, these are musicians. 13 00:00:59,270 --> 00:01:08,440 [APPLAUSE] 14 00:01:08,460 --> 00:01:20,368 ♪ 15 00:01:20,368 --> 00:01:21,817 ["Destiny Manifesto" (2006)] 16 00:01:21,817 --> 00:01:25,296 Well, with animating you end up having to spend a lot of time at home. 17 00:01:25,296 --> 00:01:30,810 Like and when I say a lot, you know maybe you’ll go out once a month. 18 00:01:30,830 --> 00:01:40,990 ♪ 19 00:01:41,010 --> 00:01:48,180 Tonight, this is basically the live manifestation of everything, it’s not just my work. 20 00:01:48,200 --> 00:01:55,200 It’s the work of the musicians who...who do the soundtracks regularly for the really concrete films I make. 21 00:01:55,220 --> 00:01:59,210 ♪ 22 00:01:59,230 --> 00:02:02,410 Animated stuff takes me a year. They make the sound. 23 00:02:02,430 --> 00:02:04,610 But this is an opportunity for us to be alive. 24 00:02:04,630 --> 00:02:08,256 ♪ 25 00:02:08,256 --> 00:02:16,220 ["Triumph of the Wild II" (2008-2009)] 26 00:02:16,220 --> 00:02:25,218 ♪ 27 00:02:25,218 --> 00:02:29,140 So some are completely improvised and some are compositions they wrote and some are not. 28 00:02:29,160 --> 00:02:34,140 And...and we just kind of will make it work, I hope. 29 00:02:34,160 --> 00:02:51,330 ♪ 30 00:02:51,350 --> 00:02:54,510 You know it’s kind of chance. It’s freedom. 31 00:02:54,530 --> 00:03:00,510 I mean I have to give the freedom...have to give the musicians freedom if I’m not giving them a million dollars too, I mean let’s face it. 32 00:03:00,530 --> 00:03:02,700 You have to be able to have fun. 33 00:03:02,720 --> 00:03:27,720 ♪ 34 00:03:27,740 --> 00:03:33,860 [APPLAUSE] 35 00:03:33,880 --> 00:03:40,040 I uh, make these paddles which go in front of the projector so.... 36 00:03:40,060 --> 00:03:46,220 And I can go red and green on either projector or... 37 00:03:46,240 --> 00:03:52,230 Some are just kind of...flashy and garish for no reason. 38 00:03:52,250 --> 00:04:37,440 ♪ 39 00:04:37,460 --> 00:04:43,650 It’s just fun...fun, flamboyant, fun stuff. 40 00:04:43,670 --> 00:04:49,820 Just improvisational stuff outside of animating which is so oppressive. 41 00:04:49,840 --> 00:04:56,010 And this is very freestyle. Voila! 42 00:04:56,030 --> 00:05:20,834 ♪