[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:25.50,Default,,0000,0000,0000,,[Music Playing]
Dialogue: 0,0:00:38.31,0:00:42.31,Default,,0000,0000,0000,,Oh, I like painting, I like doing clay.
Dialogue: 0,0:00:42.34,0:00:44.72,Default,,0000,0000,0000,,I like all my artwork.
Dialogue: 0,0:00:46.47,0:00:48.76,Default,,0000,0000,0000,,This is one of my square drawings
Dialogue: 0,0:00:48.76,0:00:50.84,Default,,0000,0000,0000,,that I've done.
Dialogue: 0,0:00:53.65,0:00:55.49,Default,,0000,0000,0000,,This, uh, drawing right here,
Dialogue: 0,0:00:55.49,0:00:57.01,Default,,0000,0000,0000,,it makes me feel good
Dialogue: 0,0:00:57.09,0:00:58.87,Default,,0000,0000,0000,,and I show my inspiration.
Dialogue: 0,0:01:00.49,0:01:02.54,Default,,0000,0000,0000,,My name is Jackie
Dialogue: 0,0:01:02.55,0:01:05.55,Default,,0000,0000,0000,,and I am going to take you on a tour.
Dialogue: 0,0:01:08.55,0:01:11.70,Default,,0000,0000,0000,,I'll show you, that is a ceramics class.
Dialogue: 0,0:01:14.50,0:01:17.41,Default,,0000,0000,0000,,This is the work class, right here
Dialogue: 0,0:01:18.96,0:01:21.21,Default,,0000,0000,0000,,and there's sewing right here.
Dialogue: 0,0:01:21.29,0:01:23.25,Default,,0000,0000,0000,,What're you sewing, Theresa?
Dialogue: 0,0:01:23.25,0:01:24.54,Default,,0000,0000,0000,,My magic robe.
Dialogue: 0,0:01:24.54,0:01:28.04,Default,,0000,0000,0000,,Oh, okay. Her magic robe. Okay.
Dialogue: 0,0:01:29.41,0:01:32.03,Default,,0000,0000,0000,,And that's a teacher right here.
Dialogue: 0,0:01:32.87,0:01:34.15,Default,,0000,0000,0000,,How're you doing?
Dialogue: 0,0:01:34.41,0:01:36.07,Default,,0000,0000,0000,,Art is a great equalizer.
Dialogue: 0,0:01:36.84,0:01:38.59,Default,,0000,0000,0000,,That transcends language.
Dialogue: 0,0:01:38.70,0:01:40.32,Default,,0000,0000,0000,,That transcends culture.
Dialogue: 0,0:01:40.46,0:01:42.20,Default,,0000,0000,0000,,That transcends disability.
Dialogue: 0,0:01:47.13,0:01:48.82,Default,,0000,0000,0000,,Creative growth is about
Dialogue: 0,0:01:48.92,0:01:52.52,Default,,0000,0000,0000,,artistic expression as a form of\Nself empowerment
Dialogue: 0,0:01:53.42,0:01:57.42,Default,,0000,0000,0000,,as a form of aesthetic development,\Nas a form of saying
Dialogue: 0,0:01:57.42,0:01:59.48,Default,,0000,0000,0000,,"this is who I am in the world".
Dialogue: 0,0:02:12.23,0:02:14.43,Default,,0000,0000,0000,,Blue is cold and yellow is warm.
Dialogue: 0,0:02:16.15,0:02:19.57,Default,,0000,0000,0000,,How do you know when you're reaching in \Nthere what you're getting out?
Dialogue: 0,0:02:19.57,0:02:20.91,Default,,0000,0000,0000,,I can tell by the feel.
Dialogue: 0,0:02:20.91,0:02:21.69,Default,,0000,0000,0000,,The feel?
Dialogue: 0,0:02:21.69,0:02:23.90,Default,,0000,0000,0000,,Yep, the compartments, you know?
Dialogue: 0,0:02:23.93,0:02:26.98,Default,,0000,0000,0000,,So what is the feel of green?\NWhat is that?
Dialogue: 0,0:02:27.11,0:02:30.14,Default,,0000,0000,0000,,Green feels like freezing,\Nred is hot.
Dialogue: 0,0:02:30.22,0:02:32.77,Default,,0000,0000,0000,,So you're working with freezing and hot\Nright now?
Dialogue: 0,0:02:32.77,0:02:33.50,Default,,0000,0000,0000,,Yes.
Dialogue: 0,0:02:38.32,0:02:41.59,Default,,0000,0000,0000,,Monica's been fascinated with color\Never since she was really
Dialogue: 0,0:02:42.09,0:02:48.68,Default,,0000,0000,0000,,a wee child, and I think losing her sight\Nopened up a different connection
Dialogue: 0,0:02:49.80,0:02:53.04,Default,,0000,0000,0000,,to the world of light, and shadow,\Nand color.
Dialogue: 0,0:02:54.84,0:02:57.24,Default,,0000,0000,0000,,Do you have a favorite foam shape \Nto work on?
Dialogue: 0,0:02:57.35,0:02:58.82,Default,,0000,0000,0000,,I like the logs,
Dialogue: 0,0:02:59.17,0:03:00.40,Default,,0000,0000,0000,,the cubes,
Dialogue: 0,0:03:01.26,0:03:02.50,Default,,0000,0000,0000,,the little tiny cubes,
Dialogue: 0,0:03:02.50,0:03:04.25,Default,,0000,0000,0000,,and the spheres.
Dialogue: 0,0:03:04.38,0:03:06.00,Default,,0000,0000,0000,,Logs, tiny cubes, and spheres.
Dialogue: 0,0:03:06.09,0:03:07.26,Default,,0000,0000,0000,,Yeah, and the cakes too.
Dialogue: 0,0:03:07.53,0:03:09.34,Default,,0000,0000,0000,,Yeah, and the cakes turned out great.
Dialogue: 0,0:03:09.34,0:03:10.12,Default,,0000,0000,0000,,Yep.
Dialogue: 0,0:03:11.12,0:03:15.12,Default,,0000,0000,0000,,I see her becoming more and more dedicated\Nto her art
Dialogue: 0,0:03:15.26,0:03:18.91,Default,,0000,0000,0000,,and it seems to fulfill her in deeper and \Ndeeper ways,
Dialogue: 0,0:03:18.91,0:03:20.65,Default,,0000,0000,0000,,and for that, I feel so happy.
Dialogue: 0,0:03:21.08,0:03:24.15,Default,,0000,0000,0000,,You know? Because she has so much to offer\Nthe world.
Dialogue: 0,0:03:30.66,0:03:35.01,Default,,0000,0000,0000,,Yes, um, my name is Rosena Finister
Dialogue: 0,0:03:35.32,0:03:42.34,Default,,0000,0000,0000,,[Crowd whooping and clapping]
Dialogue: 0,0:03:42.46,0:03:47.83,Default,,0000,0000,0000,,and I'm from a small town in Louisiana,\Nwhere all the poor people live at.
Dialogue: 0,0:03:48.59,0:03:49.82,Default,,0000,0000,0000,,That's where I'm from.
Dialogue: 0,0:03:49.82,0:03:52.33,Default,,0000,0000,0000,,This is the first type of art that I \Nstarted doing.
Dialogue: 0,0:03:53.10,0:03:56.61,Default,,0000,0000,0000,,Creative Growth currently serves \N162 artists at our studio every week.
Dialogue: 0,0:03:57.12,0:04:00.23,Default,,0000,0000,0000,,When people come to the Creative Growth\Nstudio, for the most part
Dialogue: 0,0:04:00.23,0:04:02.55,Default,,0000,0000,0000,,they've never made art before \Nin their lives,
Dialogue: 0,0:04:02.55,0:04:04.42,Default,,0000,0000,0000,,and we kind of welcome that.
Dialogue: 0,0:04:04.42,0:04:06.55,Default,,0000,0000,0000,,Because it allows us to see who they are.
Dialogue: 0,0:04:08.54,0:04:10.46,Default,,0000,0000,0000,,And, you know, there's no\Nright or wrong;
Dialogue: 0,0:04:10.46,0:04:12.18,Default,,0000,0000,0000,,we don't teach in a traditional way.
Dialogue: 0,0:04:12.56,0:04:14.82,Default,,0000,0000,0000,,We say, you know, "what would you like\Nto do?",
Dialogue: 0,0:04:14.82,0:04:17.62,Default,,0000,0000,0000,,"what are you thinking about", "what did \Nyou dream about",
Dialogue: 0,0:04:17.62,0:04:18.84,Default,,0000,0000,0000,,"what color do you like"?
Dialogue: 0,0:04:18.84,0:04:20.22,Default,,0000,0000,0000,,Tell us your story.
Dialogue: 0,0:04:21.37,0:04:22.43,Default,,0000,0000,0000,,[Jazzy music playing]
Dialogue: 0,0:04:22.43,0:04:26.43,Default,,0000,0000,0000,,I've been coming here since 1992
Dialogue: 0,0:04:32.08,0:04:36.08,Default,,0000,0000,0000,,I like to paint, I like to draw, and\NI like paintings of people --
Dialogue: 0,0:04:36.34,0:04:38.43,Default,,0000,0000,0000,,like, different people.
Dialogue: 0,0:04:40.61,0:04:44.61,Default,,0000,0000,0000,,And stars -- movie stars.
Dialogue: 0,0:04:52.10,0:04:54.31,Default,,0000,0000,0000,,There are wholesome people.
Dialogue: 0,0:04:54.99,0:04:56.71,Default,,0000,0000,0000,,Wholesome encounters.
Dialogue: 0,0:04:59.53,0:05:01.14,Default,,0000,0000,0000,,What do you like to look at?
Dialogue: 0,0:05:01.17,0:05:02.12,Default,,0000,0000,0000,,I like that one.
Dialogue: 0,0:05:02.12,0:05:02.94,Default,,0000,0000,0000,,This one?
Dialogue: 0,0:05:02.94,0:05:03.69,Default,,0000,0000,0000,,Yeah.
Dialogue: 0,0:05:03.69,0:05:07.04,Default,,0000,0000,0000,,Look at that one?\NThis is what?
Dialogue: 0,0:05:07.04,0:05:09.18,Default,,0000,0000,0000,,What do you call the name\Nof this painting?
Dialogue: 0,0:05:09.18,0:05:10.34,Default,,0000,0000,0000,,"Inner Limits".
Dialogue: 0,0:05:11.36,0:05:13.68,Default,,0000,0000,0000,,William is just such a brilliant artist.
Dialogue: 0,0:05:14.30,0:05:15.34,Default,,0000,0000,0000,,And look at this.
Dialogue: 0,0:05:15.34,0:05:16.36,Default,,0000,0000,0000,,Beautiful piece.
Dialogue: 0,0:05:16.36,0:05:17.71,Default,,0000,0000,0000,,Do you remember making this?
Dialogue: 0,0:05:17.71,0:05:18.45,Default,,0000,0000,0000,,I remember.
Dialogue: 0,0:05:18.73,0:05:20.38,Default,,0000,0000,0000,,That's what? Praise Frisco?
Dialogue: 0,0:05:20.38,0:05:21.15,Default,,0000,0000,0000,,Yeah.
Dialogue: 0,0:05:22.03,0:05:26.03,Default,,0000,0000,0000,,He envisions through his work\Na utopian reality that he creates
Dialogue: 0,0:05:26.03,0:05:27.100,Default,,0000,0000,0000,,for us all to live in.
Dialogue: 0,0:05:29.32,0:05:32.23,Default,,0000,0000,0000,,A world where people who have died\Ncome back to life,
Dialogue: 0,0:05:33.58,0:05:36.08,Default,,0000,0000,0000,,places where bad neighborhoods are safe,
Dialogue: 0,0:05:37.50,0:05:41.50,Default,,0000,0000,0000,,where his family is happy, \Nwhere the world is peaceful.
Dialogue: 0,0:05:45.50,0:05:49.06,Default,,0000,0000,0000,,And, he believes the painting will be\Npowerful enough
Dialogue: 0,0:05:49.06,0:05:51.55,Default,,0000,0000,0000,,to make that a reality.
Dialogue: 0,0:05:58.32,0:06:02.79,Default,,0000,0000,0000,,Riding on the spaceship, wholesome\Nencounter spaceship.
Dialogue: 0,0:06:04.26,0:06:10.46,Default,,0000,0000,0000,,There's not gonna be no more evils.\NNo more aliens, no more monsters,
Dialogue: 0,0:06:10.46,0:06:12.64,Default,,0000,0000,0000,,no more evils.
Dialogue: 0,0:06:15.14,0:06:16.04,Default,,0000,0000,0000,,Uh-huh.
Dialogue: 0,0:06:19.49,0:06:21.52,Default,,0000,0000,0000,,Creative Growth is really a\NBay Area story.
Dialogue: 0,0:06:26.64,0:06:30.24,Default,,0000,0000,0000,,The disability rights movement in the\Nearly 1970s,
Dialogue: 0,0:06:30.24,0:06:32.42,Default,,0000,0000,0000,,Creative Growth really comes from that.
Dialogue: 0,0:06:37.32,0:06:40.90,Default,,0000,0000,0000,,So, during that time, people with\Ndisabilities in institutions
Dialogue: 0,0:06:40.90,0:06:43.12,Default,,0000,0000,0000,,were suddenly deinstitutionalized.
Dialogue: 0,0:06:45.19,0:06:49.19,Default,,0000,0000,0000,,So, artists came together in Oakland,\Nand put paint on a table,
Dialogue: 0,0:06:50.31,0:06:54.31,Default,,0000,0000,0000,,and said "well, these people are gonna\Ncome here; creativity is the path forward"
Dialogue: 0,0:07:01.94,0:07:03.52,Default,,0000,0000,0000,,I'm just doing a tree right now.
Dialogue: 0,0:07:04.38,0:07:08.59,Default,,0000,0000,0000,,And, people with disabilities can\Ncommunicate and be a vital part
Dialogue: 0,0:07:08.59,0:07:10.27,Default,,0000,0000,0000,,of society.
Dialogue: 0,0:07:13.76,0:07:16.86,Default,,0000,0000,0000,,Part of the Creative Growth plan when you \Ncome here and make art,
Dialogue: 0,0:07:16.86,0:07:19.85,Default,,0000,0000,0000,,is that we represent you, and you show\Nyour work in the gallery.
Dialogue: 0,0:07:19.85,0:07:22.31,Default,,0000,0000,0000,,If the work sells, the artist gets half \Nthe money.
Dialogue: 0,0:07:22.31,0:07:24.86,Default,,0000,0000,0000,,Creative Growth, the nonprofit gets half\Nthe money.
Dialogue: 0,0:07:25.28,0:07:28.40,Default,,0000,0000,0000,,We buy supplies and support the\Nartists with that money.
Dialogue: 0,0:07:31.60,0:07:34.95,Default,,0000,0000,0000,,If you came to Creative Growth, you could\Nbuy something for 10 dollars,
Dialogue: 0,0:07:34.95,0:07:37.64,Default,,0000,0000,0000,,and you can buy something for \N75,000 dollars.
Dialogue: 0,0:07:38.27,0:07:40.44,Default,,0000,0000,0000,,It's exactly like the contemporary art\Nworld.
Dialogue: 0,0:07:40.53,0:07:44.55,Default,,0000,0000,0000,,As an artist's work develops, and it gets\Ninto collections, and museums,
Dialogue: 0,0:07:44.55,0:07:47.12,Default,,0000,0000,0000,,and is highly sought after, \Nthe prices go up.
Dialogue: 0,0:07:47.56,0:07:50.14,Default,,0000,0000,0000,,And Creative Growth artists follow that\Nsame path.
Dialogue: 0,0:07:56.31,0:07:59.84,Default,,0000,0000,0000,,Judith Scott is one of the most well-\Nknown Creative Growth artists.
Dialogue: 0,0:08:04.93,0:08:08.93,Default,,0000,0000,0000,,As an artist, Judith Scott transcended\Nthis difficult situation.
Dialogue: 0,0:08:09.01,0:08:11.94,Default,,0000,0000,0000,,Where she was separated from her\Nfamily and institutionalized
Dialogue: 0,0:08:11.94,0:08:13.53,Default,,0000,0000,0000,,for almost 40 years.
Dialogue: 0,0:08:15.12,0:08:18.63,Default,,0000,0000,0000,,She was Deaf and it wasn't known, so she\Nnever developed language,
Dialogue: 0,0:08:18.88,0:08:20.46,Default,,0000,0000,0000,,and she was isolated.
Dialogue: 0,0:08:24.32,0:08:26.95,Default,,0000,0000,0000,,So in her 40's, she comes to \NCreative Growth.
Dialogue: 0,0:08:28.45,0:08:32.45,Default,,0000,0000,0000,,And, her method to talk to us
Dialogue: 0,0:08:34.13,0:08:35.56,Default,,0000,0000,0000,,was art.
Dialogue: 0,0:08:41.22,0:08:44.25,Default,,0000,0000,0000,,The process is very important to her
Dialogue: 0,0:08:44.25,0:08:48.25,Default,,0000,0000,0000,,and the result of that process with these\Nsculptures, with hidden objects,
Dialogue: 0,0:08:48.25,0:08:52.52,Default,,0000,0000,0000,,and accumulated, protected things that \Nwere sacred or important to her.
Dialogue: 0,0:08:55.43,0:08:58.03,Default,,0000,0000,0000,,I think Judith Scott's role in\Ncontemporary art is that
Dialogue: 0,0:08:58.03,0:09:01.06,Default,,0000,0000,0000,,she has opened the door for a lot\Nof people to see
Dialogue: 0,0:09:01.06,0:09:02.86,Default,,0000,0000,0000,,who an artist can be.
Dialogue: 0,0:09:04.09,0:09:08.09,Default,,0000,0000,0000,,[Mumbling]
Dialogue: 0,0:09:11.20,0:09:12.10,Default,,0000,0000,0000,,Right?
Dialogue: 0,0:09:12.10,0:09:12.88,Default,,0000,0000,0000,,Right.
Dialogue: 0,0:09:12.95,0:09:16.95,Default,,0000,0000,0000,,[Mumbling]
Dialogue: 0,0:09:24.80,0:09:27.63,Default,,0000,0000,0000,,You know, Dan's work is based on words.
Dialogue: 0,0:09:27.75,0:09:31.16,Default,,0000,0000,0000,,He builds literally words on top of \Neach other to form
Dialogue: 0,0:09:31.16,0:09:33.17,Default,,0000,0000,0000,,his communication with the world.
Dialogue: 0,0:09:33.28,0:09:34.78,Default,,0000,0000,0000,,Do you want me to pull it down?
Dialogue: 0,0:09:34.78,0:09:35.53,Default,,0000,0000,0000,,Yeah!
Dialogue: 0,0:09:43.34,0:09:45.21,Default,,0000,0000,0000,,Pull it gently, right?
Dialogue: 0,0:09:45.62,0:09:46.32,Default,,0000,0000,0000,,Right.
Dialogue: 0,0:09:49.00,0:09:52.15,Default,,0000,0000,0000,,[Mumbling]
Dialogue: 0,0:09:52.15,0:09:52.89,Default,,0000,0000,0000,,Right.
Dialogue: 0,0:09:54.54,0:09:58.07,Default,,0000,0000,0000,,We still don't know a lot about autism,\Nbut there's this big barrier there.
Dialogue: 0,0:09:58.07,0:10:00.31,Default,,0000,0000,0000,,There's this person behind this barrier
Dialogue: 0,0:10:01.09,0:10:05.09,Default,,0000,0000,0000,,and he can't communicate in a way that\Nyou and I can communicate with each other.
Dialogue: 0,0:10:06.84,0:10:11.69,Default,,0000,0000,0000,,And to put himself down on this paper, \Nthat's Danny's opportunity to talk
Dialogue: 0,0:10:11.69,0:10:12.81,Default,,0000,0000,0000,,to people.
Dialogue: 0,0:10:18.05,0:10:21.16,Default,,0000,0000,0000,,Dan's work has definitely progressed in \Nthe years he's been here.
Dialogue: 0,0:10:21.16,0:10:24.72,Default,,0000,0000,0000,,Dan became more and more interested\Nin the graphic qualities of the letters,
Dialogue: 0,0:10:25.13,0:10:30.58,Default,,0000,0000,0000,,of how to use paint, how to use the brush,\Nhow to work on massive pieces of paper.
Dialogue: 0,0:10:34.61,0:10:37.73,Default,,0000,0000,0000,,He's very sophisticated, and he's a\Ncolorist.
Dialogue: 0,0:10:37.98,0:10:40.18,Default,,0000,0000,0000,,He's clear about what he wants to do.
Dialogue: 0,0:10:44.52,0:10:49.52,Default,,0000,0000,0000,,You know? And I think when you see that\Nurgency in his work, it's because it's so
Dialogue: 0,0:10:49.52,0:10:55.13,Default,,0000,0000,0000,,important to him, and because its so\Nimportant for us to know who he is;
Dialogue: 0,0:10:55.14,0:11:00.27,Default,,0000,0000,0000,,that he has thoughts like we do, that \Nhe's smart, that he's not to be dismissed.
Dialogue: 0,0:11:03.44,0:11:07.44,Default,,0000,0000,0000,,[Music]
Dialogue: 0,0:11:15.38,0:11:19.24,Default,,0000,0000,0000,,Dan Miller is in the Venice Biennale this\Nyear, which is this amazing achievement
Dialogue: 0,0:11:19.24,0:11:20.57,Default,,0000,0000,0000,,for him as an artist.
Dialogue: 0,0:11:21.55,0:11:25.03,Default,,0000,0000,0000,,It happens to be in the same room in the \NVenice Biennale as Judith Scott.
Dialogue: 0,0:11:25.18,0:11:28.73,Default,,0000,0000,0000,,So, here are these two colleagues --\Ntheir work looking right at each other
Dialogue: 0,0:11:28.92,0:11:33.13,Default,,0000,0000,0000,,in a pavilion of contemporary artistry,\Nusing color in a powerful way.
Dialogue: 0,0:11:36.54,0:11:40.24,Default,,0000,0000,0000,,Not a pavilion of disability, not a\Npavilion of the self taught,
Dialogue: 0,0:11:40.24,0:11:42.22,Default,,0000,0000,0000,,not a pavilion of the freak show.
Dialogue: 0,0:11:42.93,0:11:47.49,Default,,0000,0000,0000,,It's presented as an artist, making a\Nstatement about the world today,
Dialogue: 0,0:11:47.49,0:11:49.44,Default,,0000,0000,0000,,and that's what they both did.
Dialogue: 0,0:11:51.02,0:11:55.02,Default,,0000,0000,0000,,They both have, like every artist, a \Nhistory that informs who they are
Dialogue: 0,0:11:55.02,0:11:56.49,Default,,0000,0000,0000,,in the world today.
Dialogue: 0,0:12:03.00,0:12:04.64,Default,,0000,0000,0000,,We shouldn't need to exist.
Dialogue: 0,0:12:05.84,0:12:08.02,Default,,0000,0000,0000,,Dan should've gotten this in school.
Dialogue: 0,0:12:08.69,0:12:12.35,Default,,0000,0000,0000,,Or William should've had this \Nopportunity his whole life.
Dialogue: 0,0:12:12.84,0:12:17.95,Default,,0000,0000,0000,,It shouldn't be that Creative Growth has \Nto be here for those people; I am thrilled
Dialogue: 0,0:12:17.95,0:12:20.13,Default,,0000,0000,0000,,that we're here and we love our artists,
Dialogue: 0,0:12:20.13,0:12:24.34,Default,,0000,0000,0000,,but they should have access to creative \Noutlets.
Dialogue: 0,0:12:24.34,0:12:27.38,Default,,0000,0000,0000,,It's a human rights issue -- to be \Ndiminished somehow.
Dialogue: 0,0:12:27.58,0:12:29.39,Default,,0000,0000,0000,,To be seen as not creative.
Dialogue: 0,0:12:30.40,0:12:34.98,Default,,0000,0000,0000,,When those prejudices go away, then\Nour artists have the same potential
Dialogue: 0,0:12:35.35,0:12:40.38,Default,,0000,0000,0000,,to lead the culture, to be a part of our\Nworld, to inform me of who I am
Dialogue: 0,0:12:40.38,0:12:41.30,Default,,0000,0000,0000,,as a person.
Dialogue: 0,0:12:41.44,0:12:44.79,Default,,0000,0000,0000,,Look at all these people who -- they're\Nall coming back to new lives?
Dialogue: 0,0:12:44.79,0:12:46.57,Default,,0000,0000,0000,,Yeah, they're families.
Dialogue: 0,0:12:46.57,0:12:50.01,Default,,0000,0000,0000,,And what kind of lives are they going\Nto have now that they're back?
Dialogue: 0,0:12:50.01,0:12:51.57,Default,,0000,0000,0000,,They're gonna have good lives.
Dialogue: 0,0:12:51.57,0:12:52.35,Default,,0000,0000,0000,,Uh-huh.
Dialogue: 0,0:12:52.35,0:12:54.10,Default,,0000,0000,0000,,They're gonna have good lives.
Dialogue: 0,0:12:54.10,0:12:54.90,Default,,0000,0000,0000,,Uh-huh
Dialogue: 0,0:12:57.55,0:13:01.55,Default,,0000,0000,0000,,[People talking]
Dialogue: 0,0:13:04.64,0:13:08.64,Default,,0000,0000,0000,,To learn more about Art21 and our\Neducational resources,
Dialogue: 0,0:13:08.64,0:13:12.64,Default,,0000,0000,0000,,please visit us online at pbs.org/art21.
Dialogue: 0,0:13:17.69,0:13:21.90,Default,,0000,0000,0000,,Art in the Twenty-First Century, Season 9\Nis available on DVD.
Dialogue: 0,0:13:22.61,0:13:29.73,Default,,0000,0000,0000,,To order, visit shop.pbs.org, or call\N1(800) PLAY-PBS.
Dialogue: 0,0:13:30.53,0:13:32.91,Default,,0000,0000,0000,,This program is available for download
Dialogue: 0,0:13:32.91,0:13:34.20,Default,,0000,0000,0000,,on ITunes.