1 00:00:11,234 --> 00:00:12,964 I teach negotiation. 2 00:00:13,714 --> 00:00:15,963 I do research in negotiation. 3 00:00:16,453 --> 00:00:18,593 I write books in negotiation. 4 00:00:19,263 --> 00:00:21,254 And I work with students and executives 5 00:00:21,254 --> 00:00:24,923 to help them get more of what they want from their negotiations. 6 00:00:25,203 --> 00:00:28,304 And one of the biggest challenges that we face in negotiations 7 00:00:28,304 --> 00:00:30,584 is that we view negotiations as a battle. 8 00:00:31,114 --> 00:00:32,685 And that battle is characterized 9 00:00:32,685 --> 00:00:36,184 by "I'm going to try to get stuff from you that you don't want to give me; 10 00:00:36,184 --> 00:00:38,873 and I'm going to try to keep you from getting my stuff." 11 00:00:39,343 --> 00:00:42,346 And if we view negotiations as a battle, 12 00:00:43,215 --> 00:00:44,985 we already have a problem. 13 00:00:45,265 --> 00:00:47,455 I'm going to suggest that what's more important 14 00:00:47,455 --> 00:00:48,945 is that we look at negotiations 15 00:00:48,945 --> 00:00:51,805 as an opportunity for collaborative problem-solving, 16 00:00:52,155 --> 00:00:55,225 looking for a solution that makes me better off, 17 00:00:55,705 --> 00:01:00,559 better off than my alternatives, better off than my status quo. 18 00:01:01,036 --> 00:01:04,977 But because there is no command and control in negotiation, 19 00:01:05,167 --> 00:01:07,475 I cannot force you to say "Yes." 20 00:01:08,184 --> 00:01:09,995 All I can do is present proposals 21 00:01:09,995 --> 00:01:13,536 where you believe it is in your interest to say "Yes." 22 00:01:14,556 --> 00:01:18,706 And so, once I take that perspective on negotiation 23 00:01:18,706 --> 00:01:22,266 which highlights the importance of the other as well as me, 24 00:01:23,396 --> 00:01:26,247 so many more things open up to negotiation: 25 00:01:26,247 --> 00:01:27,497 whether it's a new job - 26 00:01:27,497 --> 00:01:30,378 I'm trying to negotiate the terms of my employment contract - 27 00:01:30,378 --> 00:01:32,977 whether I'm trying to do an acquisition for my company; 28 00:01:32,977 --> 00:01:34,355 whether I'm in a meeting; 29 00:01:34,525 --> 00:01:36,677 whether I'm deciding with my spouse 30 00:01:36,677 --> 00:01:39,427 who's going to take the dog out on a cold and rainy night; 31 00:01:39,427 --> 00:01:42,316 or whether I'm thinking about what the rules are 32 00:01:42,316 --> 00:01:45,757 that my offspring will have to follow and I will have to agree to 33 00:01:45,757 --> 00:01:47,707 when they use my car. 34 00:01:49,757 --> 00:01:52,287 And this is very good advice, 35 00:01:52,687 --> 00:01:55,347 but I am here today with a confession 36 00:01:55,867 --> 00:01:59,809 that I don't always follow my very good advice. 37 00:02:00,459 --> 00:02:06,287 And I want to introduce you to my longtime negotiating counterpart. 38 00:02:07,857 --> 00:02:09,468 This is Sal. 39 00:02:09,958 --> 00:02:13,398 Sal is a 15-year-old quarter horse. 40 00:02:13,778 --> 00:02:14,898 She is a mare. 41 00:02:15,518 --> 00:02:22,358 And Sal came to me as a gift from my husband. 42 00:02:23,358 --> 00:02:27,768 My husband was the prior owner of Sal, and he discovered, very quickly, 43 00:02:27,768 --> 00:02:30,957 that Sal was more horse than he could handle. 44 00:02:31,167 --> 00:02:37,249 So, as a solution to his problem, he thought he would just give her to me. 45 00:02:38,209 --> 00:02:42,388 And he did that because he thought - and he told this to me - 46 00:02:42,388 --> 00:02:44,927 "You two are so alike." 47 00:02:45,097 --> 00:02:46,217 (Laughter) 48 00:02:49,807 --> 00:02:53,329 And to demonstrate that, we have a picture. 49 00:02:53,859 --> 00:02:58,430 So this is Sal and me, but early on in our relationship. 50 00:02:58,770 --> 00:03:02,249 And we are about to attempt a relatively complex maneuver 51 00:03:02,249 --> 00:03:04,069 called the flying lead change. 52 00:03:04,569 --> 00:03:10,339 Look at my jaw: it's tight, my lips: pressed. 53 00:03:10,339 --> 00:03:12,829 My eyes, if you can see them through the sunglasses, 54 00:03:12,829 --> 00:03:17,400 there's a laser-like focus on where I need to be with my horse, 55 00:03:17,400 --> 00:03:19,950 and my reins have a death grip. 56 00:03:21,000 --> 00:03:25,810 But this is a move that requires both of us, both Sal and me. 57 00:03:26,170 --> 00:03:32,409 And if you look at Sal, you see she has a similar look on her face. 58 00:03:32,799 --> 00:03:34,630 Her jaw is tight. 59 00:03:35,150 --> 00:03:36,692 Look at her ears. 60 00:03:37,072 --> 00:03:39,782 Clearly, I have a goal in mind but so does she, 61 00:03:39,782 --> 00:03:42,721 and it might not be the same thing. 62 00:03:42,721 --> 00:03:43,631 (Laughter) 63 00:03:45,451 --> 00:03:49,370 But my vision was good: what I wanted us to be was good. 64 00:03:49,630 --> 00:03:53,670 Let me show you what I had in my head about how we might look. 65 00:03:53,800 --> 00:03:55,260 (Music) 66 00:03:55,440 --> 00:03:58,021 This is Buck Brannamon and his horse Rebel. 67 00:03:58,801 --> 00:04:00,191 Look at these. 68 00:04:00,191 --> 00:04:02,190 Look at how they move together. 69 00:04:02,190 --> 00:04:05,881 The smoothness with which they move across the pasture. 70 00:04:06,071 --> 00:04:10,441 It's stunning - the fluidity, the dance. 71 00:04:11,071 --> 00:04:17,363 It's as if this man's brain is attached directly to this horse's feet. 72 00:04:18,423 --> 00:04:20,692 This is what I wanted. 73 00:04:22,352 --> 00:04:23,942 That was a good goal. 74 00:04:23,942 --> 00:04:27,232 So, I decided, "Yes." 75 00:04:27,252 --> 00:04:33,182 And I started working hard on getting Sal to look like Rebel. 76 00:04:33,652 --> 00:04:35,952 And the harder and harder I pushed her, 77 00:04:36,172 --> 00:04:39,892 the more she got resistant, the more she got tight, 78 00:04:40,052 --> 00:04:44,302 the more she got anxious, the more we didn't go forward. 79 00:04:45,482 --> 00:04:49,112 And it came to a head about three years ago. 80 00:04:50,602 --> 00:04:52,922 Two of my friends and I were in the pasture. 81 00:04:53,122 --> 00:04:56,022 And they took off to go do something with their horses, 82 00:04:56,032 --> 00:05:00,163 but I decided that Sal and I should stay 83 00:05:00,703 --> 00:05:04,022 and work on a particular dance step that we were trying to achieve. 84 00:05:05,222 --> 00:05:09,574 And when they left, she got anxious, which is not surprising, 85 00:05:09,574 --> 00:05:14,723 because horses are prey animals, their herds are their source of support. 86 00:05:15,133 --> 00:05:19,584 And when she was left alone, she was feeling very scared. 87 00:05:20,834 --> 00:05:23,585 And I made, of course, my first mistake in all of this. 88 00:05:23,725 --> 00:05:27,624 I focused on winning, on getting her to do what I wanted 89 00:05:28,664 --> 00:05:30,614 rather than problem solving. 90 00:05:30,804 --> 00:05:34,263 And so if she saw herself alone - no support - 91 00:05:34,263 --> 00:05:36,984 she certainly didn't see me as her support. 92 00:05:37,604 --> 00:05:42,543 What she saw was the thing that could protect her, her herd, 93 00:05:42,543 --> 00:05:45,054 was leaving, and now she was alone. 94 00:05:45,374 --> 00:05:48,655 She was isolated, and she was at risk. 95 00:05:49,695 --> 00:05:53,745 And so as we continued, I tried to keep her with me, 96 00:05:53,745 --> 00:05:55,325 but she wanted to go with them. 97 00:05:55,335 --> 00:05:56,835 And what happened was 98 00:05:56,835 --> 00:05:58,835 because she couldn't go forward, 99 00:05:58,835 --> 00:06:02,275 the only thing she could do is go up. 100 00:06:03,755 --> 00:06:05,105 And she reared. 101 00:06:05,795 --> 00:06:10,795 And I struggled mightily to get all four feet back on the ground, 102 00:06:11,195 --> 00:06:13,255 and I did for a moment, but soon after that, 103 00:06:13,255 --> 00:06:15,157 she reared again, and then a third time, 104 00:06:15,157 --> 00:06:20,013 and at that point, scared for my life, I bailed on Sal. 105 00:06:20,666 --> 00:06:21,936 I abandoned her. 106 00:06:22,856 --> 00:06:26,865 Now, at this point, I had created a power struggle. 107 00:06:28,305 --> 00:06:34,386 And, at that moment, we were both in a struggle for our survival. 108 00:06:35,346 --> 00:06:39,906 Right now, you are probably thinking, "You know, you are such a drama queen." 109 00:06:39,986 --> 00:06:40,796 (Laughter) 110 00:06:41,076 --> 00:06:42,627 "What's a little rear?" 111 00:06:42,947 --> 00:06:48,796 I mean, after all, if you are my age, you remember Roy Rogers and Trigger. 112 00:06:49,136 --> 00:06:50,697 Right? And Trigger would rear. 113 00:06:50,707 --> 00:06:53,608 I remember my younger self seeing that, thinking, 114 00:06:54,308 --> 00:06:59,147 "I want a horse like that. I want that power, that beauty." 115 00:06:59,697 --> 00:07:01,837 Or if you are much younger than me 116 00:07:02,067 --> 00:07:06,708 and maybe one of the few people who saw that latest movie "The Lone Ranger," 117 00:07:06,878 --> 00:07:13,197 you might have seen Silver rearing, and again, power and beauty. 118 00:07:13,687 --> 00:07:16,778 But these are Hollywood horses, and those are tricks. 119 00:07:17,698 --> 00:07:20,138 What rearing is like in the real world? 120 00:07:20,138 --> 00:07:21,608 It is not beautiful. 121 00:07:21,958 --> 00:07:25,628 It is scary. It is dangerous. 122 00:07:26,338 --> 00:07:29,859 When a horse rears, they can fall over backwards. 123 00:07:30,569 --> 00:07:34,428 And when they fall over backwards, the rider is crushed or killed. 124 00:07:34,908 --> 00:07:36,689 And when they fall over backwards, 125 00:07:37,399 --> 00:07:39,448 they hit their head on the way down. 126 00:07:39,448 --> 00:07:41,718 And they are dead. 127 00:07:42,138 --> 00:07:45,788 So, while rearing has this Hollywood view, 128 00:07:46,138 --> 00:07:50,148 in the real world, it is so dangerous. 129 00:07:51,308 --> 00:07:56,069 And while I know my goal, my vision was good and important, 130 00:07:56,209 --> 00:08:00,818 what I had forgotten was to be flexible in how I got there. 131 00:08:01,068 --> 00:08:02,619 And my vision was good. 132 00:08:02,739 --> 00:08:04,600 This is a beautiful picture. 133 00:08:04,600 --> 00:08:08,200 Sal and I could be ... we could be wonderful together. 134 00:08:08,410 --> 00:08:10,239 But while I was hoping for this, 135 00:08:10,259 --> 00:08:13,239 this is more like Sal thought. 136 00:08:13,239 --> 00:08:16,570 What Sal saw was: we were at a complete impasse. 137 00:08:17,290 --> 00:08:20,380 This wasn't a win-win. This wasn't even a win-lose. 138 00:08:20,679 --> 00:08:23,059 For us, we were at lose-lose. 139 00:08:23,399 --> 00:08:28,540 And maybe I was at the time where I had to, like my husband, Al, 140 00:08:29,190 --> 00:08:31,110 say, "This horse was too much for me." 141 00:08:31,150 --> 00:08:34,810 And maybe give her to a rider who could do more with her, 142 00:08:34,890 --> 00:08:36,340 who could help her out. 143 00:08:37,350 --> 00:08:40,870 But I cared about this horse, and I cared about us, 144 00:08:41,160 --> 00:08:43,450 and I cared about our relationship. 145 00:08:44,050 --> 00:08:46,570 So I had to change. 146 00:08:47,260 --> 00:08:52,629 After all, I'm the one with the big brain; I'm the one with the opposable thumbs. 147 00:08:52,839 --> 00:08:54,631 And I have all these tools. 148 00:08:55,621 --> 00:08:58,181 I'm the one who needed to change. 149 00:08:59,441 --> 00:09:02,061 So I talked to my teachers. 150 00:09:03,011 --> 00:09:06,771 And I went back and they said to me, 151 00:09:07,091 --> 00:09:10,630 "You have forgotten the most important lesson: 152 00:09:12,200 --> 00:09:16,420 that this relationship between you and Sal is a partnership. 153 00:09:16,780 --> 00:09:19,101 It's not a dictatorship. 154 00:09:20,141 --> 00:09:21,941 So, you need to go back 155 00:09:21,941 --> 00:09:26,380 because Sal doesn't have the language of words to make offers and counteroffers. 156 00:09:26,490 --> 00:09:28,842 She can't say 'No' to you." 157 00:09:29,702 --> 00:09:33,422 But what Sal was doing with every fiber of her being 158 00:09:33,422 --> 00:09:37,103 was using her language of touch and feel to say, 159 00:09:37,103 --> 00:09:41,802 "No." This wasn't working. This wasn't a partnership. 160 00:09:42,072 --> 00:09:43,442 And she was afraid. 161 00:09:43,482 --> 00:09:45,762 She was not being stubborn when she reared; 162 00:09:45,762 --> 00:09:47,492 she was fearing for her life. 163 00:09:48,952 --> 00:09:50,733 And so we did go back. 164 00:09:51,043 --> 00:09:54,053 And I could tell you I had to start all over again 165 00:09:54,053 --> 00:09:59,123 because I had to be the leader where she found comfort and support. 166 00:09:59,623 --> 00:10:03,782 Because if I were fearful, she could feel that fear 167 00:10:03,782 --> 00:10:07,662 through the layers of leather of a western saddle. 168 00:10:07,792 --> 00:10:13,032 And if I, the rider, the person in charge, was afraid, 169 00:10:13,302 --> 00:10:16,133 what hope did she as a prey animal have? 170 00:10:17,523 --> 00:10:21,834 I had to remember a lesson that I learned when I - for being an academic, 171 00:10:21,834 --> 00:10:24,283 is that you can't just bull your way through things. 172 00:10:24,283 --> 00:10:26,174 You have to learn how to problem-solve. 173 00:10:26,174 --> 00:10:30,244 But, for some reason, I hadn't brought that lesson to Sal. 174 00:10:30,874 --> 00:10:32,434 And so I had to go back. 175 00:10:33,314 --> 00:10:38,764 I had to become that calm, confident leader that allowed Sal to make mistakes 176 00:10:38,994 --> 00:10:41,063 and to learn from those mistakes. 177 00:10:41,774 --> 00:10:45,074 Because horses have really two motivations: 178 00:10:45,074 --> 00:10:48,614 they do what they think they are supposed to do, 179 00:10:48,814 --> 00:10:51,654 or they do what they need to do to survive. 180 00:10:52,344 --> 00:10:54,614 And I had to move us out of a survival mode 181 00:10:54,614 --> 00:10:56,664 because nobody can learn then, 182 00:10:56,744 --> 00:11:00,234 and move us into a learning mode. 183 00:11:01,874 --> 00:11:07,405 Now, it's been almost three years to the day that that happened. 184 00:11:08,455 --> 00:11:10,544 And Sal and I are very different. 185 00:11:11,444 --> 00:11:16,045 We did go back, and we moved forward with such speed this time 186 00:11:16,835 --> 00:11:21,264 that I'd never have predicted back then that we would ever make it to here. 187 00:11:22,494 --> 00:11:24,556 Now, are we perfect? No. 188 00:11:24,556 --> 00:11:27,486 Sal and I have good days, and we have bad days. 189 00:11:28,726 --> 00:11:31,076 And I make mistakes all the time. 190 00:11:31,996 --> 00:11:35,171 But the difference is that now Sal sees me 191 00:11:35,584 --> 00:11:38,606 as a source of support and comfort for her. 192 00:11:38,945 --> 00:11:43,026 She sees me as someone who will where good things happen, 193 00:11:43,036 --> 00:11:45,436 and I can keep the bad things away. 194 00:11:46,376 --> 00:11:47,566 And to demonstrate, 195 00:11:47,566 --> 00:11:50,546 let me show you a picture of Sal and me 196 00:11:50,546 --> 00:11:54,085 that was taken by Al last March. 197 00:11:54,085 --> 00:11:56,185 This was like last month. 198 00:11:56,475 --> 00:11:59,466 Now I want you to notice a couple of things about this picture. 199 00:11:59,706 --> 00:12:02,266 Notice that there is nothing on Sal's face; 200 00:12:02,506 --> 00:12:05,337 there is no rope, no reins, no bridle. 201 00:12:05,547 --> 00:12:10,107 Sal is behaving exactly as she chooses to behave. 202 00:12:10,487 --> 00:12:12,457 And notice that she is choosing. 203 00:12:12,477 --> 00:12:15,247 Her horse buddies are behind her in the background. 204 00:12:15,247 --> 00:12:19,677 She is choosing to walk away from them and with me. 205 00:12:21,087 --> 00:12:22,287 And look at her. 206 00:12:22,307 --> 00:12:27,287 She is soft; she is willing; she is calm. 207 00:12:28,319 --> 00:12:31,708 And look at me. I'm really different too. 208 00:12:32,468 --> 00:12:36,768 I am soft, and I am calm, and I am confident. 209 00:12:38,598 --> 00:12:44,237 So, perhaps, as you think about your next big negotiation, 210 00:12:44,827 --> 00:12:48,618 you might be tempted to see if you can borrow Sal 211 00:12:48,968 --> 00:12:51,828 for a little tune-up in how to negotiate. 212 00:12:52,238 --> 00:12:57,338 But what might be more, safer for all of us 213 00:12:57,338 --> 00:13:01,939 is that if you just remember the lessons of Sal and me. 214 00:13:02,959 --> 00:13:08,079 Focus on solving the problem, not on winning the battle, 215 00:13:08,099 --> 00:13:13,464 because if you find yourself in a battle, in a power struggle in a negotiation, 216 00:13:13,788 --> 00:13:16,539 you have already lost. 217 00:13:19,019 --> 00:13:23,780 And the key to being able to solve problems in a negotiation 218 00:13:23,800 --> 00:13:28,561 is to understand your counterpart, to know what motivates them, 219 00:13:28,768 --> 00:13:32,509 what will influence them to move down that path of agreement 220 00:13:32,529 --> 00:13:34,959 with you, of their own volition. 221 00:13:34,969 --> 00:13:38,570 Remember there is no command and control in negotiation; 222 00:13:38,590 --> 00:13:40,460 I can't force you to say "Yes." 223 00:13:42,740 --> 00:13:45,490 And remember that that works for your counterparts, 224 00:13:45,490 --> 00:13:48,440 whether they are human or horse. 225 00:13:49,480 --> 00:13:51,094 And goals are important; 226 00:13:51,104 --> 00:13:54,920 you absolutely need to know what a good deal is for you. 227 00:13:55,840 --> 00:14:00,580 But you also need to have flexibility in how to achieve that goal. 228 00:14:00,730 --> 00:14:06,081 And for me, this is the lesson that I must learn and relearn 229 00:14:06,101 --> 00:14:12,381 because too often, I choose a path to my goal because I have chosen it, 230 00:14:12,621 --> 00:14:14,951 not because it is the right one. 231 00:14:16,451 --> 00:14:21,591 And in closing, I want to acknowledge the considerable debt I owe 232 00:14:21,981 --> 00:14:28,822 for becoming a better negotiator and a better human to my partner Sal. 233 00:14:29,732 --> 00:14:30,791 Thank you. 234 00:14:30,791 --> 00:14:32,311 (Applause)