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Florence, 1389.
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A boy is baptized into a medieval world.
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He was not of noble birth.
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He was the son of a local merchant.
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His name was Cosimo de' Medici.
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From humble beginnings, his dynasty
would seek power and influence
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and not stop until they secured
the papacy itself.
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Theirs was a world
where power came at a price.
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Intrigue, murder, assassination...
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and war.
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But the city of Florence
was also a cauldron of creativity.
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And for the greater glory of the family,
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the Medici would protect and pay for
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the greatest artists and thinkers
of their age.
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Michelangelo.
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Brunelleschi.
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Botticelli.
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Leonardo.
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Galileo.
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An explosion of ideas
which would shatterthe medieval world
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and resonate through the centuries
in a single phrase...
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Rinascimento... rebirth...
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Renaissance.
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Behind it stood the Medici,
godfathers of the Renaissance.
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At the dawn of the 15th century,
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an illicit trade had begun.
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Men scoured Europe
in search of treasure.
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Somewhere in the confines
of the Holy Church lay their prize.
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Not the jewel-encrusted relics
or sacred icons of medieval Christendom.
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Nor were they seeking
to loot the bodies of the dead,
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victims of war and plague.
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But hidden in the darkest vaults
of the Church
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lay a prize far older
and more precious...
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and sometimes far more dangerous.
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What these men were really after
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was knowledge.
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Cosimo de' Medici and his friends
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were searching for lost secrets
from the ancient world.
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The shared feeling at the time
was that the achievements of the classics,
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in many fields,
from philosophy to architecture,
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from rhetoric to sculpture,
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were unsurpassed.
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At the beginning it was just
sort of fun to dig up old sculptures
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or interesting to discover
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lost manuscripts in faraway monasteries
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and bring them down and read them.
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It took them a long time to realize
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that there was a whole other way
of life being embodied there.
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So there's this sense
of excitement about the past
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but it's also dangerous.
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From across Europe, ancient learning
was carried back to Florence,
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the city of Cosimo's birth.
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Florence in the year 1400
was a city unlike anywhere else in Europe.
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This majortrading centre
at the heart ofTuscany was a republic
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in which powerful families vied
with each other for political control.
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Florence was the place to be.
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As we all know, every age has a place.
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In the late 19th century
it was Paris,
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in the late 20th century
maybe it was New York.
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At the turn of the 14th and 15th centuries
it was Florence.
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In a side street off the main piazza
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an ambitious family
was trying to make its name.
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The Medici bank
was a small-scale operation
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run from the back room
of a wool shop.
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The growing business was managed
by Cosimo's father, Giovanni de' Medici.
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Giovanni had risen from rural poverty
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through a combination of aggressive
salesmanship and financial caution.
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He chose his clients very carefully.
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It wasn't just profit he valued.
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It was loyalty.
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This is a society in which,
for your guarantees of protection
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you look to a man,
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and he is your patron
and you are his client.
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And all the other people
associated with him are your friends,
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so that you can achieve almost anything
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with this web or network
of friends of friends.
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Baldassare Cossa was a former pirate
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who had embarked on
an alternative career in the Church.
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Now, he had ambitions
to enter the Vatican,
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even to become pope himself.
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All he needed was a campaign fund.
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Giovanni knew
that the Church was in chaos.
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The papacy itself was up for grabs.
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With enough money,
even Cossa stood a chance of success.
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Giovanni dared to back
the unlikely outsider.
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The Medici prepared a lavish loan.
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It was an enormous gamble
for their local business.
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The family supported Cossa
all the way up the ladder of the Church,
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from priest to cardinal.
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And then, the bet with a pirate
finally paid off.
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In 1410, Baldassare Cossa
was elected Pope John XXIII...
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and the first thing he did
was remember his friends the Medici.
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The new pope needed a bank
he could trust.
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Giovanni and Cosimo
completely control the papal account.
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They become known as "God's bankers."
That's what the Medici become known as.
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And also, of course, they get that account
over all the other big Florentine families.
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So they've made it.
They've finally arrived.
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With their sudden leap in status,
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the Medici joined an elite group
of powerful Florentines.
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But, like all the leading families
of the day,
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they would become transfixed
by their city's humiliating failure.
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For over 100 years,
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a great unfinished cathedral
had loomed over Florence.
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The original planners
had been overly ambitious.
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They had meant to build
the largest dome in the world
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and they had failed.
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Their cathedral, more than
any other building of any nature
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in a medieval and Renaissance city,
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represented the symbol
of the identity of the community.
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And having the project not completed
was a sort of mutilation.
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And without a dome,
you don't have a sacred building.
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All contemporary building knowledge
had been exhausted.
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Now, the city looked for fresh ideas
from a new generation.
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Cosimo de' Medici had grown up
in the shadow of the cathedral.
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Now, he and his father stood
on the threshold of civic power.
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Perhaps they could apply
their enterprising spirit
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to the greatest problem of the age...
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and in the process win glory and power
for the Medici family.
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The search for a solution
to the problem of the dome
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led men to study the achievements
of the classical past.
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Scholars like Cosimo knew
it would take an unconventional mind
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to decipher the tantalising clues.
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Through the streets of Florence
roamed just such a man,
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a self-taught genius obsessed
by the mysteries of the ancient world.
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His ideas were difficult to understand.
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His name was Filippo Brunelleschi.
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I think that the g-word of "genius"
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is something that people
are reluctant to use these days
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but I think it's very applicable
in the case of Brunelleschi.
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However, maybe like many geniuses,
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he wasn't someone
you would necessarily want to know.
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Brunelleschi's style was unorthodox
and it gained him few friends.
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He was in many arguments
with the so-called city fathers.
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On one occasion
he was actually carried out
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of the main government palace, forcibly,
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because he'd lost his temper
and insulted people
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and they were not going to be insulted
and they threw him out.
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But the family who had sponsored
a pirate for a pope
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were not daunted by the temper
of a maverick architect.
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In the Medici, Brunelleschi had found
patrons willing to gamble on his judgment.
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Brunelleschi's vision would resurrect
forgotten concepts of the past.
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And, in 1419,
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a new orphanage in Florence
became a showcase for his ideas
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and for Medici ambition.
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Brunelleschi was using
the classical orders of architecture,
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something that hadn't been used
in over a thousand years.
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And the people of Florence
were so amazed by this
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that it's said they gathered
on the building site,
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much to the inconvenience
of the workmen,
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and actually watched this happening.
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Because they simply hadn't seen
anyone build in that style before.
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This was the first time true columns
had been used for structural support
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since the days of ancient Rome.
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Out of Brunelleschi's turbulent mind
had come a vision of classical simplicity.
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It would spark an architectural
revolution across Europe.
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Innovation and ambition
went hand in hand.
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And for the Medici,
this was only the beginning.
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Brunelleschi was the house architect.
They were very close.
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There was a clear fit
between what Cosimo wanted
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and what Brunelleschi could give him.
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And it very much was about
recreating a great classical city
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on the lines of Rome.
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The Medici family did the sorts
of things that every ruling family did.
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You tried to get power
by various public and private dealings
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and then you tried to promote your image
to the rest of the world
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through art and literature
and having people write about you...
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being a patron of things
that can serve your ends.
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With the backing of the Medici,
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Brunelleschi now set his eye
on the problem of the dome,
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the greatest challenge in Florence.
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Brunelleschi set to work.
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Cosimo would publicly support him.
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The Church authorities were desperate,
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offering a massive cash prize
for a solution.
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Brunelleschi's model showed the largest
unsupported dome in Christendom.
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But he was fearful
his ideas would be stolen.
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He wrote his calculations in code
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and refused to explain
the details of his plan.
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The cathedral authorities
demanded some kind of demonstration
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before they would award the prize.
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So Brunelleschi challenged them
to stand an egg on its end.
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When they failed,
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Brunelleschi broke the bottom
of the egg, and it stood up.
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The men complained
that his solution was so obvious.
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Brunelleschi protested.
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Of course it was,
and so would be the solution to the dome
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if he showed them his plans.
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The authorities gave in
to the stubborn architect.
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The commission for the dome was his.
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But what Brunelleschi would now attempt
was unprecedented
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and fraught with danger.
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He would have to rewrite
the rules ofWestern architecture.
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And there was no certainty
of success.
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For inspiration,
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Brunelleschi turned to the greatest
civilisation of the ancient world.
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And in Brunelleschi's wake
came Cosimo, the papal banker,
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anxious to see things for himself.
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In ancient Rome, men had constructed
architectural marvels.
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Buildings such as the Pantheon -
the house of the gods -
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the largest freestanding dome
in the world.
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One of the most fascinating
buildings in ancient Rome
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was definitely the Pantheon.
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It was one of the most
fascinating buildings
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in the collective imagination
of the Western world for a long time.
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It was really something
to be absorbed and assimilated
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in order to appropriate
the techniques of the building
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but also the spirit
that the dome was expressing.
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Brunelleschi saw valuable clues
in the Pantheon's design.
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He wanted to discover
not only the proportions of it
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but also the nuts and bolts
of how it was built.
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What particularly struck
the contemporaries
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was the size of the dome
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and the fact that it was
one of the very few complete domes
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that had survived from ancient times.
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The architects of ancient Rome
had framed the Pantheon with timber
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and poured their concrete dome
over the top.
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But there was not enough timber
in all of Tuscany
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to build a scaffold
inside Florence Cathedral.
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Brunelleschi's dome
would have to support itself
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throughout the building process.
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Even the recipe for concrete
had been lost since the fall of Rome.
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But, through intense study,
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the Pantheon gave up its secrets
to Brunelleschi.
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He was inspired
by its clever double skin.
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So Brunelleschi used the idea
of the Pantheon's strong circle,
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placing an inner dome
within the cathedral's octagonal drum.
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Sandstone rings would hold
the structure together like a barrel.
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It was an ingenious
and completely original idea.
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In practice, however, Brunelleschi
was entering uncharted territory.
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When Cosimo returned to Florence,
work on the dome had begun.
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You'd have the sound of hammers,
you'd have the workmen in the streets,
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summoned by the bells
from their beds.
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It was a scene of chaotic activity,
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sort of like New York in the 1920s
when the first skyscrapers are going up.
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Brunelleschi came fresh to building sites
with his own ideas.
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The workers ate their lunches
up on the dome
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because he didn't want them descending
in the middle of the day to have lunch
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because they'd be exhausted by the time
they got back up the 350, 400-odd steps.
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But he also served wine to them
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because that was really the drink you had
in Florence, much safer than water.
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But he did make certain
that your wine was diluted.
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You put a third part water in,
243
00:22:08,280 --> 00:22:11,317
which was the drink given
to pregnant women at the time.
244
00:22:15,680 --> 00:22:18,911
But as Brunelleschi's dome
began to rise,
245
00:22:19,200 --> 00:22:22,954
the health of Cosimo's father
began to fail.
246
00:22:24,040 --> 00:22:29,398
Giovanni de' Medici knew the dangers
that lurked in the streets of Florence.
247
00:22:30,280 --> 00:22:36,037
Although rich, he had taken pains
to retain an aura of modesty.
248
00:22:36,720 --> 00:22:40,793
A man who rode on a mule
did not invite attack.
249
00:22:41,640 --> 00:22:44,996
Giovanni offered his son a warning.
250
00:22:46,520 --> 00:22:49,512
"Be wary of going
to the Palace of Government.
251
00:22:49,800 --> 00:22:51,597
"Wait to be summoned.
252
00:22:51,880 --> 00:22:55,953
"Do what you are asked to do
and never display any pride.
253
00:22:56,240 --> 00:22:59,755
"Always keep out of the public eye."
254
00:23:08,120 --> 00:23:12,318
In 1429, Giovanni de' Medici died.
255
00:23:16,880 --> 00:23:20,668
The city of Florence
mourned a modest patron.
256
00:23:21,760 --> 00:23:26,515
But Cosimo de' Medici
had lost his guide and mentor.
257
00:23:45,840 --> 00:23:47,831
Local custom dictated
258
00:23:48,120 --> 00:23:52,432
that Giovanni's corpse be passed
through the walls of his home.
259
00:23:52,720 --> 00:23:55,109
The wall was then sealed behind him.
260
00:24:07,440 --> 00:24:12,309
Giovanni was laid to rest
in the Church of San Lorenzo,
261
00:24:12,920 --> 00:24:16,993
rebuilt by Brunelleschi
along classical lines.
262
00:24:24,160 --> 00:24:28,312
It was now a magnificenttemple
to the Medici family.
263
00:24:50,240 --> 00:24:54,233
Giovanni's death cast a shadow
overthe future of the family.
264
00:24:54,520 --> 00:24:57,876
Now Cosimo had to assume
his father's role.
265
00:24:58,840 --> 00:25:01,752
But how could he build
on his father's legacy
266
00:25:02,040 --> 00:25:05,077
and still keep out of the public eye?
267
00:25:06,160 --> 00:25:12,315
Cosimo's rivals, the Albizzi family,
had governed Florence for generations.
268
00:25:12,760 --> 00:25:16,389
They were wary of any challenge
to their power.
269
00:25:24,800 --> 00:25:28,315
If the Medici and their followers
have more authority,
270
00:25:28,600 --> 00:25:32,479
the Albizzi and their followers
have less authority.
271
00:25:32,760 --> 00:25:36,309
Both parties can't win.
One party has to go.
272
00:25:39,640 --> 00:25:41,631
A battle between rival families
273
00:25:41,920 --> 00:25:45,799
would endanger not just the future
of the Medici dynasty.
274
00:25:46,080 --> 00:25:51,473
It would threaten to drag Florence
back into the world of the Middle Ages.
275
00:26:01,440 --> 00:26:07,709
Meanwhile, Brunelleschi also tried
to escape the limitations of his age.
276
00:26:09,200 --> 00:26:12,112
Brunelleschi was not only
an architect, he was an engineer.
277
00:26:12,400 --> 00:26:17,110
He had to solve enormous logistical
problems when he was building the dome.
278
00:26:17,400 --> 00:26:21,518
Foremost among the problems
was how to raise sandstone beams,
279
00:26:21,800 --> 00:26:26,351
weighing 1,700 pounds,
250 feet in the air.
280
00:26:26,640 --> 00:26:30,269
What he devised was unprecedented
in the history of engineering.
281
00:26:30,560 --> 00:26:33,233
Oxen had great strength,
great stamina,
282
00:26:33,520 --> 00:26:36,751
but would not walk backwards
for more than a few steps.
283
00:26:37,040 --> 00:26:41,158
So what Brunelleschi devised
was a way of reversing a gear
284
00:26:41,440 --> 00:26:45,228
so he could raise a load
several hundred feet in the air,
285
00:26:45,520 --> 00:26:48,512
change gear, and then
bring the hook back down
286
00:26:48,800 --> 00:26:53,476
so that the oxen only ever walked
counter-clockwise or clockwise,
287
00:26:53,760 --> 00:26:55,432
whichever he wanted.
288
00:27:00,520 --> 00:27:02,397
But there was still no guarantee
289
00:27:02,680 --> 00:27:06,116
that Brunelleschi's intricate design
would stand up.
290
00:27:07,000 --> 00:27:09,275
The city of Florence was nervous...
291
00:27:11,480 --> 00:27:14,472
and no one more anxious than Cosimo.
292
00:27:14,760 --> 00:27:18,469
His patronage of Brunelleschi
was well known.
293
00:27:19,680 --> 00:27:23,070
Nothing could please
Cosimo's enemies more
294
00:27:23,360 --> 00:27:25,999
than to see Brunelleschi fail.
295
00:27:33,560 --> 00:27:36,916
As Cosimo's wealth
and power increased,
296
00:27:37,200 --> 00:27:41,113
so did the resentment
of the ruling Albizzi family.
297
00:27:41,400 --> 00:27:45,075
They were losing their grip
on the government of Florence.
298
00:27:45,680 --> 00:27:50,754
Sensing the danger, Cosimo transferred
vast sums of money out of the city
299
00:27:51,000 --> 00:27:54,197
and made sure his family was safe.
300
00:27:58,640 --> 00:28:02,076
Florence is always constructed
around large, powerful families.
301
00:28:02,360 --> 00:28:04,112
They run the city.
302
00:28:04,400 --> 00:28:06,277
So for families like the Albizzi,
303
00:28:06,560 --> 00:28:10,951
for the Medici to suddenly get ahead
in this way is absolutely devastating.
304
00:28:11,240 --> 00:28:13,037
And so this is a crucial moment
305
00:28:13,320 --> 00:28:15,959
where the infighting
gets actually quite nasty.
306
00:28:20,520 --> 00:28:23,512
In moments
of keen political struggle,
307
00:28:23,800 --> 00:28:27,588
and Florence was there
in the 1420s and '30s,
308
00:28:27,880 --> 00:28:30,599
there were
no holds barred.
309
00:28:30,880 --> 00:28:32,598
You bribed,
310
00:28:32,880 --> 00:28:35,599
you killed,
you intimidated
311
00:28:35,880 --> 00:28:38,997
in order to win friends
and influence people.
312
00:28:41,920 --> 00:28:45,708
On the 7th of September 1433,
313
00:28:46,000 --> 00:28:49,549
Cosimo was summoned
to the Palace of Government.
314
00:28:55,520 --> 00:28:58,637
The Albizzi were waiting for him.
315
00:29:01,720 --> 00:29:06,032
They had hatched a plot
to wipe out the upstart Medici.
316
00:29:09,160 --> 00:29:10,878
"When I arrived in the palace,
317
00:29:11,160 --> 00:29:15,756
"I found a majority of my companions
already in the midst of a discussion.
318
00:29:16,040 --> 00:29:19,749
"After some time, I was commanded
by the authority of the Signoria
319
00:29:20,040 --> 00:29:21,917
"to go upstairs."
320
00:29:28,320 --> 00:29:31,437
Cosimo was now in grave danger.
321
00:29:34,600 --> 00:29:38,991
Even the family's trusted consigliere
had been tortured
322
00:29:39,280 --> 00:29:42,192
to uncover evidence against the Medici.
323
00:29:48,520 --> 00:29:51,717
Cosimo was at the mercy
of his enemies.
324
00:29:57,160 --> 00:30:01,676
"I was taken by the captain of the guard
to the cell known as the Barberia."
325
00:30:11,560 --> 00:30:14,438
He is imprisoned
in the topmost room
326
00:30:14,720 --> 00:30:18,395
at the very top of the tower
of the Palace of Government.
327
00:30:20,560 --> 00:30:24,439
He thought he'd be flung to the ground,
that was his first fear,
328
00:30:24,720 --> 00:30:29,430
that he'd just be pushed out the window,
because this happened quite a lot then.
329
00:30:29,720 --> 00:30:33,998
And his entire family was terrified
that they'd never see him again.
330
00:30:46,120 --> 00:30:47,792
But in a republic,
331
00:30:48,080 --> 00:30:52,198
not even the Albizzi could dictate
the fate of a citizen of Florence.
332
00:30:52,480 --> 00:30:55,756
They had to have
the consent of the people.
333
00:30:56,680 --> 00:30:59,797
A referendum was called
to decide Cosimo's future.
334
00:31:01,600 --> 00:31:05,479
The Albizzi hired soldiers
to guard the piazza.
335
00:31:05,760 --> 00:31:08,320
Cosimo's friends
were physically barred.
336
00:31:14,960 --> 00:31:19,590
Cosimo was accused of treason
against the city and her people.
337
00:31:24,640 --> 00:31:26,756
A vote was taken.
338
00:31:42,680 --> 00:31:45,035
Cosimo was found guilty.
339
00:31:47,120 --> 00:31:49,918
Now, he faced execution.
340
00:31:58,040 --> 00:32:02,238
But Cosimo had friends
even in the enemy camp.
341
00:32:02,520 --> 00:32:06,991
From his cell, he engineered
a secret negotiation for his life.
342
00:32:07,960 --> 00:32:11,236
Money talked and Cosimo walked.
343
00:32:11,520 --> 00:32:15,513
Probably the reason
why his life was spared
344
00:32:15,800 --> 00:32:19,349
was because, as he says
in his own memoir of the event,
345
00:32:19,640 --> 00:32:24,077
that he paid his jailers
a hefty bribe to let him out.
346
00:32:24,920 --> 00:32:26,751
"They were not very bold.
347
00:32:27,040 --> 00:32:30,476
"They could have had 10,000
or more for my safety."
348
00:32:36,880 --> 00:32:41,396
Cosimo had survived,
but he and his family were now banished
349
00:32:41,680 --> 00:32:44,990
and Florence was in the hands
of the Albizzi.
350
00:32:47,720 --> 00:32:50,154
No friend of Cosimo was safe.
351
00:32:51,040 --> 00:32:56,717
Brunelleschi himself was thrown into jail
and work on the dome was abandoned.
352
00:33:00,640 --> 00:33:04,713
But life in Florence without Cosimo
wouldn't be easy.
353
00:33:05,000 --> 00:33:10,074
The Medici bank had funded
most of the city's commercial activity.
354
00:33:10,320 --> 00:33:14,871
Florentine business
soon ground to a halt.
355
00:33:15,240 --> 00:33:20,155
Cosimo's supporters begged him
to return and retake the city by force.
356
00:33:20,440 --> 00:33:24,228
But Cosimo remembered
his father's advice.
357
00:33:25,880 --> 00:33:28,030
"Wait to be summoned".
358
00:33:28,320 --> 00:33:30,436
Cosimo waited.
359
00:33:32,800 --> 00:33:34,677
He knew that, without money,
360
00:33:34,960 --> 00:33:39,033
the people of Florence
would soon tire of the Albizzi.
361
00:33:40,160 --> 00:33:41,798
He was right.
362
00:33:42,840 --> 00:33:46,549
Within a year, the Albizzi
had lost control of the city
363
00:33:46,840 --> 00:33:49,559
and turned on the people themselves.
364
00:33:52,600 --> 00:33:54,795
They attacked the Palace of Government
365
00:33:55,080 --> 00:33:58,117
but were held off
by the captain of the city guard,
366
00:33:58,400 --> 00:34:00,470
a loyal friend of the Medici.
367
00:34:33,360 --> 00:34:37,069
But Cosimo had
even more powerful friends.
368
00:34:39,080 --> 00:34:42,708
Agents of the pope
descended on Florence.
369
00:34:43,000 --> 00:34:46,469
This time
the Albizzi had gone too far.
370
00:34:47,360 --> 00:34:50,397
Cosimo's exile was now over.
371
00:34:54,199 --> 00:34:59,274
"At sunset they bid us come,
and we set forth with a great following.
372
00:35:00,240 --> 00:35:02,310
"The people crowded the piazza
373
00:35:02,600 --> 00:35:06,195
"and in the palace
were many armed men for security."
374
00:35:10,000 --> 00:35:13,754
When Cosimo was offered control
of the city of Florence,
375
00:35:14,040 --> 00:35:16,076
he modestly accepted.
376
00:35:29,240 --> 00:35:32,789
Revenge on the Albizzi
was selective but severe.
377
00:35:33,520 --> 00:35:36,557
Cosimo preferred
plain and simple gestures.
378
00:35:36,840 --> 00:35:41,470
A loss of good face
was a badge of public humiliation,
379
00:35:41,760 --> 00:35:44,593
a public threat to all challengers.
380
00:35:47,320 --> 00:35:49,880
The Medici were back in business.
381
00:35:50,160 --> 00:35:53,197
A friend described Cosimo's new power.
382
00:35:54,600 --> 00:35:57,910
"Political questions
are settled at his house.
383
00:35:58,200 --> 00:36:00,634
"The man he chooses holds office.
384
00:36:00,920 --> 00:36:04,754
"It is he who decides peace and war
and controls the laws.
385
00:36:05,040 --> 00:36:07,918
"He is king in everything but name."
386
00:36:20,720 --> 00:36:23,632
Money began to flood back
into Florence.
387
00:36:27,400 --> 00:36:30,472
Brunelleschi led his workers
back to the dome.
388
00:36:36,080 --> 00:36:39,197
And the Medici bank continued to grow.
389
00:36:41,080 --> 00:36:44,470
It was basically under Cosimo
that the bank expands
390
00:36:44,760 --> 00:36:47,911
from this really powerful, solid base.
391
00:36:48,200 --> 00:36:51,829
But where the money was
was diversifying internationally,
392
00:36:52,120 --> 00:36:56,477
in having branches
from Barcelona to Bruges to Cairo.
393
00:36:58,520 --> 00:37:00,397
On behalf of the Church,
394
00:37:00,680 --> 00:37:05,356
the Medici bank collected money
from every parish in Europe.
395
00:37:05,640 --> 00:37:07,710
No one was exempt.
396
00:37:08,000 --> 00:37:12,676
And Cosimo's agents threatened
excommunication from the Church
397
00:37:12,960 --> 00:37:15,474
to those who were slow to pay up.
398
00:37:17,240 --> 00:37:21,597
The pope himself opened
a huge credit line with the Medici,
399
00:37:21,880 --> 00:37:24,394
enough to buy ten palaces.
400
00:37:26,200 --> 00:37:30,990
The Medici bank was now the most
profitable business in Europe.
401
00:37:35,240 --> 00:37:38,596
But wealth had never been
enough for Cosimo.
402
00:37:38,880 --> 00:37:43,476
He began to commission
the finest craftsmen of his age.
403
00:37:46,320 --> 00:37:49,357
Cosimo developed a strategy
404
00:37:49,640 --> 00:37:52,313
in spending money in such a way
405
00:37:52,600 --> 00:37:57,151
that wealth would be transformed
into prestige and power.
406
00:38:05,080 --> 00:38:10,359
Cosimo de' Medici became
the most sought-after patron in Florence.
407
00:38:14,400 --> 00:38:20,032
Cosimo spent
600,000 golden florins in patronage,
408
00:38:20,320 --> 00:38:25,792
which is six times
the total state entry for one year.
409
00:38:27,200 --> 00:38:30,476
Patronage is great
for the production of art
410
00:38:30,760 --> 00:38:34,639
but totally irrational
from an economic point of view.
411
00:38:35,520 --> 00:38:38,671
Patronage is a political strategy.
412
00:38:43,480 --> 00:38:47,871
This, in my opinion, is one of the keys
to understand the Renaissance -
413
00:38:48,160 --> 00:38:52,950
this high political competition
expressed through patronage
414
00:38:53,240 --> 00:38:58,439
in a city where those art potentialities
gave birth to an art market
415
00:38:58,720 --> 00:39:02,599
that has no equivalent
elsewhere in Italy at the time.
416
00:39:17,800 --> 00:39:21,031
Why the artist needs
the patron is very simple -
417
00:39:21,320 --> 00:39:26,713
there are no public art markets
in the Renaissance as we have today.
418
00:39:27,640 --> 00:39:30,791
You didn't make art
and then put it in the shop window
419
00:39:31,080 --> 00:39:32,877
and wait for someone to buy it.
420
00:39:33,160 --> 00:39:36,072
You only made art
when somebody commissioned it from you
421
00:39:36,360 --> 00:39:38,954
and paid you for it,
more or less in advance.
422
00:39:42,200 --> 00:39:46,432
But sometimes, as Cosimo discovered,
423
00:39:46,720 --> 00:39:50,110
payment alone didn't guarantee results.
424
00:39:51,600 --> 00:39:57,118
He had particular problems with
the wayward monk and artist Filippo Lippi.
425
00:39:58,040 --> 00:40:01,271
Lippi was put into the monastery
because he was an orphan,
426
00:40:01,560 --> 00:40:05,951
not because he asked to go,
and he really wasn't suited for that life.
427
00:40:06,240 --> 00:40:09,994
He was always breaking out and chasing
after women and this sort of thing.
428
00:40:12,200 --> 00:40:15,033
One of the things
that Cosimo understood
429
00:40:15,320 --> 00:40:18,949
is that you get better work
out of people when people are happy.
430
00:40:20,080 --> 00:40:24,870
So, rather than yelling at them
and being imperious and demanding
431
00:40:25,160 --> 00:40:28,789
and holding them to the letter
of every little contract,
432
00:40:29,080 --> 00:40:32,231
you might get better work
and more reliable work
433
00:40:32,520 --> 00:40:34,829
if you treated them like human beings
434
00:40:35,120 --> 00:40:38,032
who have other needs
and have another life.
435
00:40:39,120 --> 00:40:40,758
Cosimo didn't care.
436
00:40:41,040 --> 00:40:44,635
"If you show up for work and you do
what we've commissioned you to do,
437
00:40:44,920 --> 00:40:47,798
"you can do anything you want
on your own time."
438
00:40:50,400 --> 00:40:55,269
Cosimo tolerated his temperamental
artists because of their talent,
439
00:40:55,560 --> 00:40:58,950
and their talents
were now widely recognized.
440
00:41:06,200 --> 00:41:09,715
You have to be difficult
as an artist in these times
441
00:41:10,000 --> 00:41:12,912
because you are under a lot of pressure.
442
00:41:13,200 --> 00:41:17,318
Seventy percent of Renaissance artists
were active in Florence at the time.
443
00:41:17,600 --> 00:41:20,956
Though there are a lot of patrons
and a lot of money available,
444
00:41:21,240 --> 00:41:24,789
not all of the projects would grant
the same kind of dignity
445
00:41:25,080 --> 00:41:27,435
and visibility to the artist
446
00:41:27,720 --> 00:41:30,234
who has to self-promote himself
447
00:41:30,480 --> 00:41:35,793
and who has to achieve
certain standards of credibility and fame
448
00:41:36,080 --> 00:41:40,471
in order to be able to be put
in charge of the best projects.
449
00:41:44,280 --> 00:41:49,593
The man working on the best project
in Florence was Filippo Brunelleschi
450
00:41:49,880 --> 00:41:54,237
and he continued to break boundaries
of conventional understanding.
451
00:41:54,520 --> 00:41:58,513
He simply saw the world
as no other man had.
452
00:41:58,800 --> 00:42:03,555
In 1434,
Brunelleschi unveiled a new technique
453
00:42:03,840 --> 00:42:06,912
that radically changed Western art.
454
00:42:07,200 --> 00:42:09,873
He invented perspective.
455
00:42:10,760 --> 00:42:13,911
Brunelleschi developed
linear perspective
456
00:42:14,200 --> 00:42:16,395
which allowed pictures to create
457
00:42:16,680 --> 00:42:19,877
the convincing illusion
of a three-dimensional space
458
00:42:20,160 --> 00:42:23,277
where Gothic art is primarily flat
459
00:42:23,560 --> 00:42:30,272
to represent objects
as three-dimensional, rounded, solid forms
460
00:42:30,560 --> 00:42:33,836
imitating the appearance
of the natural world.
461
00:42:36,040 --> 00:42:39,828
Perspective revolutionizes everything.
It revolutionizes art.
462
00:42:40,120 --> 00:42:43,271
But then, of course,
it revolutionizes how we see, completely.
463
00:42:43,560 --> 00:42:45,516
It creates a modern way of looking.
464
00:42:45,800 --> 00:42:47,756
But it begins in the 15th century
465
00:42:48,040 --> 00:42:51,350
and it very much begins under Cosimo,
with Brunelleschi.
466
00:42:54,680 --> 00:42:58,832
Cosimo had broadened his circle
of radical friends.
467
00:42:59,120 --> 00:43:02,430
Amongst his favorites
was a notorious sculptor...
468
00:43:03,000 --> 00:43:04,956
Donatello.
469
00:43:05,240 --> 00:43:08,312
Cosimo had a kind offondness
for Donatello.
470
00:43:08,600 --> 00:43:11,876
They really were very close friends.
He used him for a lot ofprojects.
471
00:43:12,160 --> 00:43:16,039
But it was closer than that.
It was really a kind of personal loyalty.
472
00:43:20,720 --> 00:43:26,033
But Donatello's talent came at a price...
his violent temper.
473
00:43:26,320 --> 00:43:28,959
He was known to smash
his own creations
474
00:43:29,240 --> 00:43:33,518
rather than to sell
to an unappreciative client.
475
00:43:33,800 --> 00:43:37,509
There were incidents where Donatello
would be snubbed by other people
476
00:43:37,800 --> 00:43:39,836
or snide remarks would be made.
477
00:43:40,120 --> 00:43:45,478
And Cosimo went out of his way to show
that he was still friends with Donatello
478
00:43:45,760 --> 00:43:50,595
and that he didn't care about
these sorts of minor personal matters,
479
00:43:50,880 --> 00:43:55,317
that this was basically
an honest, upright, talented individual
480
00:43:55,600 --> 00:43:59,036
who deserved to be treated
with the utmost respect.
481
00:44:02,160 --> 00:44:06,472
Cosimo was one of the few friends
Donatello trusted,
482
00:44:06,760 --> 00:44:11,151
and Cosimo had commissioned
a truly radical work of art.
483
00:44:14,760 --> 00:44:20,278
Donatello's David was one
of the most revolutionary works of art
484
00:44:20,560 --> 00:44:25,270
in the 15th century because it was
the first time since the ancient Romans
485
00:44:25,560 --> 00:44:30,918
that anyone had tried to make
a freestanding bronze sculpture
486
00:44:31,200 --> 00:44:33,395
of a nude man.
487
00:44:36,200 --> 00:44:39,670
The helmet that's on the ground
that David is standing on,
488
00:44:39,960 --> 00:44:42,952
with Goliath's head in it
as a symbol of victory,
489
00:44:43,240 --> 00:44:45,959
has a long feather
attached to the helmet
490
00:44:46,240 --> 00:44:49,915
that goes all the way up
the thigh of the David,
491
00:44:50,200 --> 00:44:53,909
and you can read that
as a kind of erotic caress.
492
00:44:59,720 --> 00:45:05,477
Such a sensual art was frowned upon
by many in Florence.
493
00:45:07,120 --> 00:45:10,032
Donatello's David
is on the edge
494
00:45:10,320 --> 00:45:14,199
because Florence, more than
any other city of the Renaissance,
495
00:45:14,480 --> 00:45:18,393
was associated to "sodomia,"
sodomy and homosexuality.
496
00:45:18,680 --> 00:45:25,119
There have been 14,000 people tried by
the Florentine tribunal in the 15th century
497
00:45:25,400 --> 00:45:27,789
for having committed the crime of sodomy.
498
00:45:28,080 --> 00:45:32,039
So he was really playing
with something very dangerous.
499
00:45:32,320 --> 00:45:37,519
But he was willing to take more risk
than some of his contemporaries.
500
00:45:39,400 --> 00:45:44,474
Cosimo gives a space
to artists and writers to develop new ideas
501
00:45:44,720 --> 00:45:48,190
that are outside the orthodoxy
of the Catholic Church.
502
00:45:48,480 --> 00:45:50,357
Art is really where it's happening.
503
00:45:50,640 --> 00:45:52,870
Art and sculpture and architecture
504
00:45:53,160 --> 00:45:57,153
are pushing forward the boundaries
of what it's possible to actually do.
505
00:45:59,360 --> 00:46:03,876
No one in Florence was taking
more risks than Brunelleschi.
506
00:46:04,160 --> 00:46:08,153
His magnificent dome
was rising even higher.
507
00:46:08,440 --> 00:46:12,638
But with each new brick,
the angle of the dome increased.
508
00:46:15,920 --> 00:46:19,230
This was the critical phase
of Brunelleschi's design.
509
00:46:21,680 --> 00:46:25,468
One of the major problems
Brunelleschi faced in building the dome,
510
00:46:25,760 --> 00:46:28,672
and particularly
when he got to the upper reaches,
511
00:46:28,960 --> 00:46:32,270
was how he could prevent
the bricks from falling inwards.
512
00:46:32,560 --> 00:46:36,678
What Brunelleschi did was to insert
bands of vertical brickwork
513
00:46:36,960 --> 00:46:40,999
to tie the horizontal courses
to these vertical ones,
514
00:46:41,280 --> 00:46:45,273
which were keyed to courses
five, six rows beneath that
515
00:46:45,560 --> 00:46:47,596
where the mortar had dried.
516
00:46:50,600 --> 00:46:55,754
Brunelleschi's herringbone design
was untried and untested.
517
00:46:56,040 --> 00:47:00,989
The slightest miscalculation
could result in catastrophic failure.
518
00:47:05,440 --> 00:47:10,036
It would have been a disaster,
but I would say not as much a disaster
519
00:47:10,320 --> 00:47:13,710
in terms of not completing
an architectural project,
520
00:47:14,000 --> 00:47:17,834
but a disaster
in failing in producing
521
00:47:18,120 --> 00:47:22,193
the most grandiose symbol
of Florentine pride ever.
522
00:47:30,240 --> 00:47:34,756
From his patrons to his workers,
all looked on in disbelief.
523
00:47:35,800 --> 00:47:39,349
Brunelleschi had to prove
that he was right.
524
00:47:40,440 --> 00:47:43,079
Brunelleschi was
a very hands-on person.
525
00:47:43,360 --> 00:47:46,352
Not only did he inspect
many of the bricks that were used
526
00:47:46,640 --> 00:47:49,916
and sent consignments back
if they weren't quite up to snuff,
527
00:47:50,200 --> 00:47:52,475
he also actually laid
some bricks himself.
528
00:48:03,600 --> 00:48:08,196
The workers weren't certain at all
that this was a viable proposition
529
00:48:08,480 --> 00:48:11,233
to lay these
on an inward-curving vault,
530
00:48:11,520 --> 00:48:15,195
and so he himself went up
and practiced what he preached.
531
00:48:46,880 --> 00:48:51,192
The genius of Brunelleschi
had defied all doubt and danger.
532
00:48:52,760 --> 00:48:57,993
And in 1436, Brunelleschi, who has
been keeping the faith all this time
533
00:48:58,280 --> 00:49:01,511
that he could build that dome
without aid of scaffolding
534
00:49:01,800 --> 00:49:03,677
or any other visible support,
535
00:49:03,960 --> 00:49:06,872
has brought, as he writes
in a little poem he wrote,
536
00:49:07,160 --> 00:49:08,957
"this miracle to pass."
537
00:49:21,200 --> 00:49:26,399
This great achievement had mirrored
the rise of the city's most powerful family
538
00:49:27,120 --> 00:49:31,636
and now it towered majestically
over the city of Florence,
539
00:49:31,920 --> 00:49:36,436
the greatest architectural feat
in the Western world.
540
00:49:44,080 --> 00:49:47,675
Cosimo basked
in the dome's reflected glory,
541
00:49:47,960 --> 00:49:51,714
inviting the pope himself
to conduct the consecration.
542
00:50:00,760 --> 00:50:03,558
If Cosimo could have looked
into the future,
543
00:50:03,840 --> 00:50:06,673
he would have seen
the story of the Renaissance
544
00:50:06,960 --> 00:50:10,111
unfold on the ceiling of the dome itself.
545
00:50:14,880 --> 00:50:20,876
Weighing 37,000 tons and using
more than four million bricks,
546
00:50:21,160 --> 00:50:26,439
Brunelleschi's dome was proof that man
could conquer the seemingly impossible.
547
00:50:30,680 --> 00:50:33,592
A friend of Cosimo's wrote of its impact.
548
00:50:35,600 --> 00:50:37,318
"It touches the skies
549
00:50:38,160 --> 00:50:42,199
"and casts its shadow
over the whole of Tuscany."
550
00:50:55,760 --> 00:50:59,036
Cosimo was quick
to capitalize on the triumph.
551
00:50:59,320 --> 00:51:02,278
He planned a dazzling
international spectacle...
552
00:51:02,560 --> 00:51:04,915
the Council of Florence.
553
00:51:05,680 --> 00:51:09,514
It would be a global showcase
for the magnificent new dome
554
00:51:09,800 --> 00:51:13,076
and a celebration
of Florentine art and culture
555
00:51:13,360 --> 00:51:16,397
which had blossomed
under Cosimo de' Medici.
556
00:51:19,440 --> 00:51:23,752
The Council brought together
the greatest mix of thinkers, artists,
557
00:51:24,040 --> 00:51:28,556
merchants and churchmen
that the world had ever seen.
558
00:51:30,160 --> 00:51:33,914
News quickly spread
of the birth of a new Rome
559
00:51:34,200 --> 00:51:36,794
on the banks of the River Arno.
560
00:51:37,880 --> 00:51:40,075
In the streets and in the piazzas,
561
00:51:40,360 --> 00:51:43,432
the cultures of East and West
were brought together
562
00:51:43,720 --> 00:51:47,713
and bankrolling it all
was Cosimo de' Medici.
563
00:51:49,360 --> 00:51:51,476
The most interesting thing he does
564
00:51:51,760 --> 00:51:55,799
is pay all the travel expenses
of all the people from exotic places,
565
00:51:56,080 --> 00:51:58,469
like India and Ethiopia.
566
00:51:58,760 --> 00:52:02,469
Messengers are sent out to call people
from these far-distant lands
567
00:52:02,760 --> 00:52:05,399
which are literally mythic
to the Florentines.
568
00:52:05,680 --> 00:52:08,194
They're the stuff of legend.
569
00:52:11,160 --> 00:52:16,075
Cosimo's guests gazed in wonder
at an explosion of art and culture
570
00:52:16,360 --> 00:52:20,239
in the shadow of Brunelleschi's dome.
571
00:52:20,520 --> 00:52:23,990
Cosimo was thrilled.
He set up public lectures on Plato.
572
00:52:24,280 --> 00:52:26,316
It was just the best thing possible.
573
00:52:26,600 --> 00:52:30,149
And, of course, it also gave him
this great political cachet.
574
00:52:30,440 --> 00:52:33,318
It was the culmination
of everything he'd ever wanted.
575
00:52:38,480 --> 00:52:42,553
Cosimo is now the great intercessor
for the Florentine people.
576
00:52:42,840 --> 00:52:47,516
He truly is their patron,
their godfather, in every sense.
577
00:53:25,360 --> 00:53:29,399
Cosimo had overseen
the triumph of his city
578
00:53:29,680 --> 00:53:34,595
but at heart the godfather of Florence
remained a cautious man.
579
00:53:37,320 --> 00:53:39,959
"I know the humors of my city.
580
00:53:40,240 --> 00:53:44,233
"Before 50 years have passed,
we shall be expelled.
581
00:53:44,520 --> 00:53:47,876
"But my buildings will remain."
582
00:53:55,760 --> 00:53:57,478
In his final years,
583
00:53:57,760 --> 00:54:03,198
he baptized and then buried
both a son and a grandson.
584
00:54:06,200 --> 00:54:09,829
On Cosimo's death, in 1464,
585
00:54:10,120 --> 00:54:14,557
the city of Florence declared him
Pater Patriae...
586
00:54:14,840 --> 00:54:17,434
Father of the Fatherland.
587
00:54:18,280 --> 00:54:21,875
But who was left to lead the Medici?
588
00:54:22,160 --> 00:54:28,190
Who would fill the shoes
of the godfather of the Renaissance?