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（Marcel Dzama：組織混亂）

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這些道具服很老舊

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(笑聲)

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這只是萬聖節的道具服

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(笑聲)

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我猜我可能有囤積症的傾向

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這是我來紐約後無法適應的一件事

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很快就要把東西丟掉
因為公寓太小了


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我來自加拿大溫尼伯

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那裡的冬天很冷
幾乎一半的時間都是冬天

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大家很難聚在一起社交

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氣候形成了障礙，讓你被孤立

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我小時候常常著色

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畫了很多電影裡的怪物

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像是《狼人與德古拉》那些角色

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我還創造了自己的世界，找點事情做

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溫尼伯的景象，尤其是冬天時

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地平線和地面會彷彿融合在一起

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你所看到的景象幾乎像一張白紙

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如果有人走入那片景色之中
看起來就像一張白紙上面

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有一個人影

22
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我覺得這無形中影響了我的風格

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我讀藝術學校時還跟父母住在一起

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我用祖父農場的木板做了些大型作品

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他把穀倉拆掉

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我把拆下來的木板漆上油漆

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後來家裡發生火災

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基本上我之前所有的創作都沒了

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我大部分的個人物品也沒了

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所以我開始在飯店的紙張上畫畫

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最後那變成了我的論文

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（「皇家藝術旅社」聯合作品）

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那些是讓我打開知名度的作品

34
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空曠的背景加上少數主角

35
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家裡失火後我產生了很大的失落感

36
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但另一方面來說，也產生了其他可能性

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某方面而言
也讓我比較無後顧之憂地搬來紐約

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我之前用比較多紅色和褐色顏料

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我一定正在經歷藍色憂鬱期

40
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布希時期我做了一些政治性的作品
就在伊拉克戰爭年間

41
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川普執政，我總覺得

42
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要對之前接受的媒體言論進行驅魔
才能安心去睡覺

43
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所以我必須畫出來

44
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我運用達達主義的意象
他們對一戰十分厭惡

45
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我認為這種厭惡
很適合運用於現況

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當前的政治局勢

47
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我覺得這讓我不斷旋轉下墜

48
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在桑迪胡克小學槍擊案後
我就不再畫槍枝了

49
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後來川普當選，我想...

50
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就當作某種反抗的象徵吧
我又開始畫槍枝

51
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革命會從女性

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