0:00:00.080,0:00:03.240 Hi, I'm Clinton Harn, and welcome[br]to a double episode of 60 seconds 0:00:03.240,0:00:04.200 on set. 0:00:08.760,0:00:09.160 Lavalier 0:00:09.160,0:00:12.600 microphones are perfect for close miking[br]and are typically used for dialog. 0:00:12.840,0:00:14.840 You can pull a pretty good sound[br]without much technique, 0:00:14.840,0:00:18.680 but in these two episodes I want to talk[br]about application tips, tricks and rigging 0:00:18.680,0:00:22.000 solutions to really help[br]you get the most out of your microphones. 0:00:22.480,0:00:25.200 Today I'll be using the smart lav[br]from Rode mikes. 0:00:25.680,0:00:27.280 First, mapping solutions. 0:00:27.280,0:00:31.600 These include clips, vampire[br]clips and camera or even gaffer tape. 0:00:31.600,0:00:35.200 Clips are often the easiest and quickest[br]method to attach a mike to your talent. 0:00:35.320,0:00:39.400 Vampire or Viper clips are generally[br]used to secure the mike to a T-shirt 0:00:39.400,0:00:42.880 as an alternative, and tape is used[br]for additional security and serves 0:00:42.880,0:00:46.320 as another method to both mount[br]and conceal your microphone. 0:00:46.360,0:00:50.200 When a lav is visible, use the broadcast[br]loop, also known as the newsman's loop. 0:00:50.440,0:00:52.000 Let's look at this particular method. 0:00:52.000,0:00:55.960 Secure your mike to the clip and loop[br]the cable back into the clip itself 0:00:55.960,0:00:58.720 and position[br]the cable between clip and the fabric. 0:00:59.160,0:01:02.240 Dress the remainder of the cable[br]behind the talent's clothing. 0:01:02.760,0:01:05.200 To eliminate cable noise form[br]another small loop 0:01:05.200,0:01:08.560 just under the mic capsule[br]and secure it with a small piece of tape. 0:01:09.080,0:01:12.120 Remember, looping cables[br]also acts as a strain relief.