WEBVTT 00:00:04.375 --> 00:00:08.409 Excercise #12 WALTZ, "CUENTO AZUL” 00:00:11.582 --> 00:00:13.901 Ok, we’re gonna learn our first song, 00:00:14.253 --> 00:00:15.466 It’s a very simple waltz, 00:00:15.466 --> 00:00:16.990 Which is called “cuento azul”, 00:00:16.990 --> 00:00:18.334 The first thing we’re gonna do, 00:00:18.334 --> 00:00:19.828 Is to hear it so you can know how it is, 00:00:19.828 --> 00:00:22.583 Here, the bellows technique that I’ve taught you is fully applied, 00:00:22.583 --> 00:00:23.986 About sound stopping, 00:00:25.086 --> 00:00:25.857 Check how it is, and then, 00:00:25.857 --> 00:00:27.467 I’m gonna explain it to you step by step, 00:00:27.467 --> 00:00:29.075 So you can play it… 00:01:06.851 --> 00:01:07.937 That’s the song, 00:01:08.600 --> 00:01:09.884 how do we study it? 00:01:10.879 --> 00:01:11.677 This is very important, 00:01:11.677 --> 00:01:12.893 And this goes for all songs, 00:01:12.893 --> 00:01:14.331 Whether it’s a simple song, 00:01:14.331 --> 00:01:16.209 Or concert songs. 00:01:16.973 --> 00:01:17.961 The first thing I do, 00:01:19.194 --> 00:01:20.481 Right hand, 00:01:20.755 --> 00:01:24.554 E, D, C, E, D, C, F, D… ok? 00:01:24.554 --> 00:01:26.284 Then I open the bellows… 00:01:32.985 --> 00:01:34.929 I stop the sound… 00:01:35.530 --> 00:01:37.092 The same when we close… 00:01:43.090 --> 00:01:44.955 sound stopping, ok? 00:01:45.160 --> 00:01:46.182 Once more… 00:01:51.012 --> 00:01:52.128 and closure… 00:01:57.679 --> 00:01:58.718 done. 00:01:58.953 --> 00:02:01.243 Then, part 2… 00:02:02.636 --> 00:02:06.386 F, E, D, F, E, D, G, E… 00:02:06.386 --> 00:02:07.348 Open… 00:02:12.585 --> 00:02:14.320 see how the hand doesn’t move… 00:02:20.610 --> 00:02:24.293 ok? Part 3, the hand is still there, C, D, E, F, G, 00:02:24.293 --> 00:02:26.270 It’s a song with 5 fingers only, 00:02:26.270 --> 00:02:27.821 So we don’t have to move, 00:02:27.821 --> 00:02:29.104 That’s why it’s easy, 00:02:29.104 --> 00:02:30.325 It’s very simple. 00:02:31.693 --> 00:02:34.643 G, F, E, G, F, E, F, D, It would be… 00:02:39.683 --> 00:02:41.281 stop… The same when closing… 00:02:46.307 --> 00:02:48.909 Stop. And part 4 would be 00:02:49.021 --> 00:02:51.545 F, E, D, F, E, D, E, C… 00:02:51.545 --> 00:02:52.546 Open… 00:02:57.238 --> 00:02:59.056 cease it with the bellows and… 00:03:03.436 --> 00:03:04.667 Perfect. 00:03:04.667 --> 00:03:06.342 So, we’re gonna check, 00:03:06.342 --> 00:03:07.909 Part 1… 00:03:11.348 --> 00:03:13.391 that part 1 is a “1”, ok? 00:03:13.391 --> 00:03:15.690 On the musical score we write down “1”, part 1, 00:03:15.690 --> 00:03:17.325 Part 2, part 3, and part 4, 00:03:17.325 --> 00:03:19.212 So part 1 would be… 00:03:23.686 --> 00:03:25.498 done. Now part 2… 00:03:30.024 --> 00:03:31.713 done. Part 3… 00:03:36.320 --> 00:03:37.997 done. Part 4… 00:03:43.060 --> 00:03:44.010 done, ok? 00:03:44.010 --> 00:03:46.200 Now, when I get it, 00:03:46.200 --> 00:03:49.224 -look how I haven’t even touched the bass- Ok? 00:03:50.690 --> 00:03:51.749 I’m gonna play it all at once, 00:03:51.749 --> 00:03:53.100 It’s supposed that depends on difficulty, 00:03:53.100 --> 00:03:54.971 How many times are, the important thing is for it to turn out well, 00:03:54.971 --> 00:03:56.329 Part 1 has to turn out well, 00:03:56.329 --> 00:03:59.312 If it’s hard and I have to review it 30 times, 00:03:59.312 --> 00:04:00.746 Til I get it right, it’s ok, 00:04:00.746 --> 00:04:03.238 If I get it by the 4th time, it’s ok, 00:04:03.238 --> 00:04:06.253 Because this is not something so complicated, ok? In this first instance. 00:04:06.970 --> 00:04:08.907 So, now I’m gonna play the whole part A, 00:04:08.907 --> 00:04:11.541 Which would be, part 1… 00:04:28.497 --> 00:04:31.765 It’s really important this ceasing that I’m talking about… 00:04:32.456 --> 00:04:34.273 Otherwise hear how it would sound… 00:04:41.211 --> 00:04:42.306 Get it, right? 00:04:42.306 --> 00:04:46.970 So you have to be really, really, really meticulous with the endings, 00:04:46.970 --> 00:04:50.454 Because that’s what gonna put the final “touches”, 00:04:50.685 --> 00:04:52.936 It’s like getting to a new home, beautiful and everything, 00:04:52.936 --> 00:04:54.964 But it misses windows, doorlocks, 00:04:54.964 --> 00:04:57.246 That destroys all the beauty in the house, 00:04:57.246 --> 00:04:59.175 This is the same, always be careful about endings. 00:05:00.495 --> 00:05:02.894 The bass, the bass accompaniment, 00:05:03.914 --> 00:05:06.253 There are different ways to play the bass section, 00:05:06.253 --> 00:05:08.101 There are different ways, 00:05:08.937 --> 00:05:11.732 And there are ways to use it that are more popular, 00:05:11.732 --> 00:05:13.899 It’s not that one way is worse than the other, 00:05:13.899 --> 00:05:15.673 But there are some that sound better, ok? 00:05:16.036 --> 00:05:17.155 For example, 00:05:17.155 --> 00:05:19.280 I’m gonna play the bass… 00:05:19.594 --> 00:05:20.880 And the chord… 00:05:20.880 --> 00:05:26.029 2, 3, 1, 2, 3… ok. 00:05:26.744 --> 00:05:28.607 How is this supposed to be? 00:05:28.607 --> 00:05:32.216 The bass, the bass doesn’t last the whole quarter note, 00:05:32.216 --> 00:05:35.444 Because it’s 1, 2, 3, 00:05:35.444 --> 00:05:36.543 the bass, the bass, 00:05:36.543 --> 00:05:38.334 Because this is the chord… 00:05:38.334 --> 00:05:39.442 This is the bass. 00:05:39.442 --> 00:05:41.382 So the bass get til halfway only, 00:05:41.382 --> 00:05:48.918 It would be… ok, right? 00:05:49.385 --> 00:05:50.777 So, the bass is long, 00:05:50.777 --> 00:05:53.391 But it doesn’t get to be tied to the 2nd quarter note, 00:05:53.391 --> 00:05:54.693 It’s not… 00:05:58.052 --> 00:06:00.167 “and why, dear teacher?”… 00:06:00.619 --> 00:06:02.930 Because the natural -always look for the natural thing- 00:06:02.930 --> 00:06:04.662 The double bass sounds… 00:06:09.572 --> 00:06:10.205 It doesn’t sound… 00:06:13.722 --> 00:06:14.847 But… 00:06:16.104 --> 00:06:17.132 And neither… 00:06:19.485 --> 00:06:20.922 The natural thing is to sound… 00:06:21.974 --> 00:06:23.925 So I have to emulate that… 00:06:25.228 --> 00:06:28.691 So I play… silence and chord, 00:06:29.088 --> 00:06:32.066 And if you see, I play the chord shortly, 00:06:32.066 --> 00:06:33.524 It’s to give it some swing. 00:06:33.524 --> 00:06:36.505 You have to play, ideally, With swing, with flavor, with elegance, 00:06:36.505 --> 00:06:38.493 If I play the bass for too long, Hear how it sounds… 00:06:42.791 --> 00:06:44.135 So if I play… 00:06:49.305 --> 00:06:50.082 vs… 00:06:55.228 --> 00:06:57.579 So, long bass, ok? 00:06:57.579 --> 00:07:00.037 It’s a little longer, without tying it, 00:07:00.037 --> 00:07:02.166 And the chord is really small, 00:07:02.166 --> 00:07:03.671 And for it to sound “small”, 00:07:03.671 --> 00:07:05.181 I can’t sink it till the bottom… 00:07:06.599 --> 00:07:07.812 But is the tip… 00:07:14.722 --> 00:07:16.402 So that remains hidden, 00:07:16.402 --> 00:07:19.324 That’s how it sounds good, 00:07:19.324 --> 00:07:22.213 And it’s what really works, 00:07:22.213 --> 00:07:23.637 And it doesn’t mess up with the melody. 00:07:23.637 --> 00:07:25.098 So, together would be… 00:07:25.098 --> 00:07:28.338 Longer bass, short chord… 00:07:28.601 --> 00:07:30.662 What I have to imagine, It that here is red, 00:07:30.662 --> 00:07:34.675 It’s like the metal was red, Hot, melting, 00:07:34.675 --> 00:07:35.278 So I have to… 00:07:35.278 --> 00:07:36.891 It’s like I burn with an iron, 00:07:36.891 --> 00:07:38.266 I have to take my hand off immediately, 00:07:38.266 --> 00:07:39.711 If it stays more, I burn. 00:07:39.711 --> 00:07:41.137 So 1… 00:07:42.449 --> 00:07:43.157 ok? 00:07:43.826 --> 00:07:46.763 So, that’s the right way to play the bass… 00:07:51.232 --> 00:07:52.227 Right? 00:07:52.227 --> 00:07:54.863 There are some books that recommend, That you play everything staccato, 00:07:54.863 --> 00:07:56.409 which would be… 00:07:57.925 --> 00:08:01.455 And that for me, is a no no, I find it has no body, 00:08:01.455 --> 00:08:03.231 It sounds like empty… 00:08:07.634 --> 00:08:10.711 And if I play it too long it sounds very full 00:08:14.709 --> 00:08:16.031 So, the balance is between, 00:08:16.031 --> 00:08:18.442 Playing the bass a little longer, And the short chord, would be… 00:08:22.987 --> 00:08:23.573 ok? 00:08:23.573 --> 00:08:25.537 So, part 1… 00:08:28.754 --> 00:08:29.694 G… 00:08:32.287 --> 00:08:33.712 part 1 closing… 00:08:35.122 --> 00:08:36.007 C 00:08:39.889 --> 00:08:40.762 part 2… 00:08:42.087 --> 00:08:43.007 G and C… 00:08:48.755 --> 00:08:49.815 I close part 2… 00:08:55.431 --> 00:08:56.747 Opening part 3… 00:09:00.228 --> 00:09:01.252 G… 00:09:02.926 --> 00:09:05.283 Part 3 closing, C… 00:09:11.528 --> 00:09:13.561 Part 4 open with G… 00:09:19.415 --> 00:09:21.085 closing… 00:09:24.843 --> 00:09:27.183 Now, with the nerves on the stage, 00:09:27.183 --> 00:09:28.839 From people who’s coming to see you, At some concert, 00:09:28.839 --> 00:09:30.519 And it’s your first presentation and everything, 00:09:30.519 --> 00:09:31.973 The most probable thing is that, 00:09:31.973 --> 00:09:33.407 Imagine you forget, 00:09:33.407 --> 00:09:34.861 and you confuse the bellows, 00:09:34.861 --> 00:09:36.075 When it was open, we’re closing, 00:09:36.075 --> 00:09:37.395 And when it was close, we’re opening, 00:09:37.395 --> 00:09:41.037 That produces, first, you get nervous and make mistakes, 00:09:41.037 --> 00:09:46.643 So make sure of studying it, Opening and closing, 00:09:46.643 --> 00:09:50.101 So you know how to react when it’s opening, And when you’re closing, 00:09:50.928 --> 00:09:51.998 Because if you look, 00:09:51.998 --> 00:09:53.817 If I have my hand more stretched here, 00:09:53.817 --> 00:09:55.631 I’m playing the bass, ok? 00:09:55.631 --> 00:09:58.459 I have a lot more stretched my hand there, 00:09:58.459 --> 00:10:00.491 But when I’m here… it’s different, 00:10:00.491 --> 00:10:01.561 I shrink it a bit, 00:10:01.561 --> 00:10:03.049 So it’s the whole feeling of playing like this… 00:10:03.049 --> 00:10:04.217 And playing like this… 00:10:04.217 --> 00:10:06.001 That’s why it’s studied like that, Opening and closing. 00:10:07.190 --> 00:10:09.067 The 3rd step in order to study, 00:10:09.534 --> 00:10:13.124 Would be putting our hands together, put our hands together, So… 00:10:20.802 --> 00:10:22.822 and it ends, closing… 00:10:24.106 --> 00:10:25.600 That’s part 1… 00:10:28.550 --> 00:10:29.738 and it ends, 00:10:29.738 --> 00:10:32.514 I studied, I review it many times, And now with part 2… 00:10:39.363 --> 00:10:40.574 Y repeat, part 2, closing… 00:10:45.800 --> 00:10:46.739 Part 3… 00:10:52.709 --> 00:10:54.785 closing part 3… 00:10:58.177 --> 00:10:59.405 Part 4… 00:11:04.758 --> 00:11:06.238 close, the same… 00:11:11.185 --> 00:11:14.103 Part 1 and 2 now only, 1 and 2… 00:11:18.453 --> 00:11:19.489 I close… 00:11:24.175 --> 00:11:25.832 stop, repeat… 00:11:30.206 --> 00:11:31.183 close… 00:11:35.774 --> 00:11:36.571 stop! 00:11:36.571 --> 00:11:38.204 Part 3 and 4… 00:11:48.702 --> 00:11:50.433 Now full 3 and 4… 00:12:00.117 --> 00:12:02.670 ok? Now, when I’m getting to master this, 00:12:02.670 --> 00:12:03.892 -I’m playing it faster- 00:12:03.892 --> 00:12:07.231 But it supposes that till you get it, You progress, 00:12:07.231 --> 00:12:08.854 If part 1 doesn’t turn out well, I can’t move to part 2, 00:12:08.854 --> 00:12:10.372 If part 2 doesn’t turn out well, I can’t move to part 3, 00:12:10.768 --> 00:12:13.389 As you’ve been studying, With no mistakes, 00:12:13.389 --> 00:12:15.147 because you haven’t made mistakes, ok? 00:12:15.490 --> 00:12:16.881 Because, as it is an easy melody, 00:12:16.881 --> 00:12:18.060 This thing about opening and closing, 00:12:18.060 --> 00:12:19.967 You haven’t been studying with mistakes, 00:12:19.967 --> 00:12:23.681 If you had studied all of this-let’s say- All of this song at once, 00:12:23.681 --> 00:12:25.089 you would have been wrong, 00:12:25.089 --> 00:12:26.365 “oh gosh again, I closed the bellows” 00:12:26.365 --> 00:12:28.011 “oh gosh, it was opening, closing” 00:12:28.011 --> 00:12:29.876 As this has been so fast and meticulous, 00:12:29.876 --> 00:12:32.910 You’re gonna realize that in a few minutes, You’re already playing a song, ok? 00:12:32.910 --> 00:12:34.461 And the right way. 00:12:34.461 --> 00:12:36.377 So, what do I do now? 00:12:36.377 --> 00:12:37.933 I grab the whole part 1, 00:12:37.933 --> 00:12:39.528 -it’s supposed that I already studied that, I practiced that- 00:12:39.528 --> 00:12:42.186 I grab the whole part 1, it would be this… 00:12:46.370 --> 00:12:47.493 2… 00:12:50.163 --> 00:12:51.143 3… 00:12:54.736 --> 00:12:55.526 4… 00:12:59.576 --> 00:13:00.398 done. 00:13:00.398 --> 00:13:01.734 I’ve got the song, right? 00:13:01.734 --> 00:13:04.257 But obviously I’m pulling the bellows, 00:13:04.257 --> 00:13:07.098 I’m confident because I know how to play, 00:13:07.397 --> 00:13:11.013 You’re gonna be with your fingers all shaky yet, or too week. 00:13:11.244 --> 00:13:14.873 Exercise… we’re gonna play the same, 00:13:14.873 --> 00:13:17.184 But, when it’s supposed that we don’t know the song- 00:13:17.184 --> 00:13:19.369 We’re gonna play it in 4 different ways, 00:13:19.369 --> 00:13:22.533 So we can study well, And then we’re gonna play it fast, ok? 00:13:22.963 --> 00:13:28.019 First, staccato, The staccato is short… 00:13:29.749 --> 00:13:33.746 And the staccato goes… it’s not just the finger… 00:13:34.208 --> 00:13:36.476 But the forearm… 00:13:36.723 --> 00:13:40.283 So, I play it once with the bass and everything with staccato, It would be… 00:14:06.051 --> 00:14:08.291 “And, why with staccato, teacher?” 00:14:08.291 --> 00:14:09.632 “why?, what is it for?” 00:14:09.632 --> 00:14:12.457 Because the staccato “exposes” the hand, 00:14:12.814 --> 00:14:15.136 As I take it out, I’m afraid of making a mistake… 00:14:16.419 --> 00:14:18.284 I can do this, see… So when I lift, 00:14:18.284 --> 00:14:22.739 That gives me… when I pass that insecurity, 00:14:22.739 --> 00:14:26.086 When I play it normal, It turns out very solid, ok? 00:14:26.086 --> 00:14:28.312 So I have to do things that Give me insecurity, 00:14:28.312 --> 00:14:31.691 So when time comes, I’ll be able to respond. 00:14:32.247 --> 00:14:33.723 So, staccato, 00:14:33.723 --> 00:14:35.508 I apply staccato, it’s gonna sound different, 00:14:35.508 --> 00:14:38.213 It’s supposed to be an exercise, It’s not that the song sounds that paused, 00:14:38.213 --> 00:14:40.582 I play it with staccato… 00:14:42.723 --> 00:14:44.423 I play the full thing, done… 00:14:44.423 --> 00:14:47.101 It’s gonna be hard, it’s gonna be hard, But it’s a really good time investment, 00:14:47.101 --> 00:14:49.465 Because then, I’m gonna play it like… “hey, play the accordion, play something” 00:14:49.465 --> 00:14:51.163 And you play something solid, 00:14:51.163 --> 00:14:53.435 Not something that “I sort of studied” or “it doesn’t come out well” or 00:14:53.435 --> 00:14:54.865 “wait 2 or 3 more weeks”, 00:14:54.865 --> 00:14:56.501 This can work. 00:14:57.152 --> 00:14:59.588 Then it comes the tie, The same but tied, 00:14:59.836 --> 00:15:01.197 Which is, like it’s the song, 00:15:01.197 --> 00:15:03.992 It would be more normal… 00:15:08.852 --> 00:15:09.772 close… 00:15:13.561 --> 00:15:14.610 Open… 00:15:18.375 --> 00:15:18.981 close… 00:15:24.407 --> 00:15:25.726 I applied staccato, tie. 00:15:25.726 --> 00:15:28.434 Now it comes the staccatissimo, 00:15:28.434 --> 00:15:29.618 Staccatissimo? 00:15:29.618 --> 00:15:31.945 The staccatissimo, is the same that staccato, 00:15:32.181 --> 00:15:35.037 But It’s more abrupt, it’s… 00:15:39.310 --> 00:15:40.254 More confidence it gives me, 00:15:40.274 --> 00:15:42.279 Because I’m more scared of making mistakes, ok? 00:15:42.279 --> 00:15:43.572 So I play it… 00:15:46.168 --> 00:15:47.632 Lifting… 00:15:51.127 --> 00:15:52.547 lifting… 00:15:53.298 --> 00:15:55.738 Gaining space… 00:16:06.143 --> 00:16:08.027 It’s supposed that if I play the staccatissimo, 00:16:08.027 --> 00:16:08.990 And I don’t make mistakes, 00:16:08.990 --> 00:16:10.630 I can move on to the next one, 00:16:10.630 --> 00:16:12.042 If I keep making mistakes, I have to fix it. 00:16:12.042 --> 00:16:13.901 And the last one would be the legatissimo, 00:16:13.901 --> 00:16:15.819 Which would be, pressing the keys, 00:16:15.819 --> 00:16:18.935 Pressing them using deadweight, 00:16:18.935 --> 00:16:20.116 It would be… 00:16:24.128 --> 00:16:25.503 I’m pressing there… 00:16:39.209 --> 00:16:40.963 So, what do I do there? 00:16:40.963 --> 00:16:44.292 I’m forcing my mind and fingers, sending the signal, 00:16:44.292 --> 00:16:47.080 Forcing them to pass there, Between those notes, 00:16:47.080 --> 00:16:50.163 When I studied them, I play it normally, 00:16:50.163 --> 00:16:53.239 I can speed it up a bit, I can speed up, 00:16:53.239 --> 00:16:54.914 because it’s already mastered, 00:16:54.914 --> 00:16:56.780 This is already mastered, 00:16:56.780 --> 00:16:59.713 So then I loosen up, I relax, I go to the beach, 00:16:59.713 --> 00:17:02.391 Under a palm tree, 00:17:02.391 --> 00:17:03.976 By myself, and I play relaxed, 00:17:03.976 --> 00:17:06.138 I’m not in some class, no, Full relaxation… 00:17:21.362 --> 00:17:23.205 Ok? That’s how it’s done. 00:17:23.205 --> 00:17:26.480 Now, this part, Is the same system, 00:17:26.480 --> 00:17:28.348 I’m gonna play the other section, 00:17:28.348 --> 00:17:29.879 And you are gonna have to split it, 00:17:29.879 --> 00:17:31.100 So we don’t explain it step by step, 00:17:31.100 --> 00:17:32.202 You know what you have to do, 00:17:32.671 --> 00:17:34.576 The last part would be letter B, it would be… 00:17:39.161 --> 00:17:40.123 Close… 00:17:44.761 --> 00:17:45.717 open… 00:17:49.688 --> 00:17:50.742 close… 00:17:54.123 --> 00:17:59.469 Here, the logic that I’m using for the bellows is each 4 bars… 00:17:59.469 --> 00:18:04.298 1…2…3…4… 00:18:04.829 --> 00:18:09.193 1…2…3…4… sorry, 00:18:10.165 --> 00:18:15.610 1…2…3…4… close 00:18:15.610 --> 00:18:20.265 1…2…3…4… 00:18:20.265 --> 00:18:23.112 And I play the whole song once, As a wrap, 00:18:23.763 --> 00:18:26.753 And you have a first song, Well played, studied, 00:18:26.753 --> 00:18:27.670 And in a short time, 00:18:27.670 --> 00:18:28.553 What this video has last, 00:18:28.553 --> 00:18:31.804 Is what’s gonna take you To study a song of this kind. 00:18:32.184 --> 00:18:33.580 Complete…