[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.96,0:00:05.79,Default,,0000,0000,0000,,Recovering a figure such as Marisa González,
Dialogue: 0,0:00:05.79,0:00:07.88,Default,,0000,0000,0000,,who won the Velázquez Prize in 2023,
Dialogue: 0,0:00:07.88,0:00:09.82,Default,,0000,0000,0000,,is fundamental for the institution.
Dialogue: 0,0:00:09.82,0:00:12.73,Default,,0000,0000,0000,,Above all because it opens up the possibility of getting to know,
Dialogue: 0,0:00:12.73,0:00:15.31,Default,,0000,0000,0000,,of researching, of really delving into a generation
Dialogue: 0,0:00:15.31,0:00:17.00,Default,,0000,0000,0000,,of women about whom we know little or nothing.
Dialogue: 0,0:00:17.00,0:00:19.85,Default,,0000,0000,0000,,It is a living memory, a memory that is still
Dialogue: 0,0:00:19.85,0:00:21.92,Default,,0000,0000,0000,,there and that we have not researched enough.
Dialogue: 0,0:00:21.92,0:00:24.56,Default,,0000,0000,0000,,An exhibition of these characteristics, which is an anthology
Dialogue: 0,0:00:24.56,0:00:27.80,Default,,0000,0000,0000,,that brings together her main works
Dialogue: 0,0:00:27.80,0:00:29.94,Default,,0000,0000,0000,,over the last 50 years,
Dialogue: 0,0:00:29.94,0:00:32.96,Default,,0000,0000,0000,,really allows us to open a gap so that
Dialogue: 0,0:00:32.96,0:00:35.52,Default,,0000,0000,0000,,new generations can project ourselves
Dialogue: 0,0:00:35.52,0:00:37.71,Default,,0000,0000,0000,,into that past that we do not know
Dialogue: 0,0:00:37.71,0:00:39.40,Default,,0000,0000,0000,,from the voice of its own protagonists,
Dialogue: 0,0:00:39.40,0:00:42.60,Default,,0000,0000,0000,,who are women understood as subaltern subjects
Dialogue: 0,0:00:42.60,0:00:46.14,Default,,0000,0000,0000,,who had to somehow reverse and crack a context
Dialogue: 0,0:00:46.14,0:00:48.75,Default,,0000,0000,0000,,in order to be able to project themselves as artists.
Dialogue: 0,0:00:48.75,0:00:50.93,Default,,0000,0000,0000,,And above all, figures like Marisa,
Dialogue: 0,0:00:50.93,0:00:54.20,Default,,0000,0000,0000,,with works in relation to feminism and social movements.
Dialogue: 0,0:00:54.20,0:00:57.17,Default,,0000,0000,0000,,Marisa is an artist very present in the
Dialogue: 0,0:00:57.17,0:00:58.64,Default,,0000,0000,0000,,context of Madrid from the associationism.
Dialogue: 0,0:00:58.64,0:01:01.05,Default,,0000,0000,0000,,She was always present as a student,
Dialogue: 0,0:01:01.05,0:01:02.39,Default,,0000,0000,0000,,from the associative movement,
Dialogue: 0,0:01:02.39,0:01:05.20,Default,,0000,0000,0000,,as a student at the School of Fine Arts.
Dialogue: 0,0:01:05.20,0:01:07.03,Default,,0000,0000,0000,,But she had to leave for the United States
Dialogue: 0,0:01:07.03,0:01:08.76,Default,,0000,0000,0000,,in search of a contemporary education.
Dialogue: 0,0:01:08.76,0:01:10.84,Default,,0000,0000,0000,,Let's say that Marisa came
Dialogue: 0,0:01:10.84,0:01:12.87,Default,,0000,0000,0000,,from an anti-Franco militancy.
Dialogue: 0,0:01:12.87,0:01:15.00,Default,,0000,0000,0000,,She did not come from that double feminist and anti-Franco militancy,
Dialogue: 0,0:01:15.00,0:01:16.62,Default,,0000,0000,0000,,but she was more anti-Franco.
Dialogue: 0,0:01:16.62,0:01:18.27,Default,,0000,0000,0000,,And suddenly she arrived in the United States and opened up,
Dialogue: 0,0:01:18.27,0:01:21.72,Default,,0000,0000,0000,,like the whole United States in the 70's,
Dialogue: 0,0:01:21.72,0:01:23.67,Default,,0000,0000,0000,,to all the activism
Dialogue: 0,0:01:23.67,0:01:26.78,Default,,0000,0000,0000,,that was happening in Chicago and Washington
Dialogue: 0,0:01:26.78,0:01:33.64,Default,,0000,0000,0000,,in relation to feminism, feminisms, civil rights movements, pacifism.
Dialogue: 0,0:01:33.64,0:01:36.13,Default,,0000,0000,0000,,When I finished Fine Arts in Madrid
Dialogue: 0,0:01:36.13,0:01:38.23,Default,,0000,0000,0000,,I went to the United States,
Dialogue: 0,0:01:38.23,0:01:40.40,Default,,0000,0000,0000,,to the Art Institute of Chicago,
Dialogue: 0,0:01:40.40,0:01:43.71,Default,,0000,0000,0000,,and there I met my mentor
Dialogue: 0,0:01:43.71,0:01:45.68,Default,,0000,0000,0000,,and teacher Sonia Sheridan.
Dialogue: 0,0:01:45.68,0:01:49.70,Default,,0000,0000,0000,,And, among other classrooms and other subjects,
Dialogue: 0,0:01:49.70,0:01:52.54,Default,,0000,0000,0000,,I decided to focus on one thing,
Dialogue: 0,0:01:52.54,0:01:56.24,Default,,0000,0000,0000,,which was called generative systems.
Dialogue: 0,0:01:56.24,0:02:02.32,Default,,0000,0000,0000,,There we had many machines to create art.
Dialogue: 0,0:02:02.32,0:02:05.20,Default,,0000,0000,0000,,The world's first colour photocopier
Dialogue: 0,0:02:05.20,0:02:07.86,Default,,0000,0000,0000,,had been invented 2 or 3 years earlier
Dialogue: 0,0:02:07.86,0:02:10.74,Default,,0000,0000,0000,,and we had it there in the classroom.
Dialogue: 0,0:02:11.48,0:02:14.87,Default,,0000,0000,0000,,It worked wonders to such an extent
Dialogue: 0,0:02:14.87,0:02:17.32,Default,,0000,0000,0000,,that the inventor of the photocopier said
Dialogue: 0,0:02:17.32,0:02:20.32,Default,,0000,0000,0000,,“I have created a machine that reproduces reality
Dialogue: 0,0:02:20.32,0:02:22.75,Default,,0000,0000,0000,,as faithfully as possible
Dialogue: 0,0:02:22.75,0:02:26.19,Default,,0000,0000,0000,,and you transform that reality”.
Dialogue: 0,0:02:26.19,0:02:28.02,Default,,0000,0000,0000,,And he came to see
Dialogue: 0,0:02:28.02,0:02:29.88,Default,,0000,0000,0000,,what we were doing, he said
Dialogue: 0,0:02:29.88,0:02:31.84,Default,,0000,0000,0000,,“I can't believe that this machine
Dialogue: 0,0:02:31.84,0:02:33.76,Default,,0000,0000,0000,,is an instrument of creation”.
Dialogue: 0,0:02:33.76,0:02:35.99,Default,,0000,0000,0000,,I try to keep up to date,
Dialogue: 0,0:02:35.99,0:02:38.64,Default,,0000,0000,0000,,but as I always say, when I started
Dialogue: 0,0:02:38.64,0:02:40.70,Default,,0000,0000,0000,,there was only one machine,
Dialogue: 0,0:02:40.70,0:02:42.96,Default,,0000,0000,0000,,two, three types of photocopiers,
Dialogue: 0,0:02:42.96,0:02:45.46,Default,,0000,0000,0000,,but now there are a thousand resources,
Dialogue: 0,0:02:45.46,0:02:48.12,Default,,0000,0000,0000,,a thousand machines and a thousand ways.
Dialogue: 0,0:02:48.12,0:02:51.63,Default,,0000,0000,0000,,So I don't want to spread myself
Dialogue: 0,0:02:51.63,0:02:54.00,Default,,0000,0000,0000,,thin by trying all kinds of tools,
Dialogue: 0,0:02:54.00,0:02:56.70,Default,,0000,0000,0000,,so I concentrate on one, although
Dialogue: 0,0:02:56.70,0:02:58.96,Default,,0000,0000,0000,,I have already tried artificial intelligence.
Dialogue: 0,0:02:58.96,0:03:00.89,Default,,0000,0000,0000,,She is an artist who is still active.
Dialogue: 0,0:03:00.89,0:03:02.84,Default,,0000,0000,0000,,So the conversation remains open.
Dialogue: 0,0:03:02.84,0:03:05.51,Default,,0000,0000,0000,,Furthermore, Marisa's work is never closed,
Dialogue: 0,0:03:05.51,0:03:07.52,Default,,0000,0000,0000,,she continually reconfigures her series.
Dialogue: 0,0:03:07.52,0:03:10.53,Default,,0000,0000,0000,,For this exhibition you will see many posters
Dialogue: 0,0:03:10.53,0:03:13.47,Default,,0000,0000,0000,,that end in 2025 because she has reconfigured,
Dialogue: 0,0:03:13.47,0:03:15.66,Default,,0000,0000,0000,,she has finished, she has gone back to her
Dialogue: 0,0:03:15.66,0:03:17.72,Default,,0000,0000,0000,,archive to produce some new work as well.
Dialogue: 0,0:03:17.72,0:03:19.58,Default,,0000,0000,0000,,Come and see the exhibition and
Dialogue: 0,0:03:19.58,0:03:22.16,Default,,0000,0000,0000,,you will see different stages.
Dialogue: 0,0:03:22.16,0:03:23.60,Default,,0000,0000,0000,,It is not a collective exhibition,
Dialogue: 0,0:03:23.60,0:03:25.28,Default,,0000,0000,0000,,it is a individual exhibition,
Dialogue: 0,0:03:25.28,0:03:27.62,Default,,0000,0000,0000,,although it could seem to be a collective exhibition
Dialogue: 0,0:03:27.62,0:03:29.88,Default,,0000,0000,0000,,because of the diversity of resources
Dialogue: 0,0:03:29.88,0:03:32.10,Default,,0000,0000,0000,,and themes that I have developed
Dialogue: 0,0:03:32.10,0:03:35.27,Default,,0000,0000,0000,,over more than 50 years.