1
00:00:00,663 --> 00:00:03,663
(bip de machine)

2
00:00:06,712 --> 00:00:10,020
(frottement de perles)

3
00:00:10,020 --> 00:00:13,260
- Pour moi, la photo est quelque chose de très intime

4
00:00:13,260 --> 00:00:15,423
un face-à-face.

5
00:00:16,523 --> 00:00:20,190
(mélodie douce)

6
00:00:21,510 --> 00:00:23,790
Certains supports sont perçus

7
00:00:23,790 --> 00:00:26,340
de manière très différente 
à travers l'appareil photo.

8
00:00:26,340 --> 00:00:29,190
Je trouve ça incroyable que
quelque chose soit

9
00:00:29,190 --> 00:00:31,893
réellement transformé 
à travers l'objectif.

10
00:00:37,080 --> 00:00:40,980
Je fais des photos et des vidéos et

11
00:00:40,980 --> 00:00:43,350
j'ai aussi des expositions d'éléments,

12
00:00:43,350 --> 00:00:46,263
ce que j'appellerais
des interventions architecturales.

13
00:00:47,198 --> 00:00:51,115
(la mélodie continue)

14
00:00:56,520 --> 00:00:58,220
Les photos sont tellement
d'intenses condensations.

15
00:00:59,220 --> 00:01:01,077
Elles sont presque comme
sorties d'un rêve.

16
00:01:11,673 --> 00:01:13,680
(Des gens acclament)

17
00:01:13,680 --> 00:01:17,370
YouTube, internet, 
cela me donne des idées

18
00:01:17,370 --> 00:01:19,260
pour que je me sente 
connectée aux autres.

19
00:01:19,260 --> 00:01:21,063
Qui essaient, eux aussi,
de faire des choses.

20
00:01:25,770 --> 00:01:29,270
(musique électronique douce)

21
00:01:33,900 --> 00:01:37,980
J'aime regarder des vidéos d'artisanat,
de sculpture sur fruits,

22
00:01:37,980 --> 00:01:42,980
des tutos de cuisine, de maquillage,
de tressage de cheveux.

23
00:01:43,020 --> 00:01:44,580
Ces techniques et ces manières
de fabriquer, de faire

24
00:01:44,580 --> 00:01:47,340
portent en eux une réelle temporalité,

25
00:01:47,340 --> 00:01:48,993
comme une date de validité.

26
00:01:52,260 --> 00:01:54,570
La photo aborde tellement
bien la fugacité

27
00:01:54,570 --> 00:01:56,070
parce que vous pouvez 
simplement faire une image

28
00:01:56,070 --> 00:01:57,933
d'une situation fugace.

29
00:01:59,359 --> 00:02:02,130
(musique dramatique)

30
00:02:02,130 --> 00:02:04,800
En tant que photographe,
Je me sens comme obligée

31
00:02:04,800 --> 00:02:08,790
de recueillir tout ce qui
a été rejeté du monde,

32
00:02:08,790 --> 00:02:13,420
tu vois, et je pense que je
travaille avec ce déchet psychique.

33
00:02:15,030 --> 00:02:18,510
Je travaille avec tellement
de ressources dédaignées,

34
00:02:18,510 --> 00:02:22,380
des trucs auxquels n'est associée 
qu'une très faible valeur sociale.

35
00:02:22,380 --> 00:02:24,870
Cela revient comme nettoyer ma maison,
balayer un tas de poussière

36
00:02:24,870 --> 00:02:26,670
et juste récupérer cette poussière
et l'amener dans un sac

37
00:02:26,670 --> 00:02:28,233
au studio.

38
00:02:31,410 --> 00:02:34,680
Ou alors, je récupère quelque chose
qui a une valeur sociale

39
00:02:34,680 --> 00:02:37,683
et je lui rend
une matérialité.

40
00:02:46,410 --> 00:02:47,190
Une image réussie prend corps
juste avant que

41
00:02:47,190 --> 00:02:47,580
tout s'écroule. Ça pourrait être

42
00:02:50,760 --> 00:02:52,470
parce que je mets le feu à
quelque chose

43
00:02:52,470 --> 00:02:54,603
et que je n'ai qu'une fraction de seconde.

44
00:02:59,086 --> 00:03:02,264
(musique funky)

45
00:03:02,264 --> 00:03:03,660
Je touche les choses, 
je les arrange

46
00:03:03,660 --> 00:03:07,473
mais tout doit

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