1 00:00:00,130 --> 00:00:02,710 (舒缓的轻音乐) 2 00:00:20,220 --> 00:00:21,770 有的时候我觉得 3 00:00:21,770 --> 00:00:23,180 陶泥在指挥我的动作 4 00:00:24,410 --> 00:00:27,790 我只能臣服于这位冷血的情人 5 00:00:27,790 --> 00:00:30,790 (上扬的轻音乐) 6 00:00:33,940 --> 00:00:36,520 感觉我才是媒材 7 00:00:37,500 --> 00:00:42,280 陶泥的意识穿透我和我的双手 8 00:00:44,170 --> 00:00:46,550 不是我在塑造它 9 00:00:46,550 --> 00:00:48,210 更像是它在反向塑造我 10 00:00:48,210 --> 00:00:50,460 (慧德的笑声) 11 00:00:51,600 --> 00:00:54,840 它就像是魂灵的载体 12 00:00:57,300 --> 00:01:00,150 我的名字叫刘慧德,我是一名雕塑家 13 00:01:00,150 --> 00:01:02,360 陶泥是我的主要媒材 14 00:01:03,850 --> 00:01:06,600 (鸟叫声) 15 00:01:04,480 --> 00:01:12,060 刘慧德的精神寄托 16 00:01:14,060 --> 00:01:17,390 布鲁克林格林伍德公墓 17 00:01:18,100 --> 00:01:23,830 刘慧德是这个有184年历史的公墓的第一位常驻艺术家 18 00:01:30,780 --> 00:01:34,170 当你用陶泥进行雕塑的时候, 19 00:01:34,170 --> 00:01:37,830 最轻微的触碰也都留下痕迹 20 00:01:39,710 --> 00:01:43,940 泥土一层一层不断叠加 21 00:01:46,070 --> 00:01:49,820 我知道的一切都是自学的 22 00:01:49,820 --> 00:01:55,740 我想我唯一会用的技巧是在土上刻划痕然后上化妆土 23 00:01:55,910 --> 00:01:57,380 然后我把整体粘合在一起 24 00:02:00,640 --> 00:02:02,490 手也许是我作品里 25 00:02:02,490 --> 00:02:03,510 (慧德的笑声) 26 00:02:03,510 --> 00:02:06,670 出现最多的视觉元素 27 00:02:08,220 --> 00:02:11,320 我永远不会做一个真手的模型 28 00:02:11,320 --> 00:02:11,940 你知道他们 29 00:02:12,050 --> 00:02:13,990 都像幽灵的手一样 30 00:02:13,990 --> 00:02:15,360 又细又长 31 00:02:16,240 --> 00:02:19,120 意味着它不属于这个现实世界 32 00:02:20,410 --> 00:02:22,710 这是我给地下墓穴项目 33 00:02:22,710 --> 00:02:24,380 画的前期草图 34 00:02:24,380 --> 00:02:26,120 这是拱门 35 00:02:26,120 --> 00:02:29,040 雕塑会从天顶挂到地上 36 00:02:29,040 --> 00:02:31,460 (轻缓的音乐) 37 00:02:36,480 --> 00:02:39,590 我做了很多带着垂挂物的翁 38 00:02:39,590 --> 00:02:42,170 这算是哀悼的象征吧 39 00:02:42,170 --> 00:02:44,700 我一直很想把它呈现出来 40 00:02:44,700 --> 00:02:47,120 (平缓的音乐) 41 00:02:48,940 --> 00:02:50,500 我在澳门长大 42 00:02:50,500 --> 00:02:53,180 我的童年在 43 00:02:53,180 --> 00:02:56,390 非常严苛的中式家庭教育 44 00:02:56,390 --> 00:03:01,390 和离家出走去废墟冒险中摇摆度过 45 00:03:01,720 --> 00:03:06,510 当时澳门还是葡萄牙的殖民地 46 00:03:09,500 --> 00:03:12,270 葡萄牙人建造了很多教堂 47 00:03:12,270 --> 00:03:15,390 还有很多殖民风格的房子 48 00:03:16,460 --> 00:03:20,200 我常常在这些建筑里漫游 49 00:03:21,920 --> 00:03:24,210 我想要在作品里捕捉住那种 50 00:03:24,210 --> 00:03:28,210 能让你徜徉其中的建筑结构所特有的质感 51 00:03:28,210 --> 00:03:30,630 (轻音乐) 52 00:03:49,970 --> 00:03:54,780 曼哈顿,中国城 53 00:03:51,340 --> 00:03:53,930 (钟声) 54 00:03:55,880 --> 00:03:58,210 (汽车鸣笛声) 55 00:04:01,740 --> 00:04:02,580 你好 56 00:04:03,640 --> 00:04:06,130 永安和是一家在中国城的陶艺品店 57 00:04:06,960 --> 00:04:08,270 而且它是在整个曼哈顿内 58 00:04:08,270 --> 00:04:12,500 年代最久远的几家之一 59 00:04:12,500 --> 00:04:16,360 五年前我和店老板Mei成为了朋友 60 00:04:17,260 --> 00:04:19,140 踏入店里的那一刻 61 00:04:19,140 --> 00:04:21,500 我就感到无比亲切 62 00:04:21,500 --> 00:04:25,220 因为我成长的环境这里很相似 63 00:04:28,890 --> 00:04:31,210 我看海外华人的方式和 64 00:04:31,210 --> 00:04:34,409 我看Mei运营她的陶艺店的方式很像 65 00:04:34,409 --> 00:04:38,030 重新思考陶艺可以如何被解读 66 00:04:38,030 --> 00:04:42,210 或者说如何被重新引入当代 67 00:04:42,210 --> 00:04:43,350 如果我闭上眼睛 68 00:04:43,350 --> 00:04:46,250 我还能看到我外公放在书架上的书 69 00:04:46,250 --> 00:04:47,720 像是他的花园一样 70 00:04:48,550 --> 00:04:49,390 回望过去的同时 71 00:04:50,480 --> 00:04:53,600 这也给了我很多能量 72 00:04:53,600 --> 00:04:58,530 去为当下和未来创作作品 73 00:04:58,530 --> 00:05:01,680 这就是为什么我来给你看这个 74 00:05:01,680 --> 00:05:05,350 因为我想让作品里的元素有一些真实的参考 75 00:05:06,550 --> 00:05:08,700 (平和的音乐) 76 00:05:08,700 --> 00:05:10,660 在我母亲过世之后我开始构思 77 00:05:10,660 --> 00:05:15,150 用陶土去做一件寿衣 78 00:05:15,150 --> 00:05:16,730 作为一种缅怀的方式 79 00:05:16,730 --> 00:05:18,640 我开始查阅很多 80 00:05:18,640 --> 00:05:21,920 来自汉朝和秦朝的陪葬品 81 00:05:21,920 --> 00:05:24,630 还有看很多中国僵尸片 82 00:05:24,750 --> 00:05:26,800 (慧德的笑声) 83 00:05:26,800 --> 00:05:29,800 (上扬的音乐) 84 00:05:33,940 --> 00:05:36,870 用我的双手去悼念的感觉很对 85 00:05:36,870 --> 00:05:39,850 这样去做陶瓷是一件高劳力 86 00:05:39,850 --> 00:05:43,830 甚至近乎不切实际的事情 87 00:05:43,830 --> 00:05:46,780 这其中的劳动等同于悼念 88 00:05:47,659 --> 00:05:50,080 (平缓的音乐) 89 00:06:06,220 --> 00:06:08,970 (鸟叫声) 90 00:06:11,480 --> 00:06:14,960 我在实习期间开始出去散很久的步 91 00:06:14,960 --> 00:06:16,900 就这样在这些漫无目的 92 00:06:16,900 --> 00:06:20,070 冥想一般的散步中 93 00:06:20,070 --> 00:06:22,740 地下墓穴项目开始有了雏形 94 00:06:23,740 --> 00:06:27,280 散步是我每天的锻炼 95 00:06:27,280 --> 00:06:30,990 帮助我清空自我意识 96 00:06:30,990 --> 00:06:34,610 从而让我能触及到祖上的域界 97 00:06:34,610 --> 00:06:36,440 并且在那里也能找到方向 98 00:06:39,570 --> 00:06:41,980 (平缓的音乐) 99 00:06:46,090 --> 00:06:49,330 (链条碰撞声) 100 00:06:49,330 --> 00:06:50,570 拿稳了 101 00:06:50,570 --> 00:06:53,070 (硬币碰撞声) 102 00:06:55,140 --> 00:06:57,140 我把我的作品看作是 103 00:06:57,140 --> 00:07:00,840 非常相对的观点之间的交融点 104 00:07:02,420 --> 00:07:05,640 它存在于人类世界和未知的魂灵世界之间 105 00:07:07,550 --> 00:07:10,550 (上扬的轻音乐) 106 00:07:18,490 --> 00:07:19,510 我感觉本质上 107 00:07:19,510 --> 00:07:23,940 我做关于哀悼的作品其实是在 108 00:07:23,940 --> 00:07:28,180 将情感注入陶土并且认真地聆听它 109 00:07:31,700 --> 00:07:36,300 它变得可爱可亲,变得美丽动人 110 00:07:37,860 --> 00:07:40,860 (上扬的轻音乐) 111 00:07:47,240 --> 00:07:49,230 导演:Bryan Chang 制片人 Nick Ravich 编辑 Leah Galant 电影摄影 Sean HanleySana A. Malik Eric Phillips-HorstJeff Sterrenberg 112 00:07:52,830 --> 00:07:53,870 制作服务Meerkat Media 色彩校正 Bryan Chang 设计和图表 Chips 音乐 AMP Music 113 00:07:53,870 --> 00:07:54,830 作品提供者 Heidi Lau 特别感谢 Mei Lum The Green-wood Cemetery The Metropolitan The Museum of Art Harry Weil Neela Wickremesinghe Wing on Wo 114 00:07:54,830 --> 00:07:56,830 Art21 员工 Lauren Barnett Hannah DeGarmo Adaeze Dikko Lolita Fierro Ian Forster Joe Fusaro Molaundo Jones Tina Kukielski Jurrell Lewis Emma Nordin Jessica Svenson Nora Wimmer 115 00:07:59,409 --> 00:08:00,190 由 The Andy Warhol Foundation for the Visual Arts 赞助